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The Prince Charles Cinema

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ShowingSunday 18th October
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The Exorcist (Extended Cut)
1973 132mins USA (18) Horror

One of the most profitable horror movies ever made, this tale of an exorcism is based loosely on actual events. When young Regan (Linda Blair) starts acting odd -- levitating, speaking in tongues -- her worried mother (Ellen Burstyn) seeks medical help, only to hit a dead end. A local priest (Jason Miller), however, thinks the girl may be seized by the devil. The priest makes a request to perform an exorcism, and the church sends in an expert (Max von Sydow) to help with the difficult job.

Black Church Bay
2026 107mins UK (15) LFF

Tickets Are Only Available via BFI London Film Festival Website from Thursday 1 October 2026 10:00am: Click Here To Book

In a sleepy Welsh fishing village, Barry’s life starts to unravel after an intimate encounter in this gripping mystery drama starring Tom Cullen and Joe Locke.

Barry has always kept his personal life tightly under wraps. But as hidden truths come to light, he is no longer able to control the double life he leads. Barry must decide what lengths he will go to cover up his private life and ultimately his true self. Black Church Bay is a tense and thought-provoking drama that affirms Rhys Marc Jones as an exciting queer filmmaker.

Content advice: Contains scenes of nudity and sex

The Thing
1982 108mins USA (18) Sci-Fi / Horror

In remote Antarctica, a group of American research scientists are disturbed at their base camp by a helicopter shooting at a sled dog. When they take in the dog, it brutally attacks both human beings and canines in the camp and they discover that the beast can assume the shape of its victims. A resourceful helicopter pilot (Kurt Russell) and the camp doctor (Richard Dysart) lead the camp crew in a desperate, gory battle against the vicious creature before it picks them all off, one by one.

Your Mother Your Mother Your Mother
2026 111mins UK, USA (15) LFF

Tickets Are Only Available via BFI London Film Festival Website from Tuesday 17 September 2026 10:00am: Click Here To Book

Bassam Tariq follows Mogul Mowgli (LFF 2020) with this gripping, inventive thriller, featuring a commanding central performance by Oscar winner Mahershala Ali.

An assassin and father of three, Latif’s life is turned upside down when his wife dies. He struggles to balance his two very different worlds, but when a hit goes south and as forces close in around him, he sets off on a desperate journey to protect his children. Amid all the mayhem, Tariq’s stylish and exhilarating thriller offers a tender portrait of grief and fatherhood, and a testament to maintaining one’s faith.

English and Arabic Language with English Subtitles

This screening will be presented with Descriptive Subtitles and will have Audio Description available on request. 

Content Warning: Contains scenes of graphic violence or injury.

The Shining [UK Version]
1980 119mins UK, USA (15) Horror

Jack Torrance (Jack Nicholson) becomes winter caretaker at the isolated Overlook Hotel in Colorado, hoping to cure his writer's block. He settles in along with his wife, Wendy (Shelley Duvall), and his son, Danny (Danny Lloyd), who is plagued by psychic premonitions. As Jack's writing goes nowhere and Danny's visions become more disturbing, Jack discovers the hotel's dark secrets and begins to unravel into a homicidal maniac hell-bent on terrorizing his family.

Club Kid
2026 122mins (15) LFF

Tickets Are Only Available via BFI London Film Festival Website from Tuesday 17 September 2026 10:00am: Click Here To Book

A jaded New York club promoter finds his messy lifestyle upended by the discovery that he has a son, in Jordan Firstman’s hilarious feature directorial debut.

A decade of drinking, drugs and clubs is finally starting to take its toll on Peter. The unexpected arrival of an infant son means it’s finally time for him to get his life together. How hard can it be? The perfect skewering of millennial malaise that is also deeply touching, it’s easy to see why Club Kid was one of the most talked-about films at Cannes this year.

This screening will be presented with Descriptive Subtitles.

Content Warning: Contains flashing images, scenes of drug use and sex, and themes of suicide.

Possession
1981 124mins France, West Germany (18) Horror

After Anna (Isabelle Adjani) reveals to her husband, Mark (Sam Neill), that she is having an affair, she leaves him and their son. Mark is devastated, and seeks out Heinrich (Heinz Bennent), the man who cuckolded him, only to receive a beating. After a series of violent confrontations between Mark and Anna, Mark hires a private investigator to follow her. Anna descends into madness, and it's soon clear that she is hiding a much bigger secret -- one that is both inexplicable and shocking.

The Debut
2026 105mins USA (PG) LFF

Tickets Are Only Available via BFI London Film Festival Website from Tuesday 17 September 2026 10:00am: Click Here To Book

For LFF 2026’s curtain call, writer-director Jesse Eisenberg delivers a rapturous and raucously funny love letter to community theatre, featuring a luminous lead performance by Julianne Moore.

Quiet housewife Mona has become a supporting role in her own life; her husband barely acknowledges her presence and their children are on the cusp of fleeing the nest. So when, on an impulse, she auditions for a local production of an original musical, Mona suddenly finds herself in the spotlight when she is cast in a leading role, as Miss Danielle. However, she is unprepared for the theatrical hurricane that is Jerry, her enigmatic director and the ‘biggest name in New Jersey community theatre’. As she continues to be creatively pushed by him, Mona finds herself going to extreme lengths to unlock her character. The Debut once again finds the perfect balance between humour and drama that Eisenberg delivered with his previous films A Real Pain (LFF 2024) and When You Finish Saving the World. It’s both sparklingly witty and laugh-out-loud funny, while every scene works to build on the emotional undercurrents and heartbreaking revelations that make the characters so credible. This time, Eisenberg’s talents even stretch to writing the songs for the fictional stage musical. Moore is in her element, giving one of her finest performances, while Paul Giamatti’s Jerry continues his run from The Holdovers as the master of dramedy. Ultimately, The Debut is an elegant and intelligent coming-of-older-age story about how it’s never too late to find our true selves, and the redemptive powers of community and art. Take your seats... It’s showtime!

This screening will be presented with Descriptive Subtitles and will have Audio Description available on request.