When a machine that allows therapists to enter their patients' dreams is stolen, all hell breaks loose. Only a young female therapist, Paprika, can stop it.

A woman's lover and her ex-boyfriend take justice into their own hands after she becomes the victim of a rapist. Because some acts can't be undone. Because man is an animal. Because the desire for vengeance is a natural impulse. Because most crimes remain unpunished.

A former San Francisco police detective juggles wrestling with his personal demons and becoming obsessed with the hauntingly beautiful woman he has been hired to trail, who may be deeply disturbed.

The activities of rampaging, indiscriminate serial killer Ben are recorded by a willingly complicit documentary team, who eventually become his accomplices and active participants. Ben provides casual commentary on the nature of his work and arbitrary musings on topics of interest to him, such as music or the conditions of low-income housing, and even goes so far as to introduce the documentary crew to his family. But their reckless indulgences soon get the better of them.

This remarkable television production, imagining how a nuclear war might unfold, remains one of the most shocking and devastating films ever to air in the UK. Combining documentary-style realism and kitchen-sink drama, Threads observes the looming threat of nuclear war from the perspective of an average working-class family in Sheffield, before shifting to the detailed depiction of a society in the aftermath of a nuclear attack. It’s 40 years since the film was originally broadcast and it has lost none of its power to shock.

BLEAK WEEK : CINEMA OF DESPAIR is co-presented by the American Cinematheque.

After the French New Wave, the sexual revolution, and May '68 came The Mother and the Whore, the legendary, autobiographical magnum opus by Jean Eustache that captured a disillusioned generation navigating the post-idealism 1970s within the microcosm of a ménage à trois. The aimless, clueless, Parisian pseudo-intellectual Alexandre (Jean-Pierre Léaud) lives with his tempestuous older girlfriend, Marie (Bernadette Lafont), and begins a dalliance with the younger, sexually liberated Veronika (Françoise Lebrun, Eustache's own former lover), leading to a volatile open relationship marked by everyday emotional violence and subtle but catastrophic shifts in power dynamics. Transmitting his own sex life to the screen with a startling immediacy, Eustache achieves an intimacy so deep it cuts.

A group of high-end professional thieves start to feel the heat from the LAPD when they unknowingly leave a verbal clue at their latest heist.

Original Cut from a 35mm print. 

A stark portrayal of life among a group of heroin addicts who hang out in Needle Park in New York City. Played against this setting is a low-key love story between Bobby, a young addict and small-time hustler, and Helen, a homeless girl who finds in her relationship with Bobby the stability she craves.

Elaine May crafted a gangster film like no other in the nocturnal odyssey Mikey and Nicky, capitalising on the chemistry between frequent collaborators John Cassavetes and Peter Falk by casting them together as small-time mobsters whose lifelong relationship has turned sour. Set over the course of one night, this restless drama finds Nicky (Cassavetes) holed up in a hotel after the boss he stole money from puts a hit out on him. Terrified, he calls on Mikey (Falk), the one person he thinks can save him. Scripted to match the live-wire energy of its stars—alongside supporting players Ned Beatty, Joyce Van Patten, and Carol Grace—and inspired by real-life characters from May's own childhood, this unbridled portrait of male friendship turned tragic is an unsung masterpiece of American cinema.

Presented by Animus Magazine, with an extended introduction featuring actress Theresa Russell joining live via Zoom, and producer Jeremy Thomas in person.

When a young American woman (Theresa Russell) ends up in a Vienna hospital after a suicide attempt, a local police inspector (Harvey Keitel) seeks answers from her lover, an American psychoanalyst (Art Garfunkel), and begins to piece together the story of their stormy affair.

“A sick film made by sick people for sick people". Thus was Nicolas Roeg’s Bad Timing described upon its original release in 1980 by UK distributor the Rank Organisation, whose executives were so shocked that they removed the company’s logo from the film’s opening credits. Nearly a decade after appearing in Mike Nichols’ Carnal Knowledge (1971) – screened by Animus Magazine at the PCC in 2024 – singer-songwriter Art Garfunkel returned in front of the camera for another nightmarish deconstruction of toxic relationship dynamics. Nicolas Roeg’s jagged, non-linear storytelling captures the dizzying highs and crushing lows of an obsessive romance already blown to pieces at the start of the film. As we gather the shards through heartbreaking flashbacks, it is impossible not to cut ourselves on the sharp edges of a love that may have been doomed from the start. 

Iconic actress Theresa Russell (Bad Timing, Straight Time, Kafka) & legendary film producer Jeremy Thomas (Nagisa Oshima's Merry Christmas, Mr. Lawrence, Bernardo Bertolucci's The Last Emperor, Jonathan Glazer’s Sexy Beast among others) will introduce this 35mm screening of Bad Timing. 

On Sunday 21st June, we will be welcoming Writer & Director WALTER MURCH to our stage for a post-film Q&A as part of BLEAK WEEK 2026.

Dorothy discovers she is back in the land of Oz, and finds the yellow brick road is now a pile of rubble, and the Emerald City is in ruins. Discovering that the magical land is now under the control of an evil empire, she sets off to rescue the scarecrow, the tin man and the lion with the help of her new friends.

In a small and religious coastal town, a simple, devoutly religious Scottish woman, Bess McNeill (Emily Watson), finds a partner in an oil rig worker from Norway, Jan Nyman (Stellan Skarsgard). However, the relationship grows strained when Nyman breaks his neck in a horrific work accident on the rig and becomes paralyzed. Unable to perform sexually and suffering mentally from the accident as well, Jan convinces Bess to have sex with other men, which she comes to believe is God's work.

Curated by filmmaker Luna Carmoon, as part of BLEAK WEEK : CINEMA OF DESPAIR is co-presented by the American Cinematheque.

Sergeant Howie (Edward Woodward) arrives on the small Scottish island of Summerisle to investigate the report of a missing child. A conservative Christian, the policeman observes the residents' frivolous sexual displays and strange pagan rituals, particularly the temptations of Willow (Britt Ekland), daughter of the island magistrate, Lord Summerisle (Christopher Lee). The more Sergeant Howie learns about the islanders' strange practices, the closer he gets to tracking down the missing child.

Curated by filmmaker Luna Carmoon as part of Bleak Week 2026. We aim to have Luna introduce the film (subject to schedule permitting).

Directed by Dennis Hopper (Easy Rider) this story of a blue-collar family coming apart features an astonishing performance from Linda Manz (Days of Heaven).

Cebe (Linda Manz, Days of Heaven) is a teenage rebel obsessed with Elvis and the Sex Pistols. Her trucker father, Don (Dennis Hopper, Easy Rider) is in prison after drunkenly smashing his rig into a school bus, and her mother, Kathy (Sharon Farrell, It’s Alive) is a junkie waitress who takes refuge in the arms of other men, including Don’s best friend, Charlie (Don Gordon, Bullitt). With Don’s release, the family struggles to reconnect and the trauma of the past looms large as dark secrets slowly begin to emerge.

Despite only taking over directing duties eight days into the shoot Out of the Blue arguably represents Dennis Hopper’s strongest film as a director and features an astonishing performance by Manz.

Stanley Kubrick's daring last film is many things. It is a compelling psychosexual journey. A haunting dreamscape. A riveting tale of suspense. A major milestone in the careers of stars Tom Cruise and Nicole Kidman. And "a worthy final chapter to a great director's career" (Roger Ebert).

Cruise plays Dr William Hartford, who plunges into an erotic foray that threatens his marriage - and may even ensnare him in a lurid murder mystery - after his wife's (Kidman) admission of sexual longings. As the story sweeps from doubt and fear to self-discovery and reconciliation, Kubrick orchestrates it with masterful flourishes. Graceful tracking shots, controlled pacing, rich colours, startling images: bravura traits that make Kubrick a filmmaker for the ages are here to keep everyone's eyes wide shut.

This widely acclaimed film from Soviet director Elem Klimov is a stunning, senses-shattering plunge into the dehumanizing horrors of war. As Nazi forces encroach on his small village in present-day Belarus, teenage Flyora (Aleksei Kravchenko, in one of the screen’s most searing depictions of anguish since Renée Falconetti’s Joan of Arc) eagerly joins the Soviet resistance. Rather than the adventure and glory he envisioned, what he finds is a waking nightmare of unimaginable carnage and cruelty—rendered with a feverish, otherworldly intensity by Klimov’s subjective camerawork and expressionistic sound design. Nearly suppressed by Soviet censors who took eight years to approve its script, Come and See is perhaps the most visceral, impossible-to-forget antiwar film ever made.

He doesn't know it, but everything in Truman Burbank's (Jim Carrey) life is part of a massive TV set. Executive producer Christof (Ed Harris) orchestrates "The Truman Show," a live broadcast of Truman's every move captured by hidden cameras. As Truman gradually discovers the truth, he must decide whether to act on it.

Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a group of old men looking for their bombed-out village; he offers to guide them, and takes as his wife Halaleh, the clan's lone woman, a widow with a young son. Reeboir attaches himself to a dozen pre-teen boys weighed down by contraband they carry across the border; they're mules, always on the move. Said and Reeboir try to teach as their potential students keep walking. Danger is close; armed soldiers patrol the skies, the roads, and the border. Is there a role for a teacher? Is there hope?

This movie portrays the drug scene in Berlin in the 70s, following tape recordings of Christiane F. 14 years old Christiane lives with her mother and little sister in a typical multi-storey apartment building in Berlin. She's fascinated by the 'Sound', a new disco with most modern equipment. Although she's legally too young, she asks a friend to take her. There she meets Detlef, who's in a clique where everybody's on drugs. Step by step she gets drawn deeper into the scene.

In 1962 Hong Kong, neighbors Su Li-zhen (Mrs. Chan) and Chow Mo-wan (Mr. Chow) discover their spouses are having an affair. As they spend time together, they develop feelings for each other, but their relationship remains chaste and unspoken, reflecting societal constraints and their own moral compass.

A dark-haired woman (Laura Elena Harring) is left amnesiac after a car crash. She wanders the streets of Los Angeles in a daze before taking refuge in an apartment. There she is discovered by Betty (Naomi Watts), a wholesome Midwestern blonde who has come to the City of Angels seeking fame as an actress. Together, the two attempt to solve the mystery of Rita's true identity. The story is set in a dream-like Los Angeles, spoilt neither by traffic jams nor smog.

The tale of an eccentric band of culinary ronin who guide the widow of a noodle-shop owner on her quest for the perfect recipe, this rapturous “ramen western” by Japanese director Juzo Itami is an entertaining, genre-bending adventure underpinned by a deft satire of the way social conventions distort the most natural of human urges—our appetites. Interspersing the efforts of Tampopo (Nobuko Miyamoto) and friends to make her café a success with the erotic exploits of a gastronome gangster and glimpses of food culture both high and low, the sweet, sexy, and surreal Tampopo is a lavishly inclusive paean to the sensual joys of nourishment, and one of the most mouthwatering examples of food on film ever made.

While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

A disheveled man who wanders out of the desert, Travis Henderson (Harry Dean Stanton) seems to have no idea who he is. When a stranger manages to contact his brother, Walt (Dean Stockwell), Travis is awkwardly reunited with his sibling. Travis has been missing for years, and his presence unsettles Walt and his family, which also includes Travis's own son, Hunter (Hunter Carson). Soon Travis must confront his wife, Jane (Nastassja Kinski), and try to put his life back together.

For Pride Month, The Prince Charles Cinema and Funeral Parade are proud to present Paris is Burning, Jennie Livingston’s invaluable document of NYC’s drag scene during the 1980s.

This landmark documentary provides a vibrant snapshot of Black and Latine queer life in Reagan’s America. Made over seven years, the film follows rival fashion “houses” and examines the drag community’s rituals of balls and “voguing” – flamboyant acts of resistance in the face of the AIDS crisis and rampant homophobia. Featuring ballroom legends such as Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza, Paris is Burning remains a classic of both documentary and queer cinema.

With an introduction from film curator Sarah Cleary.
 

In 1977, college graduates Harry Burns (Billy Crystal) and Sally Albright (Meg Ryan) share a contentious car ride from Chicago to New York, during which they argue about whether men and women can ever truly be strictly platonic friends. Ten years later, Harry and Sally meet again at a bookstore, and in the company of their respective best friends, Jess (Bruno Kirby) and Marie (Carrie Fisher), attempt to stay friends without sex becoming an issue between them.

Hatred breeds hatred...

24 hours in the lives of three young men in the French suburbs the day after a violent riot.

