A low-level triad "big brother" has a hot-tempered "little brother" who can't keep out of trouble, and consequently is in constant need of being bailed out by his protector. The "big brother" is super cool, but lacks the ambition to rise in the ranks of the triad societies - and once he meets his cousin from Kowloon and falls in love with her, he even thinks about leaving "the life"

Nelly has just lost her grandmother and is helping her parents clean out her mother's childhood home. She explores the house and the surrounding woods. One day she meets a girl her age building a tree-house.

College student Jeffrey Beaumont (Kyle MacLachlan) returns home after his father has a stroke. When he discovers a severed ear in an abandoned field, Beaumont teams up with detective's daughter Sandy Williams (Laura Dern) to solve the mystery. They believe beautiful lounge singer Dorothy Vallens (Isabella Rossellini) may be connected with the case, and Beaumont finds himself becoming drawn into her dark, twisted world, where he encounters sexually depraved psychopath Frank Booth (Dennis Hopper)

Hatred breeds hatred...

24 hours in the lives of three young men in the French suburbs the day after a violent riot.

When a machine that allows therapists to enter their patients' dreams is stolen, all hell breaks loose. Only a young female therapist, Paprika, can stop it.

Yuddy, a Hong Kong playboy known for breaking girls' hearts, tries to find solace and the truth after discovering the woman who raised him isn't his mother.

In this Japanese animation, cyborg federal agent Maj. Motoko Kusanagi (Mimi Woods) trails "The Puppet Master" (Abe Lasser), who illegally hacks into the computerized minds of cyborg-human hybrids. Her pursuit of a man who can modify the identity of strangers leaves Motoko pondering her own makeup and what life might be like if she had more human traits. With her partner (Richard George), she corners the hacker, but her curiosity about her identity sends the case in an unforeseen direction.

World Premiere of 88 Films' new 4K RESTORATION!

Uncompromising in its depiction of everyday violence, retribution, suicide and sexual assault, Scum remains a cornerstone of the British realist cinema movement, and a savage anAfter the banning of their original 1977 BBC TV version, director Alan Clarke (The Firm) and writer Roy Minton (Funny Farm) set out to remake their drama for the big screen to ensure that their vision got the audience it deserved. The resulting film was an even more vitriolic portrait of a corrupt and violent institution which stunned cinema audiences and caused outrage. Uncompromising in its depiction of everyday violence, retribution, suicide and sexual assault, Scum remains a cornerstone of the British realist cinema movement, and a savage and still shocking indictment of institutionalised violence and abuse.

Scum has been transferred by Filmfinity into a new 4K DCP from the original Camera Negative, kindly supplied by Tigon Films and commissioned by 88 Films. Extensive cleanup and grading have been performed and it now looks better than it would have done upon release back in 1979. Scum will be released on 4K UHD, Blu-ray and DVD by 88 Films on 18th August.
 

BLEAK WEEK : CINEMA OF DESPAIR is co-presented by the American Cinematheque.

Every day, Cop 223 (Takeshi Kaneshiro) buys a can of pineapple with an expiration date of May 1, symbolizing the day he'll get over his lost love. He's also got his eye on a mysterious woman in a blond wig (Brigitte Lin), oblivious of the fact she's a drug dealer. Cop 663 (Tony Leung Chiu Wai) is distraught with heartbreak over a breakup. But when his ex drops a spare set of his keys at a local cafe, a waitress (Faye Wong) lets herself into his apartment and spruces up his life.

Jack Carter (Michael Caine) is a cold-blooded London gangster, and not the sort of man you want to cross. When Carter's brother winds up dead, he travels to Newcastle to arrange the funeral. Convinced that his brother was murdered, Carter questions local thug Eric (Ian Hendry), who eventually leads him to kingpin Kinnear. From there, Carter carves a bloody trail of revenge through the seedy underbelly of Newcastle in search of his brother's killer.

