A fairy tale adventure about a beautiful young woman and her one true love. He must find her after a long separation and save her. They must battle the evils of the mythical kingdom of Florin to be reunited with each other.

Two bikers head from L.A. to New Orleans through the open country and desert lands, and along the way they meet a man who bridges a counter-culture gap of which they had been unaware.

Years after the collapse of civilization, the tyrannical Immortan Joe enslaves apocalypse survivors inside the desert fortress the Citadel. When the warrior Imperator Furiosa (Charlize Theron) leads the despot's five wives in a daring escape, she forges an alliance with Max Rockatansky (Tom Hardy), a loner and former captive. Fortified in the massive, armored truck the War Rig, they try to outrun the ruthless warlord and his henchmen in a deadly high-speed chase through the Wasteland.

Clumsy Monsieur Hulot (Jacques Tati) finds himself perplexed by the intimidating complexity of a gadget-filled Paris. He attempts to meet with a business contact but soon becomes lost. His roundabout journey parallels that of an American tourist (Barbara Dennek), and as they weave through the inventive urban environment, they intermittently meet, developing an interest in one another. They eventually get together at a chaotic restaurant, along with several other quirky characters.

On his way to Vienna, American Jesse (Ethan Hawke) meets Celine (Julie Delpy), a student returning to Paris. After long conversations forge a surprising connection between them, Jesse convinces Celine to get off the train with him in Vienna. Since his flight to the U.S. departs the next morning and he has no money for lodging, they wander the city together, taking in the experiences of Vienna and each other. As the night progresses, their bond makes separating in the morning a difficult choice.

Edward Yang's penultimate film is an acerbic, sprawling tragicomedy, a poison love letter to Taipei as a rising cosmopolis of big money, big dreams, and big cons. Once more focusing on directionless youth, Yang depicts the four immature toughs who share the same apartment and, frequently, the same women. Led by the amoral Red Fish (Tang Tsung-sheng), the crew implements a slate of swindles and illicit business deals aimed at naive foreigners—including French teenager Marthe (Virginie Ledoyen), who is looking to reconnect with her older English lover (Nick Erickson)—and superstitious gold diggers (Carrie Ng). But when mobsters seek to collect on a debt owed by Red Fish's ex-criminal father (Chang Kuo-chu), they accidentally abduct translator Luen-Luen (Lawrence Ko), the only crew member with scruples and, seemingly, an ounce of compassion. In several intertwined tales of greed, violence, and shattered principles, Mahjong examines how a city can grow in power and wealth while abandoning its heart and soul.

The legendary midnight movie sensation that firmly embedded samurai mythology within American pop culture consciousness, this English-dubbed reedit of the first two films in the classic Japanese chanbaraseries Lone Wolf and Cub is a giddily entertaining, mesmerizingly gory classic of East-meets-West grindhouse mayhem. Following the murder of his wife at the hands of an evil shogun, an avenging ronin (Tomisaburo Wakayama) roams the countryside with his young son—and the boy's sword-shooting baby carriage—in tow, dispatching ninja assassins with steely resolve in operatically stylized flurries of hallucinatory violence. With its pulsing synth soundtrack (cowritten by Mark Lindsay of Paul Revere & the Raiders) and delirious action set pieces—kinetically edited whirlwinds of flashing blades, spurting blood, and severed limbs—Shogun Assassin proved an instant cult favorite that has bubbled its way up from the underground to the mainstream thanks to its influence on artists ranging from the Wu-Tang Clan to Quentin Tarantino.

Farmers from a village exploited by bandits hire a veteran samurai for protection, who gathers six other samurai to join him.

During World War II era, a young woman, Wang Jiazhi, gets swept up in a dangerous game of emotional intrigue with a powerful political figure, Mr. Yee.

Featuring indelible performances from Raul Julia and an Academy Award–winning William Hurt, Kiss of the Spider Woman is a work of radical compassion that boldly expands notions of love, gender, and revolution. In the film—directed by Héctor Babenco following his international breakthrough with Pixote, and adapted from the novel by the iconoclastic writer Manuel Puig—Julia and Hurt play Valentin and Molina, a militant leftist activist and a queer, cinema-obsessed window dresser, imprisoned together under a repressive military dictatorship. The two gradually forge a bond that transforms the way they both understand politics, sexuality, and masculinity. Blending raw realism with Molina's imaginative escapes into sumptuous movie fantasy, this searing human drama offers a powerful vision of personal liberation embedded within broader political struggle.