In a distant galaxy, planet Spaceball has depleted its air supply, leaving its citizens reliant on a product called "Perri-Air." In desperation, Spaceball's leader President Skroob (Mel Brooks) orders the evil Dark Helmet (Rick Moranis) to kidnap Princess Vespa (Daphne Zuniga) of oxygen-rich Druidia and hold her hostage in exchange for air. But help arrives for the Princess in the form of renegade space pilot Lone Starr (Bill Pullman) and his half-man, half-dog partner, Barf (John Candy).

Adapted from Ken Kesey’s novel, the film centres on Randle McMurphy (Nicholson), a convict who simulates mental illness in the hope that a transfer to psychiatric hospital might ensure his early release. But he hasn’t bargained for the rigid regimen of Nurse Ratched (Louise Fletcher, also superb), who dislikes his disruptive — though he’d say liberating — effect on the ward.

Inspired casting (Danny DeVito, Brad Dourif and Christopher Lloyd are among the patients) and Forman’s naturalistic direction lend authenticity to the proceedings, so that the film succeeds both as anti-authoritarian parable and as an affecting reminder of the psychiatric practices of the past.

In order to ruin a western town, a corrupt politician appoints a black Sheriff, who promptly becomes his most formidable adversary.

Respected medical lecturer Dr. Frederick Frankenstein (Gene Wilder) learns that he has inherited his infamous grandfather's estate in Transylvania. Arriving at the castle, Dr. Frankenstein soon begins to recreate his grandfather's experiments with the help of servants Igor (Marty Feldman), Inga (Teri Garr) and the fearsome Frau Blücher (Cloris Leachman). After he creates his own monster (Peter Boyle), new complications ensue with the arrival of the doctor's fiancée, Elizabeth (Madeline Kahn).

Up-and-coming Houston oil executive Mac MacIntyre (Peter Riegert) gets more than he bargained for when a seemingly simple business trip to Scotland changes his outlook on life. Sent by his colorful boss (Burt Lancaster) to the small village of Ferness, Mac is looking to quickly buy out the townspeople so his company can build a new refinery. But after a taste of country life Mac begins to question whether he is on the right side of this transaction.

Ruthless silver miner, turned oil prospector, Daniel Plainview moves to oil-rich California. Using his adopted son HW to project a trustworthy, family-man image, Plainview cons local landowners into selling him their valuable properties for a pittance. However, local preacher Eli Sunday suspects Plainviews motives and intentions, starting a slow-burning feud that threatens both their lives.
 

On his way to Vienna, American Jesse (Ethan Hawke) meets Celine (Julie Delpy), a student returning to Paris. After long conversations forge a surprising connection between them, Jesse convinces Celine to get off the train with him in Vienna. Since his flight to the U.S. departs the next morning and he has no money for lodging, they wander the city together, taking in the experiences of Vienna and each other. As the night progresses, their bond makes separating in the morning a difficult choice.

A singular artist and activist, Godfrey Reggio is best known for the galvanizing films of The Qatsi Trilogy. Astonishingly photographed, and featuring unforgettable, cascading scores by Philip Glass, these are immersive sensory experiences that meditate on the havoc humankind’s obsession with technological advancement has wreaked on our world. From 1983’s Koyaanisqatsi to 1988’s Powaqqatsi to 2002’s Naqoyqatsi, Reggio takes us on a journey from the ancient to the contemporary, from nature to industry, exploring life out of balance, in transformation, and as war, all the while keeping our eyes wide with wonder.

KOYAANSQATSI (1982): Drawing its title from the Hopi word meaning "life out of balance," this renowned documentary reveals how humanity has grown apart from nature. Featuring extensive footage of natural landscapes and elemental forces, the film gives way to many scenes of modern civilization and technology. Given its lack of narration and dialogue, the production makes its points solely through imagery and music, with many scenes either slowed down or sped up for dramatic effect.

POWAQQATSI (1988): Five years after Godfrey Reggio stunned audiences with Koyaanisqatsi, he again joined forces with composer Philip Glass and other collaborators for a second chapter. Here, Reggio turns his sights on third-world nations in the Southern Hemisphere. Forgoing the sped-up aesthetic of the first film, Powaqqatsi employs a meditative slow motion in order to reveal the beauty of the traditional ways of life in those parts of the planet, and to show how cultures there are being eroded as their environments are taken over by industry. This is the most intensely spiritual segment of Reggio’s philosophical and visually remarkable Qatsi Trilogy.

NAQOYQATSI (2002): Godfrey Reggio takes on the digital revolution in the final chapter of his Qatsi Trilogy. Through a variety of cinematic techniques, including slow motion, time-lapse, computer- generated imagery, and found footage, the film tells of a world that has completed the transition from the natural to the artificial. Globalization has been accomplished, all of our interactions are technologically mediated, and all images are manipulated. From this (virtual) reality, Reggio sculpts a frenetic yet ruminative portrait of an era in which the cacophony of “communication” has rendered humankind effectively postlanguage.

An epic mosaic of many interrelated characters in search of happiness, forgiveness, and meaning in the San Fernando Valley.

When veteran anchorman Howard Beale is forced to retire his 25-year post because of his age, he announces to viewers that he will kill himself during his farewell broadcast. Network executives rethink their decision when his fanatical tirade results in a spike in ratings.

*ON SALE 16th JUNE*

Hard-drinking, ex-minor-league hopeful Morris Buttermaker (Walter Matthau) grumpily agrees to coach a Little League team at the behest of lawyer-councilman Bob Whitewood (Ben Piazza), who has a vendetta against the league for excluding his marginally talented son from play. After failing with his new team of misfits, Buttermaker enlists feisty and gifted pitcher Amanda Whurlitzer (Tatum O'Neal) to lead the charge -- but can he find the luck and patience to whip these outcasts into shape?

A psychologist is sent to a station orbiting a distant planet in order to discover what has caused the crew to go insane.

When inexperienced criminal Sonny Wortzik (Al Pacino) leads a bank robbery in Brooklyn, things quickly go wrong, and a hostage situation develops. As Sonny and his accomplice, Sal Naturile (John Cazale), try desperately to remain in control, a media circus develops and the FBI arrives, creating even more tension. Gradually, Sonny's surprising motivations behind the robbery are revealed, and his standoff with law enforcement moves toward its inevitable end.

A neon-drenched trip through nocturnal Taipei, Millennium Mambo stars Shu Qi as Vicky, a bar hostess losing interest in her dull, garrulous boyfriend, and attracted to the mysterious, sensual gangster Jack. Built as a flashback from the future, she finds herself afloat amidst a world of ecstatic nights out and an undertow of nagging emptiness, torn between the two men.

Like Edward Yang (A Brighter Summer Day, Yi Yi), director Hou Hsiao-Hsien emerged as one the major figures of the Taiwanese New Wave, and even collaborated with Yang as a screenwriter on Taipei Story (1985).

Misunderstood at the time by critics and audiences as a misstep in Hou’s otherwise excellent track record, it’s now reclaimed as a vital cog in his filmography. Hou’s meditative style is front-and-centre in Millennium Mambo, aided by the presence of the sublime cinematographer Mark Lee Ping-bin, who at the time had just finished work on In the Mood for Love (2001).

Sergei Parajanov's celebrated masterpiece paints an astonishing portrait of the 18th century Armenian poet Sayat Nova, the 'King of Song'. Parajanov's aim was not a conventional biography but a cinematic expression of his work, resulting in an extraordinary visual poem. Key moments in his subject's life are illustrated through a series of exquisitely orchestrated tableaux filled with rich colour and stunning iconography, each scene a celluloid painting alive with stylised movement.

An angelically beautiful Catherine Deneuve was launched to stardom by this dazzling musical heart-tugger from Jacques Demy. She plays an umbrella-shop owner’s delicate daughter, glowing with first love for a handsome garage mechanic, played by Nino Castelnuovo. When the boy is shipped off to fight in Algeria, the two lovers must grow up quickly. Exquisitely designed in a kaleidoscope of colors, and told entirely through the lilting songs of the great composer Michel Legrand, The Umbrellas of Cherbourg is one of the most revered and unorthodox movie musicals of all time.

Godzilla is the roaring granddaddy of all monster movies. It’s also a remarkably humane and melancholy drama, made in Japan at a time when the country was reeling from nuclear attack and H-bomb testing in the Pacific. Its rampaging radioactive beast, the poignant embodiment of an entire population’s fears, became a beloved international icon of destruction, spawning almost thirty sequels.

In a small Castilian village in 1940, in the wake of Spain's devastating civil war, six-year-old Ana attends a traveling movie show of Frankenstein and becomes possessed by the memory of it. Produced as Franco's long regime was nearing its end and widely regarded as the greatest Spanish film of the 1970s, The Spirit of the Beehive is a bewitching portrait of a child's haunted inner life and one of the most visually arresting movies ever made.

23-year-old Amélie is lonely. After an isolating childhood, she moves to Paris and becomes a waitress at the Café des Deux Moulins, a bar restaurant filled with a colourful cast of diners and employees. One night, Amélie happens across a box of treasures hidden in her apartment, left by a little boy in the Fifties, that changes the course of her life. Henceforth, she dedicates herself to giving back to her community, tracking down the owner of these keepsakes, consoling a widowed neighbour and befriending a reclusive artist. When completing these good deeds, she crosses paths with Nino, a photobooth collagist who shares her oddball sensibilities. She quickly falls in love with him.  

On the planet Ygam, the Draags, extremely technologically and spiritually advanced blue humanoids, consider the tiny Oms, human beings descendants of Terra's inhabitants, as ignorant animals. Those who live in slavery are treated as simple pets and used to entertain Draag children; those who live hidden in the hostile wilderness of the planet are periodically hunted and ruthlessly slaughtered as if they were vermin.

Ridley Scott's extended cut of an epic adventure about a common man who finds himself thrust into a decades-long war. Orlando Bloom plays a humble blacksmith who discovers that he is the son of a knght, and travels to the Holy Land to fight in the crusades. A stranger in a strange land, he serves a doomed King, falls in love with an exotic and forbidden Queen, and rises to knighthood. Ultimately, he must protect the people of Jerusalem from overwhelming forces, while striving to keep a fragile peace.

Austin, Texas, is an Eden for the young and unambitious, from the enthusiastically eccentric to the dangerously apathetic. Here, the nobly lazy can eschew responsibility in favor of nursing their esoteric obsessions. The locals include a backseat philosopher who passionately expounds on his dream theories to a seemingly comatose cabbie, a young woman who tries to hawk Madonna's Pap test to anyone who will listen and a kindly old anarchist looking for recruits.

Warner Bros. Pictures present an ‘unrestored’ 70mm print of the director’s groundbreaking science fiction epic!

"For the first time since the original release, this 70mm print was struck from new printing elements made from the original camera negative. This is a true photochemical film recreation. There are no digital tricks, remastered effects, or revisionist edits. This is the unrestored film - that recreates the cinematic event that audiences experienced fifty years ago." - Christopher Nolan

Stanley Kubrick’s dazzling, Academy Award®-winning* achievement is a compelling drama of man vs. machine, a stunning meld of music and motion. Kubrick (who co-wrote the screenplay with Arthur C. Clarke) first visits our prehistoric ape-ancestry past, then leaps millennia (via one of the most mind-blowing jump cuts ever) into colonized space, and ultimately whisks astronaut Bowman (Keir Dullea) into uncharted space, perhaps even into immortality. “Open the pod bay doors, HAL.” Let an awesome journey unlike any other begin.

Please Note: Our 70mm screenings of '2001: A Space Odyssey' follow a partictular presentation procedure;

- Overture (3mins / Music)

- 1st half of feature (86mins)

- * Intermission* (usually 10 for quieter shows, can be 20mins for busier ones)

- Entracte (2mins / Music)

- 2nd half of feature (54mins)

- Exit (5mins / Music)

- Total time; approx 170mins (though this is dependent on Intermission length)

A winner of awards across the world including Best Foreign Language Film Oscar, 5 BAFTA Awards including Best Actor, Original Screenplay and Score, the Grand Prize of the Jury at the Cannes Film Festival and many more.

Giuseppe Tornatore's loving homage to the cinema tells the story of Salvatore, a successful film director, returning home for the funeral of Alfredo, his old friend who was the projectionist at the local cinema throughout his childhood. Soon memories of his first love affair with the beautiful Elena and all the highs and lows that shaped his life come flooding back, as Salvatore reconnects with the community he left 30 years earlier.

John (David Bowie) is the lover of the gorgeous immortal vampire Miriam (Catherine Deneuve), and he's been led to believe that he'll live forever, too. Unfortunately, he quickly deteriorates into a horrible living death, and Miriam seeks a new companion. She soon sets her sights on Sarah (Susan Sarandon), a lovely young scientist, who quickly falls under Miriam's spell. However, Sarah doesn't warm up to the concept of vampirism easily, leading to conflict with Miriam.

