Legendary comedian and TV host turned director Takeshi Kitano writes, directs, and stars in his first and only American co-production. Disgraced yakuza Yamamoto (Kitano) seeks refuge in Los Angeles, reconnecting with his younger half-brother Ken (Claude Maki) after his clan suffered defeat at the hands of a rival gang back in Tokyo. Cool and detached, Brother marries Japanese and American disillusionment in Kitano’s signature violent minimalist style through the growing bonds between Yamamoto and the multinational gang that he cultivates in L.A. 

Brother is featured as part of Gangsters Have Feelings Too, a season exploring the sensitive gangster film. The season is presented with the National Film and Television School’s Film Studies, Programming and Curation MA.

"She's evil… and not just high school evil.” 

A demon possesses high-school It-girl Jennifer (Megan Fox) after she is kidnapped and sacrificed in a failed occult ritual. Bloodthirsty, she seeks revenge through any man who crosses her path, but is challenged when her best friend, Needy (Amanda Seyfried), won´t stand idly by as the body-count rises. 

Campy, funny, horrific and truly impressive. After initially receiving mixed critical reception, Jennifer´s Body has become a horror and teen cult-classic as queer and female audiences have reclaimed the title. Ahead of its time, the film is still referenced in Halloween costumes, fan-theories, and video edits as audiences are hungrier than ever for the iconic maneater, Jennifer Check! 

Jennifer´s Body is featured as part of MANEATERS, a season exploring the female supernatural on screen. The season is presented with the National Film and Television School’s Film Studies, Programming and Curation MA.

On Sunday 8th November, we will be joined by Director Alex Cox for a Live Post-Film Q&A

For his directorial swan song, Alex Cox (Repo Man, Straight to Hell) stars in this frontier fable of American Greed, playing the mysterious drifter Strindler as he scours the West for the names of dead Mexican labourers.

In this loose adaptation of Nikolai Gogol's 1842 novel Dead Souls, Strindler - or is it Swindler? - raises eyebrows when he offers to pay a pretty penny to add to his list of names. Wandering affably from saloon to ranch, Strindler exercises the old adage that money talks - but sometimes too loudly. Between the town drunk, hot-headed cowherds and local outlaws, Strindler soon finds himself tangled up in his own tall tales.

Pistol duels and crooked officials abound, and Spaghetti Western legend Gianni Garko (If You Meet Sartana Pray For Your Death) claims a co-writer credit. But Cox's idiosyncrasy stands out as the film veers tonally through the picaresque, dark satire and other unexpected twists. Dead Souls is a meditative Western that takes place at the borderlands of the American nightmare: where fortunes rest on a dirty deal and legacies are built on blood and gold.

“She Loved Men... To Death.”

Addicted to love, Elaine – the love witch – casts love and sex spells to seek her perfect man, finding herself with more dead bodies than she does a long-term partner… 

A visually-striking, humorous and thought-provoking film by the continuously playful Anna Biller, The Love Witch has caused immense debate by audiences through its feminist themes. Visually drenched in 1970s fashion and cinematography, the film´s style feels as magical as the love witch herself. 

The Love Witch is featured as part of MANEATERS, a season exploring the female supernatural on screen. The season is presented with the National Film and Television School’s Film Studies, Programming and Curation MA.

For one night only, Have A Gd Trip brings Skateboarding Film Club back to Prince Charles Cinema for an essential double bill celebrating two definitive eras of skate culture.

Kicking off the night is the 20th anniversary of Enjoi’s Bag of Suck (2006)—a Transworld Video of the Year winner that balanced jaw-dropping technical progression (anchored by Jerry Hsu’s legendary parts) with the irreverent, fun-first humour that made Enjoi an instant classic.

Followed by the 30th anniversary of Toy Machine’s Welcome to Hell (1996)—a relentless masterpiece that set the standard for high-impact handrail skating, immortalised Jamie Thomas’s raw style, and helped launch legends like Elissa Steamer.

Welcome to Hell
1996 | 45mins | USA | (18) | Skateboarding Video
Directed by Jamie Thomas, Video introduction by Ed Templeton
Starring Jamie Thomas, Ed Templeton, Elissa Steamer, Chad Muska, Brian Anderson, Donny Barley

Bag of Suck
2006 | 50mins | USA | (18) | Skateboarding Video
Directed by Matt Eversole and Kyle Camarillo, Video introduction by Louie Barletta
Starring Jerry Hsu, Louie Barletta, Marc Johnson, Caswell Berry, Stevie Williams, Cairo Foster
"Pandas, heavy handrails, and pure raw energy."

Two iconic videos, three decades of skate history, together for one night only. Rarely seen on the big screen—don't miss out.

We are delighted to announce a very exciting edition of Music Video Preservation Society at the Prince Charles Cinema - with one of the most brilliant music video directors of all time: the one and only Tim Pope. 

Tim is among the most significant figures in the history of music videos, a pioneer in establishing its potential as an artform. He directed videos of boundless imagination, spirit and wit in service of the musicians and music he loves. And what a list of artists he’s worked with. From blagging his way into the just-emerging music video industry to direct promos for Soft Cell in the early 80s he blazed a trail with the likes of David Bowie, The The, Neil Young, Queen, Style Council, Talk Talk and, of course, The Cure - the band he is most closely associated with, for whom he has made by his own calculation, over 30 videos and several concert films. 

Tim has now written about his fascinating (and often hilarious) adventures making pop videos in the 80s, 90s and beyond - plus a nightmarish brush with Hollywood making ‘The Crow 2’ for Harvey Weinstein - in his brilliant memoir ‘I Shoot Rock Stars’, published in August and now a Sunday Times bestseller. 

