After Anna (Isabelle Adjani) reveals to her husband, Mark (Sam Neill), that she is having an affair, she leaves him and their son. Mark is devastated, and seeks out Heinrich (Heinz Bennent), the man who cuckolded him, only to receive a beating. After a series of violent confrontations between Mark and Anna, Mark hires a private investigator to follow her. Anna descends into madness, and it's soon clear that she is hiding a much bigger secret -- one that is both inexplicable and shocking.

When foreman Frank (James Karen) shows new employee Freddy (Thom Mathews) a secret military experiment in a supply warehouse, the two klutzes accidentally release a gas that reanimates corpses into flesh-eating zombies. As the epidemic spreads throughout Louisville, Ky., and the creatures satisfy their hunger in gory and outlandish ways, Frank and Freddy fight to survive with the help of their boss (Clu Gulager) and a mysterious mortician (Don Calfa).

A retired criminal profiler (William Petersen) reluctantly returns to the FBI to help track down a serial killer of families and is forced to consult an expert—the imprisoned Dr. Hannibal Lecktor (Brian Cox in a subtly chilling performance). The third feature written and directed by Michael Mann is a gripping adaptation of the first of Thomas Harris’s four novels featuring the iconic murderer, and benefits from the filmmaker’s typically striking visuals as well as a top-notch supporting cast, including Tom Noonan as the hunted killer, and three-time Oscar nominee Joan Allen (The Contender, 2000) as his blind love interest. 

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This new 4K Final Cut, overseen by Mann, enhances the film’s depth, visual clarity and sound, offering audiences the ultimate immersive version. Shot in 1985, MANHUNTER was on a frontier in both its subject matter and film form, initiating an impressive list of subsequent films and series.  

“40 years ago – though armed with Thomas Harris’ excellent novel, “Red Dragon” – its subject matter, the profiling of serial killers, as well as being shocking and raw, was unknown. When adapting, I wanted to make its storytelling deliver audiences into a certain state of threat and emotional engagement. Integral to that was the visualization and use of music with lyrics sometimes working like a libretto. We have carefully remastered the film to try to evoke that mood and intensity, heightened with audio sourced from the original 5.1 35mm analog masters. This latest iteration is that version of the film with which I’m most satisfied.” said director Michael Mann.  

Under the guidance of Mann, this 4K scan of the original 35mm negative – with a few shots from an interpositive - was conformed and digitally restored at L’Immagine Ritrovata in Bologna. Both the theatrical version and the UHD HDR & SDR video color gradings were performed by Stefan Sonnenfeld at Company 3 in Los Angeles with the director. Sound restoration was done at Audio Mechanics from an original 35mm magnetic 6-track printmaster to release a new 5.1 mix by Luke Schwartzweller at Fox. Technical coordination and deliveries were managed by L’Immagine Ritrovata. This project was supervised by Becca Mann and STUDIOCANAL team, Jean-Pierre Boiget and Delphine Roussel.  

For Michael Mann, the process is about renewing the film’s immediacy for contemporary audiences: “If the picture was left the way it was, it would be interesting, but you’d feel some distance …you’d be observing it somewhat.  I’m more interested in its original intent impacting you the same way it may have in 1986…that is, to bring you into it again in the original way.” 

As a film distinguished by its striking visual style, including Colleen Attwood’s costume design, Academy Award- winner Mel Bourne’s art direction, Dante Spinotti’s lighting, Mann worked with his long-time collaborator, Stefan Sonnenfeld (Company 3), to develop a new color grade for ‘The Final Cut’ that engages a contemporary audience while honoring the film’s lasting legacy. 

“A good example is the use of primaries and secondaries in combinations that don’t occur in nature for an unsettling ambiance or the use of blue for night-time imagery. We’ve changed values subtly sometimes, but significantly, to enhance the impact without changing the dramatic intent of the film,” said Stefan Sonnenfeld. 

He adds: “Michael… wants you to understand the story and the mood and the environment… and then asks you to interpret that in colour… He also tells you what emotion he’s trying to evoke from the scene.” 

