A dark-haired woman (Laura Elena Harring) is left amnesiac after a car crash. She wanders the streets of Los Angeles in a daze before taking refuge in an apartment. There she is discovered by Betty (Naomi Watts), a wholesome Midwestern blonde who has come to the City of Angels seeking fame as an actress. Together, the two attempt to solve the mystery of Rita's true identity. The story is set in a dream-like Los Angeles, spoilt neither by traffic jams nor smog.

When convict Doc McCoy (Steve McQueen) is refused parole, he enlists his wife, Carol (Ali MacGraw), to strike a deal with crooked Texan Jack Benyon (Ben Johnson), who agrees to pull strings for Doc in return for his help on one last bank heist. The job is a success, but Benyon's men betray Doc, and he and Carol must take off across Texas with the money, running from both the law and other criminals, aiming to get to Mexico before they're caught, or worse, killed.

A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors – veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie – unravel.

11 years, many millions and many real-life APOCALYPSE NOW-style tragedies in the making, this maniacal, well-meaning fever dream / career-derailing utopian social experiment / animal-attack crucible stars spouses Tippi Hedren (THE BIRDS) and Noel Marshall (exec producer of THE EXORCIST), their real children (including a 14-year-old Melanie Griffith!), and over 100 unpredictable lions, tigers, leopards and cheetahs from their own private collection in what’s justly been labeled “the most dangerous film ever made.”

An unprecedented -- and wholly unpredictable -- action-adventure, ROAR follows wildlife preservationist Hank (Noel Marshall), who lives quasi-harmoniously alongside a menagerie of untamed animals on a preservation in the African plains. When his wife and children arrive for a visit, a long-brewing battle for dominance between the lions erupts and threatens their very lives.

ROAR’s loose “plot” is but a paper-thin excuse to shove rampaging beasts into the frame at all times; these cool cats are the guiding force of the film’s frequently shocking moments. Are the family’s performances staged, or is that true fear in their eyes? Either way, there has never been anything like ROAR, and there likely will never be again!

"It's like Walt Disney went insane and shot a snuff version of SWISS FAMILY ROBINSON." -- Hitfix

"100% insane, unbelievable." -- Screen Crush

"Just watching it feels dangerous." - Movies.com

"Like watching a live-action LION KING as Mufasa holds a switchblade to your throat." -- Complex

Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson) are hitmen with a penchant for philosophical discussions. In this ultra-hip, multi-strand crime movie, their storyline is interwoven with those of their boss, gangster Marsellus Wallace (Ving Rhames) ; his actress wife, Mia (Uma Thurman) ; struggling boxer Butch Coolidge (Bruce Willis) ; master fixer Winston Wolfe (Harvey Keitel) and a nervous pair of armed robbers, "Pumpkin" (Tim Roth) and "Honey Bunny" (Amanda Plummer).

A slapstick frostbitten battle between a drunken applejack salesman and diabolical beavers – hundreds of them – who stand between him and survival.