BLEAK WEEK : CINEMA OF DESPAIR is co-presented by the American Cinematheque.

In Vietnam in 1970, Captain Willard (Martin Sheen) takes a perilous and increasingly hallucinatory journey upriver to find and terminate Colonel Kurtz (Marlon Brando), a once-promising officer who has reportedly gone completely mad. In the company of a Navy patrol boat filled with street-smart kids, a surfing-obsessed Air Cavalry officer (Robert Duvall), and a crazed freelance photographer (Dennis Hopper), Willard travels further and further into the heart of darkness.

Featuring Post-Film Q&A with Director Mike Leigh

Johnny (David Thewlis) is a frenetic and destructive outsider who tears through the lives of others like an emotional tornado. On the run from Manchester, he seeks sanctuary with his ex-girlfriend Louise (Lesley Sharp) in London, where he immediately targets her vulnerable housemate Sophie (Katrin Cartlidge) with his unique blend of predatory charm. From there he embarks on a nocturnal odyssey across the city, dragging other disaffected souls into his orbit as he spirals towards his own personal apocalypse.

Mike Leigh’s Cannes-winning film is a masterful, controversial, and totally unforgettable exploration of society in free-fall at the tail end of Thatcher’s Britain.

BLEAK WEEK : CINEMA OF DESPAIR is co-presented by the American Cinematheque.

After professional hitman Jef Costello is seen by witnesses his efforts to provide himself an alibi drive him further into a corner.

In 1986, Park (Song Kang-ho) and Cho (Kim Roi-ha) are two simple-minded detectives assigned to a double murder investigation in a South Korean province. But when the murderer strikes several more times with the same pattern, the detectives realize that they are chasing the country's first documented serial killer. Relying on only their basic skills and tools, Park and Jo attempt to piece together the clues and solve the case in this thriller based on true events.

Widely regarded as one of the greatest films of all time, this mob drama, based on Mario Puzo's novel of the same name, focuses on the powerful Italian-American crime family of Don Vito Corleone (Marlon Brando). When the don's youngest son, Michael (Al Pacino), reluctantly joins the Mafia, he becomes involved in the inevitable cycle of violence and betrayal. Although Michael tries to maintain a normal relationship with his wife, Kay (Diane Keaton), he is drawn deeper into the family business.

An assassin goes through obstacles as he attempts to escape his violent lifestyle despite the opposition of his partner, who is secretly attracted to him.

Staking out territory on the cold winter streets of midtown Manhattan, West African immigrant Lucky (Prince Adu) uses the gift of gab and a hustler's shrewdness to peddle designer knockoffs for Lebanese store owner Levon (Karren Karagulian). One day, a long-forgotten ex named Linda (Kat Sanchez) delivers shocking news: years ago she had Lucky's baby (Aiden Noesi) and now needs him to tend the toddler for several weeks—though Lucky suspects she's using him to completely abdicate her parental responsibilities. Now Lucky must figure out how to become a father overnight without losing his girlfriend, Karina (Keyali Mayaga), or his edge in the counterfeit-merch game. Directed, photographed, edited, coproduced, and cowritten by Sean Baker, Prince of Broadway scintillates with the live-wire energy of its mostly nonprofessional cast and the authenticity of its documentarylike production, shot on location in New York City. With this marvel of shoestring-budget guerrilla filmmaking, Baker deftly combines the streetwise and the heartfelt, proving himself one of the contemporary masters of American independent cinema.

Newly restored in 4K to coincide with its 40th anniversary, the 1984 film was directed by renowned filmmaker Jonathan Demme and is considered by critics as the greatest concert film of all time. Stop Making Sense stars core band members David Byrne, Tina Weymouth, Chris Frantz, and Jerry Harrison along with Bernie Worrell, Alex Weir, Steve Scales, Lynn Mabry and Edna Holt. The live performance was shot over the course of three nights at Hollywood's Pantages Theater in December of 1983 and features Talking Heads' most memorable songs.