The new version also introduces an HDR presentation, offering an intensified new experience. “So that nobody’s ever seen the movie like that,” noted Sonnenfeld. 

* ON SALE 23rd SEP *

Oddball cable installer Chip Douglas (Jim Carrey) attempts to strike up a friendship with customer Steven Kovacs (Matthew Broderick) by offering him premium channels at no cost. When Steven rebuffs Chip's frequent need for companionship, Chip goes from a mildly eccentric acquaintance to a full-fledged psycho stalker. Though it's increasingly apparent to Steven that the cable guy is dangerous, convincing his friends, family and the authorities of that is another matter entirely.

Wes Craven re-invented and revitalised the slasher-horror genre with this modern horror classic, which manages to be funny, clever and scary, as a fright-masked knife maniac stalks high-school students in middle-class suburbia. Craven is happy to provide both tension and self-parody as the body count mounts - but the victims aren't always the ones you'd expect.

After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious clientele.

Censored for over half a century, Ken Russell’s film returns in a landmark director’s cut reconstruction that reveals the full power of his original vision. 

Inspired by the true story of 17th-century priest Urbain Grandier, accused of bewitching a convent of nuns, The Devils lays bare the collusion of church and state through a searing vision of religious persecution, collective hysteria and institutional corruption. The restoration many believed would never happen reaffirms Russell’s incendiary masterpiece as among the most overwhelming and uncompromising achievements in British cinema.

Assembled from original camera negative, this 4k restoration is Ken Russell’s 2004 preferred edit. Picture and sound restoration by Warner Bros. Post Production Creative Services, Water Tower Color and Warner Bros. Sound.

During the presidential election of 1988, a teenager named Donnie Darko sleepwalks out of his house one night and sees a giant, demonic-looking rabbit named Frank, who tells him the world will end in 28 days. When Donnie returns home, he finds that a jet engine has crashed into his bedroom. Is Donnie living in a parallel universe, is he suffering from mental illness - or will the world really end?

Two teenagers share a profound, magical connection upon discovering they are swapping bodies. Things manage to become even more complicated when the boy and girl decide to meet in person.

Still censored in its own country, In the Realm of the Senses (Ai no corrida), by Japanese director Nagisa Oshima, remains one of the most controversial films of all time. A graphic portrayal of insatiable sexual desire, Oshima’s film, set in 1936 and based on a true incident, depicts a man and a woman (Tatsuya Fuji and Eiko Matsuda) consumed by a transcendent, destructive love while living in an era of ever-escalating imperialism and governmental control. Less a work of pornography than of politics, In the Realm of the Senses is a brave, taboo-breaking milestone.

Content Warning: This film contains scenes of graphic sex and violence. Further information about content and age-appropriateness for specific films can be found on Common Sense Media, IMDb and DoesTheDogDie.com, as well as through general internet searches.

23-year-old Amélie is lonely. After an isolating childhood, she moves to Paris and becomes a waitress at the Café des Deux Moulins, a bar restaurant filled with a colourful cast of diners and employees. One night, Amélie happens across a box of treasures hidden in her apartment, left by a little boy in the Fifties, that changes the course of her life. Henceforth, she dedicates herself to giving back to her community, tracking down the owner of these keepsakes, consoling a widowed neighbour and befriending a reclusive artist. When completing these good deeds, she crosses paths with Nino, a photobooth collagist who shares her oddball sensibilities. She quickly falls in love with him.  

Sebastian (Ryan Gosling) and Mia (Emma Stone) are drawn together by their common desire to do what they love. But as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.

Arthur fulfills his fate by bringing together the Knights of the Round Table at Camelot and unifying the country. However, this flawed monarch faces greater tests ahead in pursuit of love, the Holy Grail, and his nation's survival.

