Hatred breeds hatred...

24 hours in the lives of three young men in the French suburbs the day after a violent riot.

The extraordinary, internationally embraced Yi Yi (A One and a Two . . .), directed by the late Taiwanese master Edward Yang, follows a middle-class family in Taipei over the course of one year, beginning with a wedding and ending with a funeral. Whether chronicling middle-age father NJ’s tentative flirtations with an old flame or precocious young son Yang-Yang’s attempts at capturing reality with his beloved camera, the filmmaker deftly imbues every gorgeous frame with a compassionate clarity. Warm, sprawling, and dazzling, this intimate epic is one of the undisputed masterworks of the new century.

4K digital restoration carried out by Pony Canyon Inc., with analog and digital processes provided by Imagica Entertainment Media Services, Inc.

Rick Blaine (Humphrey Bogart), who owns a nightclub in Casablanca, discovers his old flame Ilsa (Ingrid Bergman) is in town with her husband, Victor Laszlo (Paul Henreid). Laszlo is a famed rebel, and with Germans on his tail, Ilsa knows Rick can help them get out of the country.

When bratty 8-year-old Kevin McCallister (Macaulay Culkin) acts out the night before a family trip to Paris, his mother (Catherine O'Hara) makes him sleep in the attic. After the McCallisters mistakenly leave for the airport without Kevin, he awakens to an empty house and assumes his wish to have no family has come true. But his excitement sours when he realizes that two con men (Joe Pesci, Daniel Stern) plan to rob the McCallister residence, and that he alone must protect the family home.

In Earth's future, a global crop blight and second Dust Bowl are slowly rendering the planet uninhabitable. Professor Brand (Michael Caine), a brilliant NASA physicist, is working on plans to save mankind by transporting Earth's population to a new home via a wormhole. But first, Brand must send former NASA pilot Cooper (Matthew McConaughey) and a team of researchers through the wormhole and across the galaxy to find out which of three planets could be mankind's new home.

The film follows the misadventures of Jack Skellington, Halloweentown's beloved pumpkin king, who has become bored with the same annual routine of frightening people in the "real world." When Jack accidentally stumbles on Christmastown, all bright colors and warm spirits, he gets a new lease on life -- he plots to bring Christmas under his control by kidnapping Santa Claus and taking over the role. But Jack soon discovers even the best-laid plans of mice and skeleton men can go seriously awry.

Ruthless silver miner, turned oil prospector, Daniel Plainview moves to oil-rich California. Using his adopted son HW to project a trustworthy, family-man image, Plainview cons local landowners into selling him their valuable properties for a pittance. However, local preacher Eli Sunday suspects Plainviews motives and intentions, starting a slow-burning feud that threatens both their lives.
 

Young Henry Hill (Ray Liotta), with his friends Jimmy (Robert De Niro) and Tommy (Joe Pesci), grows up in the mob and works very hard to advance himself through the ranks. He enjoys his life of money and luxury, but is oblivious to the horror that he causes. A drug addiction and a few mistakes ultimately unravel his climb to the top. Based on the book "Wiseguy" by Nicholas Pileggi.

A fairy tale adventure about a beautiful young woman and her one true love. He must find her after a long separation and save her. They must battle the evils of the mythical kingdom of Florin to be reunited with each other.

In 1962 Hong Kong, neighbors Su Li-zhen (Mrs. Chan) and Chow Mo-wan (Mr. Chow) discover their spouses are having an affair. As they spend time together, they develop feelings for each other, but their relationship remains chaste and unspoken, reflecting societal constraints and their own moral compass.

Buddy (Will Ferrell) was accidentally transported to the North Pole as a toddler and raised to adulthood among Santa's elves. Unable to shake the feeling that he doesn't fit in, the adult Buddy travels to New York, in full elf uniform, in search of his real father. As it happens, this is Walter Hobbs (James Caan), a cynical businessman. After a DNA test proves this, Walter reluctantly attempts to start a relationship with the childlike Buddy with increasingly chaotic results.