And on November 18th, Tim is coming to The PCC to tell some stories from the book and more, in conversation with MVPS host David Knight - and he will also present a selection of his greatest music videos, now remastered back to their original glory, on the big screen. There will be classics, there will be surprises, there will be laughs, maybe a few tears... 

Will we be showing Tim's notorious video for Sex Dwarf? We're not saying until we have consulted our lawyers. But rest assured, this meeting of Music Video Preservation Society is going to be awesome. Tickets on sale now at the box office.

“We are a brotherhood. There are no women amongst us” 

Hunted for two centuries, Clara and Eleanor Webb are the only female vampires alive: a mother who feeds on human blood and will go to any lengths to survive, and her daughter who despises what she is and tries to live a moral life. Forced to find refuge in a run-down coastal hotel, they realise that they can not hide forever; not when their past and secrets are coming back to haunt them. 

Blood waterfalls, razor-sharp claws and cults of knowledge; from the director of Interview with the Vampire (1994), Byzantium is deliciously gothic, seductively atmospheric, and inescapably tragic. A must-watch title in the vampire genre, Neil Jordan depicts vampire lore in a contemporary way while staying true to its archaic themes. 

Byzantium is featured as part of MANEATERS, a season exploring the female supernatural on screen. The season is presented with the National Film and Television School’s Film Studies, Programming and Curation MA.

“One of the best TV and film podcasts” – The Telegraph

“What’s the best thing?” It’s a question for our times. It’s the question of our lives. And it’s one of Alan Partridge’s best-known phone-in topics.

Finally, as part of their 10-year birthday celebrations, the hosts of Monkey Tennis (the award-winning, chart-topping Alan Partridge fan podcast) will tackle it live, armed with only four microphones and a live audience. Join them as they pit elements of the APU (Alan Partridge Universe) against each other to determine, once and for all, the answer to Alan’s largest question: “What’s the Best Thing?” Will it be 'Alpha Papa’ or Sidekick Simon, a shop-soiled chocolate orange or a can of Sprünt, Flench and Sons Tanning or Bangkok Chick Boys?

Afterwards, they’ll also be speaking to star of I’m Alan Partridge (as well as Guardians of the Galaxy, Amandaland, Parks & Recreation, Shaun of the Dead, Spaced and 100+ more), Peter Serafinowicz, about his epic career and his time as Alan’s antagonist and lover of American things, Tex.

In the meantime, catch up on over 150 episodes of the Monkey Tennis podcast, covering almost everything Alan's ever done, at podfollow.com/monkeytennis

“I get this ache... And I, I thought it was for sex, but it's to tear everything to fucking pieces.”

A wild and bloodthirsty hound has ravaged through the small town of Bailey Downs, attacking the neighbourhood's pet dogs. When the two teenage outcasts, the Fitzgerald sisters, stumble upon the creature one night, their lives change forever as Ginger is bitten, and her body starts to change. 

A true feast of practical effects, 2000s grunge, and snappy one-liners; Ginger Snaps has been credited in hindsight as a predecessor to the “maneater” supernatural woman most famously seen in Jennifer´s Body (2009). A coming-of-age story told in a fresh perspective; for maybe the true terror lies in growing up, or maybe it lies in the bloodthirsty hound who calls herself your sister. 

Ginger Snaps is featured as part of MANEATERS, a season exploring the female supernatural on screen. The season is presented with the National Film and Television School’s Film Studies, Programming and Curation MA.
 

'Tis the season for love, laughter, and one of the most cherished stories of all time! Join Kermit the Frog, Miss Piggy, and all the hilarious Muppets in this merry, magical version of Charles Dickens' classic tale. Academy Award® winner Michael Caine (Best Supporting Actor) gives a performance that's anything but "bah, humbug!" as greedy, penny-pinching Ebenezer Scrooge. One fateful Christmas Eve, Scrooge is visited by the Ghosts of Christmas Past, Present, and Future. Together with kind, humble Bob Cratchit (Kermit the Frog) and his family, the Spirits open Scrooge's eyes -- and his heart -- to the true meaning of Christmas. Filled with original music and dazzling special effects, THE MUPPET CHRISTMAS CAROL will become a holiday tradition your family will treasure all the days of the year.

Featuring the film’s famous long-lost song ‘When Love is Gone’!

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As always you can expect SING ALONG performances of this new version of THE MUPPET CHRISTMAS CAROL this Christmas - and now we don't need to pretend that we weren't going to just play the lost scene regardless! Performances will feature a Hosted Pre-Show with our very own Father Christmas, where you will be prepped on what to do throughout the film. Costumes aren't mandatory, but 'Tis the season, and we love seeing you dressed up in your favourite Christmas Jumpers! All this, and a few more surprises up our sleeves, makes this one of the must-see events this Christmas!

If you're wanting to Sing Along with The Muppet Christmas Carol, simply book for the performances marked SING ALONG [it's next to the start time]. All other screenings will be regular performances, and nothing will be written next to the start time. 

For the festive season, Funeral Parade is proud to present The Long Day Closes, Terence Davies’ bittersweet elegy to cinema-going and queer childhood.

Drawn from Davies’ own recollections of the mid-1950s, the film centres on Bud, a lonely boy growing up in working-class Liverpool. Bullied at school and largely friendless, he finds solace in trips to the local cinema and the faraway glamour of Hollywood. His loving family are also a source of comfort but, as he becomes aware of his burgeoning sexuality, Bud must ultimately confront his guilt, shame, and fear alone. Beautifully rendered from a child’s-eye-view, The Long Day Closes is a haunting and tender work of poetic cinema.

With intro from curator Sarah Cleary.