The time preceding the apocalypse is known in Germanic mythology as the time of the wolves. Fleeing a disaster, a middle-class family travel to their countryside holiday home, believing themselves to be escaping the consequences of the general state of chaos, but they find it occupied by strangers.

Michael Haneke was awarded the Best Director prize at Cannes for his stunning exploration of a past that haunts the present.

This utterly compelling psychological thriller from Michael Haneke (Happy End, The White Ribbon) - one of cinema’s most daring, original and controversial directors - stars Daniel Auteuil as Georges, a TV presenter who begins to receive mysterious and alarming packages containing covertly filmed videos of himself and his family.

To the mounting consternation of Georges and his wife (Juliette Binoche), the footage on the tapes – which arrive wrapped in drawings of disturbingly violent images – becomes increasingly personal, and sinister anonymous phone calls are made. Convinced he knows the identity of the person responsible, Georges embarks on a rash and impulsive course of action that throws up some unpleasant facts about his past and leads to shockingly unexpected consequences.

Themes of guilt and denial haunt this riveting Palme d’Or-winning masterpiece by Funny Games and Amour director Michael Haneke

In a village in Protestant northern Germany on the eve of World War I, a series of unsettling and distressing incidents take place. Taken together, they assume the character of a ritual in which punishment and torture dominate. But the identity of the perpetrators remains a mystery. A schoolteacher who has observed the unfolding incidents investigates and, little by little, discovers the disturbing truth. Are we being asked to consider whether these events heralded something that would explode years later with the rise of Nazi Germany? Did these events contain the germs of the tragedies that followed? Haneke has never been one to give us answers, often leaving us with more questions at the end of his film.

★★★★★ “A tightly-wound, fully-fleshed and thoroughly mesmerising drama” - Sukhdev Sandhu, The Telegraph

Michael Haneke's 2013 Oscar- and Palme d'Or-winning drama ‘Amour' follows an elderly couple facing their greatest challenge yet. A police unit breaks into a Paris apartment and discover the body of an elderly woman (Emmanuelle Riva). Her husband (Jean-Louis Trintignant) is nowhere to be found. We then jump back in time to one of their last outings together before Anne becomes incapacitated as a result of an illness. What we witness is the cost of love – not the romance of cinema, but the day-to- day activity of caring for another person, no matter the physical or emotional cost.Michael Haneke's most sensitive film refuses to pull any punches in his depiction of the ageing process, but avoids sensation in favour of empathy. This is deeply humane, profoundly moving cinema.