Insurance worker C.C. Baxter (Jack Lemmon) lends his Upper West Side apartment to company bosses to use for extramarital affairs. When his manager Mr. Sheldrake (Fred MacMurray) begins using Baxter's apartment in exchange for promoting him, Baxter is disappointed to learn that Sheldrake's mistress is Fran Kubelik (Shirley MacLaine), the elevator girl at work whom Baxter is interested in himself. Soon Baxter must decide between the girl he loves and the advancement of his career.

A wheelchair-bound photographer spies on his neighbors from his Greenwich Village courtyard apartment window and, despite the skepticism of his fashion-model girlfriend, becomes convinced one of them has committed murder.

A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.

Stanley Kubrick's daring last film is many things. It is a compelling psychosexual journey. A haunting dreamscape. A riveting tale of suspense. A major milestone in the careers of stars Tom Cruise and Nicole Kidman. And "a worthy final chapter to a great director's career" (Roger Ebert).

Cruise plays Dr William Hartford, who plunges into an erotic foray that threatens his marriage - and may even ensnare him in a lurid murder mystery - after his wife's (Kidman) admission of sexual longings. As the story sweeps from doubt and fear to self-discovery and reconciliation, Kubrick orchestrates it with masterful flourishes. Graceful tracking shots, controlled pacing, rich colours, startling images: bravura traits that make Kubrick a filmmaker for the ages are here to keep everyone's eyes wide shut.

A group of high-end professional thieves start to feel the heat from the LAPD when they unknowingly leave a verbal clue at their latest heist.

Original Cut from a 35mm print. 

Returning home from a shopping trip to a nearby town, bored suburban housewife Laura Jesson (Celia Johnson) is thrown by happenstance into an acquaintance with virtuous doctor Alec Harvey (Trevor Howard). Their casual friendship soon develops during their weekly visits into something more emotionally fulfilling than either expected, and they must wrestle with the potential havoc their deepening relationship would have on their lives and the lives of those they love.

Minnesota car salesman Jerry Lundegaard's inept crime falls apart due to his and his henchmen's bungling and the persistent police work of the quite pregnant Marge Gunderson.

A gadget salesman is looking for a special gift for his son and finds one at a store in Chinatown. The shopkeeper is reluctant to sell him the `mogwai' but sells it to him with the warning to never expose him to bright light, water, or to feed him after midnight. All of this happens and the result is a gang of gremlins that decide to tear up the town on Christmas Eve.

In this revered Western, Ethan Edwards (John Wayne) returns home to Texas after the Civil War. When members of his brother's family are killed or abducted by Comanches, he vows to track down his surviving relatives and bring them home. Eventually, Edwards gets word that his niece Debbie (Natalie Wood) is alive, and, along with her adopted brother, Martin Pawley (Jeffrey Hunter), he embarks on a dangerous mission to find her, journeying deep into Comanche territory.

Tarantino’s Kill Bill: The Whole Bloody Affair unites Volume 1 and Volume 2 into a single, unrated epic—presented exactly as he intended, complete with a new, never-before-seen anime sequence.

Uma Thurman stars as The Bride, left for dead after her former boss and lover Bill ambushes her wedding rehearsal, shooting her in the head and stealing her unborn child. To exact her vengeance, she must first hunt down the four remaining members of the Deadly Viper Assassination Squad before confronting Bill himself. With its operatic scope, relentless action, and iconic style, The Whole Bloody Affair stands as one of cinema’s definitive revenge sagas—rarely shown in its complete form and now presented with a classic intermission.

Two angels, Damiel (Bruno Ganz) and Cassiel (Otto Sander), glide through the streets of Berlin, observing the bustling population, providing invisible rays of hope to the distressed but never interacting with them. When Damiel falls in love with lonely trapeze artist Marion (Solveig Dommartin), the angel longs to experience life in the physical world, and finds--with some words of wisdom from actor Peter Falk (playing himself) -- that it might be possible for him to take human form.

From the imagination of Steven Spielberg, The Goonies plunges a band of young heroes into a swashbuckling surprise-around-every corner quest beyond their wildest dreams!