Our performance on 14th October is presented with an introduction by Christina Newland

Elaine May crafted a gangster film like no other in the nocturnal odyssey Mikey and Nicky, capitalising on the chemistry between frequent collaborators John Cassavetes and Peter Falk by casting them together as small-time mobsters whose lifelong relationship has turned sour. Set over the course of one night, this restless drama finds Nicky (Cassavetes) holed up in a hotel after the boss he stole money from puts a hit out on him. Terrified, he calls on Mikey (Falk), the one person he thinks can save him. Scripted to match the live-wire energy of its stars—alongside supporting players Ned Beatty, Joyce Van Patten, and Carol Grace—and inspired by real-life characters from May’s own childhood, this unbridled portrait of male friendship turned tragic is an unsung masterpiece of American cinema.

Our performance on 14th October is featured as part of Gangsters Have Feelings Too, a season exploring the sensitive gangster film. The season is presented with the National Film and Television School’s Film Studies, Programming and Curation MA.

It is 1929 in New York and the city is divided by gang warfare. On one side, Dandy Dan's mob terrorise the district, taking out those they turn against with their new splurge guns. On the other side, Dandy Dan's rival, Fat Sam, runs his successful Grand Slam Speakeasy.

Kurt Russell plays hard-boiled truck driver Jack Burton, who gets caught in a bizarre conflict within, and underneath, San Francisco's Chinatown. An ancient Chinese prince and Chinatown crime lord has kidnapped a beautiful green-eyed woman, who is the fiancee to Jack's best friend. Jack must help his friend rescue the girl before the evil Lo Pan uses her to break the ancient curse that keeps him a fleshless and immortal spirit.

**ON SALE 23rd OCT**

In 2005, average in every way private Joe Bowers (Luke Wilson) is selected to take part in a secret military experiment to put him in hibernation for a year along with a woman named Rita (Maya Rudolph). The slumbering duo is forgotten when the base they are stored on is closed down and are left in stasis until 2505. When they finally wake up, they discover the average intelligence of humans has decreased so much that Joe is now the smartest man in the world.

An aging silent film queen refuses to accept that her stardom has ended. She hires a young screenwriter to help set up her movie comeback. The screenwriter believes he can manipulate her, but he soon finds out he is wrong. The screenwriters ambivalence about their relationship and her unwillingness to let go leads to a situation of violence, madness, and death.

To take down South Boston's Irish Mafia, the police send in one of their own to infiltrate the underworld, not realizing the syndicate has done likewise. While an undercover cop curries favor with the mob kingpin, a career criminal rises through the police ranks. But both sides soon discover there's a mole among them.

Eerie and unforgettable, MS. 45 is an essential snapshot of New York City in the early 1980s from Abel Ferrara (DRILLER KILLER, THE ADDICTION)—one of the greatest and most unique living filmmakers on the planet. Thana (Zoë Tamerlis) is a garment worker who’s had the ultimate bad day, as she’s assaulted twice in visceral fashion. Shocked to her core, Thana's nights become consumed by vengeful prowls through the city, which result in men winding up on the wrong end of a bullet. Knocking the DEATH WISH rip-off subgenre into a new stratosphere, MS. 45 showcases a haunting performance from Tamerlis and Ferrara's knack for transforming limited resources into genre revolutions.

Content Warning: Contains scenes of sexual assault that some viewers may find distressing. Further information about content and age-appropriateness for specific films can be found on Common Sense Media, IMDb and DoesTheDogDie.com, as well as through general internet searches.

With this orgiastic immersion in the mystic reveries of a real-life historical figure, the king of the erotic thriller Paul Verhoeven gives the nunsploitation flick a high-art makeover. Elegant, perverse, and teasingly scandalous, Benedetta critiques religious hypocrisy with an impish grin.

For one night only, Have A Gd Trip brings Skateboarding Film Club back to Prince Charles Cinema for an essential double bill celebrating two definitive eras of skate culture.

Kicking off the night is the 20th anniversary of Enjoi’s Bag of Suck (2006)—a Transworld Video of the Year winner that balanced jaw-dropping technical progression (anchored by Jerry Hsu’s legendary parts) with the irreverent, fun-first humour that made Enjoi an instant classic.

Followed by the 30th anniversary of Toy Machine’s Welcome to Hell (1996)—a relentless masterpiece that set the standard for high-impact handrail skating, immortalised Jamie Thomas’s raw style, and helped launch legends like Elissa Steamer.

