Inseparable best friends AJ and Moose decide to run the local pool's snack shack after their plan to sell home-brewed beer goes down the drain. Things take a turn when they meet Brooke, an effortlessly cool lifeguard who puts their big plans, and friendship, at risk.

Shy 14-year-old Duncan goes on summer vacation with his mother, her overbearing boyfriend, and her boyfriend's daughter. Having a rough time fitting in, Duncan finds an unexpected friend in Owen, manager of the Water Wizz water park.

The story takes place over the course of about 12 hours, following the lives of two transgender prostitutes on Christmas Eve. Sin-dee has just been released from jail, and her best friend Alexandra lets slip that her boyfriend/pimp was unfaithful while she was away. This leads the two to get to the bottom of it through the subcultures of Los Angeles.

Teen friends Tummler (Nick Sutton) and Solomon (Jacob Reynolds) navigate the ruins of a tiny, tornado-ravaged town in Ohio that is populated by the deformed, disturbed and perverted. When not gunning down stray cats for a few bucks, the boys pass their time getting stoned on household inhalants. Elsewhere, the mute Bunny Boy (Jacob Sewell) dons rabbit ears and is bullied by kids half his age, and sisters Dot (Chloe Sevigny) and Helen (Carisa Glucksman) dodge a pedophile.

With the release in 1955 of Satyajit Ray’s debut, Pather Panchali, an eloquent and important new cinematic voice made itself heard all over the world. A depiction of rural Bengali life in a style inspired by Italian neorealism, this naturalistic but poetic evocation of a number of years in the life of a family introduces us to both little Apu and, just as essentially, the women who will help shape him: his independent older sister, Durga; his harried mother, Sarbajaya, who, with her husband away, must hold the family together; and his kindly and mischievous elderly “auntie,” Indir—vivid, multifaceted characters all. With resplendent photography informed by its young protagonist’s perpetual sense of discovery, Pather Panchali, which won an award for Best Human Document at the Cannes Film Festival, is an immersive cinematic experience and a film of elemental power.

John Waters’ gloriously grotesque, unavailable-for-decades second feature comes to theaters at long last, replete with all manner of depravity, from robbery to murder to one of cinema’s most memorably blasphemous moments. Made on a shoestring budget in Baltimore, with Waters taking on nearly every technical task, this gleeful mockery of the peace-and-love ethos of its era features the Cavalcade of Perversion, a traveling show put on by a troupe of misfits whose shocking proclivities are topped only by those of their leader: the glammer-than-glam, larger-than-life Divine, who’s out for blood after discovering her lover’s affair. Starring Waters’ beloved regular cast the Dreamlanders (including David Lochary, Mary Vivian Pearce, Mink Stole, Edith Massey, and Cookie Mueller), Multiple Maniacs is an anarchist masterwork from an artist who has doggedly tested the limits of taste for decades.

A young boy named Mahito yearning for his mother ventures into a world shared by the living and the dead. There death comes to an end, and life finds a new beginning. A semi-autobiographical fantasy about life, death and creation, in tribute to friendship from the mind of Hayao Miyazaki.

In a Manhattan cafe, word processor Paul Hackett (Griffin Dunne) meets and talks literature with Marcy (Rosanna Arquette). Later that night, Paul takes a cab to Marcy's downtown apartment. His $20 bill flying out the window during the ride portends the unexpected night he has. He cannot pay for the ride and finds himself in a series of awkward, surreal and life-threatening situations with a colorful cast of characters. He spends the rest of the night trying to return uptown.

During the Napoleonic Wars, a brash British captain pushes his ship and crew to their limits in pursuit of a formidable French war vessel around South America.

A man spends a summer day swimming home via all the pools in his quiet suburban neighborhood.

On Monday 11th August, we will be joined by Producer Delaney Schenker for an Intro + Q&A!

A bizarre retro comedy shot entirely on VHS, VHYes takes us back to a simpler time, when twelve-year-old Ralph mistakenly records home videos and his favorite late night shows over his parents’ wedding tape. The result is a nostalgic wave of home shopping clips, censored pornography, and nefarious true-crime tales that threaten to unkindly rewind Ralph’s reality.