In a harbour town under siege by greedy land developers working to turn out families, demolish a neighbourhood and turn "the Goondocks" side of town into a golf course, a group of friends who call themselves "The Goonies" rally to save their family homes. Desperate to help their parents raise enough money to stop the bank from foreclosing, The Goonies follow a mysterious old treasure map into a spectacular underground realm of twisting and treacherous passages, outrageous booby-traps and a long-lost pirate ship full of golden doubloons, gemstones and "rich stuff"! Pursued by criminals also after the hidden treasure, The Goonies race to stay one step ahead of a family of bumbling bad guys, their malevolent mama...and Sloth, a mild-mannered behemoth with a face only his mama could love.

The Goonies is from a story by Steven Spielberg, with a screenplay by Chris Columbus (Gremlins, Young Sherlock Holmes). Directed by Richard Donner and starring an ensemble cast with Sean Astin, Josh Brolin, Jeff Cohen, Corey Feldman, Jonathan Ke Quan, Martha Plimpton, and Kerri Green as The Goonies, and Robert Davi, Joe Pantoliano, Anne Ramsey, and John Matuszak as The Fratellis gang, The Goonies is a film that never says die-delighting the young and the young at heart for over three decades!

When they learn that their childhood orphanage is about to be torn down, brothers Jake and Elwood Blues set out to save it by reuniting their old R & B band for a fundraising performance.

After professional hitman Jef Costello is seen by witnesses his efforts to provide himself an alibi drive him further into a corner.

Robert De Niro teams up with director Martin Scorsese to create one of cinema's eternal masterpieces. Nominated for eight Academy Awards, including Best Picture and Best Director, this contemporary classic is 'ambitious, violent, poetic and lyrical' (The New York Times). De Niro turns in a powerful, Best Actor Oscar-winning performance as Jake La Motta, a boxer whose psychological and sexual complexities erupt into violence both in and out of the ring. Joe Pesci and Cathy Moriarty co-star.

Every day, Cop 223 (Takeshi Kaneshiro) buys a can of pineapple with an expiration date of May 1, symbolizing the day he'll get over his lost love. He's also got his eye on a mysterious woman in a blond wig (Brigitte Lin), oblivious of the fact she's a drug dealer. Cop 663 (Tony Leung Chiu Wai) is distraught with heartbreak over a breakup. But when his ex drops a spare set of his keys at a local cafe, a waitress (Faye Wong) lets herself into his apartment and spruces up his life.

In the San Fernando Valley in 1977, teenage busboy Eddie Adams (Mark Wahlberg) gets discovered by porn director Jack Horner (Burt Reynolds), who transforms him into adult-film sensation Dirk Diggler. Brought into a supportive circle of friends, including fellow actors Amber Waves (Julianne Moore), Rollergirl (Heather Graham) and Reed Rothchild (John C. Reilly), Dirk fulfills all his ambitions, but a toxic combination of drugs and egotism threatens to take him back down.

An epic mosaic of many interrelated characters in search of happiness, forgiveness, and meaning in the San Fernando Valley.

Paratrooper commander Colonel Mathieu, a former French Resistance fighter during World War II, is sent to Algeria to reinforce efforts to squelch the uprisings of the Algerian War. There he faces Ali la Pointe, a former petty criminal who, as the leader of the Algerian Front de Liberation Nationale, directs terror strategies against the colonial French government occupation. As each side resorts to ever-increasing brutality, no violent act is too unthinkable.

On a seemingly ordinary day, Joe Turner (Robert Redford), a quiet CIA codebreaker, walks into his workplace and finds that all of his coworkers have been murdered. Horrified, Joe flees the scene and tries to tell his supervisors about the tragedy. Unfortunately, he soon learns that CIA higher-ups were involved in the murders. With no one to trust, and a merciless hit man (Max von Sydow) close on his tail, Joe must somehow survive long enough to figure out why his own agency wants him dead.

