After record producer Swan (Paul Williams) steals the music of songwriter Winslow Leach (William Finley) and gives it to one of his bands, Leach sneaks into Swan's offices. Catching Leach, Swan frames him for dealing drugs, which lands him in prison. After Leach breaks out and again attempts to sabotage Swan's empire, an accident crushes his face. Leach then dons a costume and becomes the Phantom, intent on ruining Swan while saving singer Phoenix (Jessica Harper) from a terrible fate.

Meek flower shop assistant Seymour (Rick Moranis) pines for co-worker Audrey (Ellen Greene). During a total eclipse, he discovers an unusual plant he names Audrey II, which feeds only on human flesh and blood. The growing plant attracts a great deal of business for the previously struggling store. After Seymour feeds Audrey's boyfriend, Orin (Steve Martin), to the plant after Orin's accidental death, he must come up with more bodies for the increasingly bloodthirsty plant.

Sebastian (Ryan Gosling) and Mia (Emma Stone) are drawn together by their common desire to do what they love. But as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.

In 1964 the biggest band on the planet made their big screen debut with A Hard Day s Night, a groundbreaking film that presented a typical day in the life of The Fab Four as they tried to outrun screaming fans, find Paul's mischievous grandfather, deal with a stressed TV producer and make it to the show on time. Directed with unrelenting verve by Richard Lester, whose innovative techniques paved the way for generations of music videos, the film's frenetic mix of comic escapades, legendary one-liners and pop perfection captured a moment in time that defined a generation. The most iconic band in music history had arrived.

In this classic drama, Vicky Page (Moira Shearer) is an aspiring ballerina torn between her dedication to dance and her desire to love. While her imperious instructor, Boris Lermontov (Anton Walbrook), urges to her to forget anything but ballet, Vicky begins to fall for the charming young composer Julian Craster (Marius Goring). Eventually Vicky, under great emotional stress, must choose to pursue either her art or her romance, a decision that carries serious consequences.

When it becomes clear that his solo album is a failure, a former boy band member does everything in his power to maintain his celebrity status.

Set in 1973, it chronicles the funny and often poignant coming of age of 15-year-old William, an unabashed music fan who is inspired by the seminal bands of the time. When his love of music lands him an assignment from Rolling Stone magazine to interview the up-and-coming band Stillwater -- fronted by lead guitar Russell Hammond and lead singer Jeff Bebe William embarks on an eye-opening journey with the band's tour, despite the objections of his protective mother.

Never Enough is Turnstile's debut visual album, and it's a wild 50-minute ride you won't want to miss. Directed by frontman Brendan Yates and guitarist Pat McCrory, the film blends their signature experimental hardcore sound with powerful, cinematic visuals that capture the band's raw energy. The Baltimore-based band pushes boundaries with a truly unforgettable experience. Whether you're a fan or new to their music, Never Enough is a must-see.

Newly restored in 4K to coincide with its 40th anniversary, the 1984 film was directed by renowned filmmaker Jonathan Demme and is considered by critics as the greatest concert film of all time. Stop Making Sense stars core band members David Byrne, Tina Weymouth, Chris Frantz, and Jerry Harrison along with Bernie Worrell, Alex Weir, Steve Scales, Lynn Mabry and Edna Holt. The live performance was shot over the course of three nights at Hollywood's Pantages Theater in December of 1983 and features Talking Heads' most memorable songs.

Please Note : It is only the SATURDAY EVENING RESIDENCY (tagged 'A24 Merch' on the website) shows which will feature the pop-up merch stand, all other performances are simply regular screenings of the film. 

Delphine (Catherine Deneuve) and Solange (Françoise Dorléac) are twin sisters who each want to find romance and leave their small seaside town of Rochefort, France. Soon they befriend a couple of visiting carnival workers who frequent their lonely mother's (George Chakiris) café and hire the girls to sing in the carnival. Wanting a career as a songwriter, Solange falls for an American musician, Andy (Jacques Perrin), while Delphine dumps her beau and searches Rochefort for her ideal man.

A young musician, tormented by an abusive situation at home, must contend with a rival singer, a burgeoning romance, and his own dissatisfied band, as his star begins to rise.

The unofficial sequel to 'Purple Rain' (1984). The Kid is now club owner and rival to Morris (Morris Day), with whom he gets into a fight for the Glam Slam Nightclub.

In Berlin in 1931, American cabaret singer Sally Bowles (Liza Minnelli) meets British academic Brian Roberts (Michael York), who is finishing his university studies. Despite Brian's confusion over his sexuality, the pair become lovers, but the arrival of the wealthy and decadent playboy Maximilian von Heune (Helmut Griem) complicates matters for them both. This love triangle plays out against the rise of the Nazi party and the collapse of the Weimar Republic.

In this musical melodrama set against the backdrop of a workers' strike in Nantes, Dominique Sanda plays a young woman who wishes to leave her brutish husband (Michel Piccoli) for an earthy steelworker (Richard Berry), though he is involved with another. Unbeknownst to the girl, the object of her affection boards with her no-nonsense baroness mother (Danielle Darrieux). A late-career triumph from Jacques Demy, Une chambre en ville received nine César Award nominations and features a rich, operatic score by Michel Colombier.

Created to commemorate the 20 years that have passed since DC-based post-hardcore band Fugazi’s last live appearance (November 4, 2002, at The Forum in London), We Are Fugazi from Washington, D.C. is a 96-minute movie comprising crowd sourced, fan recorded live shows and rare archive footage of Fugazi curated by Joe Gross, Joseph Pattisall and Jeff Krulik.

Explicitly billed as a nondocumentary (tHISiSNOTaFUGAZIdOCUMENTARY,) the film pays tribute to Fugazi’s prowess as a live act — for old fans to remember and for a new generation to discover what they missed. This unique archival assemblage celebrates the fans and their cameras, as much as the band itself — a collision/ collusion of the ephemeral moment on stage, and the moments captured on camera.