Based on the books by Louise Rennison, this tale follows 14-year-old Georgia Nicholson as she attempts to woo Robbie, one half of a pair of fraternal twins. Prone to getting herself into embarrassing situations and worried about her parent's marriage, Georgia discovers that being a teen can be a pain in the neck.

Set in feudal Japan, this film presents an intriguing tale of violent crime in the woods, told from the perspective of four different characters -- a bandit, a woman, her husband and a woodcutter. Only two things about the incident seem to be clear -- the woman was raped and her husband is now dead. However, the other elements radically differ as the four participants and/or witnesses relate their own stories (with the dead man, eerily enough, speaking through a medium). As each account is revealed, what seemed black-and-white turns to various hues of gray, leading to surprising -- and confounding -- revelations.

In 1986, Park (Song Kang-ho) and Cho (Kim Roi-ha) are two simple-minded detectives assigned to a double murder investigation in a South Korean province. But when the murderer strikes several more times with the same pattern, the detectives realize that they are chasing the country's first documented serial killer. Relying on only their basic skills and tools, Park and Jo attempt to piece together the clues and solve the case in this thriller based on true events.

During the Napoleonic Wars, a brash British captain pushes his ship and crew to their limits in pursuit of a formidable French war vessel around South America.

Stanley Kubrick bent the conventions of the historical drama to his own will in this dazzling vision of a pitiless aristocracy, adapted from a novel by William Makepeace Thackeray. In picaresque detail, Barry Lyndon chronicles the adventures of an incorrigible trickster (Ryan O’Neal) whose opportunism takes him from an Irish farm to the battlefields of the Seven Years’ War and the parlours of high society. For the most sumptuously crafted film of his career, Kubrick recreated the decadent surfaces and intricate social codes of the period, evoking the light and texture of eighteenth-century painting with the help of pioneering cinematographic techniques and lavish costume and production design, all of which earned Academy Awards. The result is a masterpiece—a sardonic, devastating portrait of a vanishing world whose opulence conceals the moral vacancy at its heart.

Please Note: The film will be presented with a brief 5-10min intermission. 

While racing toward the town of Red Rock in post-Civil War Wyoming, bounty hunter John "The Hangman" Ruth (Kurt Russell) and his fugitive prisoner (Jennifer Jason Leigh) encounter another bounty hunter (Samuel L. Jackson) and a man who claims to be a sheriff. Hoping to find shelter from a blizzard, the group travels to a stagecoach stopover located on a mountain pass. Greeted there by four strangers, the eight travelers soon learn that they may not make it to their destination after all.

Iconic and game-changing, AKIRA is the definitive anime masterpiece! Katsuhiro Otomo's landmark cyberpunk classic obliterated the boundaries of Japanese animation and forced the world to look into the future. AKIRA's arrival shattered traditional thinking, creating space for future generations of ground-breaking movies.

July, 1988 - World War III breaks loose. Then, in 2019, in megalopolis Tokyo...As the leader of a group of young robust delinquents, Kaneda spent his nights tearing through the urban wastes, racing his motorbike against rival groups. One night while riding with his gang, his friend Tetsuo suddenly encounters a strange boy - the product of human experimentation and is injured in the ensuing crash. Shortly thereafter, a military squadron appears on the scene to take the boy and Tetsuo away to an army research facility. Determined to free Tetsuo from capture, Kaneda sneaks into the army research lab. However, a regimen of extreme experimental procedures has awakened a new power in his friend, and now he is consumed by madness..

In this chilling adaptation of Stephen King's horror novel, withdrawn and sensitive teen Carrie White (Sissy Spacek) faces taunting from classmates at school and abuse from her fanatically pious mother (Piper Laurie) at home. When strange occurrences start happening around Carrie, she begins to suspect that she has supernatural powers. Invited to the prom by the empathetic Tommy Ross (William Katt), Carrie tries to let her guard down, but things eventually take a dark and violent turn.

A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider, whom takes the youth under his wing.

A lighthearted take on director Yasujiro Ozu's perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors' new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu's own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Widely regarded as one of the greatest films of all time, this mob drama, based on Mario Puzo's novel of the same name, focuses on the powerful Italian-American crime family of Don Vito Corleone (Marlon Brando). When the don's youngest son, Michael (Al Pacino), reluctantly joins the Mafia, he becomes involved in the inevitable cycle of violence and betrayal. Although Michael tries to maintain a normal relationship with his wife, Kay (Diane Keaton), he is drawn deeper into the family business.

Every day, Cop 223 (Takeshi Kaneshiro) buys a can of pineapple with an expiration date of May 1, symbolizing the day he'll get over his lost love. He's also got his eye on a mysterious woman in a blond wig (Brigitte Lin), oblivious of the fact she's a drug dealer. Cop 663 (Tony Leung Chiu Wai) is distraught with heartbreak over a breakup. But when his ex drops a spare set of his keys at a local cafe, a waitress (Faye Wong) lets herself into his apartment and spruces up his life.

Funeral Parade is proud to present Beyond the Valley of the Dolls, Russ Meyer’s camp classic about a groovy all-girl rock band trying to make it in sleazy Hollywood.

Rock ‘n’ roll upstarts Kelly, Casey, and Pet are The Kelly Affair, a small-town psychedelic band with big ambitions. Tired of playing high school proms, the girls set out for Los Angeles, where they catch the eye of the “teen tycoon of rock”, Ronnie "Z-Man" Barzell, who rebrands them as The Carrie Nations. Under Z-Man’s control, the group rockets to superstardom, but what price will they pay for their success? Hailed by John Waters as “a classic” and “ahead of its time”, Beyond the Valley of the Dolls is an outrageous send-up of showbiz melodramas, as well as a barbed satire of the “Swinging Sixties”.

With Introduction from artist, filmmaker and author Maz Murray.

Harry Caul (Gene Hackman), a detached and paranoid surveillance expert who finds himself becoming a victim of the same modern technology he uses to destroy others. It begins with a seemingly routine job trailing an unfaithful wife and her lover. But when Harry visits the husband’s office to deliver the incriminating tapes he’s made of the couple, his client’s assistant tries to intercept him. Harry refuses to hand over the recordings and suddenly discovers that he may have captured a conversation about something that’s a lot more important than adulterous goings on.

In this classic drama, Vicky Page (Moira Shearer) is an aspiring ballerina torn between her dedication to dance and her desire to love. While her imperious instructor, Boris Lermontov (Anton Walbrook), urges to her to forget anything but ballet, Vicky begins to fall for the charming young composer Julian Craster (Marius Goring). Eventually Vicky, under great emotional stress, must choose to pursue either her art or her romance, a decision that carries serious consequences.

After a painful breakup, Clementine (Kate Winslet) undergoes a procedure to erase memories of her former boyfriend Joel (Jim Carrey) from her mind. When Joel discovers that Clementine is going to extremes to forget their relationship, he undergoes the same procedure and slowly begins to forget the woman that he loved. Directed by former music video director Michel Gondry, the visually arresting film explores the intricacy of relationships and the pain of loss.

In an England of the future, Alex (Malcolm McDowell) and his "Droogs" spend their nights getting high at the Korova Milkbar before embarking on "a little of the old ultraviolence," while jauntily warbling "Singin' in the Rain." After he's jailed for bludgeoning the Cat Lady to death, Alex submits to behavior modification technique to earn his freedom; he's conditioned to abhor violence. Returned to the world defenseless, Alex becomes the victim of his prior victims.

When a beautiful stranger leads computer hacker Neo to a forbidding underworld, he discovers the shocking truth--the life he knows is the elaborate deception of an evil cyber-intelligence.

Young Henry Hill (Ray Liotta), with his friends Jimmy (Robert De Niro) and Tommy (Joe Pesci), grows up in the mob and works very hard to advance himself through the ranks. He enjoys his life of money and luxury, but is oblivious to the horror that he causes. A drug addiction and a few mistakes ultimately unravel his climb to the top. Based on the book "Wiseguy" by Nicholas Pileggi.

A S.W.A.T. team becomes trapped in a tenement run by a ruthless mobster and his army of killers and thugs.

The last members of a dying Native American tribe, the Mohicans -- Uncas (Eric Schweig), his father Chingachgook (Russell Means), and his adopted half-white brother Hawkeye (Daniel Day-Lewis) -- live in peace alongside British colonists. But when the daughters (Madeleine Stowe, Jodhi May) of a British colonel are kidnapped by a traitorous scout, Hawkeye and Uncas must rescue them in the crossfire of a gruesome military conflict of which they wanted no part: the French and Indian War.

BLADE RUNNER : THE FINAL CUT : Deckard (Harrison Ford) is forced by the police Boss (M. Emmet Walsh) to continue his old job as Replicant Hunter. His assignment: eliminate four escaped Replicants from the colonies who have returned to Earth. Before starting the job, Deckard goes to the Tyrell Corporation and he meets Rachel (Sean Young), a Replicant girl he falls in love with.

BLADE RUNNER 2049 : Officer K (Ryan Gosling), a new blade runner for the Los Angeles Police Department, unearths a long-buried secret that has the potential to plunge what's left of society into chaos. His discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former blade runner who's been missing for 30 years.

Please Note: We will be running the films with a short 10min break between. We would ask that you remain in your seat for the duration of this break.

When his longtime partner on the force is killed, reckless U.S. Secret Service agent Richard Chance (William L. Petersen) vows revenge, setting out to nab dangerous counterfeit artist Eric Masters (Willem Dafoe). Along with his new, straitlaced partner, John Vukovich (John Pankow), Chance sets up a scheme to entrap Masters, resulting in the accidental death of an undercover officer. As Chance's desire for justice becomes an obsession, Vukovich questions the lawless methods he employs.

Toshiro Mifune is unforgettable as Kingo Gondo, a wealthy industrialist whose family becomes the target of a cold-blooded kidnapper in High and Low (Tengoku to jigoku), the highly influential domestic drama and police procedural from director Akira Kurosawa. Adapting Ed McBain's detective novel King's Ransom, Kurosawa moves effortlessly from compelling race-against-time thriller to exacting social commentary, creating a diabolical treatise on contemporary Japanese society.

Newly restored in 4K to coincide with its 40th anniversary, the 1984 film was directed by renowned filmmaker Jonathan Demme and is considered by critics as the greatest concert film of all time. Stop Making Sense stars core band members David Byrne, Tina Weymouth, Chris Frantz, and Jerry Harrison along with Bernie Worrell, Alex Weir, Steve Scales, Lynn Mabry and Edna Holt. The live performance was shot over the course of three nights at Hollywood's Pantages Theater in December of 1983 and features Talking Heads' most memorable songs.

Please Note : It is only the SATURDAY EVENING RESIDENCY (tagged 'A24 Merch' on the website) shows which will feature the pop-up merch stand, all other performances are simply regular screenings of the film. 

In Earth's future, a global crop blight and second Dust Bowl are slowly rendering the planet uninhabitable. Professor Brand (Michael Caine), a brilliant NASA physicist, is working on plans to save mankind by transporting Earth's population to a new home via a wormhole. But first, Brand must send former NASA pilot Cooper (Matthew McConaughey) and a team of researchers through the wormhole and across the galaxy to find out which of three planets could be mankind's new home.

Returning home from a shopping trip to a nearby town, bored suburban housewife Laura Jesson (Celia Johnson) is thrown by happenstance into an acquaintance with virtuous doctor Alec Harvey (Trevor Howard). Their casual friendship soon develops during their weekly visits into something more emotionally fulfilling than either expected, and they must wrestle with the potential havoc their deepening relationship would have on their lives and the lives of those they love.

After her adoptive mother dies, Hortense (Marianne Jean-Baptiste), a successful black eye doctor, seeks out her birth mother. She's shocked when her research leads her to a lower-class white woman, Cynthia (Brenda Blethyn). At first Cynthia denies the claim, but she eventually admits to birthing Hortense as a teenager, and the two begin to bond. However, when Cynthia invites Hortense to a family barbecue, Cynthia's already tense relationship with her family becomes even more complicated.

Annie (Lynda Steadman) is meeting up with her old college pal Hannah (Katrin Cartlidge) for the first time since they graduated six years ago. They bonded in school, despite their differences; now they've become more mature and put their old problems behind them -- or so they think. Once they reunite, Annie realises that she hasn't fully overcome her past anxieties, while Hannah learns that she is still too insensitive to the feelings of others. Both women hope to make some changes.