This precisely wrought, emotionally penetrating romantic drama from Jacques Demy, set largely in the casinos of Nice, is a visually lovely but darkly realistic investigation into love and obsession. A bottle-blonde Jeanne Moreau is at her blithe best as a gorgeous gambling addict, and Claude Mann is the bank clerk drawn into her risky world. Featuring a mesmerising score by Michel Legrand, Bay of Angels is among Demy's most sombre works.

After Brick Pollitt (Paul Newman) injures himself while drunkenly revisiting his high school sports-star days, he and his tempestuous wife, Maggie (Elizabeth Taylor), visit his family's Mississippi plantation for the 65th birthday of his hot-tempered father, Big Daddy (Burl Ives). Cantankerous even with declining health, Big Daddy demands to know why Brick and Maggie haven't yet given him a grandchild, unlike Brick's brother Gooper (Jack Carson) and his fecund wife, Mae (Madeleine Sherwood).

With intro from film curator Sarah Cleary.

The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, a doctor, and their daughter, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko the widow of their younger son who was killed in the war, to keep her in-laws company.

With Masculin féminin, ruthless stylist and iconoclast Jean-Luc Godard introduces the world to “the children of Marx and Coca-Cola,” through a gang of restless youths engaged in hopeless love affairs with music, revolution, and one another. French New Wave icon Jean-Pierre Léaud stars as Paul, an idealistic would-be intellectual struggling to forge a relationship with the adorable pop star Madeleine (real-life yé-yé girl Chantal Goya). Through their tempestuous affair, Godard fashions a candid and wildly funny free-form examination of youth culture in pulsating 1960s Paris, mixing satire and tragedy as only Godard can.

David Locke is a world-weary American journalist who has been sent to cover a conflict in northern Africa, but he makes little progress with the story. When he discovers the body of a stranger who looks similar to him, Locke assumes the dead man's identity. However, he soon finds out that the man was an arms dealer, leading Locke into dangerous situations. Aided by a beautiful woman, Locke attempts to avoid both the police and criminals out to get him.

A 1920s playwright meets a beautiful woman who may be the ghost of his patron's deceased wife.

When convict Doc McCoy (Steve McQueen) is refused parole, he enlists his wife, Carol (Ali MacGraw), to strike a deal with crooked Texan Jack Benyon (Ben Johnson), who agrees to pull strings for Doc in return for his help on one last bank heist. The job is a success, but Benyon's men betray Doc, and he and Carol must take off across Texas with the money, running from both the law and other criminals, aiming to get to Mexico before they're caught, or worse, killed.

11 years, many millions and many real-life APOCALYPSE NOW-style tragedies in the making, this maniacal, well-meaning fever dream / career-derailing utopian social experiment / animal-attack crucible stars spouses Tippi Hedren (THE BIRDS) and Noel Marshall (exec producer of THE EXORCIST), their real children (including a 14-year-old Melanie Griffith!), and over 100 unpredictable lions, tigers, leopards and cheetahs from their own private collection in what’s justly been labeled “the most dangerous film ever made.”

An unprecedented -- and wholly unpredictable -- action-adventure, ROAR follows wildlife preservationist Hank (Noel Marshall), who lives quasi-harmoniously alongside a menagerie of untamed animals on a preservation in the African plains. When his wife and children arrive for a visit, a long-brewing battle for dominance between the lions erupts and threatens their very lives.

ROAR’s loose “plot” is but a paper-thin excuse to shove rampaging beasts into the frame at all times; these cool cats are the guiding force of the film’s frequently shocking moments. Are the family’s performances staged, or is that true fear in their eyes? Either way, there has never been anything like ROAR, and there likely will never be again!

"It's like Walt Disney went insane and shot a snuff version of SWISS FAMILY ROBINSON." -- Hitfix

"100% insane, unbelievable." -- Screen Crush

"Just watching it feels dangerous." - Movies.com

"Like watching a live-action LION KING as Mufasa holds a switchblade to your throat." -- Complex

In a post-apocalyptic world where there is a paucity of food, Clapet, a butcher and landlord of a building, lures people and butchers them to sell to the apartment's residents at low prices.