Welcome to Hell
1996 | 45mins | USA | (18) | Skateboarding Video
Directed by Jamie Thomas, Video introduction by Ed Templeton
Starring Jamie Thomas, Ed Templeton, Elissa Steamer, Chad Muska, Brian Anderson, Donny Barley

Bag of Suck
2006 | 50mins | USA | (18) | Skateboarding Video
Directed by Matt Eversole and Kyle Camarillo, Video introduction by Louie Barletta
Starring Jerry Hsu, Louie Barletta, Marc Johnson, Caswell Berry, Stevie Williams, Cairo Foster
"Pandas, heavy handrails, and pure raw energy."

Two iconic videos, three decades of skate history, together for one night only. Rarely seen on the big screen—don't miss out.

When veteran anchorman Howard Beale is forced to retire his 25-year post because of his age, he announces to viewers that he will kill himself during his farewell broadcast. Network executives rethink their decision when his fanatical tirade results in a spike in ratings.

Minnesota car salesman Jerry Lundegaard's inept crime falls apart due to his and his henchmen's bungling and the persistent police work of the quite pregnant Marge Gunderson.

After inexplicably surviving a mortal wound during a clan battle in the Scottish Highlands in 1536, Connor MacLeod (Christopher Lambert) is accused of witchcraft and banished from his village. Years later, he meets Ramirez (Sean Connery), a swordsman who teaches MacLeod the truth about himself: he belongs to an immortal race who can only die when the head is cut from the body.

MacLeod fights his way through the centuries until the time of The Gathering, when the few immortals who have survived the ages will come together to fight until just one remains. In 1980s New York City the final fight is about to begin and, in the end, there can be only one...

Suffering from insomnia, disturbed loner Travis Bickle (Robert De Niro) takes a job as a New York City cabbie, haunting the streets nightly, growing increasingly detached from reality as he dreams of cleaning up the filthy city. When Travis meets pretty campaign worker Betsy (Cybill Shepherd), he becomes obsessed with the idea of saving the world, first plotting to assassinate a presidential candidate, then directing his attentions toward rescuing 12-year-old prostitute Iris (Jodie Foster).

Heroin addict Mark Renton (Ewan McGregor) stumbles through bad ideas and sobriety attempts with his unreliable friends -- Sick Boy (Jonny Lee Miller), Begbie (Robert Carlyle), Spud (Ewen Bremner) and Tommy (Kevin McKidd). He also has an underage girlfriend, Diane (Kelly Macdonald), along for the ride. After cleaning up and moving from Edinburgh to London, Mark finds he can't escape the life he left behind when Begbie shows up at his front door on the lam, and a scheming Sick Boy follows.

After realizing that all world is spoiled, Marie and Marie are committed to be spoiled themselves. They rip off older men, feast in lavish meals and do all kinds of mischief. But what is all this leading to?

Technology and sexuality meet in a head-on collision in David Cronenberg's controversial adaptation of writer J.G. Ballard's hugely transgressive 1973 novel, starring James Spader and Holly Hunter.

Spader stars as James Ballard, a film producer whose deviant sexual desires are awakened by a near-fatal automobile accident with Dr. Helen Remington (Hunter). Soon, the pair, alongside Ballard's wife Catherine (Deborah Kara Unger), are drawn into an underground world of car crash fetishism presided over by renegade scientist Vaughan (Elias Koteas). Danger, sex and death become entwined as eroticism and technology join together in a disturbing, deadly union.

Two legends of the theatre discuss life, the universe and pretty much everything else in this hugely admired conversation piece from Louis Malle.

Acclaimed playwrights, essayists and actors Wallace Shawn and André Gregory meet at Café des Artistes in Manhattan. Initially, Gregory dominates the conversation with his exploits over the course of the previous five years, from working with theatre groups in Europe to traveling through the Sahara. Shawn’s response is to ground the conversation in the virtues of everyday life – that its pleasures can be obtained through the simplest acts. Malle’s camera is the third member of the group and we are given a rare insight into the minds of two fascinating – albeit slightly fictional – people. My Dinner with Andre is a celebration of friendship, conversation and the pleasures of a cup of coffee.