Mike Leigh cleverly weaves together past and present as we share their memories; the touching, the funny and the sometimes tragic.

Johnny (David Thewlis) is a frenetic and destructive outsider who tears through the lives of others like an emotional tornado. On the run from Manchester, he seeks sanctuary with his ex-girlfriend Louise (Lesley Sharp) in London, where he immediately targets her vulnerable housemate Sophie (Katrin Cartlidge) with his unique blend of predatory charm. From there he embarks on a nocturnal odyssey across the city, dragging other disaffected souls into his orbit as he spirals towards his own personal apocalypse.

Mike Leigh’s Cannes-winning film is a masterful, controversial, and totally unforgettable exploration of society in free-fall at the tail end of Thatcher’s Britain.

The world of Gilbert and Sullivan comes to vivid life in director Mike Leigh's extraordinary dramatisation of the staging of the duo's legendary 1885 comic opera The Mikado. Jim Broadbent and Allan Corduner brilliantly inhabit the roles of the world-famous Victorian librettist and composer, who, along with their troupe of temperamental actors, must battle personal and professional demons while mounting this major production. A lushly produced epic about the harsh realities of creative expression, featuring bravura performances and Oscar-winning costume design and makeup, Topsy-Turvy is an unexpected period delight from one of contemporary cinema's great artists.

From this inventory of imagery, Lynch fashions two separate but intersecting stories, one about a jazz musician (Bill Pullman), tortured by the notion that his wife is having an affair, who suddenly finds himself accused of her murder. The other is a young mechanic (Balthazar Getty) drawn into a web of deceit by a temptress who is cheating on her gangster boyfriend. These two tales are linked by the fact that the women in both are played by the same actress (Patricia Arquette).

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin's resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

A bedridden patient in a hospital on the outskirts of 1920s Los Angeles befriends a fellow patient, and shares a fantastic tale of heroes, myths, and villains on a desert island with the little girl.

* ON SALE 29th JUNE *

An authoritarian rancher rules an Arizona county with her private posse of hired guns. When a new Marshall arrives to set things straight, the cattle queen finds herself falling for the avowedly non-violent lawman. Both have itchy-fingered brothers, a female gunman enters the picture, and things go desperately wrong.

First of a trilogy of films. During the Second World War, a Japanese conscientious objector named Kaji works as a supervisor in a Manchurian prison camp. He hopes to avoid duty as a soldier, but he also hopes to be helpful to the welfare of his prisoners. An escape attempt by Chinese prisoners results in Kaji's arrest for collusion. He faces the possibility of transferral to combat--or worse.

The extraordinary, internationally embraced Yi Yi (A One and a Two . . .), directed by the late Taiwanese master Edward Yang, follows a middle-class family in Taipei over the course of one year, beginning with a wedding and ending with a funeral. Whether chronicling middle-age father NJ’s tentative flirtations with an old flame or precocious young son Yang-Yang’s attempts at capturing reality with his beloved camera, the filmmaker deftly imbues every gorgeous frame with a compassionate clarity. Warm, sprawling, and dazzling, this intimate epic is one of the undisputed masterworks of the new century.

4K digital restoration carried out by Pony Canyon Inc., with analog and digital processes provided by Imagica Entertainment Media Services, Inc.

Since the 1970s, the name James L. Brooks has been synonymous with intelligent television comedy—his shows are insightful about work and love and always plugged in to the zeitgeist. He is also a master storyteller of the big screen, and none of his films was more quintessentially Brooks than Broadcast News. This caustic look inside the Washington news media stars Holly Hunter, in her breakout role, as a feisty television producer torn between an ambitious yet dim anchorman (William Hurt) and her closest confidant, a cynical veteran reporter (Albert Brooks). Brooks's witty, gently prophetic film is a captivating transmission from an era in which ideas on relationships and the media were rapidly changing.

The crowning triumph of a career cut tragically short, the final film from Larisa Shepitko won the Golden Bear at the 1977 Berlin Film Festival and went on to be hailed as one of the finest works of late Soviet cinema. In the darkest days of World War II, two partisans set out for supplies to sustain their beleaguered outfit, braving the blizzard-swept landscape of Nazi-occupied Belorussia. When they fall into the hands of German forces and come face-to-face with death, each must choose between martyrdom and betrayal, in a spiritual ordeal that lifts the film's earthy drama to the plane of religious allegory. With stark, visceral cinematography that pits blinding white snow against pitch-black despair, THE ASCENT finds poetry and transcendence in the harrowing trials of war.

In 1930s Korea, a swindler and a young woman pose as a Japanese count and a handmaiden to seduce a Japanese heiress and steal her fortune.

Teen friends Tummler (Nick Sutton) and Solomon (Jacob Reynolds) navigate the ruins of a tiny, tornado-ravaged town in Ohio that is populated by the deformed, disturbed and perverted. When not gunning down stray cats for a few bucks, the boys pass their time getting stoned on household inhalants. Elsewhere, the mute Bunny Boy (Jacob Sewell) dons rabbit ears and is bullied by kids half his age, and sisters Dot (Chloe Sevigny) and Helen (Carisa Glucksman) dodge a pedophile.

Simple-minded Chance (Peter Sellers), a gardener who has resided in the Washington, D.C., townhouse of his wealthy employer for his entire life and been educated only by television, is forced to vacate his home when his boss dies. While wandering the streets, he encounters business mogul Ben Rand (Melvyn Douglas), who assumes Chance to be a fellow upper-class gentleman. Soon Chance is ushered into high society, and his unaffected gardening wisdom makes him the talk of the town.

In an unnamed country at an unspecified time, there is a fiercely protected post-apocalyptic wasteland known as The Zone. An illegal guide (Aleksandr Kajdanovsky), whose mutant child suggests unspeakable horrors within The Zone, leads a writer (Anatoliy Solonitsyn) and a scientist (Nikolay Grinko) into the heart of the devastation in search of a mythical place known only as The Room. Anyone who enters The Room will supposedly have any of his earthly desires immediately fulfilled.

An entomologist misses the last bus home and spends the night sharing a young widow’s desert shack, only to find the next morning that he’s unable to leave. He soon becomes psychologically and erotically entangled in her strange existence, which includes a daily ritual of shovelling away endlessly drifting sand. 

Winner of a Special Jury Prize at Cannes in 1964 and nominated for two Academy Awards for Best Foreign Film and Best Director, the film combines an extremely erotic drama with a terrifically gripping thriller. Adapted from Kobe Abe’s novel by acclaimed director Hiroshi Teshigahara, the film also features startling high-contrast black and white photography from Hiroshi Segawa and a superb minimalist score by Toru Takemitsu.

Jane Hudson (Bette Davis) is an aging child star left to care for her wheelchair-bound sister Blanche (Joan Crawford), also a former child actress. Stuck living together in a mansion in old Hollywood, Blanche plots to get even with Jane for the car crash that left her crippled years earlier. But Jane is desperate to keep Blanche imprisoned as she plans a new rise to fame, and tries to hide Blanche's existence from doctors, visitors and neighbors while she devises a way to get rid of her sister.

A couple take a trip to Argentina but both men find their lives drifting apart in opposite directions.

Four teenage friends from Hell's Kitchen end up being sent to reform school after almost killing a man. There they are brutalized by the guards. John (Ron Eldard) and Tommy (Billy Crudup) grow up to be hit men who recognize their abuser years later and kill him. Their trial is prosecuted by another member of their gang, who is now the assistant DA.

A hot-tempered farm laborer convinces the woman he loves to marry their rich but dying boss so that they can have a claim to his fortune.

John Ford takes on the legend of the O.K. Corral shoot-out in this multilayered, exceptionally well-constructed western, one of the director's very best films. Henry Fonda cuts an iconic figure as Wyatt Earp, the sturdy lawman who sets about the task of shaping up the disorderly Arizona town of Tombstone, and Victor Mature gives the performance of his career as the boozy, tubercular gambler and gunman Doc Holliday. Though initially at cross-purposes, the pair ultimately team up to confront the violent Clanton gang. Affecting and stunningly photographed, My Darling Clementine is a story of the triumph of civilization over the Wild West from American cinema's consummate mythmaker.

In year 1250 B.C. during the late Bronze age, two emerging nations begin to clash. Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband Menelaus, and sail with him back to Troy. After Menelaus finds out that his wife was taken by the Trojans, he asks his brother Agamemnon to help him get her back. Agamemnon sees this as an opportunity for power. They set off with 1,000 ships holding 50,000 Greeks to Troy.

Presented with a Live Score by Flautist + Modular artist Miya and percussionist Terry Day

Voted one of the ten best films ever made in the Sight & Sound 2012 poll, and the best documentary ever in a subsequent poll in 2014, Man With A Movie Camera (Chelovek s kinoapparatom) stands as one of cinema’s most essential documents – a dazzling exploration of the possibilities of image-making as related to the everyday world around us.

The culmination of a decade of experiments to render “the chaos of visual phenomena filling the universe”, Dziga Vertov’s masterwork uses a staggering array of cinematic devices to capture the city at work and at play, as well as the machines that power it.
 

ABOUT MIYA:
Miya is an augmented flute player who fuses acoustic instruments (flute, nōkan, ryūteki) with electronic music, creating an innovative musical world that bridges classical and contemporary traditions. With her  “modular flute”, she controls modular synthesisers through her breath, using the unique qualities of both Eastern and Western flutes to produce sacred sonic spaces where audience and environment interact.

Her work has been highly acclaimed on stages both in Japan and abroad, with performances in live houses and art venues in London, Berlin, India, and Malaysia. In Japan, she has performed not only in live houses but also at major art events, including the Setouchi Triennale, BankART, and DOMMUNE. She has also contributed to commercial music and public events, emphasising interaction with space and audience in her multifaceted performances.

She is also an active recording artist, with releases including the jazz album Miya’s Book (2007), produced by Yosuke Yamashita, the live improvised conduction album Benedict/Miya＋7 Maestros (2018), and the modular flute–focused album Namkang (2025).

Since 2019, Miya has fully integrated electronic approaches into her practice, establishing a performance style in which her breath controls modular synthesisers. In 2024, inspired by her collaboration with the Switzerland-based extended flute performer MELO, she co-founded the Improvisers Machine Orchestra with Kōta Arai, incorporating interactive electronic elements into orchestral improvisation with conduction, and exploring sustainable methods of musical and artistic expression.

Going forward, Miya continues to explore the liminal spaces at the boundaries of things and worlds, creating sacred sonic environments through the breath of life and the augmentation of informational embodiment. Utilising both Eastern and Western flutes and electronic augmentation, she aims to keep transcending the boundaries of classical and contemporary, East and West, and to craft new musical realms.

ABOUT TERRY DAY:
Terry Day is a first-generation pioneer improviser from the 1960s: an improviser, multi-instrumentalist, lyricist, songwriter, visual artist and poet.

A self-taught musician in a family of musicians, he began improvising on the drums with his brother in 1955. In the early ‘60s, he formed the Hardy Holman Day trio, focusing on free improvisation. Later, he became part of the band Kilburn & the Highroads with Ian Dury. Sharing their interest in visual art and painting, they both studied at Walthamstow School of Art and later at the Royal College of Art, London. As an art student in the ‘60s, he was also a pioneer of free improvisation, free jazz & experimental music.

He formed a duo with guitarist Derek Bailey in the late ´60s and was a regular member of The Continuous Music Ensemble, The People Band and, later on, Alterations with David Toop, Steve Beresford & Peter Cusack.

Terry has collaborated with many musical luminaries, groups, dancers, painters, poets and performed in theatre. He now plays bamboo reed flutes, drums, recorders, balloons & improvises with his lyrics, prose and verse. Since 2000, he has been part of London Improvisers Orchestra. In recent years, he has toured twice in both Japan and Brazil, and has performed with improvising orchestras in Malaga, Tokyo and Madrid.

The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, a doctor, and their daughter, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko the widow of their younger son who was killed in the war, to keep her in-laws company.

An assassin goes through obstacles as he attempts to escape his violent lifestyle despite the opposition of his partner, who is secretly attracted to him.

Born into a family business of race cars, Speed Racer (Emile Hirsch) is one of the track's hot stars. Sitting at the wheel of his Mach 5, he consistently deflates the competition. When Speed turns down an offer from the head of Royalton Industries, he uncovers a secret. Powerful moguls fix the races to boost profits. Hoping to beat the executive, Speed enters the same arduous cross-country race that killed his brother.

Yuddy, a Hong Kong playboy known for breaking girls' hearts, tries to find solace and the truth after discovering the woman who raised him isn't his mother.