Story of a young woman who marries a fascinating widower only to find out that she must live in the shadow of his former wife, Rebecca, who died mysteriously several years earlier. The young wife must come to grips with the terrible secret of her handsome, cold husband, Max De Winter (Laurence Olivier). She must also deal with the jealous, obsessed Mrs. Danvers (Judith Anderson), the housekeeper, who will not accept her as the mistress of the house.

Phoenix secretary Marion Crane (Janet Leigh), on the lam after stealing $40,000 from her employer in order to run away with her boyfriend, Sam Loomis (John Gavin), is overcome by exhaustion during a heavy rainstorm. Traveling on the back roads to avoid the police, she stops for the night at the ramshackle Bates Motel and meets the polite but highly strung proprietor Norman Bates (Anthony Perkins), a young man with an interest in taxidermy and a difficult relationship with his mother.

Hard-nosed private investigator Harry Moseby (Gene Hackman), to distract himself from a rapidly deteriorating marriage, takes a case from an aging B-movie queen (Janet Ward) to locate her runaway daughter, Delly (Melanie Griffith). His search takes him to the Florida Keys, where the girl has been hiding out with her stepfather, Tom (John Crawford), and Tom's lover, Paula (Jennifer Warren). Harry initiates an affair with Paula and soon learns the case is more complex than he first assessed it.

When the seaside community of Amity finds itself under attack by a dangerous great white shark, the town's chief of police, a young marine biologist, and a grizzled hunter embark on a desperate quest to destroy the beast before it strikes again.

Spain is being torn apart by the Civil War. Abandoned in a grim and isolated orphanage, newcomer Carlos, 12, faces hostility and violence from his fellow inmates - led by tormented Jaime - and the brutal handyman, Jacinto. But the dark cellars and empty cloisters of the orphanage hide far greater terrors. The ghost of a young boy, brutally murdered, appears to Carlos, warning of imminent disaster and threatening terrible vengeance.

When ageing womanizer Harry Sanborn (Jack Nicholson) and his young girlfriend, Marin (Amanda Peet), arrive at her family's beach house in the Hamptons, they find that her mother, dramatist Erica Barry (Diane Keaton), also plans to stay for the weekend. Erica is scandalized by the relationship and Harry's sexist ways. But when Harry has a heart attack, and a doctor (Keanu Reeves) prescribes bed rest at the Barry home, he finds himself falling for Erica -- who, for once, may be out of his league.

When a reporter is assigned to decipher newspaper magnate Charles Foster Kane's (Orson Welles) dying words, his investigation gradually reveals the fascinating portrait of a complex man who rose from obscurity to staggering heights. Though Kane's friend and colleague Jedediah Leland (Joseph Cotten), and his mistress, Susan Alexander (Dorothy Comingore), shed fragments of light on Kane's life, the reporter fears he may never penetrate the mystery of the elusive man's final word, "Rosebud."

Widely regarded as one of the greatest films of all time, this mob drama, based on Mario Puzo's novel of the same name, focuses on the powerful Italian-American crime family of Don Vito Corleone (Marlon Brando). When the don's youngest son, Michael (Al Pacino), reluctantly joins the Mafia, he becomes involved in the inevitable cycle of violence and betrayal. Although Michael tries to maintain a normal relationship with his wife, Kay (Diane Keaton), he is drawn deeper into the family business.

In 19th century Qing Dynasty China, a warrior (Chow Yun-Fat) gives his sword, Green Destiny, to his lover (Michelle Yeoh) to deliver to safe keeping, but it is stolen, and the chase is on to find it. The search leads to the House of Yu where the story takes on a whole different level.

Set in feudal Japan, this film presents an intriguing tale of violent crime in the woods, told from the perspective of four different characters -- a bandit, a woman, her husband and a woodcutter. Only two things about the incident seem to be clear -- the woman was raped and her husband is now dead. However, the other elements radically differ as the four participants and/or witnesses relate their own stories (with the dead man, eerily enough, speaking through a medium). As each account is revealed, what seemed black-and-white turns to various hues of gray, leading to surprising -- and confounding -- revelations.

Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson) are hitmen with a penchant for philosophical discussions. In this ultra-hip, multi-strand crime movie, their storyline is interwoven with those of their boss, gangster Marsellus Wallace (Ving Rhames) ; his actress wife, Mia (Uma Thurman) ; struggling boxer Butch Coolidge (Bruce Willis) ; master fixer Winston Wolfe (Harvey Keitel) and a nervous pair of armed robbers, "Pumpkin" (Tim Roth) and "Honey Bunny" (Amanda Plummer).

Rex (Gene Bervoets) and Saskia (Johanna Ter Steege) are enjoying a biking holiday in France when, stopping at a gas station, Saskia disappears. Confounded, Rex searches everywhere, but to no avail. Three years later, he's still obsessed with finding her, pleading his case on television, putting up posters and ruining his new relationship in the process. Eventually an unassuming chemistry teacher, Raymond (Bernard-Pierre Donnadieu), approaches Rex, intimating that he knows what happened.

During the Great Depression, a con man finds himself saddled with a young girl who may or may not be his daughter, and the two forge an unlikely partnership.

Clumsy Monsieur Hulot (Jacques Tati) finds himself perplexed by the intimidating complexity of a gadget-filled Paris. He attempts to meet with a business contact but soon becomes lost. His roundabout journey parallels that of an American tourist (Barbara Dennek), and as they weave through the inventive urban environment, they intermittently meet, developing an interest in one another. They eventually get together at a chaotic restaurant, along with several other quirky characters.

Adapted from Ken Kesey’s novel, the film centres on Randle McMurphy (Nicholson), a convict who simulates mental illness in the hope that a transfer to psychiatric hospital might ensure his early release. But he hasn’t bargained for the rigid regimen of Nurse Ratched (Louise Fletcher, also superb), who dislikes his disruptive — though he’d say liberating — effect on the ward.

Inspired casting (Danny DeVito, Brad Dourif and Christopher Lloyd are among the patients) and Forman’s naturalistic direction lend authenticity to the proceedings, so that the film succeeds both as anti-authoritarian parable and as an affecting reminder of the psychiatric practices of the past.

Wealthy lawyer Newland Archer (Daniel Day-Lewis) is engaged to sweet socialite May Welland (Winona Ryder) in 1870s New York. On the surface, it is a perfect match. But when May's beautiful cousin Countess Ellen Olenska (Michelle Pfeiffer), who is estranged from her brutish husband, arrives in town, Newland begins to question the meaning of passion and love as he desperately pursues a relationship with Ellen, even though she has been made a social outcast by Archer's peers.

"This Is Spinal Tap" shines a light on the self-contained universe of a metal band struggling to get back on the charts, including everything from its complicated history of ups and downs, gold albums, name changes and undersold concert dates, along with the full host of requisite groupies, promoters, hangers-on and historians, sessions, release events and those special behind-the-scenes moments that keep it all real.

Stanley Kubrick bent the conventions of the historical drama to his own will in this dazzling vision of a pitiless aristocracy, adapted from a novel by William Makepeace Thackeray. In picaresque detail, Barry Lyndon chronicles the adventures of an incorrigible trickster (Ryan O’Neal) whose opportunism takes him from an Irish farm to the battlefields of the Seven Years’ War and the parlours of high society. For the most sumptuously crafted film of his career, Kubrick recreated the decadent surfaces and intricate social codes of the period, evoking the light and texture of eighteenth-century painting with the help of pioneering cinematographic techniques and lavish costume and production design, all of which earned Academy Awards. The result is a masterpiece—a sardonic, devastating portrait of a vanishing world whose opulence conceals the moral vacancy at its heart.

Please Note: The film will be presented with a brief 5-10min intermission. 

Famed stage actress Elisabeth Vogler (Liv Ullmann) suffers a moment of blankness during a performance and the next day lapses into total silence. Advised by her doctor to take time off to recover from what appears to be an emotional breakdown, Elisabeth goes to a beach house on the Baltic Sea with only Anna (Bibi Andersson), a nurse, as company. Over the next several weeks, as Anna struggles to reach her mute patient, the two women find themselves experiencing a strange emotional convergence.

