In a small Castilian village in 1940, in the wake of Spain's devastating civil war, six-year-old Ana attends a traveling movie show of Frankenstein and becomes possessed by the memory of it. Produced as Franco's long regime was nearing its end and widely regarded as the greatest Spanish film of the 1970s, The Spirit of the Beehive is a bewitching portrait of a child's haunted inner life and one of the most visually arresting movies ever made.

This fiction-documentary hybrid uses a sensational real-life event—the arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbaf—as the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves.

Julie Dash’s 1991 masterpiece was her first feature, and the first American feature directed by an African American woman to receive a general theatrical release. It announced a formidable talent, and in the grandeur and intricacy of its formal construction and themes, powerfully emblematized its director’s purposeful commitment to cinema.

Abounding with surprise, the film transports us to a little-known setting to unfold a universal tale. The year is 1902, in the home of an extended family off the coast of South Carolina and Georgia where they maintain strong connections to African linguistic and cultural traditions. Here, many members of the Peazant family are on the verge of a planned migration to the U.S. mainland, where American modernity seems, vaguely, to offer a better life.

However, family members clash over the meaning of this move. Viola, who has lived up North and returned as a Christian convert, views the crossing as a step out of bankrupt African superstitions into a kind of light. Scandal-tinged “Yellow Mary,” returning to the family from a long self-exile, still asserts her independence but fears losing the touchstone of home. Nana Peazant, the aged matriarch, refuses to migrate and frets over the possibility of broken family ties and lost traditions. Eulah, young and with child, fears that the family’s plan represents a futile flight from intractable legacies of pain.

A brilliant cast enacts these negotiations with exceeding depth, befitting the weight of the decision the Peazants face: to embrace the land that other Africans once fled. Dash constructs their home as a rarefied world, possibly soon a “paradise lost,” through a masterful interplay of mise-en-scène, symbolic markers and magical realist gestures. All of this is graced by the luminous cinematography of A. Jaffa Fielder and John Barnes’ stunningly original score. Named to the National Film Registry in 2004 by the Library of Congress, Daughters of the Dust eloquently frames concerns that have preoccupied many independent filmmakers of Dash’s generation: the place of family and tradition in ameliorating historical wrongs, the hope of spiritual escape from a history of trauma, and the elusive possibility of finding deliverance together. —Shannon Kelley

Rachel doesn't realize she has grown up in captivity working for an advertising agency where her job is to assess Mommy 6.0, her favorite pop star in the whole entire world.

Ten years after their high school graduation, Romy (Mira Sorvino) and Michele (Lisa Kudrow) haven't exactly accomplished everything that they set out to do. Despite their strong friendship, their personal and professional lives are still lacking. When they hear of their upcoming high school reunion, they take it as an opportunity to show their classmates how much they've changed -- first by trying to reform themselves, then by creating a lie that eventually spins out of control.

A lonely gravedigger, who stinks of corpses, finally meets her dream man – but their romance is cut short when he tragically drowns at sea. Grief-stricken, the gravedigger goes to morbid lengths to resurrect him through madcap scientific experiments, resulting in grave consequences and unlikely love.
 
Presented in Stink-o-vision; scratch and sniff cards will be available for all shows.

When a young boy's family is killed by the mob, their tough neighbor Gloria becomes his reluctant guardian. In possession of a book that the gangsters want, the pair go on the run in New York.

Robert Bresson plumbs great reservoirs of feeling with Mouchette, one of the most searing portraits of human desperation ever put on film. With a dying mother, an absent, alcoholic father, and a baby brother in need of care, the teenage Mouchette seeks solace and respite from her circumstances in the nature of the French countryside and daily routine. Bresson deploys his trademark minimalist style to heartbreaking effect in this essential work of French filmmaking, a hugely empathetic drama that elevates its trapped protagonist into one of the cinema's most memorable tragic figures.

First of a trilogy of films. During the Second World War, a Japanese conscientious objector named Kaji works as a supervisor in a Manchurian prison camp. He hopes to avoid duty as a soldier, but he also hopes to be helpful to the welfare of his prisoners. An escape attempt by Chinese prisoners results in Kaji's arrest for collusion. He faces the possibility of transferral to combat--or worse.

The crowning triumph of a career cut tragically short, the final film from Larisa Shepitko won the Golden Bear at the 1977 Berlin Film Festival and went on to be hailed as one of the finest works of late Soviet cinema. In the darkest days of World War II, two partisans set out for supplies to sustain their beleaguered outfit, braving the blizzard-swept landscape of Nazi-occupied Belorussia. When they fall into the hands of German forces and come face-to-face with death, each must choose between martyrdom and betrayal, in a spiritual ordeal that lifts the film's earthy drama to the plane of religious allegory. With stark, visceral cinematography that pits blinding white snow against pitch-black despair, THE ASCENT finds poetry and transcendence in the harrowing trials of war.

Second part of a trilogy. Conscientious objector Kaji, now forced to serve in the Japanese army during the Second World War, helps a friend defect to the Russians and nearly goes with him. But despite his opposition to war, Kaji does his best to serve as help and guide to the men in his charge, most of whom are doomed to fall to the relentless attack of Russian armored divisions.

Set in the year 20XX, ALL YOU NEED IS KILL follows the story of Rita, a resourceful but isolated young woman volunteering to help rebuild Japan after the mysterious appearance of a massive alien flower known as “ Darol. ” When Darol unexpectedly erupts in a deadly event, unleashing monstrous creatures that decimate the population, Rita is caught in the destruction — and killed. But then she wakes up again. And again. Caught in an endless time loop, Rita must navigate the trauma and repetition of death until she crosses paths with Keiji, a shy young man trapped in the same cycle. Together, they fight to break free from the loop and find meaning in the chaos around them.

Life is looking pretty bleak for theater director Caden Cotard (Philip Seymour Hoffman). His wife and daughter have left him, his therapist is more interested in plugging her new book than helping him with his problems, and a strange disease is causing his body to shut down. Caden leaves his home in Schenectady, N.Y., and heads to New York City, where he gathers a cast of actors and tells them to live their lives within the constructs of a mock-up of the city.

New York City newspaper writer J.J. Hunsecker (Burt Lancaster) holds considerable sway over public opinion with his Broadway column, but one thing that he can't control is his younger sister, Susan (Susan Harrison), who is in a relationship with aspiring jazz guitarist Steve Dallas (Marty Milner). Hunsecker strongly disapproves of the romance and recruits publicist Sidney Falco (Tony Curtis) to find a way to split the couple, no matter how ruthless the method.

A small group of cosmic explorers, including a woman, leaves Earth to start a new civilization. They do not realize that within themselves they carry the end of their own dream. They die one by one, while their children revert to a primitive native culture, creating new myths and a new god.

During the Napoleonic Wars, a brash British captain pushes his ship and crew to their limits in pursuit of a formidable French war vessel around South America.

A small town is taken over by an alien plague, turning residents into zombies and all forms of mutant monsters.

This Disney classic animates eight sequences set to different famous pieces of classical music, most famously Paul Dukas’ “The Sorcerer’s Apprentice,” which features Mickey Mouse as a magician.

A group of high-end professional thieves start to feel the heat from the LAPD when they unknowingly leave a verbal clue at their latest heist.

Original Cut from a 35mm print. 

In early-1970s Las Vegas, low-level mobster Sam "Ace" Rothstein (Robert De Niro) gets tapped by his bosses to head the Tangiers Casino. At first, he's a great success in the job, but over the years, problems with his loose-cannon enforcer Nicky Santoro (Joe Pesci), his ex-hustler wife Ginger (Sharon Stone), her con-artist ex Lester Diamond (James Woods) and a handful of corrupt politicians put Sam in ever-increasing danger. Martin Scorsese directs this adaptation of Nicholas Pileggi's book.

The first in Joachim Trier's masterful “Oslo Trilogy” is an electric and affecting dual portrait of two writer friends whose ambitions are challenged by the trials of life. Saturated with punk playfulness, Reprise explores the tantalizing promise—and peril—of fulfilling your creative aspirations.

A reworking of Louis Malle's New Wave classic The Fire Within, Joachim Trier's Cannes hit about a young man's fade-out is a triumph of sensitive insight and observation, a smart, sharp portrait that even finds within its heavy subject matter the chance for warmth.

On the verge of turning thirty, Julie is faced with a series of choices that force her to pursue new perspectives on her life in contemporary Oslo. Over the course of four years, she navigates love affairs and existential uncertainty as she starts deciding who she wants to become.

Sisters Nora and Agnes reunite with their estranged father, the charismatic Gustav, a once-renowned director who offers stage actress Nora a role in what he hopes will be his comeback film. When Nora turns it down, she soon discovers he has given her part to an eager young Hollywood star.

