When their plan to book a show at the Rivoli goes horribly wrong, Matt and Jay accidentally travel back to the year 2008.

In an England of the future, Alex (Malcolm McDowell) and his "Droogs" spend their nights getting high at the Korova Milkbar before embarking on "a little of the old ultraviolence," while jauntily warbling "Singin' in the Rain." After he's jailed for bludgeoning the Cat Lady to death, Alex submits to behavior modification technique to earn his freedom; he's conditioned to abhor violence. Returned to the world defenseless, Alex becomes the victim of his prior victims.

Ricky is a defiant young city kid who finds himself on the run with his cantankerous foster uncle in the wild New Zealand bush. A national manhunt ensues, and the two are forced to put aside their differences and work together to survive.

At the age of seventy, after years of consolidating his empire, the Great Lord Hidetora Ichimonji (Tatsuya Nakadai) decides to abdicate and divide his domain amongst his three sons. Taro (Akira Terao), the eldest, will rule. Jiro (Jinpachi Nezu), his second son, and Saburo (Daisuke Ryu) will take command of the Second and Third Castles but are expected to obey and support their elder brother. Saburo defies the pledge of obedience and is banished.

The scintillating feature debut of Mary Harron (American Psycho) and one of the most controversial independent films of the 1990s, I Shot Andy Warhol stars an electric Lili Taylor as Valerie Solanas, a militant feminist whose attempted murder of Andy Warhol brought instant fame to her radically anti-male SCUM Manifesto. Dropping out of grad school in the midsixties, the brilliant yet volatile Solanas survived in New York City as a destitute artist, sex worker, and panhandler, soon striking up a friendship with Warhol superstar Candy Darling that brought her briefly into the orbit of the world’s premier pop artist.

With vivid, hallucinatory attention to historical detail, Harron captures the explosive cross-pollination of New York’s political and artistic countercultures as well as the creativity, snobbery, and decadence at the heart of the legendary Factory. Anchored by pitch-perfect performances—and featuring a blistering score by John Cale as well as covers of sixties hits by some of the nineties’ most iconic bands (R.E.M., Wilco)—I Shot Andy Warhol is an incisive portrait of a rebel without an outlet and the soon-to-be-lost generation she came to define.