Private detective Philip Marlowe (Elliott Gould) is asked by his old buddy Terry Lennox (Jim Bouton) for a ride to Mexico. He obliges, and when he gets back to Los Angeles is questioned by police about the death of Terry's wife. Marlowe remains a suspect until it's reported that Terry has committed suicide in Mexico. Marlowe doesn't buy it but takes a new case from a beautiful blond, Eileen Wade (Nina van Pallandt), who coincidentally has a past with Terry.

Ken Loach's acclaimed British drama focuses on Billy Casper (David Bradley), a tormented working-class boy who is subjected to abuse both at school and at home. The son of a single mother (Lynne Perrie), Billy's existence is mostly bleak until he takes up an interest in falconry and begins training a kestrel that he finds on a nearby farm. While Billy forms a close bond with the falcon, his hardscrabble life and harsh environment prove to be a challenge to the boy and his bird.

After an encounter with UFOs, an electricity linesman feels undeniably drawn to an isolated area in the wilderness where something spectacular is about to happen.

"THE COLOUR OF ILLUSION IS PERFECT BLUE"

A young Japanese singer is encouraged by her agent to quit singing and pursue an acting career, beginning with a role in a murder mystery TV show.

At the age of seventy, after years of consolidating his empire, the Great Lord Hidetora Ichimonji (Tatsuya Nakadai) decides to abdicate and divide his domain amongst his three sons. Taro (Akira Terao), the eldest, will rule. Jiro (Jinpachi Nezu), his second son, and Saburo (Daisuke Ryu) will take command of the Second and Third Castles but are expected to obey and support their elder brother. Saburo defies the pledge of obedience and is banished.

In the folksy town of Deerfield, Wash., FBI Agent Desmond (Chris Isaak) inexplicably disappears while hunting for the man who murdered a teen girl. The killer is never apprehended, and, after experiencing dark visions and supernatural encounters, Agent Dale Cooper (Kyle MacLachlan) chillingly predicts that the culprit will claim another life. Meanwhile, in the similarly cozy town of Twin Peaks, hedonistic beauty Lara Palmer (Sheryl Lee) hangs with lowlifes and seems destined for a grisly fate.

Juraj Herz's film The Cremator has been described in many ways - as surrealist-inspired horror, as expressionist fantasy, as a dark and disturbing tale of terror.

This brilliantly chilling film, a mix of Dr Strangelove and Repulsion, is set in Prague during the Nazi occupation. It tells the story of Karl Kopfrkingl (Rudolf Hrušínský), a professional cremator, for whom the political climate allows free rein to his increasingly deranged impulses for the 'salvation of the world'.

Winner of the Palme d’Or at the 1997 Cannes Film Festival, Iranian auteur Abbas Kiarostami’s _Taste of Cherry_ is an emotionally complex meditation on life and death. Middle-aged Mr. Badii (Homayoun Ershadi) drives through the hilly outskirts of Tehran—searching for someone to rescue or bury him.

By the time he made Ugetsu, Kenji Mizoguchi was already an elder statesman of Japanese cinema, fiercely revered by Akira Kurosawa and other directors of a younger generation. And with this exquisite ghost story, a fatalistic wartime tragedy derived from stories by Akinari Ueda and Guy de Maupassant, he created a touchstone of his art, his long takes and sweeping camera guiding the viewer through a delirious narrative about two villagers whose pursuit of fame and fortune leads them far astray from their loyal wives. Moving between the terrestrial and the otherworldly, Ugetsu reveals essential truths about the ravages of war, the plight of women, and the pride of men.

Writer/director Robert Altman claimed this impressionistic film came to him in a dream. Millie Lammoreaux (Shelley Duvall) considers herself irresistible to men, though in fact men have little trouble resisting her. Mysterious teenager Pinky Rose (Sissy Spacek), Millie's fellow physical therapist at a desert spa who becomes her roommate at a singles-only apartment building, at first appears worshipful of Millie's self-confidence but soon seems to be taking over aspects of her personality.

Famed stage actress Elisabeth Vogler (Liv Ullmann) suffers a moment of blankness during a performance and the next day lapses into total silence. Advised by her doctor to take time off to recover from what appears to be an emotional breakdown, Elisabeth goes to a beach house on the Baltic Sea with only Anna (Bibi Andersson), a nurse, as company. Over the next several weeks, as Anna struggles to reach her mute patient, the two women find themselves experiencing a strange emotional convergence.

Academy Award winner Paul Newman stars with George Kennedy in this story of a man who will not surrender to authority--even at the cost of his life. When Luke Jackson (Newman) is sentenced to a Southern prison for a minor infraction, his intelligence, calm under pressure and inability to accept defeat soon gain him the respect of his fellow inmates on the chain gang--and the nickname Cool Hand Luke. But they also earn Luke the enmity of the warden, who cannot allow any inmate to challenge his authority. When Luke's mother dies, he decides to escape ... and he will not allow anyone to stop him.

Oliver (Craig Roberts) is a Welsh teen who has some things on his mind. First is losing his virginity before his 16th birthday. He sets out to woo his feisty classmate Jordana (Yasmin Paige). Then Oliver focuses on holding his family together. His father (Noah Taylor), a depressed marine biologist, seems unequal to the task of preventing Oliver's mother (Sally Hawkins) from succumbing to the dubious charms of a spiritual guru (Paddy Considine) from down the road.

College student Jeffrey Beaumont (Kyle MacLachlan) returns home after his father has a stroke. When he discovers a severed ear in an abandoned field, Beaumont teams up with detective's daughter Sandy Williams (Laura Dern) to solve the mystery. They believe beautiful lounge singer Dorothy Vallens (Isabella Rossellini) may be connected with the case, and Beaumont finds himself becoming drawn into her dark, twisted world, where he encounters sexually depraved psychopath Frank Booth (Dennis Hopper)

Against the backdrop of Nixon's election to office, Beverly Hills hairdresser and notorious rake George Roundy (Warren Beatty) runs into trouble when his lascivious habits begin to clash with his more responsible business ambitions. Things get even more complex when Roundy asks his wealthy mistress, Felicia Karpf (Lee Grant), for a business loan, unaware that his best friend and ex-girlfriend, Jackie (Julie Christie), is sleeping with Karpf's husband, Lester (Jack Warden).

A young girl is kidnapped in broad daylight in Central Park by a murderous psychopath (Cliff Gorman, All That Jazz), who plans to demand a huge ransom for her return, mistakenly believing she is the daughter of a wealthy property developer. Unfortunately for him, she’s actually the daughter of Sean Boyd (James Brolin, True Grit), a devoted dad and grizzled ex-cop who will stop at absolutely nothing to get her back, even if it means taking out the kidnapper, his enemies in the NYPD, and the entire scuzzy underworld populating the mean streets of 1970s New York…

Adapted from a novel by William P. McGivern (The Big Heat, Odds Against Tomorrow) and directed by Sidney J Furie (The Ipcress File) and Robert Butler (Turbulence), Night of the Juggler is a relentless, adrenaline packed crime thriller, combining staggering action-packed chase sequences, incredible photography (Victor J. Kemper, Dog Dag Afternoon) of the mean streets of 1970s New York at the peak of its notorious ‘Fear City’ era, and a superlative cast of supporting character actors, including Dan Hedaya, Mandy Patinkin, Richard S. Castellano, Barton Heyman and Julie Carmen.

Long unavailable on home video formats, Transmission is proud to present an all time cult classic restored in glorious 4K - presented on cinema screens in London for the first time ever. Link to 4K Blu-Ray Pre-order!

Mob assassin Jeffrey is no ordinary hired gun; the best in his business, he views his chosen profession as a calling rather than simply a job. So, when beautiful nightclub chanteuse Jennie is blinded in the crossfire of his most recent hit, Jeffrey chooses to retire after one last job to pay for his unintended victim's sight-restoring operation. But when Jeffrey is double-crossed, he reluctantly joins forces with a rogue policeman to make things right.

A cop who loses his partner in a shoot-out with gun smugglers goes on a mission to catch them. In order to get closer to the leaders of the ring he joins forces with an undercover cop who's working as a gangster hitman. They use all means of excessive force to find them.

Please Note: We plan to have the 35mm print of Hard Boiled on site in the New Year to check on its quality, and if we find it is unsuitable for screening, we will switch to the new 4K restoration courtesy of Arrow Films!

After learning that a stranger has been accidentally killed near their rural homes, four Oregon boys decide to go see the body. On the way, Gordie Lachance (Wil Wheaton), Vern Tessio (Jerry O'Connell), Chris Chambers (River Phoenix) and Teddy Duchamp (Corey Feldman) encounter a mean junk man and a marsh full of leeches, as they also learn more about one another and their very different home lives. Just a lark at first, the boys' adventure evolves into a defining event in their lives.

Step back into the fantastical world of Jim Henson’s Labyrinth as the beloved classic returns to cinemas for a special 40th-anniversary re-release. Starring David Bowie in one of his most entertaining film performances as the enigmatic Goblin King, this 4K re-issue brings Jim Henson’s dazzling puppetry, imaginative landscapes, and iconic musical moments back to the big screen where they belong. Join the adventure as Sarah (Jennifer Connelly) races against time to navigate the mysterious Labyrinth and rescue her baby brother in this spellbinding cult favourite.

A sequel to "Before Sunrise," this film starts nine years later as Jesse (Ethan Hawke) travels across Europe giving readings from a book he wrote about the night he spent in Vienna with Celine (Julie Delpy). After his reading in Paris, Celine finds him, and they spend part of the day together before Jesse has to again leave for a flight. They are both in relationships now, and Jesse has a son, but as their strong feelings for each other start to return, both confess a longing for more.

On the last night of their idyllic Greek vacation, longtime lovers Jesse (Ethan Hawke) and Celine (Julie Delpy) reminisce about their lives together and what different choices might have brought.

In this revered Western, Ethan Edwards (John Wayne) returns home to Texas after the Civil War. When members of his brother's family are killed or abducted by Comanches, he vows to track down his surviving relatives and bring them home. Eventually, Edwards gets word that his niece Debbie (Natalie Wood) is alive, and, along with her adopted brother, Martin Pawley (Jeffrey Hunter), he embarks on a dangerous mission to find her, journeying deep into Comanche territory.

A new English teacher, John Keating (Robin Williams), is introduced to an all-boys preparatory school that is known for its ancient traditions and high standards. He uses unorthodox methods to reach out to his students, who face enormous pressures from their parents and the school. With Keating's help, students Neil Perry (Robert Sean Leonard), Todd Anderson (Ethan Hawke) and others learn to break out of their shells, pursue their dreams and seize the day.

Shallow, rich and socially successful Cher (Alicia Silverstone) is at the top of her Beverly Hills high school's pecking scale. Seeing herself as a matchmaker, Cher first coaxes two teachers into dating each other. Emboldened by her success, she decides to give hopelessly klutzy new student Tai (Brittany Murphy) a makeover. When Tai becomes more popular than she is, Cher realizes that her disapproving ex-stepbrother (Paul Rudd) was right about how misguided she was -- and falls for him.

The Earth is about to be destroyed by a huge ball of fire racing toward the planet. Cornelius, an old monk, knows how to stop the burning sphere with the help of Korben Dallas, a taxi driver and former secret agent and a woman named Leeloo.

In an ordinary suburban house, on a lovely tree-lined street, in the middle of 1970s America, lived the five beautiful, dreamy Lisbon sisters, whose doomed fates indelibly marked the neighborhood boys who to this day continue to obsess over them. A story of love and repression, fantasy and terror, sex and death, memory and longing. It is at its core a mystery story: a heart-rending investigation into the impenetrable, life-altering secrets of American adolescence.

The Rev. Harry Powell (Robert Mitchum) is a religious fanatic and serial killer who targets women who use their sexuality to attract men. Serving time in prison for car theft, he meets condemned murderer Ben Harper (Peter Graves), who confesses to hiding $10,000 in stolen loot. Released from jail, Powell is obsessed with finding the money, and he tracks down Harper's widow, Willa (Shelley Winters), and her two children, John (Billy Chapin) and Pearl (Sally Jane Bruce).

Lilya (Oksana Akinshina) lives in poverty and dreams of a better life. Her mother moves to the United States and abandons her to her aunt (Liliya Shinkaryova), who neglects her. Lilya hangs out with her friends, Natasha (Elina Benenson) and Volodya (Artiom Bogucharski), who is suicidal. Desperate for money, she starts working as a prostitute, and later meets Andrei (Pavel Ponomaryov). He offers her a good job in Sweden, but when Lilya arrives her life quickly enters a downward spiral.

