BOTCH : 061524
One year to the day after their final show, we present the European Premiere of '061524' as part of BLEAK WEEK : CINEMA OF DESPAIR!
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Influential hardcore innovators Botch have delivered their electrifying new live album 061524, out June 27th via Sargent House. The album was recorded at the iconic Showbox in Seattle on June 15, 2024—exactly 22 years to the day after their original farewell show at the same venue in 2002. 061524 captures a band still pushing sonic and emotional boundaries, now sharper, louder, and more dynamic than ever.
Botch’s impact on aggressive music is undeniable. Their chaotic, math-laced brand of hardcore helped shape the genre’s landscape well after the band’s abrupt breakup in 2002. For years, a reunion seemed unlikely—until a chain of unexpected events brought the original lineup back together in 2022. What began as a collaborative song between guitarist David Knudson and vocalist Dave Verellen eventually reignited the band's creative spark, leading to the return of bassist Brian Cook and drummer Tim Latona to create the band’s first new recording in over 20 years: 2022’s “One Twenty Two.”
The song was released to critical acclaim in August 2022, building into a frenzy of anticipation for Botch to reunite. What started as a nostalgic experiment quickly became a full-circle celebration, with the band reconnecting both personally and musically. That spark unleashed a wave of activity: secret warm-up shows, sold-out headlining gigs, and eventually a carefully curated international reunion tour, culminating in their hometown return at the Showbox—where 061524 was recorded in front of a packed, exhilarated crowd.
061524 is a blistering, unflinching document of a band reawakened—not as a legacy act, but as a vital force. The album captures the energy, grit, and heart of a group that’s not only older and wiser—but more rehearsed and way more ambitious. The performances are tight but still full of the raw unpredictability that defined their early years. Fan favorites like “To Our Friends in the Great White North” and “Transitions from Persona to Object” are more complex and invigorating than ever before. Other songs, like “Afghamistam” and “Oma,” never considered feasible to pull off live previously, are delivered with the intricacy and intensity that has earned the band a lasting legacy and fresh legion of followers.
Unlike many reunions, Botch’s comeback wasn’t about nostalgia—it was about reconnection: with the music, with each other, and with a new generation of fans. From sweaty rehearsal rooms in Seattle to tear-jerking fan interactions, 061524 is the sound of a band reclaiming their legacy with performances that are more polished, chaotic and immediate than ever before.
Please Note : This film contains many moments of continuous flashing lights which may affect viewers who are susceptible to photosensitive epilepsy.
A couple take a trip to Argentina but both men find their lives drifting apart in opposite directions.
The family of Raymond, his wife Val and her brother Billy live in working-class London district. Also in their family is Val and Billy's mother Janet and grandmother Kath. Billy is a drug addict and Raymond kicks him out of the house, making him live on his own. Raymond is generally a rough and even violent person, and that leads to problems in the life of the family.
BLEAK WEEK : CINEMA OF DESPAIR is co-presented by the American Cinematheque.
When North Korean ruler Kim Jong-il (Trey Parker) orchestrates a global terrorist plot, it's up to the heavily armed marionettes of the highly specialized Team America unit to stop his dastardly scheme. The group, which includes the thespian-averse technology expert Chris (Matt Stone), not only has to face off against Jong-il, but they must also contend with F.A.G., the Film Actors Guild, a cadre of Hollywood liberals at odds with Team America's "policing the world" tactics.
When a woman, able to read the thoughts of others, comes to help survivors of the 1995 Kobe earthquake, she encounters a girl with Multiple Personality Disorder whose dangerous 13th personality, Isola, must be stopped.
BLEAK WEEK : CINEMA OF DESPAIR is co-presented by the American Cinematheque.
Set on the outskirts of Bradford, ‘The Selfish Giant’ follows two rebellious young lads - Arbor (Conner Chapman) and Swifty (Shaun Thomas) - and their involvement with a local scrap dealer. At first their earnings seem to roll in but as jealousy and resentment begin to drive the boys apart Arbor will resort to a desperate act of greed, the tragic consequences of which will tear apart the lives of everyone involved… Boldly cinematic and thoroughly gripping, Clio Barnard’s second feature boasts breathtaking cinematography and astonishing performances from its two young leads.
BLEAK WEEK : CINEMA OF DESPAIR is co-presented by the American Cinematheque.
