Every day, Cop 223 (Takeshi Kaneshiro) buys a can of pineapple with an expiration date of May 1, symbolizing the day he'll get over his lost love. He's also got his eye on a mysterious woman in a blond wig (Brigitte Lin), oblivious of the fact she's a drug dealer. Cop 663 (Tony Leung Chiu Wai) is distraught with heartbreak over a breakup. But when his ex drops a spare set of his keys at a local cafe, a waitress (Faye Wong) lets herself into his apartment and spruces up his life.

In the folksy town of Deerfield, Wash., FBI Agent Desmond (Chris Isaak) inexplicably disappears while hunting for the man who murdered a teen girl. The killer is never apprehended, and, after experiencing dark visions and supernatural encounters, Agent Dale Cooper (Kyle MacLachlan) chillingly predicts that the culprit will claim another life. Meanwhile, in the similarly cozy town of Twin Peaks, hedonistic beauty Lara Palmer (Sheryl Lee) hangs with lowlifes and seems destined for a grisly fate.

Concurrent theatrical ending of the TV series Neon Genesis Evangelion (1995). Seele orders an all-out attack on NERV, aiming to destroy the Evas before Gendo can trigger Third Impact and Instrumentality under his control.

A psychologist is sent to a station orbiting a distant planet in order to discover what has caused the crew to go insane.

From 3rd July, all performances of IN THE MOOD FOR LOVE will be presented in 4K and followed by the ‘IN THE MOOD FOR LOVE 2021’ short. 

In Hong Kong of 1962, Mrs. Chan and Mr. Chow, a journalist, move into neighbouring apartments on the same day. Their encounters are formal and polite—until a discovery about their respective spouses creates an intimate bond between them.

Famed stage actress Elisabeth Vogler (Liv Ullmann) suffers a moment of blankness during a performance and the next day lapses into total silence. Advised by her doctor to take time off to recover from what appears to be an emotional breakdown, Elisabeth goes to a beach house on the Baltic Sea with only Anna (Bibi Andersson), a nurse, as company. Over the next several weeks, as Anna struggles to reach her mute patient, the two women find themselves experiencing a strange emotional convergence.

After witnessing a Mafia murder, slick saxophone player Joe (Tony Curtis) and his long-suffering buddy, Jerry (Jack Lemmon), improvise a quick plan to escape from Chicago with their lives. Disguising themselves as women, they join an all-female jazz band and hop a train bound for sunny Florida. While Joe pretends to be a millionaire to win the band's sexy singer, Sugar (Marilyn Monroe), Jerry finds himself pursued by a real millionaire (Joe E. Brown) as things heat up and the mobsters close in.

A fictionalized account in four chapters of the life of celebrated Japanese writer Yukio Mishima.

Jeanne Dielman (Delphine Seyrig), the widowed mother of a teenage son, Sylvain (Jan Decorte), ekes out a drab, repetitive existence in her tiny Brussels apartment. Jeanne's days are divided between humdrum domestic chores -- shopping, cooking, housework -- and her job as an occasional prostitute, which keeps her financially afloat. She seems perfectly resigned to her situation until a series of slight interruptions in her routine leads to unexpected and dramatic changes.

When inexperienced criminal Sonny Wortzik (Al Pacino) leads a bank robbery in Brooklyn, things quickly go wrong, and a hostage situation develops. As Sonny and his accomplice, Sal Naturile (John Cazale), try desperately to remain in control, a media circus develops and the FBI arrives, creating even more tension. Gradually, Sonny's surprising motivations behind the robbery are revealed, and his standoff with law enforcement moves toward its inevitable end.

Hatred breeds hatred...

24 hours in the lives of three young men in the French suburbs the day after a violent riot.

Mr. Watanabe suddenly finds that he has terminal cancer. He vows to make his final days meaningful. His attempts to communicate his anguish to his son and daughter-in-law lead only to heartbreak. Finally, inspired by an unselfish co-worker, he turns his efforts to bringing happiness to others by building a playground in a dreary slum neighborhood. When the park is finally completed, he is able to face death with peaceful acceptance.

