In an underwater city, a young girl takes care of a large egg she holds carefully in her arms. A boy with a gun arrives in search of a bird he saw in his dream. At first, it seems as if feelings of sympathy are developing between the two.

Forty years after the film’s original release, Anime Limited is proud to present an all-new 4K restoration of the film, supervised by director Mamoru Oshii, in cinemas nationwide for the very first time.

The film is a creative collaboration between acclaimed director Mamoru Oshii (Ghost in the Shell), who wrote and directed the feature, and revered artist Yoshitaka Amano (Final Fantasy, Vampire Hunter D). The film beautifully intertwines Oshii’s thematic reflections on philosophy and theology with Amano’s distinctive ink painting style, culminating in an arrestingly beautiful hand-drawn allegorical fantasy.

After the daughter of Wang Wei is kidnapped by a criminal network and he receives no help from the corrupt police, Wei sets out on a rampage to find her himself. His only ally is Navin – a relentless journalist whose wife has mysteriously disappeared. Fueled by a furious vengeance, the unlikely duo ruthlessly fights against the kidnappers in this explosive martial arts showdown.

Shot on 16mm, Cornish auteur Mark Jenkin's film sees him return with a political folktale of two fishermen trapped in a time-loop. Thirty years after the Rose of Nevada fishing boat and its crew vanished without a trace, the vessel inexplicably returns to its old harbour in a small Cornish village, unchanged by time. Drawn by the promise of steady work and escape from hardship, two young men join its new crew: Nick, a devoted father struggling to provide for his family, and Liam, a drifting outsider living on the margins. When the Rose docks once more, the men realise they have slipped back in time. Trapped in the past, they are mistaken for the original crew and burdened with the expectations, fears and unresolved grief of a community desperate for answers, forcing them to confront their identity and fate, and the cost of survival.

A reforming ex-gangster tries to reconcile with his estranged policeman brother, but the ties to his former gang are difficult to break.

When their plan to book a show at the Rivoli goes horribly wrong, Matt and Jay accidentally travel back to the year 2008.

Iconic and game-changing, AKIRA is the definitive anime masterpiece! Katsuhiro Otomo's landmark cyberpunk classic obliterated the boundaries of Japanese animation and forced the world to look into the future. AKIRA's arrival shattered traditional thinking, creating space for future generations of ground-breaking movies.

July, 1988 - World War III breaks loose. Then, in 2019, in megalopolis Tokyo...As the leader of a group of young robust delinquents, Kaneda spent his nights tearing through the urban wastes, racing his motorbike against rival groups. One night while riding with his gang, his friend Tetsuo suddenly encounters a strange boy - the product of human experimentation and is injured in the ensuing crash. Shortly thereafter, a military squadron appears on the scene to take the boy and Tetsuo away to an army research facility. Determined to free Tetsuo from capture, Kaneda sneaks into the army research lab. However, a regimen of extreme experimental procedures has awakened a new power in his friend, and now he is consumed by madness..

On Tuesday 7th June, Co-Writer and Director Sébastien Vanicek will join us for two Preview Screenings of EVIL DEAD BURN, featuring a Live Q&A (18:00) and Live Introduction (20:50). Tickets are on sale to PCC Members Friday 5th June 1PM, before opening to everyone Sunday 7th June 1PM.

EVIL DEAD BURN unleashes the franchise’s most savage and terrifying ride to date, blazing onto big screens with an all-new chapter of carnage and demonic mayhem. After the loss of her husband, a woman seeks solace with her in-laws in their secluded family home. As one by one they are transformed into Deadites—turning the gathering into a family reunion from hell—she comes to discover that the vows she took in life live on… even in death.

The confident and remarkable debut from writer and comedian Eva Victor made waves at Sundance, heralding a new voice of exceptional talent. Told in nonlinear chapters, it follows five years in the life of Agnes (expertly embodied by Victor), who’s introduced to us as a wry and intelligent young English professor. The film traces her transition from grad student to tenure, but also the before and after of a sexual assault. As she navigates the healing process, Agnes is supported by her sprightly best friend, Lydie (Naomi Ackie, Mickey 17), along with an endearingly awkward neighbour (Lucas Hedges, Ladybird, Boy Erased) and a sweet stray kitten.

