A young executive hunts down his father's killer in director Akira Kurosawa's scathing The Bad Sleep Well. Continuing his legendary collaboration with actor Toshiro Mifune, Kurosawa combines elements of Hamlet and American film noir to chilling effect in exposing the corrupt boardrooms of postwar corporate Japan.

Japanese peasants Matashichi (Kamatari Fujiwara) and Tahei (Minoru Chiaki) try and fail to make a profit from a tribal war. They find a man and woman whom they believe are simple tribe members hiding in a fortress. Although the peasants don't know that Rokurota (Toshirô Mifune) is a general and Yuki (Misa Uehara) is a princess, the peasants agree to accompany the pair to safety in return for gold. Along the way, the general must prove his expertise in battle while also hiding his identity.

Mr. Watanabe suddenly finds that he has terminal cancer. He vows to make his final days meaningful. His attempts to communicate his anguish to his son and daughter-in-law lead only to heartbreak. Finally, inspired by an unselfish co-worker, he turns his efforts to bringing happiness to others by building a playground in a dreary slum neighborhood. When the park is finally completed, he is able to face death with peaceful acceptance.

Farmers from a village exploited by bandits hire a veteran samurai for protection, who gathers six other samurai to join him.

Toshiro Mifune is unforgettable as Kingo Gondo, a wealthy industrialist whose family becomes the target of a cold-blooded kidnapper in High and Low (Tengoku to jigoku), the highly influential domestic drama and police procedural from director Akira Kurosawa. Adapting Ed McBain's detective novel King's Ransom, Kurosawa moves effortlessly from compelling race-against-time thriller to exacting social commentary, creating a diabolical treatise on contemporary Japanese society.

Set in feudal Japan, this film presents an intriguing tale of violent crime in the woods, told from the perspective of four different characters -- a bandit, a woman, her husband and a woodcutter. Only two things about the incident seem to be clear -- the woman was raped and her husband is now dead. However, the other elements radically differ as the four participants and/or witnesses relate their own stories (with the dead man, eerily enough, speaking through a medium). As each account is revealed, what seemed black-and-white turns to various hues of gray, leading to surprising -- and confounding -- revelations.