A dark-haired woman (Laura Elena Harring) is left amnesiac after a car crash. She wanders the streets of Los Angeles in a daze before taking refuge in an apartment. There she is discovered by Betty (Naomi Watts), a wholesome Midwestern blonde who has come to the City of Angels seeking fame as an actress. Together, the two attempt to solve the mystery of Rita's true identity. The story is set in a dream-like Los Angeles, spoilt neither by traffic jams nor smog.

In Earth's future, a global crop blight and second Dust Bowl are slowly rendering the planet uninhabitable. Professor Brand (Michael Caine), a brilliant NASA physicist, is working on plans to save mankind by transporting Earth's population to a new home via a wormhole. But first, Brand must send former NASA pilot Cooper (Matthew McConaughey) and a team of researchers through the wormhole and across the galaxy to find out which of three planets could be mankind's new home.

In the small South American town of Porvenir, four men on the run from the law are offered $10,000 and legal citizenship if they will transport a shipment of dangerously unstable nitroglycerin to an oil well 200 miles away. Led by Jackie Scanlon (Roy Scheider), the men set off on a hazardous journey, during which they must contend with dangerously rocky roads, unstable bridges, and attacks from local guerillas. The four fight for their lives as they struggle to complete their dangerous quest.

BLEAK WEEK : CINEMA OF DESPAIR is co-presented by the American Cinematheque.

A detective starts spiraling out of control when a wave of gruesome murders with seemingly similar bizarre circumstances are sweeping Tokyo.

"THE COLOUR OF ILLUSION IS PERFECT BLUE"

A young Japanese singer is encouraged by her agent to quit singing and pursue an acting career, beginning with a role in a murder mystery TV show.

In 1986, Park (Song Kang-ho) and Cho (Kim Roi-ha) are two simple-minded detectives assigned to a double murder investigation in a South Korean province. But when the murderer strikes several more times with the same pattern, the detectives realize that they are chasing the country's first documented serial killer. Relying on only their basic skills and tools, Park and Jo attempt to piece together the clues and solve the case in this thriller based on true events.

When infertility threatens mankind with extinction and the last child born has perished, a disillusioned bureaucrat (Clive Owen) becomes the unlikely champion in the fight for the survival of Earth's population; He must face down his own demons and protect the planet's last remaining hope from danger.

BLEAK WEEK : CINEMA OF DESPAIR is co-presented by the American Cinematheque.

Ruthless silver miner, turned oil prospector, Daniel Plainview moves to oil-rich California. Using his adopted son HW to project a trustworthy, family-man image, Plainview cons local landowners into selling him their valuable properties for a pittance. However, local preacher Eli Sunday suspects Plainviews motives and intentions, starting a slow-burning feud that threatens both their lives.

BLEAK WEEK : CINEMA OF DESPAIR is co-presented by the American Cinematheque.

Ken Loach's acclaimed British drama focuses on Billy Casper (David Bradley), a tormented working-class boy who is subjected to abuse both at school and at home. The son of a single mother (Lynne Perrie), Billy's existence is mostly bleak until he takes up an interest in falconry and begins training a kestrel that he finds on a nearby farm. While Billy forms a close bond with the falcon, his hardscrabble life and harsh environment prove to be a challenge to the boy and his bird.

In Vietnam in 1970, Captain Willard (Martin Sheen) takes a perilous and increasingly hallucinatory journey upriver to find and terminate Colonel Kurtz (Marlon Brando), a once-promising officer who has reportedly gone completely mad. In the company of a Navy patrol boat filled with street-smart kids, a surfing-obsessed Air Cavalry officer (Robert Duvall), and a crazed freelance photographer (Dennis Hopper), Willard travels further and further into the heart of darkness.

After professional hitman Jef Costello is seen by witnesses his efforts to provide himself an alibi drive him further into a corner.

While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

Hirayama is content with his life as a toilet cleaner in Tokyo. Outside of his structured routine, he cherishes music on cassette tapes, books, and taking photos of trees. Through unexpected encounters, he reflects on finding beauty in the world.