Period thriller set in Edwardian London where two rival magicians, partners until the tragic death of an assistant during a show, feud bitterly after one of them performs the ultimate magic trick - teleportation. His rival tries desperately to uncover the secret of his routine, experimenting with dangerous new science as his quest takes him to the brink of insanity and jeopardises the lives of everyone around the pair.

College student Jeffrey Beaumont (Kyle MacLachlan) returns home after his father has a stroke. When he discovers a severed ear in an abandoned field, Beaumont teams up with detective's daughter Sandy Williams (Laura Dern) to solve the mystery. They believe beautiful lounge singer Dorothy Vallens (Isabella Rossellini) may be connected with the case, and Beaumont finds himself becoming drawn into her dark, twisted world, where he encounters sexually depraved psychopath Frank Booth (Dennis Hopper)

To win the right to marry his love, the beautiful princess Andromeda, and fulfil his destiny, half-God-half-mortal Perseus must complete various tasks including taming Pegasus, capturing Medusa's head and battling the feared Kraken.

A thief who steals corporate secrets through the use of dream-sharing technology is given the inverse task of planting an idea into the mind of a C.E.O., but his tragic past may doom the project and his team to disaster.

When scientist Seth Brundle completes his teleportation device, he decides to test its abilities on himself. Unbeknownst to him, a housefly slips in during the process, leading to a merger of man and insect. Initially, Brundle appears to have undergone a successful teleportation, but the fly's cells begin to take over his body. As he becomes increasingly fly-like, Brundle's girlfriend is horrified as the person she once loved deteriorates into a monster.

A highly skilled jewel thief, Frank (James Caan) longs to leave his dangerous trade and settle down with his girlfriend, Jessie (Tuesday Weld). Eager to make one last big score in order to begin living a legitimate life, Frank reluctantly associates with Leo (Robert Prosky), a powerful gangster. Unfortunately for Frank, Leo wants to keep him in his employ, resulting in a tense showdown when he finally tries to give up his criminal activities once and for all.

Seventeen years after joining forces as the backing band for rockabilly cult hero Ronnie Hawkins, Canadian roots rockers The Band call it quits with a lavish farewell show at San Francisco's Winterland Ballroom on Nov. 25, 1976. Filmed by Martin Scorsese, this documentary features standout performances by rock legends such as Bob Dylan, Neil Young, Van Morrison, Eric Clapton, Joni Mitchell and Muddy Waters, as well as interviews tracing the group's history and discussing road life.

Royal Tenenbaum and his wife Etheline had three children and then they separated. All three children are extraordinary --- all geniuses. Virtually all memory of the brilliance of the young Tenenbaums was subsequently erased by two decades of betrayal, failure, and disaster. Most of this was generally considered to be their father's fault. "The Royal Tenenbaums" is the story of the family's sudden, unexpected reunion one recent winter.

After finishing up the school term in a remote outback town, teacher John Grant (Gary Bond) looks forward to spending his holiday with his girlfriend in Sydney. But John gets waylaid in a mining town where a gambling spree leaves him completely broke. He quickly falls in with the hard-drinking locals, who constantly ply him with alcohol and force him to participate in a gruesome kangaroo hunt. Disgusted, John tries to hitchhike out of town and, when that fails, begins to contemplate suicide.

A dark-haired woman (Laura Elena Harring) is left amnesiac after a car crash. She wanders the streets of Los Angeles in a daze before taking refuge in an apartment. There she is discovered by Betty (Naomi Watts), a wholesome Midwestern blonde who has come to the City of Angels seeking fame as an actress. Together, the two attempt to solve the mystery of Rita's true identity. The story is set in a dream-like Los Angeles, spoilt neither by traffic jams nor smog.

Workaholic Howard Langston (Arnold Schwarzenegger) wants to make things up to his son, Jamie (Jake Lloyd), and wife, Liz (Rita Wilson). He promises to get Jamie the hottest toy of the season, Turbo-Man -- even though it's Christmas Eve and the toy is practically sold out. As Langston hunts down the elusive gift, he runs into mailman Myron (Sinbad), another father on the same quest. With the clock winding down, Langston's moral code is tested as he starts to learn the real meaning of Christmas.

