It's the summer of 1983, and precocious 17-year-old Elio Perlman is spending the days with his family at their 17th-century villa in Lombardy, Italy. He soon meets Oliver, a handsome doctoral student who's working as an intern for Elio's father. Amid the sun-drenched splendor of their surroundings, Elio and Oliver discover the heady beauty of awakening desire over the course of a summer that will alter their lives forever.

When a beautiful stranger leads computer hacker Neo to a forbidding underworld, he discovers the shocking truth--the life he knows is the elaborate deception of an evil cyber-intelligence.

A couple take a trip to Argentina but both men find their lives drifting apart in opposite directions.

In this loose adaptation of Shakespeare's "Henry IV," Mike Waters (River Phoenix) is a gay hustler afflicted with narcolepsy. Scott Favor (Keanu Reeves) is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.

In Berlin in 1931, American cabaret singer Sally Bowles (Liza Minnelli) meets British academic Brian Roberts (Michael York), who is finishing his university studies. Despite Brian's confusion over his sexuality, the pair become lovers, but the arrival of the wealthy and decadent playboy Maximilian von Heune (Helmut Griem) complicates matters for them both. This love triangle plays out against the rise of the Nazi party and the collapse of the Weimar Republic.

In Rainer Werner Fassbinder’s French New Wave inspired directorial debut, he stars as Franz, a small-time pimp who finds himself in an offbeat love triangle between prostitute Joanna and handsome gangster Bruno, played by frequent Fassbinder collaborators Hanna Schygulle and Ulli Lommel. When Bruno fails to recruit Franz into his crime syndicate, the three strike up an unlikely allegiance, muddying romantic boundaries as they drift through the streets of Munich, plotting varying degrees of criminal activities. Detached, cool, and branded dilettantism at its Berlinale premiere, Love is Colder Than Death is a nihilistic and impulsive portrait of the relationship between three unanchored criminals. 

Love is Colder Than Death is featured as part of Gangsters Have Feelings Too, a season exploring the sensitive gangster film. The season is presented with the National Film and Television School’s Film Studies, Programming and Curation MA.

There’s a killer on the loose in New York City, and he’s targeting gay men in the West Village. Fortunately for the NYPD, he’s got a type – slim, dark-haired, handsome – and officer Steve Burns (Al Pacino) fits the bill. To crack the case, Steve must journey into the city’s nocturnal underworld of S&M and leather bars, hoping to catch the killer’s eye – but will he lose himself along the way? Controversial with both straight and gay audiences upon its initial release, Friedkin’s film still retains its power to shock and unsettle 45 years later.

Just in time for Spooky Season, Funeral Parade is proud to present A Nightmare on Elm Street 2: Freddy’s Revenge, a queer-coded slasher classic.

The man of your dreams is BACK! That’s right, Freddy Krueger has returned to stalk Elm Street once again – and this time he’s enlisting teenager Jesse Walsh to help carry out his evil deeds. Freddy intends to possess Jesse’s body in order to take his bloody revenge on the teenage population of Springwood, Ohio. Will Jesse be able to resist him? A Nightmare on Elm Street 2: Freddy’s Revenge has become infamous for its homoerotic subtext and features an iconic performance from Mark Patton as slasher cinema’s first male “scream queen”.

With intro from film curator Sarah Cleary.

Reality and fantasy begin to blur when a teenager, alone in her attic bedroom, immerses herself in a role-playing horror game online.

Teenager Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious late-night TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.

Hacks breakout star Hannah Einbinder and, in a playful bit of meta-casting, Gillian Anderson (The X Files, Sex Education) headline this heady, gory slasher homage from writer-director Jane Schoenbrun. Like Schoenbrun’s previous films I Saw the TV Glow and We’re All Going to the World’s Fair, it uses a horror genre lens to explore a rich array of themes and ideas – queer identity and sexuality, memory and nostalgia, the nature of female desire, the state of the entertainment industry – with humour, vulnerability and affection.

After years of slapdash sequels, the Camp Miasma slasher franchise is handed over to an enthusiastic, cerebral young director (Einbinder) – who credits the first film with her own queer awakening – to resurrect. But fantasy and reality collide when she visits the original film’s star (Anderson), now a mysterious recluse living on its old set, and the two women fall into a blood-soaked world of fear, desire and delirium