Please Note : It is only the SATURDAY EVENING RESIDENCY (tagged 'A24 Merch' on the website) shows which will feature the pop-up merch stand, all other performances are simply regular screenings of the film. 

ALL NIGHTER : FAQs, HOUSE RULES & TIPS

2025 SCHEDULES:

Please Note: Daytime Performances are rated 12A. All-Nighters are rated 16+.

- Saturday 29th March 21:00 (the bar will be open to midnight)
- Monday 5th May 10:30AM
- Saturday 17th May 20:45
- Monday 26th May 10:15AM
- Saturday 28th June 21:00

Please Note; Films will start 20 mins after the advertised time, and due to the length of the credits for the first two films, the down time between films will be minimal. 

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THE FELLOWSHIP OF THE RING; A meek Hobbit from the Shire and eight companions set out on a journey to destroy the powerful One Ring and save Middle-earth from the Dark Lord Sauron.

THE TWO TOWERS; While Frodo and Sam edge closer to Mordor with the help of the shifty Gollum, the divided fellowship makes a stand against Sauron's new ally, Saruman, and his hordes of Isengard.

THE RETURN OF THE KING; Gandalf and Aragorn lead the World of Men against Sauron's army to draw his gaze from Frodo and Sam as they approach Mount Doom with the One Ring.

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NO ADMISSIONS TO THE CINEMA AFTER MIDNIGHT

NO ALCOHOL PURCHASED FROM OUTSIDE IS PERMITTED IN THE BUILDING!

AGE RESTRICTIONS : For the All Night Marathon, due to the event running through the night, all attendees must be 16+. For the daytime marathon the rating is 12a.

In remote Antarctica, a group of American research scientists are disturbed at their base camp by a helicopter shooting at a sled dog. When they take in the dog, it brutally attacks both human beings and canines in the camp and they discover that the beast can assume the shape of its victims. A resourceful helicopter pilot (Kurt Russell) and the camp doctor (Richard Dysart) lead the camp crew in a desperate, gory battle against the vicious creature before it picks them all off, one by one.

Phoenix secretary Marion Crane (Janet Leigh), on the lam after stealing $40,000 from her employer in order to run away with her boyfriend, Sam Loomis (John Gavin), is overcome by exhaustion during a heavy rainstorm. Traveling on the back roads to avoid the police, she stops for the night at the ramshackle Bates Motel and meets the polite but highly strung proprietor Norman Bates (Anthony Perkins), a young man with an interest in taxidermy and a difficult relationship with his mother.

A hot-tempered farm laborer convinces the woman he loves to marry their rich but dying boss so that they can have a claim to his fortune.

A winner of awards across the world including Best Foreign Language Film Oscar, 5 BAFTA Awards including Best Actor, Original Screenplay and Score, the Grand Prize of the Jury at the Cannes Film Festival and many more.

Giuseppe Tornatore's loving homage to the cinema tells the story of Salvatore, a successful film director, returning home for the funeral of Alfredo, his old friend who was the projectionist at the local cinema throughout his childhood. Soon memories of his first love affair with the beautiful Elena and all the highs and lows that shaped his life come flooding back, as Salvatore reconnects with the community he left 30 years earlier.

A disheveled man who wanders out of the desert, Travis Henderson (Harry Dean Stanton) seems to have no idea who he is. When a stranger manages to contact his brother, Walt (Dean Stockwell), Travis is awkwardly reunited with his sibling. Travis has been missing for years, and his presence unsettles Walt and his family, which also includes Travis's own son, Hunter (Hunter Carson). Soon Travis must confront his wife, Jane (Nastassja Kinski), and try to put his life back together.

Salvatore "Sal" Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.

From 3rd July, all performances of IN THE MOOD FOR LOVE will be presented in 4K and followed by the ‘IN THE MOOD FOR LOVE 2021’ short. 

