Dae-Su is an obnoxious drunk bailed from the police station yet again by a friend. However, he's abducted from the street and wakes up in a cell, where he remains for the next 15 years, drugged unconscious when human contact is unavoidable, otherwise with only the television as company. And then, suddenly released, he is invited to track down his jailor with a denouement that is simply stunning.

The comedy classic from celebrated director STANLEY KUBRICK.

An unhinged American general orders a bombing attack on the Soviet Union, triggering a path to nuclear holocaust that a war room full of politicians and generals frantically tries to stop.

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin's resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

A pragmatic U.S. Marine observes the dehumanizing effects the Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.

Twenty-five years ago, Kevin Smith unleashed Dogma, a sharp, irreverent religious satire that sparked conversation, controversy, and cult fandom around the world. In this remastered 4K edition, Dogma: Resurrected!, reintroduces the story of Bartleby (Ben Affleck) and Loki (Matt Damon), two banished angels who seek to exploit a theological loophole and return to Heaven, thereby inadvertently nullifying all of existence. A reluctant abortion clinic worker (Linda Fiorentino) is tasked with stopping them, guided by a heavenly host that includes the last scion of Christ, a muse, a pair of prophets, and the voice of God.

With its razor-sharp dialogue, philosophical underpinnings, and genre-blending boldness, Dogma remains as provocative and funny now as it was in 1999, if not more so.
 

In an England of the future, Alex (Malcolm McDowell) and his "Droogs" spend their nights getting high at the Korova Milkbar before embarking on "a little of the old ultraviolence," while jauntily warbling "Singin' in the Rain." After he's jailed for bludgeoning the Cat Lady to death, Alex submits to behavior modification technique to earn his freedom; he's conditioned to abhor violence. Returned to the world defenseless, Alex becomes the victim of his prior victims.