Heroin addict Mark Renton (Ewan McGregor) stumbles through bad ideas and sobriety attempts with his unreliable friends -- Sick Boy (Jonny Lee Miller), Begbie (Robert Carlyle), Spud (Ewen Bremner) and Tommy (Kevin McKidd). He also has an underage girlfriend, Diane (Kelly Macdonald), along for the ride. After cleaning up and moving from Edinburgh to London, Mark finds he can't escape the life he left behind when Begbie shows up at his front door on the lam, and a scheming Sick Boy follows.

A psychologist is sent to a station orbiting a distant planet in order to discover what has caused the crew to go insane.

A disheveled man who wanders out of the desert, Travis Henderson (Harry Dean Stanton) seems to have no idea who he is. When a stranger manages to contact his brother, Walt (Dean Stockwell), Travis is awkwardly reunited with his sibling. Travis has been missing for years, and his presence unsettles Walt and his family, which also includes Travis's own son, Hunter (Hunter Carson). Soon Travis must confront his wife, Jane (Nastassja Kinski), and try to put his life back together.

A future society, where humans and robots co-exist. Amidst the chaos created by anti-robot factions, detective Shunsaku Ban and his sidekick Ken-ichi are searching for rebel scientist Dr. Laughton, to arrest him and seize his latest creation, a beautiful young girl named Tima. When they locate them, Shunsaku soon realizes that the eccentric scientist is protected by a powerful man and his fierce desire to reclaim a tragic figure from his past and therefore is beyond their reach.

The activities of rampaging, indiscriminate serial killer Ben are recorded by a willingly complicit documentary team, who eventually become his accomplices and active participants. Ben provides casual commentary on the nature of his work and arbitrary musings on topics of interest to him, such as music or the conditions of low-income housing, and even goes so far as to introduce the documentary crew to his family. But their reckless indulgences soon get the better of them.

In this Zemeckis-directed adaptation of the Carl Sagan novel, Dr. Ellie Arroway (Jodie Foster) races to interpret a possible message originating from the Vega star system. Once first contact with an extraterrestrial intelligence is proven, Arroway contends with restrictive National Security Advisor Kitz (James Woods) and religious fanatics bent on containing the implications of such an event. An incredible message is found hidden in the signal, but will Arroway be the one to answer its call?

Out 1 is a 13-hour film by Jacques Rivette. Yes, 773 minutes. The film is structurally indebted to early silent serials, such as Louis Feuillade’s Les Vampires, and is thus divided into eight distinctive episodes of around 90 – 100 minutes each. There are several independent narratives and sub-plots, with many of the characters loosely connected to each other.

Loosely inspired by Honoré de Balzac’s La Comédie humaine, Out 1: Noli me tangere is an absorbing, multi-stranded epic involving a quest to uncover a secret society in post-May 1968 Paris, with an enormous cast made up of French heavyweights like Jean-Pierre Léaud, Juliet Berto and Bernadette Lafont, not to mention cameos from directors like Eric Rohmer and Barbet Schroeder.

Constructed as eight feature-length episodes which run over almost thirteen hours, it was originally screened just once in its original cut in 1971, with rare subsequent screenings in the ‘90s and ‘00s becoming the stuff of legend in cinema circles.

We last screened OUT 1 over two days in 2015, in collaboration with The Badlands Collective and A Nos Amours. Now, we are doing the unthinkable – presenting the entire 13-hour film in one sitting on Bank Holiday Monday 31st August!

The eight episodes of the film will be shown over 4 parts with two episodes per part, and a 15-20 minute break between each part. 

Running Times:
09:00 - Episodes 1 & 2 (191 mins)
12:40 - Episodes 3 & 4 (205 mins)
16:25 - Episodes 5 & 6 (183 mins)
19:45 - Episodes 7 & 8 (194 mins)
ends approximately 22:59

Tickets are £42.50 Members / £45 Non-Members.

Why is the ticket price higher than usual?
Events like this are very rare and occupy several regular programme slots. As it runs in 8 episodes across 4 usual programme slots (2 episodes per programme slot), the ticket price is set to cover our operational costs. At £45, this works out at approximately £5.63 per episode. When we last ran this event in 2015, tickets were £40 for non-members. Increasing the price to £45 over more than a decade is well below the rate of inflation, meaning the event is actually cheaper in real terms than it was in 2015.