* ON SALE 13th JULY *

Three cowboy movie stars from the silent era -- Dusty Bottoms (Chevy Chase), Lucky Day (Steve Martin) and Ned Nederlander (Martin Short) -- are fired when one of their movies bombs. In what seems to be a career-saving offer, young Mexican woman Carmen (Patrice Martinez) offers them a high-paying gig in her village. The three jump at the opportunity, expecting to do their typical act, but Carmen believes they are really heroes and asks them to rid her village of bad guy El Guapo (Alfonso Arau).

Second part of a trilogy. Conscientious objector Kaji, now forced to serve in the Japanese army during the Second World War, helps a friend defect to the Russians and nearly goes with him. But despite his opposition to war, Kaji does his best to serve as help and guide to the men in his charge, most of whom are doomed to fall to the relentless attack of Russian armored divisions.

Paratrooper commander Colonel Mathieu, a former French Resistance fighter during World War II, is sent to Algeria to reinforce efforts to squelch the uprisings of the Algerian War. There he faces Ali la Pointe, a former petty criminal who, as the leader of the Algerian Front de Liberation Nationale, directs terror strategies against the colonial French government occupation. As each side resorts to ever-increasing brutality, no violent act is too unthinkable.

After record producer Swan (Paul Williams) steals the music of songwriter Winslow Leach (William Finley) and gives it to one of his bands, Leach sneaks into Swan's offices. Catching Leach, Swan frames him for dealing drugs, which lands him in prison. After Leach breaks out and again attempts to sabotage Swan's empire, an accident crushes his face. Leach then dons a costume and becomes the Phantom, intent on ruining Swan while saving singer Phoenix (Jessica Harper) from a terrible fate.

During World War II era, a young woman, Wang Jiazhi, gets swept up in a dangerous game of emotional intrigue with a powerful political figure, Mr. Yee.

An intoxicating, time-bending experience bathed in the golden glow of oil lamps and wreathed in an opium haze, this gorgeous period reverie by Hou Hsiao-hsien traces the romantic intrigue, jealousies, and tensions swirling around four late-nineteenth-century Shanghai “flower houses,” where courtesans live confined to a gilded cage, ensconced in opulent splendor but forced to work to buy back their freedom. Among the regular clients is the taciturn Master Wang (Tony Leung Chiu-wai), whose relationship with his longtime mistress (Michiko Hada) is roiled by a perceived act of betrayal. Composed in a languorous procession of entrancing long takes, Flowers of Shanghai evokes a vanished world of decadence and cruelty, an insular universe where much of the dramatic action remains tantalizingly offscreen—even as its emotional fallout registers with quiet devastation.

Jeff "The Dude" Lebowski, mistaken for a millionaire of the same name, seeks restitution for his ruined rug and enlists his bowling buddies to help get it.

Meek flower shop assistant Seymour (Rick Moranis) pines for co-worker Audrey (Ellen Greene). During a total eclipse, he discovers an unusual plant he names Audrey II, which feeds only on human flesh and blood. The growing plant attracts a great deal of business for the previously struggling store. After Seymour feeds Audrey's boyfriend, Orin (Steve Martin), to the plant after Orin's accidental death, he must come up with more bodies for the increasingly bloodthirsty plant.

In Berlin in 1931, American cabaret singer Sally Bowles (Liza Minnelli) meets British academic Brian Roberts (Michael York), who is finishing his university studies. Despite Brian's confusion over his sexuality, the pair become lovers, but the arrival of the wealthy and decadent playboy Maximilian von Heune (Helmut Griem) complicates matters for them both. This love triangle plays out against the rise of the Nazi party and the collapse of the Weimar Republic.

Keller Dover (Hugh Jackman) faces a parent's worst nightmare when his 6-year-old daughter, Anna, and her friend go missing. The only lead is an old motorhome that had been parked on their street. The head of the investigation, Detective Loki (Jake Gyllenhaal), arrests the driver (Paul Dano), but a lack of evidence forces Loki to release his only suspect. Dover, knowing that his daughter's life is at stake, decides that he has no choice but to take matters into his own hands.

When he is not planning for his upcoming stage musical or working on his Hollywood film, choreographer/director Joe Gideon (Roy Scheider) is popping pills and sleeping with a seemingly endless line of women. The physical and mental stress begins to take a toll on the ragged perfectionist. Soon, he must decide whether or not his non-stop work schedule and hedonistic lifestyle are worth risking his life. The film is a semi-autobiographical tale written and directed by the legendary Bob Fosse.

A case involving drug lords and murder in South Florida takes a personal turn for undercover detectives Sonny Crockett (Colin Farrell) and Ricardo Tubbs (Jamie Foxx). Unorthodox Crockett gets involved romantically with the Chinese-Cuban wife of a trafficker of arms and drugs, while Tubbs deals with an assault on those he loves.

In this adaptation of Jane Austen's beloved novel, Elizabeth Bennet (Keira Knightley) lives with her mother, father and sisters in the English countryside. As the eldest, she faces mounting pressure from her parents to marry. When the outspoken Elizabeth is introduced to the handsome and upper-class Mr. Darcy (Matthew Macfadyen), sparks fly. Although there is obvious chemistry between the two, Darcy's overly reserved nature threatens the fledgling relationship.

In a seaside village of Japan during the 1920s, married professor Aochi (Fujita Toshiya) meets up with old friend Nakasono (Yoshio Harada), who's now a drifter accused of murder. Aochi manages to fight off the suspicion surrounding his buddy, but complications arise when they meet bereaved geisha Koine (Naoko Otani). Nakasono is immediately smitten. Aochi is attracted, but wants to stay faithful to his wife. Yet, over time, the mind games between all three escalate in a violently sexual way.

Sebastian (Ryan Gosling) and Mia (Emma Stone) are drawn together by their common desire to do what they love. But as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.

After witnessing a Mafia murder, slick saxophone player Joe (Tony Curtis) and his long-suffering buddy, Jerry (Jack Lemmon), improvise a quick plan to escape from Chicago with their lives. Disguising themselves as women, they join an all-female jazz band and hop a train bound for sunny Florida. While Joe pretends to be a millionaire to win the band's sexy singer, Sugar (Marilyn Monroe), Jerry finds himself pursued by a real millionaire (Joe E. Brown) as things heat up and the mobsters close in.

Looking for the father (Ray Walston) who deserted him as a baby, a sailor named Popeye (Robin Williams) journeys to the port town of Sweethaven. Popeye befriends an assortment of eccentrics and falls in love with Olive Oyl (Shelley Duvall), who already has a suitor, the bully Bluto (Paul L. Smith). Popeye also discovers an abandoned baby, Swee'Pea, whom he raises as his own. But when the spurned Bluto kidnaps Olive and the child, Popeye takes action, with the help of his magic spinach.

Rick Blaine (Humphrey Bogart), who owns a nightclub in Casablanca, discovers his old flame Ilsa (Ingrid Bergman) is in town with her husband, Victor Laszlo (Paul Henreid). Laszlo is a famed rebel, and with Germans on his tail, Ilsa knows Rick can help them get out of the country.

Agent 007 (George Lazenby) and the adventurous Tracy Di Vicenzo (Diana Rigg) join forces to battle the evil SPECTRE organization in the treacherous Swiss Alps. But the group's powerful leader, Ernst Stavro Blofeld (Telly Savalas), is launching his most calamitous scheme yet: a germ warfare plot that could kill millions!

After a gentle alien becomes stranded on Earth, the being is discovered and befriended by a young boy named Elliott (Henry Thomas). Bringing the extraterrestrial into his suburban California house, Elliott introduces E.T., as the alien is dubbed, to his brother and his little sister, Gertie (Drew Barrymore), and the children decide to keep its existence a secret. Soon, however, E.T. falls ill, resulting in government intervention and a dire situation for both Elliott and the alien.

The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.

In Steven Spielberg's massive blockbuster, paleontologists Alan Grant (Sam Neill) and Ellie Sattler (Laura Dern) and mathematician Ian Malcolm (Jeff Goldblum) are among a select group chosen to tour an island theme park populated by dinosaurs created from prehistoric DNA. While the park's mastermind, billionaire John Hammond (Richard Attenborough), assures everyone that the facility is safe, they find out otherwise when various ferocious predators break free and go on the hunt.

In 1964 the biggest band on the planet made their big screen debut with A Hard Day s Night, a groundbreaking film that presented a typical day in the life of The Fab Four as they tried to outrun screaming fans, find Paul's mischievous grandfather, deal with a stressed TV producer and make it to the show on time. Directed with unrelenting verve by Richard Lester, whose innovative techniques paved the way for generations of music videos, the film's frenetic mix of comic escapades, legendary one-liners and pop perfection captured a moment in time that defined a generation. The most iconic band in music history had arrived.

When infertility threatens mankind with extinction and the last child born has perished, a disillusioned bureaucrat (Clive Owen) becomes the unlikely champion in the fight for the survival of Earth's population; He must face down his own demons and protect the planet's last remaining hope from danger.

* ON SALE 20th JULY *

Legendary director Don Siegel (Dirty Harry) directs the iconic John Wayne as an ageing gunfighter dying of cancer in his final screen appearance, a superb adaptation of Glendon Swarthout's classic western novel, The Shootist.

John Bernard Books is the stuff of legend, a renowned 'shootist' whose reputation looms large. But it's 1901, and like the old west, John is dying and a reputation like his draws trouble like an outhouse draws flies. As word spreads that the famous gunfighter is on his last legs, the vultures begin to gather; old enemies, the marshal, newspaper men, an undertaker, all eager to see him dead. Other men might die quietly in bed or take their own lives, but J. B. Books will choose his executioner and face down death with a pistol in each hand.

With an outstanding cast that features not only Wayne, but James Stewart, Lauren Bacall, Ron Howard, Scatman Crothers and John Carradine, The Shootist is an elegiac ode to a monumental screen presence and to the Western genre itself.

In early-1970s Las Vegas, low-level mobster Sam "Ace" Rothstein (Robert De Niro) gets tapped by his bosses to head the Tangiers Casino. At first, he's a great success in the job, but over the years, problems with his loose-cannon enforcer Nicky Santoro (Joe Pesci), his ex-hustler wife Ginger (Sharon Stone), her con-artist ex Lester Diamond (James Woods) and a handful of corrupt politicians put Sam in ever-increasing danger. Martin Scorsese directs this adaptation of Nicholas Pileggi's book.

Eighties teenager Marty McFly is accidentally sent back in time to 1955, inadvertently disrupting his parents' first meeting and attracting his mother's romantic interest. Marty must repair the damage to history by rekindling his parents' romance and - with the help of his eccentric inventor friend Doc Brown - return to 1985.

A detective starts spiraling out of control when a wave of gruesome murders with seemingly similar bizarre circumstances are sweeping Tokyo.

A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors – veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie – unravel.

The comedy classic from celebrated director STANLEY KUBRICK.

An unhinged American general orders a bombing attack on the Soviet Union, triggering a path to nuclear holocaust that a war room full of politicians and generals frantically tries to stop.

Based on his own experiences, writer and director Alexandre Rockwell’s suitably grungy black-and-white off-beat comedy gives Steve Buscemi one of his early leading roles as Adolpho Rollo, a penniless New York screenwriter with big cinematic ambitions, a 500-page screenplay to sell and debt collectors looking to throw him out of his crumbling apartment. 

When he puts a small ad in the paper it attracts the backing of charismatic criminal, Joe (Seymour Cassel – who would appear alongside Buscemi in Reservoir Dogs made the same year) who takes Adolpho on a liberating odyssey through Manhattan, introducing the writer to the wilder side of life. 

At the 1992 Sundance Film Festival, In the Soup picked up the Grand Jury Prize (beating the heavily-hyped Reservoir Dogs); and is now ripe for rediscovery on the big screen, newly restored.

A 4K restoration c/o IndieCollect.

Turning his hand to writing and directing, Steve Buscemi’s debut feature Trees Lounge is a still-largely unsung indie masterpiece capturing the chaos of hopeless loser Tommy (Buscemi) as he stumbles through life, occasionally trying to pull himself together but always falling apart again. 

It radiates authenticity capturing the characters, domestic rivalries and melancholy of this suburban life where the bar - Trees Lounge of the title – and alcohol are his refuge. 

The film made such an impression on Sopranos creator David Chase that he hired the film’s casting director to cast Sopranos and gave Buscemi four episodes to direct and made him a regular member of cast in season five (as Tony Soprano’s cousin Tony B).  

Evoking the lived in feel of vintage John Cassavetes, this disarmingly perceptive blue-collar character study is anchored by Buscemi’s compelling performance turning what could just be a selfish, irresponsible character into someone we want to see redeemed.

