On the verge of turning thirty, Julie is faced with a series of choices that force her to pursue new perspectives on her life in contemporary Oslo. Over the course of four years, she navigates love affairs and existential uncertainty as she starts deciding who she wants to become.

A robotic boy, the first programmed to love, David (Haley Joel Osment) is adopted as a test case by a Cybertronics employee (Sam Robards) and his wife (Frances O'Connor). Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David. Without final acceptance by humans or machines, David embarks on a journey to discover where he truly belongs, uncovering a world in which the line between robot and machine is both vast and profoundly thin.

Hirayama is content with his life as a toilet cleaner in Tokyo. Outside of his structured routine, he cherishes music on cassette tapes, books, and taking photos of trees. Through unexpected encounters, he reflects on finding beauty in the world.

A small-town detective searching for a missing man has only one lead: a connection with a New York prostitute.

A teenage hacker finds himself framed for the theft of millions of dollars from a major corporation. Master hacker Dade Murphy, aka Zero Cool, aka Crash Override, has been banned from touching a keyboard for seven years after crashing over 1,500 Wall Street computers at the age of 11. Now keen to get back in front of a monitor, he finds himself in more trouble than ever.

With Climax, Gaspar Noé, enfant terrible of French cinema and director of the highly controversial Irreversible, Enter the Void and Love, returns with perhaps his most critically-acclaimed work yet.

Following a successful and visually dazzling rehearsal, a dance troupe set about celebrating with a party. But when it becomes apparent that someone has spiked the sangria, the dancers soon begin to turn on each other in an orgiastic frenzy.

Starring Sofia Boutella (The Mummy, Atomic Blonde) and featuring a pulse-pounding score by the likes of Daft Punk, Aphex Twin and Gary Numan, Gaspar Noé's latest offering shows a director at the height of his hallucinatory filmmaking powers.

Teenager Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious late-night TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.

When churlish mobster Albert Spica (Michael Gambon) acquires an upscale French restaurant in London, he dines there nightly, effectively scaring off the clientele with his bad manners. His wife, Georgina (Helen Mirren), is especially disgusted by him, and soon begins an affair with another restaurant guest, Michael (Alan Howard). Despite their efforts to keep it a secret, however, Spica finds out about their trysts, and he plans to exact a terrible revenge.

As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend (Deborah Harry) auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.

Step back into the fantastical world of Jim Henson’s Labyrinth as the beloved classic returns to cinemas for a special 40th-anniversary re-release. Starring David Bowie in one of his most entertaining film performances as the enigmatic Goblin King, this 4K re-issue brings Jim Henson’s dazzling puppetry, imaginative landscapes, and iconic musical moments back to the big screen where they belong. Join the adventure as Sarah (Jennifer Connelly) races against time to navigate the mysterious Labyrinth and rescue her baby brother in this spellbinding cult favourite.

Estranged brothers Francis (Owen Wilson), Peter (Adrien Brody) and Jack (Jason Schwartzman) reunite for a train trip across India. The siblings have not spoken in over a year, ever since their father passed away. Francis is recovering from a motorcycle accident, Peter cannot cope with his wife's pregnancy, and Jack cannot get over his ex-lover. The brothers fall into old patterns of behaviour as Francis reveals the real reason for the reunion: to visit their mother in a Himalayan convent.

Shows with Hotel Chevalier – the 13-minute short that acts as a prologue to The Darjeeling Limited.

After 12 years of bucolic bliss, Mr. Fox (George Clooney) breaks a promise to his wife (Meryl Streep) and raids the farms of their human neighbors, Boggis, Bunce and Bean. Giving in to his animal instincts endangers not only his marriage but also the lives of his family and their animal friends. When the farmers force Mr. Fox and company deep underground, he has to resort to his natural craftiness to rise above the opposition.

Kang lives alone in a big house. Through a glass façade, he looks out onto the treetops lashed by wind and rain. He feels a strange pain of unknown origin which he can hardly bear and which grips his whole body. Non lives in a small apartment in Bangkok where he methodically prepares traditional dishes from his native village. When Kang meets Non in a hotel room, the two men share each other's loneliness.

