We’ve thrown our hat in the ring for the British Independent Film Awards brand new Cinema of the Year award, supported by Kia – and we could use your help! In a year that has been clouded by uncertainty, one thing that has been loud and clear is our determination to continue showing our love and passion for independent cinema – and that is what this award is all about. The award is voted by you, the audience, so if you love The PCC and what we do, please vote for us to be nominated.
VOTE FOR USWarner Bros. Pictures present an ‘unrestored’ 70mm print of the director’s groundbreaking science fiction epic!
"For the first time since the original release, this 70mm print was struck from new printing elements made from the original camera negative. This is a true photochemical film recreation. There are no digital tricks, remastered effects, or revisionist edits. This is the unrestored film - that recreates the cinematic event that audiences experienced fifty years ago." - Christopher Nolan
Stanley Kubrick’s dazzling, Academy Award®-winning* achievement is a compelling drama of man vs. machine, a stunning meld of music and motion. Kubrick (who co-wrote the screenplay with Arthur C. Clarke) first visits our prehistoric ape-ancestry past, then leaps millennia (via one of the most mind-blowing jump cuts ever) into colonized space, and ultimately whisks astronaut Bowman (Keir Dullea) into uncharted space, perhaps even into immortality. “Open the pod bay doors, HAL.” Let an awesome journey unlike any other begin.
Please Note: Our 70mm screenings of '2001: A Space Odyssey' follow a partictular presentation procedure;
- Overture (3mins / Music)
- 1st half of feature (86mins)
- * Intermission* (usually 10 for quieter shows, can be 20mins for busier ones)
- Entracte (2mins / Music)
- 2nd half of feature (54mins)
- Exit (5mins / Music)
- Total time; approx 170mins (though this is dependent on Intermission length)
Jack Torrance (Jack Nicholson) becomes winter caretaker at the isolated Overlook Hotel in Colorado, hoping to cure his writer's block. He settles in along with his wife, Wendy (Shelley Duvall), and his son, Danny (Danny Lloyd), who is plagued by psychic premonitions. As Jack's writing goes nowhere and Danny's visions become more disturbing, Jack discovers the hotel's dark secrets and begins to unravel into a homicidal maniac hell-bent on terrorizing his family.
Stanley Kubrick's daring last film is many things. It is a compelling psychosexual journey. A haunting dreamscape. A riveting tale of suspense. A major milestone in the careers of stars Tom Cruise and Nicole Kidman. And "a worthy final chapter to a great director's career" (Roger Ebert).
Cruise plays Dr William Hartford, who plunges into an erotic foray that threatens his marriage - and may even ensnare him in a lurid murder mystery - after his wife's (Kidman) admission of sexual longings. As the story sweeps from doubt and fear to self-discovery and reconciliation, Kubrick orchestrates it with masterful flourishes. Graceful tracking shots, controlled pacing, rich colours, startling images: bravura traits that make Kubrick a filmmaker for the ages are here to keep everyone's eyes wide shut.
The comedy classic from celebrated director STANLEY KUBRICK.
An unhinged American general orders a bombing attack on the Soviet Union, triggering a path to nuclear holocaust that a war room full of politicians and generals frantically tries to stop.
In an England of the future, Alex (Malcolm McDowell) and his "Droogs" spend their nights getting high at the Korova Milkbar before embarking on "a little of the old ultraviolence," while jauntily warbling "Singin' in the Rain." After he's jailed for bludgeoning the Cat Lady to death, Alex submits to behavior modification technique to earn his freedom; he's conditioned to abhor violence. Returned to the world defenseless, Alex becomes the victim of his prior victims.