Widely regarded as one of the greatest films of all time, this mob drama, based on Mario Puzo's novel of the same name, focuses on the powerful Italian-American crime family of Don Vito Corleone (Marlon Brando). When the don's youngest son, Michael (Al Pacino), reluctantly joins the Mafia, he becomes involved in the inevitable cycle of violence and betrayal. Although Michael tries to maintain a normal relationship with his wife, Kay (Diane Keaton), he is drawn deeper into the family business.

Young Henry Hill (Ray Liotta), with his friends Jimmy (Robert De Niro) and Tommy (Joe Pesci), grows up in the mob and works very hard to advance himself through the ranks. He enjoys his life of money and luxury, but is oblivious to the horror that he causes. A drug addiction and a few mistakes ultimately unravel his climb to the top. Based on the book "Wiseguy" by Nicholas Pileggi.

At the age of seventy, after years of consolidating his empire, the Great Lord Hidetora Ichimonji (Tatsuya Nakadai) decides to abdicate and divide his domain amongst his three sons. Taro (Akira Terao), the eldest, will rule. Jiro (Jinpachi Nezu), his second son, and Saburo (Daisuke Ryu) will take command of the Second and Third Castles but are expected to obey and support their elder brother. Saburo defies the pledge of obedience and is banished.

Jodie Foster stars as Clarice Starling, a top student at the FBI's training academy. Jack Crawford (Scott Glenn) wants Clarice to interview Dr. Hannibal Lecter (Anthony Hopkins), a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling, as an attractive young woman, may be just the bait to draw him out.

The comedy classic from celebrated director STANLEY KUBRICK.

An unhinged American general orders a bombing attack on the Soviet Union, triggering a path to nuclear holocaust that a war room full of politicians and generals frantically tries to stop.

There's a single piece of land around Flagstone with water on it, and rail baron Morton (Gabriele Ferzetti) aims to have it, knowing the new railroad will have to stop there. He sends his henchman Frank (Henry Fonda) to scare the land's owner, McBain (Frank Wolff), but Frank kills him instead and pins it on a known bandit, Cheyenne (Jason Robards). Meanwhile, a mysterious gunslinger with a score to settle (Charles Bronson) and McBain's new wife, Jill (Claudia Cardinale), arrive in town.

In remote Antarctica, a group of American research scientists are disturbed at their base camp by a helicopter shooting at a sled dog. When they take in the dog, it brutally attacks both human beings and canines in the camp and they discover that the beast can assume the shape of its victims. A resourceful helicopter pilot (Kurt Russell) and the camp doctor (Richard Dysart) lead the camp crew in a desperate, gory battle against the vicious creature before it picks them all off, one by one.

Dae-Su is an obnoxious drunk bailed from the police station yet again by a friend. However, he's abducted from the street and wakes up in a cell, where he remains for the next 15 years, drugged unconscious when human contact is unavoidable, otherwise with only the television as company. And then, suddenly released, he is invited to track down his jailor with a denouement that is simply stunning.

Phoenix secretary Marion Crane (Janet Leigh), on the lam after stealing $40,000 from her employer in order to run away with her boyfriend, Sam Loomis (John Gavin), is overcome by exhaustion during a heavy rainstorm. Traveling on the back roads to avoid the police, she stops for the night at the ramshackle Bates Motel and meets the polite but highly strung proprietor Norman Bates (Anthony Perkins), a young man with an interest in taxidermy and a difficult relationship with his mother.

Toshiro Mifune is unforgettable as Kingo Gondo, a wealthy industrialist whose family becomes the target of a cold-blooded kidnapper in High and Low (Tengoku to jigoku), the highly influential domestic drama and police procedural from director Akira Kurosawa. Adapting Ed McBain's detective novel King's Ransom, Kurosawa moves effortlessly from compelling race-against-time thriller to exacting social commentary, creating a diabolical treatise on contemporary Japanese society.

A winner of awards across the world including Best Foreign Language Film Oscar, 5 BAFTA Awards including Best Actor, Original Screenplay and Score, the Grand Prize of the Jury at the Cannes Film Festival and many more.