Two children wake up in the middle of the night to find their father is missing, and all the windows and doors in their home have vanished.

Twenty years after their last holiday at a fading vacation resort, Sophie reflects on the rare time spent with her loving and idealistic father Calum. At 11-years-old, as the world of adolescence creeps into Sophie's view, Calum struggles under the weight of life outside of fatherhood. Sophie's recollections become a powerful and heartrending portrait of their relationship, as she tries to reconcile the father she knew with the man she didn't.

Presented with a special Post-Film Q&A with Director Matthew Holness, as part of BLEAK WEEK 2026.

Starring Sean Harris (Mission: Impossible, Southcliffe) and Alun Armstrong (Frontier, Get Carter), ‘Possum’ is a distinctive psychological thriller which pays homage to the British horror films of the 70s. The film’s abstract exploration of a man’s isolation and abandonment is accompanied by a compelling soundtrack from the legendary electronic BBC music studio The Radiophonic Workshop.

The story follows disgraced children’s puppeteer Philip (Sean Harris), returning to his childhood home of Fallmarsh, Norfolk, intent on destroying Possum, a hideous puppet he keeps hidden inside a brown leather bag. When his attempts fail, Philip is forced to confront his sinister stepfather Maurice (Alun Armstrong) in an effort to escape the dark horrors of his past.

Presented with Post-Film Online Q&A with Director Steve De Jarnatt, as part of BLEAK WEEK 2026.

After 30 years of searching, Harry has finally met the girl of his dreams. Unfortunately, before they even have a chance to go on their first date, Harry intercepts some chilling news: WWIII has begun and nuclear missiles will destroy Los Angeles in less than an hour!

A couple travels to Northern Europe to visit a rural hometown's fabled Swedish mid-summer festival. What begins as an idyllic retreat quickly devolves into an increasingly violent and bizarre competition at the hands of a pagan cult.

This compilation of five early short films by Martin Scorsese offers a fascinating window onto his artistic development. Spanning the years from Scorsese’s time at NYU in the mid-1960s to the late ’70s, when he was emerging as one of the era’s most electrifying talents, Scorsese Shorts centers on the intimate home movie Italianamerican—a loving snapshot of the director’s parents—and American Boy, a freewheeling portrait of the larger-than-life raconteur Steven Prince. Also included are The Big Shave, a daringly visceral response to America’s involvement in Vietnam, and the bracing student films What’s a Nice Girl Like You Doing in a Place Like This? and It’s Not Just You, Murray! Touching on many of Scorsese’s key themes—Italian American identity, family, his beloved New York City—these are hilarious, candid, and illuminating works from the pre­eminent American filmmaker of our time.

ITALIANAMERICAN (1974 • 49 minutes)
AMERICAN BOY (1978 • 55 minutes)
THE BIG SHAVE (1967 • 5 minutes)
IT’S NOT JUST YOU, MURRAY! (1964 • 16 minutes)
WHAT’S A NICE GIRL LIKE YOU DOING IN A PLACE LIKE THIS? (1963 • 10 minutes)

Austin, Texas, is an Eden for the young and unambitious, from the enthusiastically eccentric to the dangerously apathetic. Here, the nobly lazy can eschew responsibility in favor of nursing their esoteric obsessions. The locals include a backseat philosopher who passionately expounds on his dream theories to a seemingly comatose cabbie, a young woman who tries to hawk Madonna's Pap test to anyone who will listen and a kindly old anarchist looking for recruits.

A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider, whom takes the youth under his wing.

After a painful breakup, Clementine (Kate Winslet) undergoes a procedure to erase memories of her former boyfriend Joel (Jim Carrey) from her mind. When Joel discovers that Clementine is going to extremes to forget their relationship, he undergoes the same procedure and slowly begins to forget the woman that he loved. Directed by former music video director Michel Gondry, the visually arresting film explores the intricacy of relationships and the pain of loss.

