All Nighter Rules & FAQ re: Etiquette, Food, Alcohol etc

THE ALL NIGHTER IS DUE TO END APPROX 09:00am.

CHUNGKING EXPRESS (1994): The whiplash, double-pronged "Chungking Express" is one of the defining works of nineties cinema and the film that made Hong Kong filmmaker Wong Kar Wai an instant icon. Two heartsick Hong Kong cops (Takeshi Kaneshiro and Tony Leung), both jilted by ex-lovers, cross paths at the Midnight Express take-out restaurant stand, where the ethereal pixie waitress Faye (Faye Wong) works. Anything goes in Wong’s gloriously shot and utterly unexpected charmer, which cemented the sex appeal of its gorgeous stars and forever turned canned pineapple and the Mamas and the Papas’ “California Dreamin’” into tokens of romantic longing.

FALLEN ANGELS (1997): Lost souls reach out for human connection amidst the glimmering night world of Hong Kong in Wong Kar Wai’s hallucinatory, neon-soaked nocturne. Originally conceived as a segment of Chungking Express only to spin off on its own woozy axis, this hyper-cool head rush plays like the dark, moody flip side to Wong’s breakout feature as it charts the subtly interlacing fates of a handful of urban loners, including a coolly detached hitman (Leon Lai) looking to go straight, his business partner (Michelle Reis) who secretly yearns for him, and a mute delinquent (Takeshi Kaneshiro) who wreaks mischief by night. Swinging between hardboiled noir and slapstick lunacy with giddy abandon, Fallen Angels is both a dizzying, dazzling city symphony and a poignant meditation on love, loss, and longing in a metropolis that never sleeps.

- THE LOVE TRILOGY -

DAYS OF BEING WILD (1990): Wong Kar Wai’s breakthrough sophomore feature represents the first full flowering of his swooning signature style. The first film in a loosely connected, ongoing cycle that includes In the Mood for Love and 2046, this ravishing existential reverie is a dreamlike drift through the Hong Kong of the 1960s in which a band of wayward twenty-somethings—including a disaffected playboy (Leslie Cheung) searching for his birth mother, a lovelorn woman (Maggie Cheung) hopelessly enamored with him, and a policeman (Andy Lau) caught in the middle of their turbulent relationship—pull together and push apart in a cycle of frustrated desire. The director’s inaugural collaboration with both cinematographer Christopher Doyle, who lends the film its gorgeously gauzy, hallucinatory texture, and actor Tony Leung, who appears briefly in a tantalizing teaser for a never-realized sequel, Days of Being Wild is an exhilarating first expression of Wong’s trademark themes of time, longing, dislocation, and the restless search for human connection.

IN THE MOOD FOR LOVE (2000): Hong Kong, 1962: Chow Mo-wan (Tony Leung Chiu-wai) and Su Li-zhen (Maggie Cheung Man-yuk) move into neighboring apartments on the same day. Their encounters are formal and polite—until a discovery about their spouses creates an intimate bond between them. At once delicately mannered and visually extravagant, Wong Kar Wai’s In the Mood for Love is a masterful evocation of romantic longing and fleeting moments. With its aching musical soundtrack and exquisitely abstract cinematography by Christopher Doyle and Mark Lee Ping-bin, this film has been a major stylistic influence on the past decade of cinema, and is a milestone in Wong’s redoubtable career.

2046 (2004): Wong Kar Wai’s loose sequel to In the Mood for Love combines that film’s languorous air of romantic longing with a dizzying time-hopping structure and avant-sci-fi twist. Tony Leung Chiu Wai reprises his role as writer Chow Mo-Wan, whose numerous failed relationships with women who drift in and out of his life (and the one who goes in and out of room 2046, down the hall from his apartment) inspire the delirious futuristic love story he pens. 2046’s dazzling fantasy sequences give Wong and two of his key collaborators—cinematographer Christopher Doyle and editor/costume designer/production designer William Chang Suk Ping—license to let their imaginations run wild, propelling the sumptuous visuals and operatic emotions skyward toward the sublime.

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NO ALCOHOL PURCHASED FROM OUTSIDE IS PERMITTED IN THE BUILDING!

AGE RESTRICTIONS : This event is strictly 18+

All Nighter Rules & FAQ re: Etiquette, Food, Alcohol etc

Please Note: Marathons that start at 11:30pm will usually end around 9:30am.