Giuseppe Tornatore's loving homage to the cinema tells the story of Salvatore, a successful film director, returning home for the funeral of Alfredo, his old friend who was the projectionist at the local cinema throughout his childhood. Soon memories of his first love affair with the beautiful Elena and all the highs and lows that shaped his life come flooding back, as Salvatore reconnects with the community he left 30 years earlier.

A disheveled man who wanders out of the desert, Travis Henderson (Harry Dean Stanton) seems to have no idea who he is. When a stranger manages to contact his brother, Walt (Dean Stockwell), Travis is awkwardly reunited with his sibling. Travis has been missing for years, and his presence unsettles Walt and his family, which also includes Travis's own son, Hunter (Hunter Carson). Soon Travis must confront his wife, Jane (Nastassja Kinski), and try to put his life back together.

Veronica and Boris are blissfully in love, until the eruption of World War II tears them apart. Boris is sent to the front lines…and then communication stops. Meanwhile, Veronica tries to ward off spiritual numbness while Boris's draft-dodging cousin makes increasingly forceful overtures. Winner of the Palme d'Or at the 1958 Cannes Film Festival, The Cranes Are Flying is a superbly crafted drama, bolstered by stunning cinematography and impassioned performances.

Set in feudal Japan, this film presents an intriguing tale of violent crime in the woods, told from the perspective of four different characters -- a bandit, a woman, her husband and a woodcutter. Only two things about the incident seem to be clear -- the woman was raped and her husband is now dead. However, the other elements radically differ as the four participants and/or witnesses relate their own stories (with the dead man, eerily enough, speaking through a medium). As each account is revealed, what seemed black-and-white turns to various hues of gray, leading to surprising -- and confounding -- revelations.

From legendary director Hideaki Anno, EVANGELION:3.0+1.01 THRICE UPON A TIME is the fourth and final installment of the REBUILD OF EVANGELION films, bringing an epic conclusion to the story of Shinji and his fellow Eva pilots, with the stunning visuals and thought-provoking storytelling that has made EVANGELION a global pop culture phenomenon.

Misato and her anti-NERV group Wille arrive at Paris, a city now red from core-ization. Crew from the flagship Wunder land on a containment tower. They only have 720 seconds to restore the city. When a horde of NERV Evas appear, Mari's improved Eva Unit 8 must intercept. Meanwhile, Shinji, Asuka, and Rei (Provisional Name) wander about Japan.

The compelling sequel to "The Godfather," contrasting the life of Corleone father and son. Traces the problems of Michael Corleone (Al Pacino) in 1958 and that of a young immigrant Vito Corleone (Robert De Niro) in 1917's Hell's Kitchen. Michael survives many misfortunes and Vito is introduced to a life of crime.

A young, idealistic British officer in WWI, T.E. Lawrence is assigned to the camp of Prince Feisal, an Arab tribal chieftain and leader in the ongoing revolt against the Turks. In a series of brilliant tactical maneuvers, Lawrence leads fifty of Feisal's men in a tortured three-week crossing of the Nefud Desert to attack the strategic Turkish-held port of Aqaba. Following his successful raids against Turkish troops and trains, Lawrence's triumphant leadership and unyielding courage gain him nearly god-like status among his Arab brothers.

An epic mosaic of many interrelated characters in search of happiness, forgiveness, and meaning in the San Fernando Valley.

In an unnamed country at an unspecified time, there is a fiercely protected post-apocalyptic wasteland known as The Zone. An illegal guide (Aleksandr Kajdanovsky), whose mutant child suggests unspeakable horrors within The Zone, leads a writer (Anatoliy Solonitsyn) and a scientist (Nikolay Grinko) into the heart of the devastation in search of a mythical place known only as The Room. Anyone who enters The Room will supposedly have any of his earthly desires immediately fulfilled.

When an interdimensional rupture unravels reality, an unlikely hero must channel her newfound powers to fight bizarre and bewildering dangers from the multiverse as the fate of the world hangs in the balance.

