Inconsolable since the death of his wife, Karsh, a prominent businessman, invents a revolutionary and controversial technology that enables the living to monitor their dear departed in their shrouds. One night, multiple graves, including that of Karsh’s wife, are desecrated, and he sets out to track down the perpetrators.

Harry Caul (Gene Hackman), a detached and paranoid surveillance expert who finds himself becoming a victim of the same modern technology he uses to destroy others. It begins with a seemingly routine job trailing an unfaithful wife and her lover. But when Harry visits the husband’s office to deliver the incriminating tapes he’s made of the couple, his client’s assistant tries to intercept him. Harry refuses to hand over the recordings and suddenly discovers that he may have captured a conversation about something that’s a lot more important than adulterous goings on.

Stanley Kubrick bent the conventions of the historical drama to his own will in this dazzling vision of a pitiless aristocracy, adapted from a novel by William Makepeace Thackeray. In picaresque detail, Barry Lyndon chronicles the adventures of an incorrigible trickster (Ryan O’Neal) whose opportunism takes him from an Irish farm to the battlefields of the Seven Years’ War and the parlours of high society. For the most sumptuously crafted film of his career, Kubrick recreated the decadent surfaces and intricate social codes of the period, evoking the light and texture of eighteenth-century painting with the help of pioneering cinematographic techniques and lavish costume and production design, all of which earned Academy Awards. The result is a masterpiece—a sardonic, devastating portrait of a vanishing world whose opulence conceals the moral vacancy at its heart.

Barry Lyndon is presented in the film’s photographed aspect ratio of 1.66:1, as specified in a December 8, 1975, letter from director Stanley Kubrick to projectionists. This new 4K restoration was sourced from a 4K scan of the 35mm original camera negative. The high-definition transfer, created in 2000 under the supervision of Leon Vitali (Kubrick’s personal assistant), served as a colour reference for this restoration. The 5.1 surround audio mix was created from restored original soundtrack stems.

Colour Grading: Sheri Eisenberg at Warner Bros. Motion Picture Imaging Digital image restoration: Prasad Corporation, Burbank Audio restoration: Chris Jenkins at WB Post Production Services Sound

Genius artist Cesar Catilina seeks to leap the City of New Rome into a utopian, idealistic future, while his opposition, Mayor Franklyn Cicero, remains committed to a regressive status quo, perpetuating greed, special interests, and partisan warfare. Torn between them is socialite Julia Cicero, the mayor's daughter, whose love for Cesar has divided her loyalties, forcing her to discover what she truly believes humanity deserves.

From Ryan Coogler—director of “Black Panther” and “Creed”—and starring Michael B. Jordan comes a new vision of fear: “Sinners.”

Trying to leave their troubled lives behind, twin brothers (Jordan) return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back.

“You keep dancing with the devil, one day he’s gonna follow you home.”

Written and directed by Academy Award-nominated filmmaker Coogler, “Sinners” stars Jordan (the “Black Panther” and “Creed” franchises) in a dual role, joined by Oscar nominee Hailee Steinfeld (“Bumblebee,” “True Grit”), Jack O’Connell (“Ferrari”), Wunmi Mosaku (“Passenger”), Jayme Lawson (“The Woman King”), Omar Miller (“True Lies”), and Delroy Lindo (“Da 5 Bloods”).

The film is produced by Zinzi Coogler, Sev Ohanian and Ryan Coogler. The executive producers are Ludwig Göransson, Will Greenfield and Rebecca Cho.

When a flood of biblical proportions washes its home away, a solitary cat must seek refuge with a motley crew of animals (including a dog, a capybara, a lemur and a secretarybird), who gradually learn to get along in this endearing, Oscar-winning animation.

After the death of Mr. Dashwood (Tom Wilkinson), the Dashwood family takes a step down in society and faces hardship as they are four women virtually penniless. Elinor (Emma Thompson) and Marianne (Kate Winslet), two sisters with different perspectives on life and interests, keep one another in line and support one another through death, hardship, love, and friendship.

Just out of jail, crumpled English archaeologist Arthur reconnects with his wayward crew of tombaroli accomplices – a happy-go-lucky collective of itinerant grave-robbers who survive by looting Etruscan tombs and fencing the ancient treasures they dig up.

Never Enough is Turnstile's debut visual album, and it's a wild 50-minute ride you won't want to miss. Directed by frontman Brendan Yates and guitarist Pat McCrory, the film blends their signature experimental hardcore sound with powerful, cinematic visuals that capture the band's raw energy. The Baltimore-based band pushes boundaries with a truly unforgettable experience. Whether you're a fan or new to their music, Never Enough is a must-see.

5 Academy Award Wins – Best Picture, Best Director, Best Screenplay (Original), Best Editing, Best Actress

Anora, a young sex worker from Brooklyn, gets her chance at a Cinderella story when she meets and impulsively marries the son of an oligarch. Once the news reaches Russia, her fairytale is threatened as the parents set out for New York to get the marriage annulled.

After a string of bizarre bank robberies in Southern California, with the crooks donning masks of various former presidents, a federal agent, Johnny Utah (Keanu Reeves), infiltrates the suspected gang. But this is no ordinary group of robbers. They're surfers -- led by the charismatic Bodhi (Patrick Swayze) -- who are addicted to the rush of thievery. But when Utah falls in love with a female surfer, Tyler (Lori Petty), who is close to the gang, it complicates his sense of duty.

Five students with seemingly nothing in common are faced with spending a Saturday detention together in their high school library. At 7am, they have nothing to say to each other, but they soon begin to open up and find some unlikely friends.

To the outside world they were simply the Jock, the Brain, the Criminal, the Princess and the Kook, but to each other they would always be The Breakfast Club.