Two teenagers share a profound, magical connection upon discovering they are swapping bodies. Things manage to become even more complicated when the boy and girl decide to meet in person.

An intoxicating, time-bending experience bathed in the golden glow of oil lamps and wreathed in an opium haze, this gorgeous period reverie by Hou Hsiao-hsien traces the romantic intrigue, jealousies, and tensions swirling around four late-nineteenth-century Shanghai “flower houses,” where courtesans live confined to a gilded cage, ensconced in opulent splendor but forced to work to buy back their freedom. Among the regular clients is the taciturn Master Wang (Tony Leung Chiu-wai), whose relationship with his longtime mistress (Michiko Hada) is roiled by a perceived act of betrayal. Composed in a languorous procession of entrancing long takes, Flowers of Shanghai evokes a vanished world of decadence and cruelty, an insular universe where much of the dramatic action remains tantalizingly offscreen—even as its emotional fallout registers with quiet devastation.

Warner Bros. Pictures present an ‘unrestored’ 70mm print of the director’s groundbreaking science fiction epic!

"For the first time since the original release, this 70mm print was struck from new printing elements made from the original camera negative. This is a true photochemical film recreation. There are no digital tricks, remastered effects, or revisionist edits. This is the unrestored film - that recreates the cinematic event that audiences experienced fifty years ago." - Christopher Nolan

Stanley Kubrick’s dazzling, Academy Award®-winning* achievement is a compelling drama of man vs. machine, a stunning meld of music and motion. Kubrick (who co-wrote the screenplay with Arthur C. Clarke) first visits our prehistoric ape-ancestry past, then leaps millennia (via one of the most mind-blowing jump cuts ever) into colonized space, and ultimately whisks astronaut Bowman (Keir Dullea) into uncharted space, perhaps even into immortality. “Open the pod bay doors, HAL.” Let an awesome journey unlike any other begin.

Please Note: Our 70mm screenings of '2001: A Space Odyssey' follow a partictular presentation procedure;

- Overture (3mins / Music)

- 1st half of feature (86mins)

- * Intermission* (usually 10 for quieter shows, can be 20mins for busier ones)

- Entracte (2mins / Music)

- 2nd half of feature (54mins)

- Exit (5mins / Music)

- Total time; approx 170mins (though this is dependent on Intermission length)

Turning his hand to writing and directing, Steve Buscemi’s debut feature Trees Lounge is a still-largely unsung indie masterpiece capturing the chaos of hopeless loser Tommy (Buscemi) as he stumbles through life, occasionally trying to pull himself together but always falling apart again. 

It radiates authenticity capturing the characters, domestic rivalries and melancholy of this suburban life where the bar - Trees Lounge of the title – and alcohol are his refuge. 

The film made such an impression on Sopranos creator David Chase that he hired the film’s casting director to cast Sopranos and gave Buscemi four episodes to direct and made him a regular member of cast in season five (as Tony Soprano’s cousin Tony B).  

Evoking the lived in feel of vintage John Cassavetes, this disarmingly perceptive blue-collar character study is anchored by Buscemi’s compelling performance turning what could just be a selfish, irresponsible character into someone we want to see redeemed.

A 4K restoration c/o IndieCollect.

Heroin addict Mark Renton (Ewan McGregor) stumbles through bad ideas and sobriety attempts with his unreliable friends -- Sick Boy (Jonny Lee Miller), Begbie (Robert Carlyle), Spud (Ewen Bremner) and Tommy (Kevin McKidd). He also has an underage girlfriend, Diane (Kelly Macdonald), along for the ride. After cleaning up and moving from Edinburgh to London, Mark finds he can't escape the life he left behind when Begbie shows up at his front door on the lam, and a scheming Sick Boy follows.

On a dark, wet night a historic and regal Chinese cinema sees its final film. Together with a small handful of souls they bid "Goodbye, Dragon Inn".

Ruthless silver miner, turned oil prospector, Daniel Plainview moves to oil-rich California. Using his adopted son HW to project a trustworthy, family-man image, Plainview cons local landowners into selling him their valuable properties for a pittance. However, local preacher Eli Sunday suspects Plainviews motives and intentions, starting a slow-burning feud that threatens both their lives.
 

When their plan to book a show at the Rivoli goes horribly wrong, Matt and Jay accidentally travel back to the year 2008.