On the verge of turning thirty, Julie is faced with a series of choices that force her to pursue new perspectives on her life in contemporary Oslo. Over the course of four years, she navigates love affairs and existential uncertainty as she starts deciding who she wants to become.

A future society, where humans and robots co-exist. Amidst the chaos created by anti-robot factions, detective Shunsaku Ban and his sidekick Ken-ichi are searching for rebel scientist Dr. Laughton, to arrest him and seize his latest creation, a beautiful young girl named Tima. When they locate them, Shunsaku soon realizes that the eccentric scientist is protected by a powerful man and his fierce desire to reclaim a tragic figure from his past and therefore is beyond their reach.

On his way to Vienna, American Jesse (Ethan Hawke) meets Celine (Julie Delpy), a student returning to Paris. After long conversations forge a surprising connection between them, Jesse convinces Celine to get off the train with him in Vienna. Since his flight to the U.S. departs the next morning and he has no money for lodging, they wander the city together, taking in the experiences of Vienna and each other. As the night progresses, their bond makes separating in the morning a difficult choice.

When the transition is being made from silent films to `talkies', everyone has trouble adapting. Don and Lina have been cast repeatedly as a romantic couple, but when their latest film is remade into a musical, only Don has the voice for the new singing part. After a lot of practise with a diction coach, Lina still sounds terrible, and Kathy, a bright young aspiring actress, is hired to record over her voice.

Featuring Post-Film Q&A with Walter Murch and Director Howard Berry

Invented in 1922, the Moviola remained for a long time the dominant machine for editing film in English-language cinema. Mastering it allowed an editor, in tandem with the director and producer, to create a language and rhythm within a film. Her Name Was Moviola sees Academy Award®-winning sound and film editor Walter Murch working with a team to rebuild a Moviola editing suite to take us through the process of how a film was pieced together. Using two scenes from Mike Leigh’s 2014 drama Mr. Turner – reverse-engineered from digital to 35mm prints – Murch and his collaborators take us through the way the Moviola was employed to bring a multitude on individual shots together into one cohesive narrative. It’s a riveting deep-dive into a process that is key to every form of filmmaking.

When scientist Seth Brundle completes his teleportation device, he decides to test its abilities on himself. Unbeknownst to him, a housefly slips in during the process, leading to a merger of man and insect. Initially, Brundle appears to have undergone a successful teleportation, but the fly's cells begin to take over his body. As he becomes increasingly fly-like, Brundle's girlfriend is horrified as the person she once loved deteriorates into a monster.

During the Napoleonic Wars, a brash British captain pushes his ship and crew to their limits in pursuit of a formidable French war vessel around South America.

In this acclaimed Japanese film, a group of people who have recently died find themselves in a limbo realm resembling a relatively mundane building. Counselors, including Takashi (Arata) and Shiori (Erika Oda), are on hand to help new arrivals pick one memory from their lives to bring with them into eternity. Once the memories are chosen, the staff makes a short film representing each one, and the films make up a collage of thoughtful cinematic moments.