New York Detective "Popeye" Doyle (Gene Hackman) and his partner (Roy Scheider) chase a French heroin smuggler.

Dumped and depressed, English rose Iris agrees to swap homes with similarly unlucky in love Californian Amanda for a much-needed break. Iris finds herself in a palatial Hollywood mansion while Amanda navigates the lanes of a picture-perfect English village. Soon enough, both lovelorn ladies bump into local lads perfect for a romantic pick-me-up.

Insurance worker C.C. Baxter (Jack Lemmon) lends his Upper West Side apartment to company bosses to use for extramarital affairs. When his manager Mr. Sheldrake (Fred MacMurray) begins using Baxter's apartment in exchange for promoting him, Baxter is disappointed to learn that Sheldrake's mistress is Fran Kubelik (Shirley MacLaine), the elevator girl at work whom Baxter is interested in himself. Soon Baxter must decide between the girl he loves and the advancement of his career.

Beset with personal and professional problems, George Bailey finds his previously happy life falling apart around him on Christmas Eve. Seeing no way out, George considers suicide from the edge of a bridge ­ but Clarence, his guardian angel, intervenes and shows George what his beloved hometown of Bedford Falls would be like without him. 
 

A sweet boy from a poor family dreams of finding one of five golden tickets hidden inside chocolate bar wrappers which will admit him to the eccentric and reclusive Willy Wonka's magical factory. One after another, tickets are discovered by ghastly children - but will the lad find the last remaining one and have all his dreams come true?

Step back into the fantastical world of Jim Henson’s Labyrinth as the beloved classic returns to cinemas for a special 40th-anniversary re-release. Starring David Bowie in one of his most entertaining film performances as the enigmatic Goblin King, this 4K re-issue brings Jim Henson’s dazzling puppetry, imaginative landscapes, and iconic musical moments back to the big screen where they belong. Join the adventure as Sarah (Jennifer Connelly) races against time to navigate the mysterious Labyrinth and rescue her baby brother in this spellbinding cult favourite.

An Austrian teenager marries the Dauphin of France and becomes that country's queen following the death of King Louis XV in 1774. Years later, after a life of luxury and privilege, Marie Antoinette loses her head during the French Revolution.

Celebrating its 35th Anniversary. Raise the Red Lantern is about nineteen-year-old Songlian, a promising student whose family has been destroyed by her father’s death, is forced to abandon her studies and marry into wealth, becoming the fourth and newest concubine of the aging, unseen Master Chen. Inside his walled estate, she discovers a household ruled by a merciless ritual: each night, red lanterns are lit outside the chambers of whichever wife the master chooses to visit, granting her privilege and status while the others are cast into cold irrelevance. Songlian is drawn into the orbit of her rivals, each shaped by years of fighting for the same scraps of attention. Determined at first to rise above the games, Songlian is gradually worn down by isolation and humiliation until she strikes back, trading secrets and favours to secure her place in Master Chen’s hierarchy. As petty cruelty turns even more dire, Songlian is forced to confront what these desperate measures will cost her soul.

“As visually striking as it is dramatically effective,” Zhang Yimou’s Academy Award-nominated and BAFTA-winning Raise the Red Lantern sumptuously captures 1920s China while “subtly exploring the politics of power and control” (Janet Maslin, The New York Times). One of international cinema’s greatest stars of the era, Gong Li is “nuanced and understated” (Chicago Reader) as the stifled young woman forced into a repressive world of concubinage. Newly restored, the film stands as one of the defining works of Fifth Generation Chinese cinema and international film of the 1990s.