A 4K restoration c/o IndieCollect.

After the members of a team of scientists (Harold Ramis, Dan Aykroyd, Bill Murray) lose their cushy positions at a university in New York City, they decide to become "ghostbusters" to wage a high-tech battle with the supernatural for money. They stumble upon a gateway to another dimension, a doorway that will release evil upon the city. The Ghostbusters must now save New York from complete destruction.

In a corrupt, greed-fueled world, a powerful alchemist leads a messianic character and seven materialistic figures to the Holy Mountain, where they hope to achieve enlightenment.

For kids around the world, music is often the only salvation when the pain and anxiety of teenage life becomes too much to bear. Yuichi (Hayato Ichihara) is in the 8th grade and he worships Lily Chou-Chou, a Bjork-like chanteuse whose epic music is lush and transcendent. Yuichi only lives for Lily Chou-Chou's big Tokyo concert, where the lies and violence can be washed away by the presence of his goddess and her powerful music. But fate has yet another obstacle in store for Lily's devoted fan.

This Disney animated feature follows the adventures of the young lion Simba (Jonathan Taylor Thomas), the heir of his father, Mufasa (James Earl Jones). Simba's wicked uncle, Scar (Jeremy Irons), plots to usurp Mufasa's throne by luring father and son into a stampede of wildebeests. But Simba escapes, and only Mufasa is killed. Simba returns as an adult (Matthew Broderick) to take back his homeland from Scar with the help of his friends Timon (Nathan Lane) and Pumbaa (Ernie Sabella).

A thief who steals corporate secrets through the use of dream-sharing technology is given the inverse task of planting an idea into the mind of a C.E.O., but his tragic past may doom the project and his team to disaster.

Before beginning a new job, Gaspard (Melvil Poupaud) goes to a beach town to relax for a few weeks. He waits for Lena (Aurelia Nolin), a girl he has been casually dating for some time. When she does not arrive, he strikes up a friendship with waitress Margot (Amanda Langlet). Through her, Gaspard also meets Solene (Gwenaëlle Simon), a free spirit open to a physical relationship if he agrees to be faithful. As Gaspard spends time with each, he finds his feelings even further conflicted.

An aging group of outlaws in 1913 Texas look for one last big score, selling stolen Army rifles to a rogue Mexican general during that country's revolution, as the traditional American West is disappearing around them.

The scintillating feature debut of Mary Harron (American Psycho) and one of the most controversial independent films of the 1990s, I Shot Andy Warhol stars an electric Lili Taylor as Valerie Solanas, a militant feminist whose attempted murder of Andy Warhol brought instant fame to her radically anti-male SCUM Manifesto. Dropping out of grad school in the midsixties, the brilliant yet volatile Solanas survived in New York City as a destitute artist, sex worker, and panhandler, soon striking up a friendship with Warhol superstar Candy Darling that brought her briefly into the orbit of the world’s premier pop artist.

With vivid, hallucinatory attention to historical detail, Harron captures the explosive cross-pollination of New York’s political and artistic countercultures as well as the creativity, snobbery, and decadence at the heart of the legendary Factory. Anchored by pitch-perfect performances—and featuring a blistering score by John Cale as well as covers of sixties hits by some of the nineties’ most iconic bands (R.E.M., Wilco)—I Shot Andy Warhol is an incisive portrait of a rebel without an outlet and the soon-to-be-lost generation she came to define.

Suffering from insomnia, disturbed loner Travis Bickle (Robert De Niro) takes a job as a New York City cabbie, haunting the streets nightly, growing increasingly detached from reality as he dreams of cleaning up the filthy city. When Travis meets pretty campaign worker Betsy (Cybill Shepherd), he becomes obsessed with the idea of saving the world, first plotting to assassinate a presidential candidate, then directing his attentions toward rescuing 12-year-old prostitute Iris (Jodie Foster).

Sheriff Pat Garrett (James Coburn) is ordered by Governor Wallace (Jason Robards) to go after the outlaw Billy the Kid (Kris Kristofferson) because the cattle businessmen want him caught. Although Garrett and Billy are old friends, the lawman must abide by his duty. However, Garrett and his deputies have great difficulty catching Billy, who is very cunning. Along the way, Billy also gains the assistance of Alias (Bob Dylan), a mysterious knife-wielding stranger.

Akerman’s ambiguous triptych was based on her experiences hitchhiking from Paris to Brussels. A woman (played by the filmmaker) holes up in a room, obsessively eating sugar and rearranging furniture. Then we follow her hunt for love and connection – first with a truck driver, then an ex-lover. With its uninterrupted erotic-free ten-minute lesbian sex scene, this is one of the most radical and assured sequences in any feature debut from the 1970s.

China was once divided into seven kingdoms that warred with each other constantly. It took one man to conquer all the kingdoms and create China. A nameless man (Jet Li) is brought to meet the king of Qin (Daoming Chen) in his palace. Nameless is being honoured for killing three assassins from the kingdom of Zhao. 

In the San Fernando Valley in 1977, teenage busboy Eddie Adams (Mark Wahlberg) gets discovered by porn director Jack Horner (Burt Reynolds), who transforms him into adult-film sensation Dirk Diggler. Brought into a supportive circle of friends, including fellow actors Amber Waves (Julianne Moore), Rollergirl (Heather Graham) and Reed Rothchild (John C. Reilly), Dirk fulfills all his ambitions, but a toxic combination of drugs and egotism threatens to take him back down.

Wong Kar Wai’s loose sequel to In the Mood for Love combines that film’s languorous air of romantic longing with a dizzying time-hopping structure and avant-sci-fi twist. Tony Leung Chiu Wai reprises his role as writer Chow Mo-Wan, whose numerous failed relationships with women who drift in and out of his life (and the one who goes in and out of room 2046, down the hall from his apartment) inspire the delirious futuristic love story he pens. 2046’s dazzling fantasy sequences give Wong and two of his key collaborators—cinematographer Christopher Doyle and editor/costume designer/production designer William Chang Suk Ping—license to let their imaginations run wild, propelling the sumptuous visuals and operatic emotions skyward toward the sublime.

Featuring stop-motion animation and live action, this inventive adaptation of Roald Dahl's beloved children's tale follows the adventures of James (Paul Terry), an orphaned young British boy. Forced to live with his cruel aunts (Joanna Lumley, Miriam Margolyes), James finds a way out of his bleak existence when he discovers an enormous enchanted peach. After rolling into the sea inside the buoyant fruit, James, accompanied by a crew of friendly talking insects, sets sail for New York City.

Andrei Tarkovsky’s extraordinarily accomplished debut feature ‘Ivan’s Childhood’ is a powerful and moving tale of a 12-year-old boy who vows to avenge his family’s death at the hands of the Nazis.

Striking up a friendship with three sympathetic Soviet officers, young Ivan becomes a spy on the eastern front.

The film was awarded the Golden Lion at Venice Film Festival in 1962 and brought the Russian director international acclaim. A haunting and poetic depiction of a childhood ravaged by war.

★★★★★ “It is one of the great coups de cinéma. Unmissable” - Peter Bradshaw, The Guardian

In a future where all flora are extinct on Earth, an astronaut is given orders to destroy the last of Earth's plant samples, kept in a greenhouse aboard a spacecraft.

With enormous enthusiasm and unsinkable optimism, daredevil Gonzo steps into his first starring role in "Muppets From Space," a hilarious extraterrestrial adventure about the search for Gonzo's past. On a quest with buddy Rizzo to find his real family, Gonzo discovers that his long-lost relatives are actually aliens from a distant planet.

* ON SALE 27th JULY *

As a lone spaceship proceeds on its long voyage across space, the crew are surprised to encounter a strange pyramid form. Surprise turns to horror as one by one, they discover that their darkest nightmares are all starting to become real. The pyramid has to be behind it all somehow, but how can they save themselves from its influence?

George Clooney and Sandra Bullock star in this award-winning sci-fi thriller directed by Alfonso Cuarón. Seasoned astronaut Matt Kowalsky (Clooney) is on his final mission in space, while medical engineer Dr. Ryan Stone (Bullock) is making her first outing on the Space Shuttle. While they are engaged in extra-vehicular activity, debris collides into the shuttle, damaging it irreparably. Kowalsky and Stone now find themselves drifting in space with low oxygen supplies and cut off from all communication on Earth. They work together in their attempt to survive but will they make it back to solid ground.

Part three of a trilogy. After the Japanese defeat to the Russians in the last episode, Kaji, the Japanese soldier and humanistic protagonist, leads the last remaining men through Manchuria. Intent on returning to his dear wife and his old life, Kaji faces great odds in a variety of different harrowing circumstances as he and his fellow men sneak behind enemy lines.

A young boy befriends a giant robot from outer space that a paranoid government agent wants to destroy.

Jacques Demy's crystalline debut gave birth to the fictional universe in which so many of his characters would live, play, and love. It's among his most profoundly felt films, a tale of crisscrossing lives in Nantes (Demy's hometown) that floats on waves of longing and desire. Heading the film's ensemble is the enchanting Anouk Aimée as the title character, a cabaret chanteuse who's awaiting the return of a long-lost lover and unwilling to entertain the adoration of another love-struck soul, the wanderer Roland (Marc Michel). Humane, wistful, and witty, Lola is a testament to the resilience of the heartbroken.

Set in postwar Vienna, Austria, "The Third Man" stars Joseph Cotten as Holly Martins, a writer of pulp Westerns, who arrives penniless as a guest of his childhood chum Harry Lime (Orson Welles), only to find him dead. Martins develops a conspiracy theory after learning of a "third man" present at the time of Harry's death, running into interference from British officer Maj. Calloway (Trevor Howard) and falling head-over-heels for Harry's grief-stricken lover, Anna (Alida Valli).

Deckard (Harrison Ford) is forced by the police Boss (M. Emmet Walsh) to continue his old job as Replicant Hunter. His assignment: eliminate four escaped Replicants from the colonies who have returned to Earth. Before starting the job, Deckard goes to the Tyrell Corporation and he meets Rachel (Sean Young), a Replicant girl he falls in love with.

When a tornado rips through Kansas, Dorothy (Judy Garland) and her dog, Toto, are whisked away in their house to the magical land of Oz. They follow the Yellow Brick Road toward the Emerald City to meet the Wizard, and en route they meet a Scarecrow (Ray Bolger) that needs a brain, a Tin Man (Jack Haley) missing a heart, and a Cowardly Lion (Bert Lahr) who wants courage. The wizard asks the group to bring him the broom of the Wicked Witch of the West (Margaret Hamilton) to earn his help.

It's the summer of 1983, and precocious 17-year-old Elio Perlman is spending the days with his family at their 17th-century villa in Lombardy, Italy. He soon meets Oliver, a handsome doctoral student who's working as an intern for Elio's father. Amid the sun-drenched splendor of their surroundings, Elio and Oliver discover the heady beauty of awakening desire over the course of a summer that will alter their lives forever.

WALL-E, short for Waste Allocation Load Lifter Earth-class, is the last robot left on Earth. He spends his days tidying up the planet, one piece of garbage at a time. But during 700 years, WALL-E has developed a personality, and he's more than a little lonely. Then he spots EVE, a sleek and shapely probe sent back to Earth on a scanning mission. Smitten WALL-E embarks on an adventure when he follows EVE across the galaxy.

As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend (Deborah Harry) auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.

A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.

Set in Roman times, the story of a once-powerful general forced to become a common gladiator. The emperor's son is enraged when he is passed over as heir in favour of his father's favourite general. He kills his father and arranges the murder of the general's family, and the general is sold into slavery to be trained as a gladiator - but his subsequent popularity in the arena threatens the throne.

In remote Antarctica, a group of American research scientists are disturbed at their base camp by a helicopter shooting at a sled dog. When they take in the dog, it brutally attacks both human beings and canines in the camp and they discover that the beast can assume the shape of its victims. A resourceful helicopter pilot (Kurt Russell) and the camp doctor (Richard Dysart) lead the camp crew in a desperate, gory battle against the vicious creature before it picks them all off, one by one.

Questions arise when Senator Stoddard attends the funeral of a local man named Tom Doniphon in a small Western town. Flashing back, we learn Doniphon saved Stoddard, then a lawyer, when he was roughed up by a crew of outlaws terrorizing the town, led by Liberty Valance. As the territory's safety hung in the balance, Doniphon and Stoddard, two of the only people standing up to him, proved to be very important, but different, foes to Valance.

When it becomes clear that his solo album is a failure, a former boy band member does everything in his power to maintain his celebrity status.