Winner Cannes Film Festival 2025 Grand Prix

Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson) are hitmen with a penchant for philosophical discussions. In this ultra-hip, multi-strand crime movie, their storyline is interwoven with those of their boss, gangster Marsellus Wallace (Ving Rhames) ; his actress wife, Mia (Uma Thurman) ; struggling boxer Butch Coolidge (Bruce Willis) ; master fixer Winston Wolfe (Harvey Keitel) and a nervous pair of armed robbers, "Pumpkin" (Tim Roth) and "Honey Bunny" (Amanda Plummer).

Clips from assorted television programs, B-movies, commercials, music performances, newsreels, bloopers, satirical short films and promotional and government films of the 1950s and 1960s are intercut together to tell a single story of various creatures and societal ills attacking American cities.

Uncomplainingly jobless in late-50s Paris, Michel starts stealing from strangers, for reasons unclear even to himself. He spouts vague theories about exceptional individuals being above the law – but is he lost in another world, as Jeanne, a young woman he halfheartedly befriends, tells him?

Intentionally not a thriller but certainly not without suspense, Robert Bresson’s film is profoundly ambivalent about Michel’s ethics, sexuality (he seems aroused by his thefts), his capacity for compassion and his courtship of suspicion in others. His isolation, however, is undeniable. A riveting morality tale reminiscent of both Hitchcock and Dostoevsky, it’s imbued with the director’s distinctive rigour.

Minoru, serving a life sentence, awaits a lonely death in his prison cell. The only real sign of life in the cell is a potted balsam flower - hosenka in Japanese. One night, Minoru begins sharing his life story with the flower that, improbably, talks back.

With the company of his unexpected confidant, Minoru reflects on his past as a low-ranking yakuza member, the decisions that led him to prison, and the meaning of life and love.

A tender, critically-acclaimed anime from the creators of hit series Odd Taxi.

Diagnosed with Tourette Syndrome at 15, John Davidson navigates his way against the odds through troubled teenage years and into adulthood, finding inspiration in the kindness of others to discover his true purpose in life.

Reality and fantasy begin to blur when a teenager, alone in her attic bedroom, immerses herself in a role-playing horror game online.

A free man after years in prison, Carlito Brigante intends to give up his criminal ways, but it's not long before the ex-con is sucked back into the New York City underworld. Reconnecting with his dancer girlfriend, Gail, Carlito gets entangled in the shady dealings of his friend Dave Kleinfeld, who also serves as his lawyer. When Carlito and Kleinfeld run afoul of shifty gangster Benny Blanco, it sets them on a dangerous path.

Teenager Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious late-night TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen's view of reality begins to crack.

Trucker Martin "Rubber Duck" Penwald (Kris Kristofferson) and his buddies Pig Pen (Burt Young), Widow Woman (Madge Sinclair) and Spider Mike (Franklin Ajaye) use their CB radios to warn one another of the presence of cops. But conniving Sheriff Wallace (Ernest Borgnine) is hip to the truckers' tactics, and begins tricking the drivers through his own CB broadcasts. Facing constant harassment from the law, Rubber Duck and his pals use their radios to coordinate a vast convoy and rule the road.

While transporting a car from Chicago to San Diego, Jim Halsey (C. Thomas Howell) picks up a hitchhiker named John Ryder (Rutger Hauer), who claims to be a serial killer. After a daring escape, Jim hopes to never see Ryder again. But when he witnesses the hitchhiker murdering an entire family, Jim pursues Ryder with the help of truck-stop waitress Nash (Jennifer Jason Leigh), pitting the rivals against each other in a deadly series of car chases and brutal murders.

Sebastian (Ryan Gosling) and Mia (Emma Stone) are drawn together by their common desire to do what they love. But as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.

Deckard (Harrison Ford) is forced by the police Boss (M. Emmet Walsh) to continue his old job as Replicant Hunter. His assignment: eliminate four escaped Replicants from the colonies who have returned to Earth. Before starting the job, Deckard goes to the Tyrell Corporation and he meets Rachel (Sean Young), a Replicant girl he falls in love with.

Officer K (Ryan Gosling), a new blade runner for the Los Angeles Police Department, unearths a long-buried secret that has the potential to plunge what's left of society into chaos. His discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former blade runner who's been missing for 30 years.

Tennis player turned coach Tashi has taken her husband, Art, and transformed him into a world-famous Grand Slam champion. To jolt him out of his recent losing streak, she signs him up for a "Challenger" event — close to the lowest level of pro tournament — where he finds himself standing across the net from his former best friend and Tashi's former boyfriend.

In a corrupt, greed-fueled world, a powerful alchemist leads a messianic character and seven materialistic figures to the Holy Mountain, where they hope to achieve enlightenment.