This influential German science-fiction film presents a highly stylized futuristic city where a beautiful and cultured utopia exists above a bleak underworld populated by mistreated workers. When the privileged youth Freder (Gustav Fröhlich) discovers the grim scene under the city, he becomes intent on helping the workers. He befriends the rebellious teacher Maria (Brigitte Helm), but this puts him at odds with his authoritative father, leading to greater conflict.

The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, a doctor, and their daughter, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko the widow of their younger son who was killed in the war, to keep her in-laws company.

Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson) are hitmen with a penchant for philosophical discussions. In this ultra-hip, multi-strand crime movie, their storyline is interwoven with those of their boss, gangster Marsellus Wallace (Ving Rhames) ; his actress wife, Mia (Uma Thurman) ; struggling boxer Butch Coolidge (Bruce Willis) ; master fixer Winston Wolfe (Harvey Keitel) and a nervous pair of armed robbers, "Pumpkin" (Tim Roth) and "Honey Bunny" (Amanda Plummer).

Stanley Kubrick bent the conventions of the historical drama to his own will in this dazzling vision of a pitiless aristocracy, adapted from a novel by William Makepeace Thackeray. In picaresque detail, Barry Lyndon chronicles the adventures of an incorrigible trickster (Ryan O’Neal) whose opportunism takes him from an Irish farm to the battlefields of the Seven Years’ War and the parlours of high society. For the most sumptuously crafted film of his career, Kubrick recreated the decadent surfaces and intricate social codes of the period, evoking the light and texture of eighteenth-century painting with the help of pioneering cinematographic techniques and lavish costume and production design, all of which earned Academy Awards. The result is a masterpiece—a sardonic, devastating portrait of a vanishing world whose opulence conceals the moral vacancy at its heart.

Barry Lyndon is presented in the film’s photographed aspect ratio of 1.66:1, as specified in a December 8, 1975, letter from director Stanley Kubrick to projectionists. This new 4K restoration was sourced from a 4K scan of the 35mm original camera negative. The high-definition transfer, created in 2000 under the supervision of Leon Vitali (Kubrick’s personal assistant), served as a colour reference for this restoration. The 5.1 surround audio mix was created from restored original soundtrack stems.

Colour Grading: Sheri Eisenberg at Warner Bros. Motion Picture Imaging Digital image restoration: Prasad Corporation, Burbank Audio restoration: Chris Jenkins at WB Post Production Services Sound

A group of high-end professional thieves start to feel the heat from the LAPD when they unknowingly leave a verbal clue at their latest heist.

Original Cut from a 35mm print. 

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin's resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

Tracing the life of a renowned icon painter, the second feature by Andrei Tarkovsky vividly conjures the murky world of medieval Russia. This dreamlike and remarkably tactile film follows Andrei Rublev as he passes through a series of poetically linked scenes—snow falls inside an unfinished church, naked pagans stream through a thicket during a torchlit ritual, a boy oversees the clearing away of muddy earth for the forging of a gigantic bell—gradually emerging as a man struggling mightily to preserve his creative and religious integrity. Appearing here in the director's preferred 183-minute cut as well as the version that was originally suppressed by Soviet authorities, the masterwork Andrei Rublev is one of Tarkovsky's most revered films, an arresting meditation on art, faith, and endurance.

By the time Apur Sansar was released, Satyajit Ray had directed not only the first two Apu films but also the masterpiece The Music Room, and was well on his way to becoming a legend. This extraordinary final chapter brings our protagonist’s journey full circle. Apu is now in his early twenties, out of college, and hoping to live as a writer. Alongside his professional ambitions, the film charts his romantic awakening, which occurs as the result of a most unlikely turn of events, and his eventual, fraught fatherhood. Featuring soon-to-be Ray regulars Soumitra Chatterjee and Sharmila Tagore in star-making performances, and demonstrating Ray’s ever more impressive skills as a crafter of pure cinematic imagery, Apur Sansar is a moving conclusion to this monumental trilogy.

A Victorian surgeon rescues a heavily disfigured man being mistreated by his "owner" as a side-show freak. Behind his monstrous façade, there is revealed a person of great intelligence and sensitivity. Based on the true story of Joseph Merrick (called John Merrick in the film), a severely deformed man in 19th century London.