The 4K restoration of Raise the Red Lantern was carried out by the Udine Far East Film Festival on the occasion of its 26th edition. The original image and sound negatives were used under the supervision of Director Zhang Yimou. The vintage positive copy, presented at the 1991 Venice International Film Festival and preserved at the Venice Biennale’s Historical Archive of Contemporary Arts, was used for colour reference. The restoration was made in 2024 at L’Immagine Ritrovata (Hong Kong – Bologna)

When a reporter is assigned to decipher newspaper magnate Charles Foster Kane's (Orson Welles) dying words, his investigation gradually reveals the fascinating portrait of a complex man who rose from obscurity to staggering heights. Though Kane's friend and colleague Jedediah Leland (Joseph Cotten), and his mistress, Susan Alexander (Dorothy Comingore), shed fragments of light on Kane's life, the reporter fears he may never penetrate the mystery of the elusive man's final word, "Rosebud."

When a machine that allows therapists to enter their patients' dreams is stolen, all hell breaks loose. Only a young female therapist, Paprika, can stop it.

A small-town detective searching for a missing man has only one lead: a connection with a New York prostitute.

A neon-drenched trip through nocturnal Taipei, Millennium Mambo stars Shu Qi as Vicky, a bar hostess losing interest in her dull, garrulous boyfriend, and attracted to the mysterious, sensual gangster Jack. Built as a flashback from the future, she finds herself afloat amidst a world of ecstatic nights out and an undertow of nagging emptiness, torn between the two men.

Like Edward Yang (A Brighter Summer Day, Yi Yi), director Hou Hsiao-Hsien emerged as one the major figures of the Taiwanese New Wave, and even collaborated with Yang as a screenwriter on Taipei Story (1985).

Misunderstood at the time by critics and audiences as a misstep in Hou’s otherwise excellent track record, it’s now reclaimed as a vital cog in his filmography. Hou’s meditative style is front-and-centre in Millennium Mambo, aided by the presence of the sublime cinematographer Mark Lee Ping-bin, who at the time had just finished work on In the Mood for Love (2001).

A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.

Ten years after their high school graduation, Romy (Mira Sorvino) and Michele (Lisa Kudrow) haven't exactly accomplished everything that they set out to do. Despite their strong friendship, their personal and professional lives are still lacking. When they hear of their upcoming high school reunion, they take it as an opportunity to show their classmates how much they've changed -- first by trying to reform themselves, then by creating a lie that eventually spins out of control.

Returning home from a shopping trip to a nearby town, bored suburban housewife Laura Jesson (Celia Johnson) is thrown by happenstance into an acquaintance with virtuous doctor Alec Harvey (Trevor Howard). Their casual friendship soon develops during their weekly visits into something more emotionally fulfilling than either expected, and they must wrestle with the potential havoc their deepening relationship would have on their lives and the lives of those they love.

Idealistic police cadet Chan Wing-Yan (Tony Leung) is recruited by Police Superintendant Wong (Anthony Wong) to go deep undercover as a member of the criminal Triad society. Into the same cadet class, crime boss Hon Sam (Eric Tsang) installs new Triad member Lau Kin Ming (Andy Lau) to become a long-term mole for the gang. A decade later, both have risen through the ranks in their respective aliases -- but when both of their covers are in danger of being blown, a game of life and death ensues.

First time father Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child. David Lynch arrived on the scene in 1977, almost like a mystical UFO gracing the landscape of LA with its enigmatic radiance. His inaugural work, "Eraserhead" (1977), stood out as a cinematic anomaly, painting a surreal narrative of a young man navigating a dystopian, industrialized America, grappling not only with his tumultuous home life but also contending with an irate girlfriend and a mutant child.

Infamous and unpredictable, Jesse James (Brad Pitt), nicknamed the fastest gun in the west, plans his next big heist while he launches pre-emptive strikes against those looking to collect the reward the law has placed on his head. Jesse's newest recruits, Robert (Casey Affleck) and Charley Ford (Sam Rockwell), grow increasingly jealous of the outlaw. When they sense an opportunity to kill Jesse, they gun him down, but their actions backfire when Jesse's fame is elevated to near mythical status.

A fairy tale adventure about a beautiful young woman and her one true love. He must find her after a long separation and save her. They must battle the evils of the mythical kingdom of Florin to be reunited with each other.

Thirteen-year-old fledgling writer Briony Tallis irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit.