A young man (Philippe Noiret) who is a native of the seaside village of La Pointe Courte, France is having a hard time understanding why his bored, Paris-born wife (Sylvia Montfort) of four years is unhappy with their marriage. The couple visit La Pointe Courte as they try to resolve their problems. Meanwhile, the locals of the rural community grapple with the hardships and tragedies of their daily lives: A young child dies, a government official hassles fishermen and a marriage is arranged.

In suburban Paris, young François (Jean-Claude Drouot) appears to live a happy, contented existence with his wife, Therese (Claire Drouot), and their two small children. Despite his apparent satisfaction, François takes a mistress named Emilie (Marie-France Boyer), and, remarkably, doesn't feel the least bit of remorse for his philandering. While he is able to justify loving both women, François' infidelity results in tragic real-life consequences for both him and his family.

Selfish pop singer Cléo (Corinne Marchand) has two hours to wait until the results of her biopsy come back. After an ominous tarot card reading, she visits her friends, all of whom fail to give her the emotional support she needs. Wandering around Paris, she finally finds comfort talking with a soldier in a park. On leave from the Algerian War, his troubles put hers in perspective. As they talk and walk, Cléo comes to terms with her selfishness, finding peace before the results come back.

In the early 1960s in Paris, two young women become friends. Pomme is an aspiring singer. Suzanne is a pregnant country girl unable to support a third child. Pomme lends Suzanne the money for an illegal abortion, but a sudden tragedy soon separates them. Ten years later, they reunite at a demonstration and pledge to keep in touch via postcard, as each of their lives is irrevocably changed by the women's liberation movement. A buoyant hymn to sisterly solidarity rooted in the hard-won victories of a generation of women, One Sings, the Other Doesn't is one of Agnès Varda's warmest and most politically trenchant films, a feminist musical for the ages.

A young woman's body is found frozen in a ditch. Through flashbacks and interviews, we see the events that led to her inevitable death.

An 1867 painting by Jean-Francois Millet inspired septuagenarian documentarian Agnes Varda to cross the French countryside to videotape people who scavenge. Taking everything from surplus in the fields, to rubbish in trashcans, to oysters washed up after a storm, the "gleaners" range from those sadly in need to those hoping to recreate the community activity of centuries past, and still others who use whatever they find to cobble together a rough art. Highlighted by Varda's amusing narration.