Two teenagers share a profound, magical connection upon discovering they are swapping bodies. Things manage to become even more complicated when the boy and girl decide to meet in person.

A fairy tale adventure about a beautiful young woman and her one true love. He must find her after a long separation and save her. They must battle the evils of the mythical kingdom of Florin to be reunited with each other.

IN LIFE, WHAT ARE THE THINGS THAT REALLY MATTER?

A retired farmer and widower in his 70s, Alvin Straight (Richard Farnsworth) learns one day that his distant brother Lyle (Harry Dean Stanton) has suffered a stroke and may not recover. Alvin is determined to make things right with Lyle while he still can, but his brother lives in Wisconsin, while Alvin is stuck in Iowa with no car and no driver's license. Then he hits on the idea of making the trip on his old lawnmower, thus beginning a picturesque and at times deeply spiritual odyssey

Tracing the life of a renowned icon painter, the second feature by Andrei Tarkovsky vividly conjures the murky world of medieval Russia. This dreamlike and remarkably tactile film follows Andrei Rublev as he passes through a series of poetically linked scenes—snow falls inside an unfinished church, naked pagans stream through a thicket during a torchlit ritual, a boy oversees the clearing away of muddy earth for the forging of a gigantic bell—gradually emerging as a man struggling mightily to preserve his creative and religious integrity. Appearing here in the director's preferred 183-minute cut as well as the version that was originally suppressed by Soviet authorities, the masterwork Andrei Rublev is one of Tarkovsky's most revered films, an arresting meditation on art, faith, and endurance.

Two bikers head from L.A. to New Orleans through the open country and desert lands, and along the way they meet a man who bridges a counter-culture gap of which they had been unaware.

Years after the collapse of civilization, the tyrannical Immortan Joe enslaves apocalypse survivors inside the desert fortress the Citadel. When the warrior Imperator Furiosa (Charlize Theron) leads the despot's five wives in a daring escape, she forges an alliance with Max Rockatansky (Tom Hardy), a loner and former captive. Fortified in the massive, armored truck the War Rig, they try to outrun the ruthless warlord and his henchmen in a deadly high-speed chase through the Wasteland.

In his controversial masterpiece The Great Dictator, Charlie Chaplin offers both a cutting caricature of Adolf Hitler and a sly tweaking of his own comic persona. Chaplin, in his first pure talkie, brings his sublime physicality to two roles: the cruel yet clownish “Tomainian” dictator and the kindly Jewish barber who is mistaken for him. Featuring Jack Oakie and Paulette Goddard in stellar supporting turns, The Great Dictator, boldly going after the fascist leader before the U.S.'s official entry into World War II, is an audacious amalgam of politics and slapstick that culminates in Chaplin's famously impassioned speech.

Clumsy Monsieur Hulot (Jacques Tati) finds himself perplexed by the intimidating complexity of a gadget-filled Paris. He attempts to meet with a business contact but soon becomes lost. His roundabout journey parallels that of an American tourist (Barbara Dennek), and as they weave through the inventive urban environment, they intermittently meet, developing an interest in one another. They eventually get together at a chaotic restaurant, along with several other quirky characters.

In this Japanese animation, cyborg federal agent Maj. Motoko Kusanagi (Mimi Woods) trails "The Puppet Master" (Abe Lasser), who illegally hacks into the computerized minds of cyborg-human hybrids. Her pursuit of a man who can modify the identity of strangers leaves Motoko pondering her own makeup and what life might be like if she had more human traits. With her partner (Richard George), she corners the hacker, but her curiosity about her identity sends the case in an unforeseen direction.

A small-time Philadelphia boxer gets a supremely rare chance to fight the world heavyweight champion in a bout in which he strives to go the distance for his self-respect.

Edward Yang's penultimate film is an acerbic, sprawling tragicomedy, a poison love letter to Taipei as a rising cosmopolis of big money, big dreams, and big cons. Once more focusing on directionless youth, Yang depicts the four immature toughs who share the same apartment and, frequently, the same women. Led by the amoral Red Fish (Tang Tsung-sheng), the crew implements a slate of swindles and illicit business deals aimed at naive foreigners—including French teenager Marthe (Virginie Ledoyen), who is looking to reconnect with her older English lover (Nick Erickson)—and superstitious gold diggers (Carrie Ng). But when mobsters seek to collect on a debt owed by Red Fish's ex-criminal father (Chang Kuo-chu), they accidentally abduct translator Luen-Luen (Lawrence Ko), the only crew member with scruples and, seemingly, an ounce of compassion. In several intertwined tales of greed, violence, and shattered principles, Mahjong examines how a city can grow in power and wealth while abandoning its heart and soul.

Littlefoot (Gabriel Damon), a young plant-eating dinosaur, is orphaned after his mother (Helen Shaver) perishes while protecting him from a vicious carnivore. With her last breath, she tells him how to get to the legendary Great Valley, where he will be reunited with others of his kind. With his friend Cera (Candace Hutson), Littlefoot sets out for the fabled land, meeting a variety of new friends along the way -- while also being tracked by the killer dinosaur that mortally wounded his mother.

The legendary midnight movie sensation that firmly embedded samurai mythology within American pop culture consciousness, this English-dubbed reedit of the first two films in the classic Japanese chanbaraseries Lone Wolf and Cub is a giddily entertaining, mesmerizingly gory classic of East-meets-West grindhouse mayhem. Following the murder of his wife at the hands of an evil shogun, an avenging ronin (Tomisaburo Wakayama) roams the countryside with his young son—and the boy's sword-shooting baby carriage—in tow, dispatching ninja assassins with steely resolve in operatically stylized flurries of hallucinatory violence. With its pulsing synth soundtrack (cowritten by Mark Lindsay of Paul Revere & the Raiders) and delirious action set pieces—kinetically edited whirlwinds of flashing blades, spurting blood, and severed limbs—Shogun Assassin proved an instant cult favorite that has bubbled its way up from the underground to the mainstream thanks to its influence on artists ranging from the Wu-Tang Clan to Quentin Tarantino.

* ON SALE 3rd AUG *

Among the boldest accomplishments of Hong Kong cinema’s golden age, this uniquely visceral martial-arts movie puts a gritty new spin on the story of the one-armed swordsman, an iconic figure from the moment he was introduced by the Shaw Brothers studio in 1967. Composed in a whirlwind of immersive close-ups and fractured editing, The Blade follows the young sword-maker Ding On (Vincent Zhao), who, after losing an arm in an ambush, transforms himself into a furious avenger. With its intentionally disorienting stylization and starkly brutal tone, The Blade was a rare commercial disappointment for Tsui Hark, but it has since been reclaimed as one of the director’s most radical visions—a tour de force of action expressionism, and a scathing reappraisal of the wuxia genre’s code of masculinity, that achieves a feverish intensity.

On Friday 6th February, join us for a special Q&A with Director Jamie Babbit, presented by Donkey Tail Film Club and the Queer Filmmakers’ Network, moderated by Nora Dahle Borchgrevink, director of Donkey Tail. 

Megan (Natasha Lyonne) considers herself a typical American girl. She excels in school and cheerleading, and she has a handsome football-playing boyfriend, even though she isn't that crazy about him. So she's stunned when her parents decide she's gay and send her to True Directions, a boot camp meant to alter her sexual orientation. While there, Megan meets a rebellious and unashamed teen lesbian, Graham (Clea DuVall). Though Megan still feels confused, she starts to have feelings for Graham.

Farmers from a village exploited by bandits hire a veteran samurai for protection, who gathers six other samurai to join him.

A highly skilled jewel thief, Frank (James Caan) longs to leave his dangerous trade and settle down with his girlfriend, Jessie (Tuesday Weld). Eager to make one last big score in order to begin living a legitimate life, Frank reluctantly associates with Leo (Robert Prosky), a powerful gangster. Unfortunately for Frank, Leo wants to keep him in his employ, resulting in a tense showdown when he finally tries to give up his criminal activities once and for all.

Matilda Wormwood is an exquisite and intelligent little girl. Unfortunately, her parents, Harry and Zinnia misunderstand her because they think she is so different. As time passes, she finally starts school and has a kind teacher, loyal friends, and a sadistic headmistress. As she gets fed up with the constant cruelty, she begins to realize that she has a gift of telekinetic powers. After some days of practice, she suddenly turns the tables to stand up to Harry and Zinnia and outwit the headmistress.

Featuring indelible performances from Raul Julia and an Academy Award–winning William Hurt, Kiss of the Spider Woman is a work of radical compassion that boldly expands notions of love, gender, and revolution. In the film—directed by Héctor Babenco following his international breakthrough with Pixote, and adapted from the novel by the iconoclastic writer Manuel Puig—Julia and Hurt play Valentin and Molina, a militant leftist activist and a queer, cinema-obsessed window dresser, imprisoned together under a repressive military dictatorship. The two gradually forge a bond that transforms the way they both understand politics, sexuality, and masculinity. Blending raw realism with Molina's imaginative escapes into sumptuous movie fantasy, this searing human drama offers a powerful vision of personal liberation embedded within broader political struggle.

When Sally (Marilyn Burns) hears that her grandfather's grave may have been vandalized, she and her paraplegic brother, Franklin (Paul A. Partain), set out with their friends to investigate. After a detour to their family's old farmhouse, they discover a group of crazed, murderous outcasts living next door. As the group is attacked one by one by the chainsaw-wielding Leatherface (Gunnar Hansen), who wears a mask of human skin, the survivors must do everything they can to escape.

This precisely wrought, emotionally penetrating romantic drama from Jacques Demy, set largely in the casinos of Nice, is a visually lovely but darkly realistic investigation into love and obsession. A bottle-blonde Jeanne Moreau is at her blithe best as a gorgeous gambling addict, and Claude Mann is the bank clerk drawn into her risky world. Featuring a mesmerising score by Michel Legrand, Bay of Angels is among Demy's most sombre works.

Aladdin is a lovable street urchin who meets Princess Jasmine, the beautiful daughter of the sultan of Agrabah. While visiting her exotic palace, Aladdin stumbles upon a magic oil lamp that unleashes a powerful, wisecracking, larger-than-life genie. As Aladdin and the genie start to become friends, they must soon embark on a dangerous mission to stop the evil sorcerer Jafar from overthrowing young Jasmine's kingdom.

With Masculin féminin, ruthless stylist and iconoclast Jean-Luc Godard introduces the world to “the children of Marx and Coca-Cola,” through a gang of restless youths engaged in hopeless love affairs with music, revolution, and one another. French New Wave icon Jean-Pierre Léaud stars as Paul, an idealistic would-be intellectual struggling to forge a relationship with the adorable pop star Madeleine (real-life yé-yé girl Chantal Goya). Through their tempestuous affair, Godard fashions a candid and wildly funny free-form examination of youth culture in pulsating 1960s Paris, mixing satire and tragedy as only Godard can.

David Locke is a world-weary American journalist who has been sent to cover a conflict in northern Africa, but he makes little progress with the story. When he discovers the body of a stranger who looks similar to him, Locke assumes the dead man's identity. However, he soon finds out that the man was an arms dealer, leading Locke into dangerous situations. Aided by a beautiful woman, Locke attempts to avoid both the police and criminals out to get him.

Crotchety retired doctor Isak Borg (Victor Sjöström) travels from Stockholm to Lund, Sweden, with his pregnant and unhappy daughter-in-law, Marianne (Ingrid Thulin), in order to receive an honorary degree from his alma mater. Along the way, they encounter a series of hitchhikers, each of whom causes the elderly doctor to muse upon the pleasures and failures of his own life. These include the vivacious young Sara (Bibi Andersson), a dead ringer for the doctor's own first love.

A 1920s playwright meets a beautiful woman who may be the ghost of his patron's deceased wife.

Frank Serpico (Al Pacino) is an idealistic New York City cop who refuses to take bribes, unlike the rest of the force. His actions get Frank shunned by the other officers, and often placed in dangerous situations by his partners. When his superiors ignore Frank's accusations of corruption, he decides to go public with the allegations. Although this causes the Knapp Commission to investigate his claims, Frank has also placed a target on himself. The film is based on a true story.

Heroin addict Mark Renton (Ewan McGregor) stumbles through bad ideas and sobriety attempts with his unreliable friends -- Sick Boy (Jonny Lee Miller), Begbie (Robert Carlyle), Spud (Ewen Bremner) and Tommy (Kevin McKidd). He also has an underage girlfriend, Diane (Kelly Macdonald), along for the ride. After cleaning up and moving from Edinburgh to London, Mark finds he can't escape the life he left behind when Begbie shows up at his front door on the lam, and a scheming Sick Boy follows.