Uncomplainingly jobless in late-50s Paris, Michel starts stealing from strangers, for reasons unclear even to himself. He spouts vague theories about exceptional individuals being above the law – but is he lost in another world, as Jeanne, a young woman he halfheartedly befriends, tells him?

Intentionally not a thriller but certainly not without suspense, Robert Bresson’s film is profoundly ambivalent about Michel’s ethics, sexuality (he seems aroused by his thefts), his capacity for compassion and his courtship of suspicion in others. His isolation, however, is undeniable. A riveting morality tale reminiscent of both Hitchcock and Dostoevsky, it’s imbued with the director’s distinctive rigour.

A screenwriter with a violent temper is a murder suspect until his lovely neighbor clears him. However, she soon starts to have her doubts.

This imaginative Japanese production presents a series of short films by lauded director Akira Kurosawa. In one chapter, a young boy spies on foxes that are holding a wedding ceremony; the following installment features another youth, who witnesses a magical moment in an orchard. In the segment "Crows," an aspiring artist enters the world of a painting and encounters Vincent van Gogh (Martin Scorsese). Many of the films in this inventive movie are tied together by an environmental theme.

Teen friends Tummler (Nick Sutton) and Solomon (Jacob Reynolds) navigate the ruins of a tiny, tornado-ravaged town in Ohio that is populated by the deformed, disturbed and perverted. When not gunning down stray cats for a few bucks, the boys pass their time getting stoned on household inhalants. Elsewhere, the mute Bunny Boy (Jacob Sewell) dons rabbit ears and is bullied by kids half his age, and sisters Dot (Chloe Sevigny) and Helen (Carisa Glucksman) dodge a pedophile.

In Vietnam in 1970, Captain Willard (Martin Sheen) takes a perilous and increasingly hallucinatory journey upriver to find and terminate Colonel Kurtz (Marlon Brando), a once-promising officer who has reportedly gone completely mad. In the company of a Navy patrol boat filled with street-smart kids, a surfing-obsessed Air Cavalry officer (Robert Duvall), and a crazed freelance photographer (Dennis Hopper), Willard travels further and further into the heart of darkness.

Jodie Foster stars as Clarice Starling, a top student at the FBI's training academy. Jack Crawford (Scott Glenn) wants Clarice to interview Dr. Hannibal Lecter (Anthony Hopkins), a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling, as an attractive young woman, may be just the bait to draw him out.

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin's resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

In 1986, Park (Song Kang-ho) and Cho (Kim Roi-ha) are two simple-minded detectives assigned to a double murder investigation in a South Korean province. But when the murderer strikes several more times with the same pattern, the detectives realize that they are chasing the country's first documented serial killer. Relying on only their basic skills and tools, Park and Jo attempt to piece together the clues and solve the case in this thriller based on true events.

A cornerstone of the French New Wave, the first feature from Alain Resnais is one of the most influential films of all time. A French actress (Emmanuelle Riva) and a Japanese architect (Eiji Okada) engage in a brief, intense affair in postwar Hiroshima, their consuming mutual fascination impelling them to exorcise their own scarred memories of love and suffering. With an innovative flashback structure and an Academy Award–nominated screenplay by novelist Marguerite Duras, Hiroshima mon amour is a moody masterwork that delicately weaves past and present, personal pain and public anguish.

Dae-Su is an obnoxious drunk bailed from the police station yet again by a friend. However, he's abducted from the street and wakes up in a cell, where he remains for the next 15 years, drugged unconscious when human contact is unavoidable, otherwise with only the television as company. And then, suddenly released, he is invited to track down his jailor with a denouement that is simply stunning.

Funeral Parade is proud to present Judy Garland, one of Hollywood’s first gay icons, in A Star is Born, George Cukor’s timeless showbiz fable about a tempestuous love affair between a living legend in decline and superstar on the rise.

Esther Blodgett (Garland) was just a small-time singer making ends meet until she had a chance encounter Norman Maine (James Mason), a fading matinee idol. With Norman’s help, Esther lands herself a contract at a major Hollywood movie studio, where she is primped and preened for stardom. Rechristened “Vicki Lester”, she quickly becomes a household name, while Norman, now her husband, slips further into irrelevancy and alcoholism. A brilliant example of both the musical and the melodrama, A Star is Born’s unique mix of razzle-dazzle and high tragedy make it a key film for Garland’s enduring status as a gay icon.

There's a single piece of land around Flagstone with water on it, and rail baron Morton (Gabriele Ferzetti) aims to have it, knowing the new railroad will have to stop there. He sends his henchman Frank (Henry Fonda) to scare the land's owner, McBain (Frank Wolff), but Frank kills him instead and pins it on a known bandit, Cheyenne (Jason Robards). Meanwhile, a mysterious gunslinger with a score to settle (Charles Bronson) and McBain's new wife, Jill (Claudia Cardinale), arrive in town.

42 9th graders are sent to a deserted island. They are given a map, food, and various weapons. An explosive collar is fitted around their neck. If they break a rule, the collar explodes. Their mission: kill each other and be the last one standing. The last survivor is allowed to leave the island. If there is more than one survivor, the collars explode and kill them all.

When the LAPD kills several members of the South Central gang Street Thunder, the remaining members avenge themselves by way of a bloody war waged against cops and citizens alike. Caught in the crossfire is Lt. Ethan Bishop (Austin Stoker), who's managing a skeleton crew at the local and soon-to-be-closed police precinct. As the gang members close in, Bishop forms an unlikely alliance with a group of prisoners in order to defend the station and the lives of everyone in it.

Fred, Homer and Al, three World War II veterans, return home and dream of spending the rest of their lives with their families. However, they soon realise that the war has changed their lives forever.

Henry, a shy bank clerk in charge of gold bullions, dreams of leading an opulent life. Soon, he comes in contact with a foundry owner, Alfred. Both plan to smuggle gold out of the bank.

Three detectives from Los Angeles Police Department investigate multiple homicides. While unearthing the evidence and the suspects, the trail leads to corruption in their own department.

Jeff "The Dude" Lebowski, mistaken for a millionaire of the same name, seeks restitution for his ruined rug and enlists his bowling buddies to help get it.

Babe Levy, a history student, tragically sees his older brother die in his arms. The ensuing investigation soon thrusts him into a deadly conspiracy involving smuggled diamonds and a war criminal.

In the South American jungle, supplies of nitroglycerine are needed at a remote oil field. The oil company pays four men to deliver the supplies in two trucks. A tense rivalry develops between the two sets of drivers on the rough remote roads where the slightest jolt can result in death.

Andy Dufresne (Tim Robbins) is sentenced to two consecutive life terms in prison for the murders of his wife and her lover and is sentenced to a tough prison. However, only Andy knows he didn't commit the crimes. While there, he forms a friendship with Red (Morgan Freeman), experiences the brutality of prison life, adapts, helps the warden, etc., all in 19 years.

In the small South American town of Porvenir, four men on the run from the law are offered $10,000 and legal citizenship if they will transport a shipment of dangerously unstable nitroglycerin to an oil well 200 miles away. Led by Jackie Scanlon (Roy Scheider), the men set off on a hazardous journey, during which they must contend with dangerously rocky roads, unstable bridges, and attacks from local guerillas. The four fight for their lives as they struggle to complete their dangerous quest.
 

Experience the UK Premiere of William Friedkin’s white-knuckle thriller SORCERER from a new 4K Restoration! Often hailed as Friedkin’s boldest and most underrated film, don’t miss this explosive classic from a new restoration created from a scan of the 35mm original negative, and using a 1998 35mm print and 2013 video master – both approved by William Friedkin – for colour referencing, on our biggest screen!

When teen Sarah is forced to babysit her half-brother Toby, she summons Jareth the Goblin King to take him away. When he is actually kidnapped, Sarah is given just thirteen hours to solve a labyrinth and rescue him.