No Clues! No Hints!

We'll be giving you 5 Mystery Films back-to-back, with No Clues or Hints! There are no links between these films, just 5 totally random picks.

Tickets are only £20 Non-Members / £17.50 Non-Members! That's an incredible deal for 5 films; so why not take a chance and let a little mystery into your life!?!

MYSTERY MOVIE line-up

• MYSTERY MOVIE 1
• MYSTERY MOVIE 2
• MYSTERY MOVIE 3
• MYSTERY MOVIE 4
• MYSTERY MOVIE 5

** EACH 'MYSTERY MOVIE MARATHON' WILL BE A TOTALLY DIFFERENT LINE-UP! **

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NO ADMISSIONS TO THE CINEMA AFTER MIDNIGHT!

NO ALCOHOL PURCHASED FROM OUTSIDE IS PERMITTED IN THE BUILDING!

AGE RESTRICTIONS : This event is strictly 18+

The cornerstone of director Richard Linklater's career long exploration of cinematic time, this celebrated three-part romance captures a relationship as it begins, begins again, deepens, and strains over the course of almost two decades.

Chronicling the love of Celine (Julie Delpy) and Jesse (Ethan Hawke), from their first meeting as idealistic twentysomethings to the disillusionment they face together in middle age, The Before Trilogy also serves as a document of a boundary-pushing and extraordinarily intimate collaboration between director and actors, as Delpy and Hawke imbue their characters with a sense of lived-in experience, and age on-screen along with them.

Attuned to the sweeping grandeur of time's passage as well as the evanescence of individual moments, the Before films chart the progress of romantic destiny as it navigates the vicissitudes of ordinary life.

FORMATS : Sunrise & Sunset = 35mm, Midnight = DCP.

ALL NIGHTER : FAQs, HOUSE RULES & TIPS

2024 SCHEDULES:

Please Note: Daytime Performances are rated 12A. All-Nighters are rated 16+.

- Saturday 28th September - 8:30pm - 09:00am (this event will have a late licence, with the bar closing at 2am)

Please Note; Films will start 20 mins after the advertised time, and due to the length of the credits for the first two films, the down time between films will be minimal. 

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THE FELLOWSHIP OF THE RING; A meek Hobbit from the Shire and eight companions set out on a journey to destroy the powerful One Ring and save Middle-earth from the Dark Lord Sauron.

THE TWO TOWERS; While Frodo and Sam edge closer to Mordor with the help of the shifty Gollum, the divided fellowship makes a stand against Sauron's new ally, Saruman, and his hordes of Isengard.

THE RETURN OF THE KING; Gandalf and Aragorn lead the World of Men against Sauron's army to draw his gaze from Frodo and Sam as they approach Mount Doom with the One Ring.

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NO ADMISSIONS TO THE CINEMA AFTER MIDNIGHT

NO ALCOHOL PURCHASED FROM OUTSIDE IS PERMITTED IN THE BUILDING!

AGE RESTRICTIONS : For the All Night Marathon, due to the event running through the night, all attendees must be 16+. For the daytime marathon the rating is 12a.

ALL NIGHTER : FAQs, HOUSE RULES & TIPS

TWILIGHT : High-school student Bella Swan (Kristen Stewart), always a bit of a misfit, doesn't expect life to change much when she moves from sunny Arizona to rainy Washington state. Then she meets Edward Cullen (Robert Pattinson), a handsome but mysterious teen whose eyes seem to peer directly into her soul. Edward is a vampire whose family does not drink blood, and Bella, far from being frightened, enters into a dangerous romance with her immortal soulmate.

THE TWILIGHT SAGA : NEW MOON : Bella Swan is on the cusp of her 18th birthday and blissfully happy with her undead beau Edward Cullen. While celebrating her birthday with Edward's family of `vegetarian' vampires, a frightening incident convinces Edward that he's simply too dangerous to be around his sweetheart. He decides to leave the town of Forks in order to ensure her safety - leaving her behind, angry and depressed.

THE TWILIGHT SAGA : ECLIPSE : Danger once again surrounds Bella (Kristen Stewart), as a string of mysterious killings terrorizes Seattle and a malicious vampire continues her infernal quest for revenge. Amid the tumult, Bella must choose between her love for Edward (Robert Pattinson) and her friendship with Jacob (Taylor Lautner), knowing that her decision may ignite the long-simmering feud between vampire and werewolf.

