Warner Bros. Pictures present an ‘unrestored’ 70mm print of the director’s groundbreaking science fiction epic!
"For the first time since the original release, this 70mm print was struck from new printing elements made from the original camera negative. This is a true photochemical film recreation. There are no digital tricks, remastered effects, or revisionist edits. This is the unrestored film - that recreates the cinematic event that audiences experienced fifty years ago." - Christopher Nolan
Stanley Kubrick’s dazzling, Academy Award®-winning* achievement is a compelling drama of man vs. machine, a stunning meld of music and motion. Kubrick (who co-wrote the screenplay with Arthur C. Clarke) first visits our prehistoric ape-ancestry past, then leaps millennia (via one of the most mind-blowing jump cuts ever) into colonized space, and ultimately whisks astronaut Bowman (Keir Dullea) into uncharted space, perhaps even into immortality. “Open the pod bay doors, HAL.” Let an awesome journey unlike any other begin.
Please Note: Our 70mm screenings of '2001: A Space Odyssey' follow a partictular presentation procedure;
- Overture (3mins / Music)
- 1st half of feature (86mins)
- * Intermission* (usually 10 for quieter shows, can be 20mins for busier ones)
- Entracte (2mins / Music)
- 2nd half of feature (54mins)
- Exit (5mins / Music)
- Total time; approx 170mins (though this is dependent on Intermission length)
Douglas Quaid (Arnold Schwarzenegger) is a bored construction worker in the year 2084 who dreams of visiting the colonized Mars. He visits "Rekall," a company that plants false memories into people's brains, in order to experience the thrill of Mars without having to travel there. But something goes wrong during the procedure; Quaid discovers that his entire life is actually a false memory and that the people who implanted it in his head now want him dead.
In deep space, the crew of the commercial starship Nostromo is awakened from their cryo-sleep capsules halfway through their journey home to investigate a distress call from an alien vessel. The terror begins when the crew encounters a nest of eggs inside the alien ship. An organism from inside an egg leaps out and attaches itself to one of the crew, causing him to fall into a coma.
A psychologist is sent to a station orbiting a distant planet in order to discover what has caused the crew to go insane.
Meet the world’s first Super-Hero… from New Jersey! Winston Gooze is an ordinary worker, who after a shocking accident, transforms a downtrodden janitor into a mutant vigilante. Armed with his signature mop, the unlikely hero battles freaks, gangsters and corrupt CEOs while trying to save his relationship with his son.
Starring Peter Dinklage (Game of Thrones), Jacob Tremblay (Doctor Sleep), Taylour Paige (Beverly Hills Cop: Axel F), Kevin Bacon (MaXXXine), Elijah Wood (The Lord of the Rings trilogy), Julia Davis (Gavin & Stacey) and Luisa Guerreiro (Baldur’s Gate III), The Toxic Avenger is written by Macon Blair (I Don’t Feel At Home in This World Anymore), Lloyd Kaufman (Mother’s Day) and Joe Ritter (The Toxic Avenger 1984), and is directed by Blair.
Based on the original 1980s cult hit which spawned an outrageous franchise, The Toxic Avenger is produced by Kaufman and Michael Herz (Class of Nuke ‘Em High) of Troma Entertainment, and Alex Garcia (Godzilla MonsterVerse) and Mary Parent (Dune: Part One, Dune Part Two) of Legendary Pictures.
As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend (Deborah Harry) auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
As Adm. James T. Kirk (William Shatner) and Capt. Spock (Leonard Nimoy) monitor trainees at Starfleet Academy, another vessel from the United Federation of Planets is about to try out the planet-creating Genesis Device in a seemingly deserted portion of space. In the process, two of Kirk's officers are captured by Khan (Ricardo Montalban), an enemy Kirk thought he'd never see again. Once more, Kirk takes the Enterprise's helm, where he meets Khan's ship in an intergalactic showdown.
Disguised as a human, a cyborg assassin known as a Terminator (Arnold Schwarzenegger) travels from 2029 to 1984 to kill Sarah Connor (Linda Hamilton). Sent to protect Sarah is Kyle Reese (Michael Biehn), who divulges the coming of Skynet, an artificial intelligence system that will spark a nuclear holocaust. Sarah is targeted because Skynet knows that her unborn son will lead the fight against them. With the virtually unstoppable Terminator in hot pursuit, she and Kyle attempt to escape.
40th Anniversary restoration from a 4K film scan of the 35mm negative and a new Dolby Atmos mix with final sound and picture approved by director James Cameron. Presented by Park Circus with thanks to MGM. Post House: Park Road Post, Colourist: Tashi Trieu, Sound Mixer for Atmos: Mike Hedges
In Earth's future, a global crop blight and second Dust Bowl are slowly rendering the planet uninhabitable. Professor Brand (Michael Caine), a brilliant NASA physicist, is working on plans to save mankind by transporting Earth's population to a new home via a wormhole. But first, Brand must send former NASA pilot Cooper (Matthew McConaughey) and a team of researchers through the wormhole and across the galaxy to find out which of three planets could be mankind's new home.
During the presidential election of 1988, a teenager named Donnie Darko sleepwalks out of his house one night and sees a giant, demonic-looking rabbit named Frank, who tells him the world will end in 28 days. When Donnie returns home, he finds that a jet engine has crashed into his bedroom. Is Donnie living in a parallel universe, is he suffering from mental illness - or will the world really end?
Ready to serve and protect like never before, the future of law enforcement blasts his way back into cinemas from 20 May in a definitive 4K restoration – uncut and approved by Paul Verhoeven. This reissue of MGM's RoboCop (Director's Cut) will be supported by marketing materials including a poster (above), trailer (below), plus a publicity campaign.
An era-defining cult phenomenon, the visionary Dutch director's blistering sci-fi satire on the politics of corruption has never looked better and demands to be seen on the big screen. Cinemas... you have 20 seconds to comply!
This 4K restoration of the film is from the original camera negative by MGM, approved by director Paul Verhoeven.
Mega City One is a vast, violent metropolis where felons rule the streets. The only law lies with cops called "judges," who act as judge, jury and executioner, and Dredd (Karl Urban) is one of the city's most feared. One day, Dredd is partnered with Cassandra (Olivia Thirlby), a rookie with powerful psychic abilities. A report of a terrible crime sends Dredd and Cassandra to a dangerous area controlled by Ma-Ma (Lena Headey), a drug lord who will stop at nothing to protect her empire.
After a painful breakup, Clementine (Kate Winslet) undergoes a procedure to erase memories of her former boyfriend Joel (Jim Carrey) from her mind. When Joel discovers that Clementine is going to extremes to forget their relationship, he undergoes the same procedure and slowly begins to forget the woman that he loved. Directed by former music video director Michel Gondry, the visually arresting film explores the intricacy of relationships and the pain of loss.
Traveling back in time isn't simple, as James Cole (Bruce Willis) learns the hard way. Imprisoned in the 2030s, James is recruited for a mission that will send him back to the 1990s. Once there, he's supposed to gather information about a nascent plague that's about to exterminate the vast majority of the world's population. But, aside from the manic Jeffrey (Brad Pitt), he gets little in the way of cooperation, not least from medical gatekeepers like Dr. Kathryn Railly (Madeleine Stowe).
A thief who steals corporate secrets through the use of dream-sharing technology is given the inverse task of planting an idea into the mind of a C.E.O., but his tragic past may doom the project and his team to disaster.
Deckard (Harrison Ford) is forced by the police Boss (M. Emmet Walsh) to continue his old job as Replicant Hunter. His assignment: eliminate four escaped Replicants from the colonies who have returned to Earth. Before starting the job, Deckard goes to the Tyrell Corporation and he meets Rachel (Sean Young), a Replicant girl he falls in love with.
In remote Antarctica, a group of American research scientists are disturbed at their base camp by a helicopter shooting at a sled dog. When they take in the dog, it brutally attacks both human beings and canines in the camp and they discover that the beast can assume the shape of its victims. A resourceful helicopter pilot (Kurt Russell) and the camp doctor (Richard Dysart) lead the camp crew in a desperate, gory battle against the vicious creature before it picks them all off, one by one.
Ellen Ripley is sent back to the planet LV-426 to establish contact with a terraforming colony. Once there, she encounters the Alien Queen and her offspring and has to fight them to survive.
Respected scientist and psychology professor Edward Jessup (William Hurt) decides to combine his experiments in sensory deprivation tanks with powerful hallucinogenic drugs, convinced that it may help him unlock different states of consciousness. The experiments are a success at first, but as Jessup continues his work, he begins to experience altered mental and also physical states. As he spends more time in sensory deprivation, his grip on reality begins to slip away.
Tetsuo The Iron Man’s sequel operates as a companion piece, a twisted tale of metallic transformation and revenge. After his son is kidnapped by a metal obsessive, a salaryman (Tomorowo Taguchi) finds his unwilling body transformed into machine. Bringing in images of body building, guns and bizarre sex rituals, Tetsuo II: Body Hammer is an entertaining cyberpunk tale.
Tetsuo II: Body Hammer is screening as part of the season Tetsuo And Beyond, presented with the National Film and Television School’s Film Studies, Programming and Curation MA.
Ashley Hans Scherli’s (Flaming Ears) queer, avant -garde wonderwork Dandy Dust is a transgressive transmission from the future of gender. This rare screening follows gender fluid cyborg Dust (Ashley Hans Scherli) hurtling through space and time, seeking both memory and identity. Truly transgressive, Dandy Dust invites us to ignore the limits of our bodies and the place in which we occupy them.
Dandy Dust beams into the Prince Charles Cinema as part of the Tetsuo And Beyond Season. The season is presented with the National Film and Television School’s Film Studies, Programming and Curation MA.