There’s a killer on the loose in New York City, and he’s targeting gay men in the West Village. Fortunately for the NYPD, he’s got a type – slim, dark-haired, handsome – and officer Steve Burns (Al Pacino) fits the bill. To crack the case, Steve must journey into the city’s nocturnal underworld of S&M and leather bars, hoping to catch the killer’s eye – but will he lose himself along the way? Controversial with both straight and gay audiences upon its initial release, Friedkin’s film still retains its power to shock and unsettle 45 years later.

Famed stage actress Elisabeth Vogler (Liv Ullmann) suffers a moment of blankness during a performance and the next day lapses into total silence. Advised by her doctor to take time off to recover from what appears to be an emotional breakdown, Elisabeth goes to a beach house on the Baltic Sea with only Anna (Bibi Andersson), a nurse, as company. Over the next several weeks, as Anna struggles to reach her mute patient, the two women find themselves experiencing a strange emotional convergence.

23-year-old Amélie is lonely. After an isolating childhood, she moves to Paris and becomes a waitress at the Café des Deux Moulins, a bar restaurant filled with a colourful cast of diners and employees. One night, Amélie happens across a box of treasures hidden in her apartment, left by a little boy in the Fifties, that changes the course of her life. Henceforth, she dedicates herself to giving back to her community, tracking down the owner of these keepsakes, consoling a widowed neighbour and befriending a reclusive artist. When completing these good deeds, she crosses paths with Nino, a photobooth collagist who shares her oddball sensibilities. She quickly falls in love with him.  

A slapstick frostbitten battle between a drunken applejack salesman and diabolical beavers – hundreds of them – who stand between him and survival.