In an underwater city, a young girl takes care of a large egg she holds carefully in her arms. A boy with a gun arrives in search of a bird he saw in his dream. At first, it seems as if feelings of sympathy are developing between the two.

Forty years after the film’s original release, Anime Limited is proud to present an all-new 4K restoration of the film, supervised by director Mamoru Oshii, in cinemas nationwide for the very first time.

The film is a creative collaboration between acclaimed director Mamoru Oshii (Ghost in the Shell), who wrote and directed the feature, and revered artist Yoshitaka Amano (Final Fantasy, Vampire Hunter D). The film beautifully intertwines Oshii’s thematic reflections on philosophy and theology with Amano’s distinctive ink painting style, culminating in an arrestingly beautiful hand-drawn allegorical fantasy.

Teen friends Tummler (Nick Sutton) and Solomon (Jacob Reynolds) navigate the ruins of a tiny, tornado-ravaged town in Ohio that is populated by the deformed, disturbed and perverted. When not gunning down stray cats for a few bucks, the boys pass their time getting stoned on household inhalants. Elsewhere, the mute Bunny Boy (Jacob Sewell) dons rabbit ears and is bullied by kids half his age, and sisters Dot (Chloe Sevigny) and Helen (Carisa Glucksman) dodge a pedophile.

While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

Simple-minded Chance (Peter Sellers), a gardener who has resided in the Washington, D.C., townhouse of his wealthy employer for his entire life and been educated only by television, is forced to vacate his home when his boss dies. While wandering the streets, he encounters business mogul Ben Rand (Melvyn Douglas), who assumes Chance to be a fellow upper-class gentleman. Soon Chance is ushered into high society, and his unaffected gardening wisdom makes him the talk of the town.

A collection of visionary director David Lynch’s short films from the first 29 years of his career. Including “Six Men Getting Sick,” “The Alphabet,” “The Grandmother,” “The Amputee (V. 1 and V. 2)” and “Premonitions Following an Evil Deed.” Each film is introduced by Lynch himself.  This program has been expanded to include “The Cowboy and the Frenchman” (1988) and “Dumbland” (2002).

Don't miss our fan favourite MYSTERY MOVIE screenings! On a near weekly basis we will serve up a random mystery movie, with No Clues and No Hints as to what they will be. 

In 2026, we'll be presenting these as STAFF CURATED selections each and every week by our lovely Front of House, Duty Manager, and Projection Team! You can find the schedule below:

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Thu 2nd July - Camille's Pick (80 min runtime) + special 35mm pre-show trailers

Wed 8th July - Marie's Pick (99 min runtime)

Wed 15th July - Caroline's Pick (89 minutes) 

Wed 22nd July - Flore's Pick (94 minutes) 

Wed 29th July - Aya's Pick (120 minutes)

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You can find a list of every MYSTERY MOVIE we have ever screened HERE ; if a film is on this list, it is not eligible for future Mystery Movie screenings!

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Content Advice : As these films are a mystery, we aren't able to provide specific ratings / guidance on the film's content. We strongly advise that you take this into consideration before purchasing a ticket.

This widely acclaimed film from Soviet director Elem Klimov is a stunning, senses-shattering plunge into the dehumanizing horrors of war. As Nazi forces encroach on his small village in present-day Belarus, teenage Flyora (Aleksei Kravchenko, in one of the screen’s most searing depictions of anguish since Renée Falconetti’s Joan of Arc) eagerly joins the Soviet resistance. Rather than the adventure and glory he envisioned, what he finds is a waking nightmare of unimaginable carnage and cruelty—rendered with a feverish, otherworldly intensity by Klimov’s subjective camerawork and expressionistic sound design. Nearly suppressed by Soviet censors who took eight years to approve its script, Come and See is perhaps the most visceral, impossible-to-forget antiwar film ever made.

When their plan to book a show at the Rivoli goes horribly wrong, Matt and Jay accidentally travel back to the year 2008.