THE TWILIGHT SAGA : BREAKING DAWN - Part One : At last, Bella (Kristen Stewart) and Edward (Robert Pattinson) are getting married. When Jacob (Taylor Lautner) finds out that Bella wants to spend her honeymoon as a human, he is horrified -- for Edward's passion could accidentally kill her. Bella does indeed survive her honeymoon, but a new complication arises when she discovers that she's pregnant -- and the child is growing at an alarming rate. The pregnancy sets the wolves against Bella and Edward, but Jacob vows to protect his friend.

THE TWILIGHT SAGA : BREAKING DAWN - Part Two : Bella (Kristen Stewart) awakes -- as a vampire -- from her life-threatening labor, and her newborn daughter, Renesmee, proves to be very special indeed. While Bella adjusts to her new state of being, Renesmee experiences accelerated growth. When the Volturi learn of the baby's existence, they declare her to be an abomination and sentence the Cullens to death. Bella, Edward (Robert Pattinson) and the rest of the clan seek help from allies around the world to protect their family.

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NO ADMISSIONS TO THE CINEMA AFTER MIDNIGHT

NO ALCOHOL PURCHASED FROM OUTSIDE IS PERMITTED IN THE BUILDING! 

AGE RESTRICTONS : This is strictly a 16+ event. Due to the event running through the night, anyone under the age 18  must be accompanied by a parent or guardian [aged 18+] for the full duration of the marathon.

ALL NIGHTER : FAQs, HOUSE RULES & TIPS

THE ALL NIGHTER IS DUE TO END APPROX 09:00am.

ERASERHEAD: Henry (John Nance) resides alone in a bleak apartment surrounded by industrial gloom. When he discovers that an earlier fling with Mary X (Charlotte Stewart) left her pregnant, he marries the expectant mother and has her move in with him. Things take a decidedly strange turn when the couple's baby turns out to be a bizarre lizard-like creature that won't stop wailing. Other characters, including a disfigured lady who lives inside a radiator, inhabit the building and add to Henry's troubles.

BLUE VELVET: College student Jeffrey Beaumont (Kyle MacLachlan) returns home after his father has a stroke. When he discovers a severed ear in an abandoned field, Beaumont teams up with detective's daughter Sandy Williams (Laura Dern) to solve the mystery. They believe beautiful lounge singer Dorothy Vallens (Isabella Rossellini) may be connected with the case, and Beaumont finds himself becoming drawn into her dark, twisted world, where he encounters sexually depraved psychopath Frank Booth (Dennis Hopper).

WILD AT HEART: After serving prison time for a self-defense killing, Sailor Ripley (Nicolas Cage) reunites with girlfriend Lula Fortune (Laura Dern). Lula's mother, Marietta (Diane Ladd), desperate to keep them apart, hires a hit man to kill Sailor. But he finds a whole new set of troubles when he and Bobby Peru (Willem Dafoe), an old buddy who's also out to get Sailor, try to rob a store. When Sailor lands in jail yet again, the young lovers appear further than ever from the shared life they covet.

LOST HIGHWAY: From this inventory of imagery, Lynch fashions two separate but intersecting stories, one about a jazz musician (Bill Pullman), tortured by the notion that his wife is having an affair, who suddenly finds himself accused of her murder. The other is a young mechanic (Balthazar Getty) drawn into a web of deceit by a temptress who is cheating on her gangster boyfriend. These two tales are linked by the fact that the women in both are played by the same actress (Patricia Arquette).

MULHOLLAND DR. : A dark-haired woman (Laura Elena Harring) is left amnesiac after a car crash. She wanders the streets of Los Angeles in a daze before taking refuge in an apartment. There she is discovered by Betty (Naomi Watts), a wholesome Midwestern blonde who has come to the City of Angels seeking fame as an actress. Together, the two attempt to solve the mystery of Rita's true identity. The story is set in a dream-like Los Angeles, spoilt neither by traffic jams nor smog.

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NO ALCOHOL PURCHASED FROM OUTSIDE IS PERMITTED IN THE BUILDING!

AGE RESTRICTIONS : This event is strictly 18+