"THE COLOUR OF ILLUSION IS PERFECT BLUE"

A young Japanese singer is encouraged by her agent to quit singing and pursue an acting career, beginning with a role in a murder mystery TV show.

WALL-E, short for Waste Allocation Load Lifter Earth-class, is the last robot left on Earth. He spends his days tidying up the planet, one piece of garbage at a time. But during 700 years, WALL-E has developed a personality, and he's more than a little lonely. Then he spots EVE, a sleek and shapely probe sent back to Earth on a scanning mission. Smitten WALL-E embarks on an adventure when he follows EVE across the galaxy.

Warner Bros. Pictures present an ‘unrestored’ 70mm print of the director’s groundbreaking science fiction epic!

"For the first time since the original release, this 70mm print was struck from new printing elements made from the original camera negative. This is a true photochemical film recreation. There are no digital tricks, remastered effects, or revisionist edits. This is the unrestored film - that recreates the cinematic event that audiences experienced fifty years ago." - Christopher Nolan

Stanley Kubrick’s dazzling, Academy Award®-winning* achievement is a compelling drama of man vs. machine, a stunning meld of music and motion. Kubrick (who co-wrote the screenplay with Arthur C. Clarke) first visits our prehistoric ape-ancestry past, then leaps millennia (via one of the most mind-blowing jump cuts ever) into colonized space, and ultimately whisks astronaut Bowman (Keir Dullea) into uncharted space, perhaps even into immortality. “Open the pod bay doors, HAL.” Let an awesome journey unlike any other begin.

Please Note: Our 70mm screenings of '2001: A Space Odyssey' follow a partictular presentation procedure;

- Overture (3mins / Music)

- 1st half of feature (86mins)

- * Intermission* (usually 10 for quieter shows, can be 20mins for busier ones)

- Entracte (2mins / Music)

- 2nd half of feature (54mins)

- Exit (5mins / Music)

- Total time; approx 170mins (though this is dependent on Intermission length)

Ricky is a defiant young city kid who finds himself on the run with his cantankerous foster uncle in the wild New Zealand bush. A national manhunt ensues, and the two are forced to put aside their differences and work together to survive.

As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend (Deborah Harry) auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.

The scintillating feature debut of Mary Harron (American Psycho) and one of the most controversial independent films of the 1990s, I Shot Andy Warhol stars an electric Lili Taylor as Valerie Solanas, a militant feminist whose attempted murder of Andy Warhol brought instant fame to her radically anti-male SCUM Manifesto. Dropping out of grad school in the midsixties, the brilliant yet volatile Solanas survived in New York City as a destitute artist, sex worker, and panhandler, soon striking up a friendship with Warhol superstar Candy Darling that brought her briefly into the orbit of the world’s premier pop artist.

With vivid, hallucinatory attention to historical detail, Harron captures the explosive cross-pollination of New York’s political and artistic countercultures as well as the creativity, snobbery, and decadence at the heart of the legendary Factory. Anchored by pitch-perfect performances—and featuring a blistering score by John Cale as well as covers of sixties hits by some of the nineties’ most iconic bands (R.E.M., Wilco)—I Shot Andy Warhol is an incisive portrait of a rebel without an outlet and the soon-to-be-lost generation she came to define.

Don't miss a special preview screening of Jane Schoenbrun's TEENAGE SEX AND DEATH AT CAMP MIASMA at The Prince Charles Cinema on Thursday 13th August. Warm up for this preview screening with a special CAMP MIASMA INSPIRED MYSTERY MOVIE MARATHON curated by Jane Schoenbrun on Saturday 25th July!

Hacks breakout star Hannah Einbinder and, in a playful bit of meta-casting, Gillian Anderson (The X Files, Sex Education) headline this heady, gory slasher homage from writer-director Jane Schoenbrun. Like Schoenbrun’s previous films I Saw the TV Glow and We’re All Going to the World’s Fair, it uses a horror genre lens to explore a rich array of themes and ideas – queer identity and sexuality, memory and nostalgia, the nature of female desire, the state of the entertainment industry – with humour, vulnerability and affection.

After years of slapdash sequels, the Camp Miasma slasher franchise is handed over to an enthusiastic, cerebral young director (Einbinder) – who credits the first film with her own queer awakening – to resurrect. But fantasy and reality collide when she visits the original film’s star (Anderson), now a mysterious recluse living on its old set, and the two women fall into a blood-soaked world of fear, desire and delirium

A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.