Ridley Scott's extended cut of an epic adventure about a common man who finds himself thrust into a decades-long war. Orlando Bloom plays a humble blacksmith who discovers that he is the son of a knght, and travels to the Holy Land to fight in the crusades. A stranger in a strange land, he serves a doomed King, falls in love with an exotic and forbidden Queen, and rises to knighthood. Ultimately, he must protect the people of Jerusalem from overwhelming forces, while striving to keep a fragile peace.

Wong Kar Wai’s loose sequel to In the Mood for Love combines that film’s languorous air of romantic longing with a dizzying time-hopping structure and avant-sci-fi twist. Tony Leung Chiu Wai reprises his role as writer Chow Mo-Wan, whose numerous failed relationships with women who drift in and out of his life (and the one who goes in and out of room 2046, down the hall from his apartment) inspire the delirious futuristic love story he pens. 2046’s dazzling fantasy sequences give Wong and two of his key collaborators—cinematographer Christopher Doyle and editor/costume designer/production designer William Chang Suk Ping—license to let their imaginations run wild, propelling the sumptuous visuals and operatic emotions skyward toward the sublime.