In Hong Kong of 1962, Mrs. Chan and Mr. Chow, a journalist, move into neighbouring apartments on the same day. Their encounters are formal and polite—until a discovery about their respective spouses creates an intimate bond between them.

The compelling sequel to "The Godfather," contrasting the life of Corleone father and son. Traces the problems of Michael Corleone (Al Pacino) in 1958 and that of a young immigrant Vito Corleone (Robert De Niro) in 1917's Hell's Kitchen. Michael survives many misfortunes and Vito is introduced to a life of crime.

Francis Ford Coppola began to film 'Apocalypse Now' in February 1976. After 238 days in the jungle, filming was complete and millions of dollars had been spent (Marlon Brando was on set for three weeks at a million dollars a week). Actors had been replaced (Harvey Keitel by Martin Sheen). They had all gone a bit insane (according to Coppola) and the whole thing was documented on film by his wife, Eleanor.

Stanley Kubrick bent the conventions of the historical drama to his own will in this dazzling vision of a pitiless aristocracy, adapted from a novel by William Makepeace Thackeray. In picaresque detail, Barry Lyndon chronicles the adventures of an incorrigible trickster (Ryan O’Neal) whose opportunism takes him from an Irish farm to the battlefields of the Seven Years’ War and the parlours of high society. For the most sumptuously crafted film of his career, Kubrick recreated the decadent surfaces and intricate social codes of the period, evoking the light and texture of eighteenth-century painting with the help of pioneering cinematographic techniques and lavish costume and production design, all of which earned Academy Awards. The result is a masterpiece—a sardonic, devastating portrait of a vanishing world whose opulence conceals the moral vacancy at its heart.

Barry Lyndon is presented in the film’s photographed aspect ratio of 1.66:1, as specified in a December 8, 1975, letter from director Stanley Kubrick to projectionists. This new 4K restoration was sourced from a 4K scan of the 35mm original camera negative. The high-definition transfer, created in 2000 under the supervision of Leon Vitali (Kubrick’s personal assistant), served as a colour reference for this restoration. The 5.1 surround audio mix was created from restored original soundtrack stems.

Colour Grading: Sheri Eisenberg at Warner Bros. Motion Picture Imaging Digital image restoration: Prasad Corporation, Burbank Audio restoration: Chris Jenkins at WB Post Production Services Sound

As Michael Corleone (Al Pacino) ages, he finds that being the head of the Corleone crime family isn't getting any easier. He wants his family out of the Mafia, but the mob kingpin (Eli Wallach) isn't eager to let one of the most powerful and wealthy families go legit. Making matters even worse is Michael's nephew, Vincent (Andy Garcia). Not only does Vincent want a piece of the Corleone family's criminal empire, but he also wants Michael's daughter, Mary (Sofia Coppola).

We are pleased to welcome BAFTA Winning writer Krysty Wilson-Cairns (1917, Last Night in Soho, The Good Nurse) to the Prince Charles Cinema stage to introduce the film, in a 25th Anniversary screening in 4K!

The captivating crime-fighting trio who are masters of disguise, espionage and martial arts are back! When a devious mastermind embroils them in a plot to destroy individual privacy, the Angels, aided by their loyal sidekick Bosley, set out to bring down the bad guys. But when a terrible secret is revealed, it makes the Angels targets for assassination.

A Victorian surgeon rescues a heavily disfigured man being mistreated by his "owner" as a side-show freak. Behind his monstrous façade, there is revealed a person of great intelligence and sensitivity. Based on the true story of Joseph Merrick (called John Merrick in the film), a severely deformed man in 19th century London.

From this inventory of imagery, Lynch fashions two separate but intersecting stories, one about a jazz musician (Bill Pullman), tortured by the notion that his wife is having an affair, who suddenly finds himself accused of her murder. The other is a young mechanic (Balthazar Getty) drawn into a web of deceit by a temptress who is cheating on her gangster boyfriend. These two tales are linked by the fact that the women in both are played by the same actress (Patricia Arquette).