A retired criminal profiler (William Petersen) reluctantly returns to the FBI to help track down a serial killer of families and is forced to consult an expert—the imprisoned Dr. Hannibal Lecktor (Brian Cox in a subtly chilling performance). The third feature written and directed by Michael Mann is a gripping adaptation of the first of Thomas Harris’s four novels featuring the iconic murderer, and benefits from the filmmaker’s typically striking visuals as well as a top-notch supporting cast, including Tom Noonan as the hunted killer, and three-time Oscar nominee Joan Allen (The Contender, 2000) as his blind love interest. 

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This new 4K Final Cut, overseen by Mann, enhances the film’s depth, visual clarity and sound, offering audiences the ultimate immersive version. Shot in 1985, MANHUNTER was on a frontier in both its subject matter and film form, initiating an impressive list of subsequent films and series.  

“40 years ago – though armed with Thomas Harris’ excellent novel, “Red Dragon” – its subject matter, the profiling of serial killers, as well as being shocking and raw, was unknown. When adapting, I wanted to make its storytelling deliver audiences into a certain state of threat and emotional engagement. Integral to that was the visualization and use of music with lyrics sometimes working like a libretto. We have carefully remastered the film to try to evoke that mood and intensity, heightened with audio sourced from the original 5.1 35mm analog masters. This latest iteration is that version of the film with which I’m most satisfied.” said director Michael Mann.  

Under the guidance of Mann, this 4K scan of the original 35mm negative – with a few shots from an interpositive - was conformed and digitally restored at L’Immagine Ritrovata in Bologna. Both the theatrical version and the UHD HDR & SDR video color gradings were performed by Stefan Sonnenfeld at Company 3 in Los Angeles with the director. Sound restoration was done at Audio Mechanics from an original 35mm magnetic 6-track printmaster to release a new 5.1 mix by Luke Schwartzweller at Fox. Technical coordination and deliveries were managed by L’Immagine Ritrovata. This project was supervised by Becca Mann and STUDIOCANAL team, Jean-Pierre Boiget and Delphine Roussel.  

For Michael Mann, the process is about renewing the film’s immediacy for contemporary audiences: “If the picture was left the way it was, it would be interesting, but you’d feel some distance …you’d be observing it somewhat.  I’m more interested in its original intent impacting you the same way it may have in 1986…that is, to bring you into it again in the original way.” 

As a film distinguished by its striking visual style, including Colleen Attwood’s costume design, Academy Award- winner Mel Bourne’s art direction, Dante Spinotti’s lighting, Mann worked with his long-time collaborator, Stefan Sonnenfeld (Company 3), to develop a new color grade for ‘The Final Cut’ that engages a contemporary audience while honoring the film’s lasting legacy. 

“A good example is the use of primaries and secondaries in combinations that don’t occur in nature for an unsettling ambiance or the use of blue for night-time imagery. We’ve changed values subtly sometimes, but significantly, to enhance the impact without changing the dramatic intent of the film,” said Stefan Sonnenfeld. 

He adds: “Michael… wants you to understand the story and the mood and the environment… and then asks you to interpret that in colour… He also tells you what emotion he’s trying to evoke from the scene.” 

The new version also introduces an HDR presentation, offering an intensified new experience. “So that nobody’s ever seen the movie like that,” noted Sonnenfeld. 

The story follows Thelma (Geena Davis), a timid housewife, and Louise (Susan Sarandon), a no-nonsense waitress, as they embark on what starts as a weekend getaway and turns into a flight from the law. After Louise kills a man who attempts to rape Thelma, the two hit the road, realising that the justice system is unlikely to see their side. Their journey becomes one of personal awakening, radical defiance, and ultimately, tragic liberation.

Thelma & Louise is more than a road movie—it’s a feminist landmark, a genre-defying tale of friendship, freedom, and fury that still resonates over three decades later.

The Campest Cult Classic of all time gets the Singalonga treatment it’s been SCREAMING for! Featuring the film, starring Tim Curry, Susan Sarandon, Meatloaf and Richard O’Brien, it’s the most outrageous, riotous, kitsch, wonderful romp ever. If you’ve done The Time Warp before, you’ll never have done it quite like this!

The evening begins with your host leading a vocal warm-up before they show you how to use your free interactive props bag. Fancy dress is not obligatory but highly recommended!

Please Note : The 15 rating we have placed upon this screening is due to the Adult content of the hosted pre-show which may not be suitable for those under 15.

Please Note : This is a screening of the movie not a live stage show. Also this screening may contain sudden loud noises and flashing lights.

For Sing-a-long-a Grease, Rocky Horror, Dirty Dancing and The Greatest Showman at the Prince Charles Cinema, London we can offer a discount for groups of 10+.

Simply get in touch with us via email at [email protected] before buying so we can arrange!

Holland March (Ryan Gosling) is a down-on-his-luck private eye in 1977 Los Angeles. Jackson Healy (Russell Crowe) is a hired enforcer who hurts people for a living. Fate turns them into unlikely partners after a young woman named Amelia (Margaret Qualley) mysteriously disappears. Healy and March soon learn the hard way that some dangerous people are also looking for Amelia. Their investigation takes them to dark places as anyone else who gets involved in the case seems to wind up dead.