“The film’s tone is a real balancing act,” says Victor, “one that hopefully feels true to life – funny, with pain. Painful, with funny parts.” Their sharp-eyed script creatively circumvents representing the unspeakable while applying a darkly comic wit to difficult subject matter, deftly revealing the absurdity of systems that neglect their victims.

Produced by Oscar-winning director Barry Jenkins (Moonlight), Sorry, Baby portrays grief with sensitivity and wry, offbeat humour, exploring the aftermath of trauma and the process of healing.

A strange doorway appears in the basement of a furniture showroom.

The scintillating feature debut of Mary Harron (American Psycho) and one of the most controversial independent films of the 1990s, I Shot Andy Warhol stars an electric Lili Taylor as Valerie Solanas, a militant feminist whose attempted murder of Andy Warhol brought instant fame to her radically anti-male SCUM Manifesto. Dropping out of grad school in the midsixties, the brilliant yet volatile Solanas survived in New York City as a destitute artist, sex worker, and panhandler, soon striking up a friendship with Warhol superstar Candy Darling that brought her briefly into the orbit of the world’s premier pop artist.

With vivid, hallucinatory attention to historical detail, Harron captures the explosive cross-pollination of New York’s political and artistic countercultures as well as the creativity, snobbery, and decadence at the heart of the legendary Factory. Anchored by pitch-perfect performances—and featuring a blistering score by John Cale as well as covers of sixties hits by some of the nineties’ most iconic bands (R.E.M., Wilco)—I Shot Andy Warhol is an incisive portrait of a rebel without an outlet and the soon-to-be-lost generation she came to define.

Ricky is a defiant young city kid who finds himself on the run with his cantankerous foster uncle in the wild New Zealand bush. A national manhunt ensues, and the two are forced to put aside their differences and work together to survive.

Before Jane Schoenbrun's TEENAGE SEX AND DEATH AT CAMP MIASMA hits UK cinemas from 21st August, don't miss a special preview screening at The Prince Charles Cinema on Thursday 13th August. Warm up for this preview screening with a special CAMP MIASMA INSPIRED MYSTERY MOVIE MARATHON curated by Jane Schoenbrun on Saturday 25th July!

Hacks breakout star Hannah Einbinder and, in a playful bit of meta-casting, Gillian Anderson (The X Files, Sex Education) headline this heady, gory slasher homage from writer-director Jane Schoenbrun. Like Schoenbrun’s previous films I Saw the TV Glow and We’re All Going to the World’s Fair, it uses a horror genre lens to explore a rich array of themes and ideas – queer identity and sexuality, memory and nostalgia, the nature of female desire, the state of the entertainment industry – with humour, vulnerability and affection.

After years of slapdash sequels, the Camp Miasma slasher franchise is handed over to an enthusiastic, cerebral young director (Einbinder) – who credits the first film with her own queer awakening – to resurrect. But fantasy and reality collide when she visits the original film’s star (Anderson), now a mysterious recluse living on its old set, and the two women fall into a blood-soaked world of fear, desire and delirium

World Premiere of New 4K Restoration, courtesy of Third Window Films

Five bizarre stories with no apparent connection to one another eventually become intertwined, resulting in surreal circumstances.

A salaryman wins tickets to the latest stage sensation, the hypnosis show VIVA FRIENDS!

In the middle of the act, an assassin shows up and kills the hypnotist, leaving the salaryman stranded and convinced he is a bird!

A gang of burglars roam the suburbs while simultaneously dealing with their budding lust for one another!

Meanwhile, a man kills and buries his wife, only to have her claw her way out of the grave and go after him with missile arms and fire breath, over and over again.

Acclaimed commercial director Gen Sekiguchi pulls all these strands together into a movie that is thrillingly original. Survive Style 5+ jettisons traditional movie tricks and aims for something more, a movie where love means never having to kill your wife more than five or six times.