As the son of a Viking leader on the cusp of manhood, shy Hiccup Horrendous Haddock III faces a rite of passage: he must kill a dragon to prove his warrior mettle. But after downing a feared dragon, he realizes that he no longer wants to destroy it, and instead befriends the beast – which he names Toothless – much to the chagrin of his warrior father.

New York Detective "Popeye" Doyle (Gene Hackman) and his partner (Roy Scheider) chase a French heroin smuggler.

When Bella Swan moves to a small town in the Pacific Northwest, she falls in love with Edward Cullen, a mysterious classmate who reveals himself to be a 108-year-old vampire.

Wealthy lawyer Newland Archer (Daniel Day-Lewis) is engaged to sweet socialite May Welland (Winona Ryder) in 1870s New York. On the surface, it is a perfect match. But when May's beautiful cousin Countess Ellen Olenska (Michelle Pfeiffer), who is estranged from her brutish husband, arrives in town, Newland begins to question the meaning of passion and love as he desperately pursues a relationship with Ellen, even though she has been made a social outcast by Archer's peers.

When disillusioned Swedish knight Antonius Block (Max von Sydow) returns home from the Crusades to find his country in the grips of the Black Death, he challenges Death (Bengt Ekerot) to a chess match for his life. Tormented by the belief that God does not exist, Block sets off on a journey, meeting up with traveling players Jof (Nils Poppe) and his wife, Mia (Bibi Andersson), and becoming determined to evade Death long enough to commit one redemptive act while he still lives.

This coming-of-age film follows the mayhem of group of rowdy teenagers in Austin, Texas, celebrating the last day of high school in 1976. The graduating class heads for a popular pool hall and joins an impromptu keg party, however star football player Randall Pink Floyd (Jason London) has promised to focus on the championship game and abstain from partying. Meanwhile, the incoming freshmen try to avoid being hazed by the seniors, most notably the sadistic bully Fred O'Bannion (Ben Affleck).

John Murdoch awakens alone in a strange hotel to find that he has lost his memory and is wanted for a series of brutal and bizarre murders. While trying to piece together his past, he stumbles upon a fiendish underworld controlled by a group of beings known as The Strangers who possess the ability to put people to sleep and alter the city and its inhabitants. Now Murdoch must find a way to stop them before they take control of his mind and destroy him.

Selfish pop singer Cléo (Corinne Marchand) has two hours to wait until the results of her biopsy come back. After an ominous tarot card reading, she visits her friends, all of whom fail to give her the emotional support she needs. Wandering around Paris, she finally finds comfort talking with a soldier in a park. On leave from the Algerian War, his troubles put hers in perspective. As they talk and walk, Cléo comes to terms with her selfishness, finding peace before the results come back.

Private detective Philip Marlowe (Elliott Gould) is asked by his old buddy Terry Lennox (Jim Bouton) for a ride to Mexico. He obliges, and when he gets back to Los Angeles is questioned by police about the death of Terry's wife. Marlowe remains a suspect until it's reported that Terry has committed suicide in Mexico. Marlowe doesn't buy it but takes a new case from a beautiful blond, Eileen Wade (Nina van Pallandt), who coincidentally has a past with Terry.

Based on a story by famed science fiction writer Philip K. Dick, "Minority Report" is an action-detective thriller set in Washington D.C. in 2054, where police utilize a psychic technology to arrest and convict murderers before they commit their crime. Tom Cruise plays the head of this Precrime unit and is himself accused of the future murder of a man he hasn't even met.

When churlish mobster Albert Spica (Michael Gambon) acquires an upscale French restaurant in London, he dines there nightly, effectively scaring off the clientele with his bad manners. His wife, Georgina (Helen Mirren), is especially disgusted by him, and soon begins an affair with another restaurant guest, Michael (Alan Howard). Despite their efforts to keep it a secret, however, Spica finds out about their trysts, and he plans to exact a terrible revenge.

Three back-to-back anime films by three different directors make up this sci-fi trilogy three years in the making. In the chilling "Magnetic Rose," engineers on a spacecraft board an abandoned space station and encounter disturbing paranormal forces. A young lab worker accidentally swallows a chemical weapon and becomes a walking killing machine in "Stink Bomb." In "Cannon Fodder," a young boy and his father fight for survival in a city functioning on paranoia.

Juraj Herz's film The Cremator has been described in many ways - as surrealist-inspired horror, as expressionist fantasy, as a dark and disturbing tale of terror.

This brilliantly chilling film, a mix of Dr Strangelove and Repulsion, is set in Prague during the Nazi occupation. It tells the story of Karl Kopfrkingl (Rudolf Hrušínský), a professional cremator, for whom the political climate allows free rein to his increasingly deranged impulses for the 'salvation of the world'.