A waitress, desperate to fulfill her dreams as a restaurant owner, is set on a journey to turn a frog prince back into a human being, but she has to face the same problem after she kisses him.

Since the 1970s, the name James L. Brooks has been synonymous with intelligent television comedy—his shows are insightful about work and love and always plugged in to the zeitgeist. He is also a master storyteller of the big screen, and none of his films was more quintessentially Brooks than Broadcast News. This caustic look inside the Washington news media stars Holly Hunter, in her breakout role, as a feisty television producer torn between an ambitious yet dim anchorman (William Hurt) and her closest confidant, a cynical veteran reporter (Albert Brooks). Brooks's witty, gently prophetic film is a captivating transmission from an era in which ideas on relationships and the media were rapidly changing.

Nora and Hae Sung, two deeply connected childhood friends, are wrest apart after Nora's family emigrates from South Korea. Two decades later, they are reunited in New York for one fateful week as they confront notions of destiny, love, and the choices that make a life, in this heartrending modern romance.

The confident and remarkable debut from writer and comedian Eva Victor made waves at Sundance, heralding a new voice of exceptional talent. Told in nonlinear chapters, it follows five years in the life of Agnes (expertly embodied by Victor), who’s introduced to us as a wry and intelligent young English professor. The film traces her transition from grad student to tenure, but also the before and after of a sexual assault. As she navigates the healing process, Agnes is supported by her sprightly best friend, Lydie (Naomi Ackie, Mickey 17), along with an endearingly awkward neighbour (Lucas Hedges, Ladybird, Boy Erased) and a sweet stray kitten.

“The film’s tone is a real balancing act,” says Victor, “one that hopefully feels true to life – funny, with pain. Painful, with funny parts.” Their sharp-eyed script creatively circumvents representing the unspeakable while applying a darkly comic wit to difficult subject matter, deftly revealing the absurdity of systems that neglect their victims.

Produced by Oscar-winning director Barry Jenkins (Moonlight), Sorry, Baby portrays grief with sensitivity and wry, offbeat humour, exploring the aftermath of trauma and the process of healing.

Created to commemorate the 20 years that have passed since DC-based post-hardcore band Fugazi’s last live appearance (November 4, 2002, at The Forum in London), We Are Fugazi from Washington, D.C. is a 96-minute movie comprising crowd sourced, fan recorded live shows and rare archive footage of Fugazi curated by Joe Gross, Joseph Pattisall and Jeff Krulik.

Explicitly billed as a nondocumentary (tHISiSNOTaFUGAZIdOCUMENTARY,) the film pays tribute to Fugazi’s prowess as a live act — for old fans to remember and for a new generation to discover what they missed. This unique archival assemblage celebrates the fans and their cameras, as much as the band itself — a collision/ collusion of the ephemeral moment on stage, and the moments captured on camera.

In this refreshingly unique comedy, two girls, PJ and Josie, start a fight club as a way to lose their virginities to cheerleaders. And their bizarre plan works! The fight club gains traction, and soon the most popular girls in school are beating each other up in the name of self-defense. But PJ and Josie find themselves in over their heads and in need of a way out before their plan is exposed.

From Robert Eggers, the visionary filmmaker behind modern horror masterpiece The Witch, comes this hypnotic and hallucinatory tale of two lighthouse keepers on a remote and mysterious New England island in the 1890s.

From Ryan Coogler—director of “Black Panther” and “Creed”—and starring Michael B. Jordan comes a new vision of fear: “Sinners.”

Trying to leave their troubled lives behind, twin brothers (Jordan) return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back.

“You keep dancing with the devil, one day he’s gonna follow you home.”

Written and directed by Academy Award-nominated filmmaker Coogler, “Sinners” stars Jordan (the “Black Panther” and “Creed” franchises) in a dual role, joined by Oscar nominee Hailee Steinfeld (“Bumblebee,” “True Grit”), Jack O’Connell (“Ferrari”), Wunmi Mosaku (“Passenger”), Jayme Lawson (“The Woman King”), Omar Miller (“True Lies”), and Delroy Lindo (“Da 5 Bloods”).