Oilman is a happily married man whose life changes when he gets paralysed. He observes that his wife is lonely and tells her to have an affair. Will she agree to this strange demand?
BLEAK WEEK : CINEMA OF DESPAIR is co-presented by the American Cinematheque.
Ken Loach's acclaimed British drama focuses on Billy Casper (David Bradley), a tormented working-class boy who is subjected to abuse both at school and at home. The son of a single mother (Lynne Perrie), Billy's existence is mostly bleak until he takes up an interest in falconry and begins training a kestrel that he finds on a nearby farm. While Billy forms a close bond with the falcon, his hardscrabble life and harsh environment prove to be a challenge to the boy and his bird.
After professional hitman Jef Costello is seen by witnesses his efforts to provide himself an alibi drive him further into a corner.
A detective starts spiraling out of control when a wave of gruesome murders with seemingly similar bizarre circumstances are sweeping Tokyo.
When a reporter is assigned to decipher newspaper magnate Charles Foster Kane's (Orson Welles) dying words, his investigation gradually reveals the fascinating portrait of a complex man who rose from obscurity to staggering heights. Though Kane's friend and colleague Jedediah Leland (Joseph Cotten), and his mistress, Susan Alexander (Dorothy Comingore), shed fragments of light on Kane's life, the reporter fears he may never penetrate the mystery of the elusive man's final word, "Rosebud."
In 1997, a major war between the United States and the Soviet Union is concluding, and the entire island of Manhattan has been converted into a giant maximum security prison. When Air Force One is hijacked and crashes into the island, the president (Donald Pleasence) is taken hostage by a group of inmates. Snake Plissken (Kurt Russell), a former Special Forces soldier turned criminal, is recruited to retrieve the president in exchange for his own freedom.
The chaotic worlds of the Japanese Mafia (Yakuza) and an alcoholic doctor collide in this film noir classic from Akira Kurosawa. Gangster Toshiro Mifune visits doctor Takashi Shimura, after an unfortunate incident with a bullet. The doctor, who despises the Yakuza, discovers the young man is suffering from tuberculosis, a disease symbolic of what is happening to the doctor and the community he serves. Facing his own anger and fear, the doctor aligns himself with the gangster's world.
It's the summer of 1987, and recent college grad James Brennan (Jesse Eisenberg) can't wait to begin his long-anticipated dream trip to Europe. Unfortunately, James' plans come to a screeching halt when his parents announce that they are unable to subsidize his trip. Forced to take a job at the local amusement park, James prepares for the worst summer ever, until he finds love with a captivating co-worker named Em (Kristen Stewart).
After getting a green card in exchange for assassinating a Cuban government official, Tony Montana (Al Pacino) stakes a claim on the drug trade in Miami. Viciously murdering anyone who stands in his way, Tony eventually becomes the biggest drug lord in the state, controlling nearly all the cocaine that comes through Miami. But increased pressure from the police, wars with Colombian drug cartels and his own drug-fueled paranoia serve to fuel the flames of his eventual downfall.
In Arizona, an introverted and insightful teenager, Mark Hunter (Christian Slater), finds an outlet for his viewpoints through a shortwave radio. Broadcasting as Hard Harry, Hunter uses his pirate radio show to rant against the injustices and hypocrisies taking place in the area, and in society in general. Hunter conceals his off-air identity, but a determined student (Samantha Mathis) discovers the truth, while Principal Creswood (Annie Ross) seeks to shut down Hunter once and for all.
As celebrated conductor Lydia Tár starts rehearsals for a career-defining symphony, the consequences of her past choices begin to echo in the present.
On Monday 30th June, we will be joined by Producer Delaney Schenker for an Intro + Q&A!
A bizarre retro comedy shot entirely on VHS, VHYes takes us back to a simpler time, when twelve-year-old Ralph mistakenly records home videos and his favorite late night shows over his parents’ wedding tape. The result is a nostalgic wave of home shopping clips, censored pornography, and nefarious true-crime tales that threaten to unkindly rewind Ralph’s reality.
During the Napoleonic Wars, a brash British captain pushes his ship and crew to their limits in pursuit of a formidable French war vessel around South America.
Inseparable best friends AJ and Moose decide to run the local pool's snack shack after their plan to sell home-brewed beer goes down the drain. Things take a turn when they meet Brooke, an effortlessly cool lifeguard who puts their big plans, and friendship, at risk.