Born into a family business of race cars, Speed Racer (Emile Hirsch) is one of the track's hot stars. Sitting at the wheel of his Mach 5, he consistently deflates the competition. When Speed turns down an offer from the head of Royalton Industries, he uncovers a secret. Powerful moguls fix the races to boost profits. Hoping to beat the executive, Speed enters the same arduous cross-country race that killed his brother.

This performance will feature a live score performed by Hugo Max.

Viola player and filmmaker Hugo Max presents his fourth UK tour accompanying Alfred Hitchcock’s 1927 silent masterwork The Lodger with live score. Packed with the stylistic flourishes and experimental trick shots that would become defining trademarks of Hitchcock’s film language, the third feature by the Master of Suspense is a gripping murder mystery propelled by Ivor Novello’s iconic central performance.

Please view this YouTube video for a sample of Hugo's work.


Photo Credit - Richard Ecclestone

When a landlady (Marie Ault) and her husband (Arthur Chesney) take in a new lodger (Ivor Novello), they're overjoyed: He's quiet, humble and pays a month's rent in advance. But his mysterious and suspicious behaviour soon has them wondering if he's the killer terrorising local blond girls. Their daughter, Daisy (June), a cocky model, is far less concerned, her attraction obvious. Her police-detective boyfriend (Malcolm Keen), in a pique of jealousy, seeks to uncover the lodger's true identity.

Website: https://hugomax.co.uk/scoring-silent-cinema

Hard-nosed private investigator Harry Moseby (Gene Hackman), to distract himself from a rapidly deteriorating marriage, takes a case from an aging B-movie queen (Janet Ward) to locate her runaway daughter, Delly (Melanie Griffith). His search takes him to the Florida Keys, where the girl has been hiding out with her stepfather, Tom (John Crawford), and Tom's lover, Paula (Jennifer Warren). Harry initiates an affair with Paula and soon learns the case is more complex than he first assessed it.

Wendy (Michelle Williams), a near-penniless drifter, is traveling to Alaska in search of work, and her only companion is her dog, Lucy. Already perilously close to losing everything, Wendy hits a bigger bump in the road when her old car breaks down, and she is arrested for shoplifting dog food. When she posts bail and returns to retrieve Lucy, she finds that the dog is gone, prompting a frantic search for her pet.

As celebrated conductor Lydia Tár starts rehearsals for a career-defining symphony, the consequences of her past choices begin to echo in the present.

A young black lesbian filmmaker probes into the life of The Watermelon Woman, a 1930s black actress who played 'mammy' archetypes.

A mysteriously linked pair of young women find their daily lives pre-empted by a strange boudoir melodrama that plays itself out in a hallucinatory parallel reality. An undisputed classic of the French New Wave, Jacques Rivette's Celine and Julie Go Boating is a delightful movie about the spiritual journey of a pair of young women, told with a playful approach to the cinematic form. A masterpiece of cinematic creativity, Rivette, the same mind behind 1969's L'amour fou, effortlessly draws the viewer into the whimsical world of the titular protagonists.

A highly skilled jewel thief, Frank (James Caan) longs to leave his dangerous trade and settle down with his girlfriend, Jessie (Tuesday Weld). Eager to make one last big score in order to begin living a legitimate life, Frank reluctantly associates with Leo (Robert Prosky), a powerful gangster. Unfortunately for Frank, Leo wants to keep him in his employ, resulting in a tense showdown when he finally tries to give up his criminal activities once and for all.

Returning to the big screen to celebrate its 50th anniversary in a dazzling 4K restoration, Peter Weir’s adaptation of Joan Lindsay’s novel has lost none of its mystique or mesmerising power. Catch this early preview screening of the brand-new restoration. 

In the early 1900s, Miranda (Anne Lambert) attends a girls boarding school in Australia. One Valentine's Day, the school's typically strict headmistress (Rachel Roberts) treats the girls to a picnic field trip to an unusual but scenic volcanic formation called Hanging Rock. Despite rules against it, Miranda and several other girls venture off. It's not until the end of the day that the faculty realizes the girls and one of the teachers (Vivean Gray) have disappeared mysteriously.

The enchanted lives of a couple in a secluded forest are brutally shattered by a nightmarish hippie cult and their demon-biker henchmen, propelling a man into a spiraling, surreal rampage of vengeance.

During World War II era, a young woman, Wang Jiazhi, gets swept up in a dangerous game of emotional intrigue with a powerful political figure, Mr. Yee.