The film is produced by Zinzi Coogler, Sev Ohanian and Ryan Coogler. The executive producers are Ludwig Göransson, Will Greenfield and Rebecca Cho.

When an interdimensional rupture unravels reality, an unlikely hero must channel her newfound powers to fight bizarre and bewildering dangers from the multiverse as the fate of the world hangs in the balance.

17-year-old Lisa feels certain that she inadvertently played a role in causing a traffic accident that claimed a woman's life. In her attempts to set things right, she meets with opposition at every step. Torn apart with frustration, she begins emotionally brutalizing her family, her friends, her teachers, and, most of all, herself. She has been confronted quite unexpectedly with a basic truth: that her youthful ideals are on a collision course with the realities and compromises of the adult world.

Decadence, depravity and outrageous excess lead to the rise and fall of several ambitious dreamers in 1920s Hollywood as the industry begins to transition from silent pictures to the world of sound films.

A young girl is kidnapped in broad daylight in Central Park by a murderous psychopath (Cliff Gorman, All That Jazz), who plans to demand a huge ransom for her return, mistakenly believing she is the daughter of a wealthy property developer. Unfortunately for him, she’s actually the daughter of Sean Boyd (James Brolin, True Grit), a devoted dad and grizzled ex-cop who will stop at absolutely nothing to get her back, even if it means taking out the kidnapper, his enemies in the NYPD, and the entire scuzzy underworld populating the mean streets of 1970s New York…

Adapted from a novel by William P. McGivern (The Big Heat, Odds Against Tomorrow) and directed by Sidney J Furie (The Ipcress File) and Robert Butler (Turbulence), Night of the Juggler is a relentless, adrenaline packed crime thriller, combining staggering action-packed chase sequences, incredible photography (Victor J. Kemper, Dog Dag Afternoon) of the mean streets of 1970s New York at the peak of its notorious ‘Fear City’ era, and a superlative cast of supporting character actors, including Dan Hedaya, Mandy Patinkin, Richard S. Castellano, Barton Heyman and Julie Carmen.

Long unavailable on home video formats, Transmission is proud to present an all time cult classic restored in glorious 4K - presented on cinema screens in London for the first time ever. Link to 4K Blu-Ray Pre-order!

When young Joshua learns that he will be going on vacation with his family to a small town called Nilbog, he protests adamantly. He is warned by the spirit of his deceased grandfather that goblins populate the town. His parents, Michael and Diana, dismiss his apprehensions, but soon learn to appreciate their son's warnings. Guided by his grandfather's ghost, will Joshua and his family stand a chance in fighting off these evil beings?

Shallow, rich and socially successful Cher (Alicia Silverstone) is at the top of her Beverly Hills high school's pecking scale. Seeing herself as a matchmaker, Cher first coaxes two teachers into dating each other. Emboldened by her success, she decides to give hopelessly klutzy new student Tai (Brittany Murphy) a makeover. When Tai becomes more popular than she is, Cher realizes that her disapproving ex-stepbrother (Paul Rudd) was right about how misguided she was -- and falls for him.

Keller Dover (Hugh Jackman) faces a parent's worst nightmare when his 6-year-old daughter, Anna, and her friend go missing. The only lead is an old motorhome that had been parked on their street. The head of the investigation, Detective Loki (Jake Gyllenhaal), arrests the driver (Paul Dano), but a lack of evidence forces Loki to release his only suspect. Dover, knowing that his daughter's life is at stake, decides that he has no choice but to take matters into his own hands.

In this adaptation of Jane Austen's beloved novel, Elizabeth Bennet (Keira Knightley) lives with her mother, father and sisters in the English countryside. As the eldest, she faces mounting pressure from her parents to marry. When the outspoken Elizabeth is introduced to the handsome and upper-class Mr. Darcy (Matthew Macfadyen), sparks fly. Although there is obvious chemistry between the two, Darcy's overly reserved nature threatens the fledgling relationship.

Sebastian (Ryan Gosling) and Mia (Emma Stone) are drawn together by their common desire to do what they love. But as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.