A new English teacher, John Keating (Robin Williams), is introduced to an all-boys preparatory school that is known for its ancient traditions and high standards. He uses unorthodox methods to reach out to his students, who face enormous pressures from their parents and the school. With Keating's help, students Neil Perry (Robert Sean Leonard), Todd Anderson (Ethan Hawke) and others learn to break out of their shells, pursue their dreams and seize the day.

In this classic drama, Vicky Page (Moira Shearer) is an aspiring ballerina torn between her dedication to dance and her desire to love. While her imperious instructor, Boris Lermontov (Anton Walbrook), urges to her to forget anything but ballet, Vicky begins to fall for the charming young composer Julian Craster (Marius Goring). Eventually Vicky, under great emotional stress, must choose to pursue either her art or her romance, a decision that carries serious consequences.

Winner of the Palme d’Or at the 1997 Cannes Film Festival, Iranian auteur Abbas Kiarostami’s _Taste of Cherry_ is an emotionally complex meditation on life and death. Middle-aged Mr. Badii (Homayoun Ershadi) drives through the hilly outskirts of Tehran—searching for someone to rescue or bury him.

A hot-tempered farm laborer convinces the woman he loves to marry their rich but dying boss so that they can have a claim to his fortune.

When the transition is being made from silent films to `talkies', everyone has trouble adapting. Don and Lina have been cast repeatedly as a romantic couple, but when their latest film is remade into a musical, only Don has the voice for the new singing part. After a lot of practise with a diction coach, Lina still sounds terrible, and Kathy, a bright young aspiring actress, is hired to record over her voice.

While out hunting, Llewelyn Moss (Josh Brolin) finds the grisly aftermath of a drug deal. Though he knows better, he cannot resist the cash left behind and takes it with him. The hunter becomes the hunted when a merciless killer named Chigurh (Javier Bardem) picks up his trail. Also looking for Moss is Sheriff Bell (Tommy Lee Jones), an aging lawman who reflects on a changing world and a dark secret of his own, as he tries to find and protect Moss.

When inexperienced criminal Sonny Wortzik (Al Pacino) leads a bank robbery in Brooklyn, things quickly go wrong, and a hostage situation develops. As Sonny and his accomplice, Sal Naturile (John Cazale), try desperately to remain in control, a media circus develops and the FBI arrives, creating even more tension. Gradually, Sonny's surprising motivations behind the robbery are revealed, and his standoff with law enforcement moves toward its inevitable end.

A thief who steals corporate secrets through the use of dream-sharing technology is given the inverse task of planting an idea into the mind of a C.E.O., but his tragic past may doom the project and his team to disaster.

The crowning triumph of a career cut tragically short, the final film from Larisa Shepitko won the Golden Bear at the 1977 Berlin Film Festival and went on to be hailed as one of the finest works of late Soviet cinema. In the darkest days of World War II, two partisans set out for supplies to sustain their beleaguered outfit, braving the blizzard-swept landscape of Nazi-occupied Belorussia. When they fall into the hands of German forces and come face-to-face with death, each must choose between martyrdom and betrayal, in a spiritual ordeal that lifts the film's earthy drama to the plane of religious allegory. With stark, visceral cinematography that pits blinding white snow against pitch-black despair, THE ASCENT finds poetry and transcendence in the harrowing trials of war.

A comic-book nerd and Elvis fanatic Clarence (Christian Slater) and a prostitute named Alabama (Patricia Arquette) fall in love. Clarence breaks the news to her pimp and ends up killing him. He grabs a suitcase of cocaine on his way out thinking it is Alabama's clothing. The two hit the road for California hoping to sell the cocaine, but the mob is soon after them.

In an ordinary suburban house, on a lovely tree-lined street, in the middle of 1970s America, lived the five beautiful, dreamy Lisbon sisters, whose doomed fates indelibly marked the neighborhood boys who to this day continue to obsess over them. A story of love and repression, fantasy and terror, sex and death, memory and longing. It is at its core a mystery story: a heart-rending investigation into the impenetrable, life-altering secrets of American adolescence.

Wolfgang Amadeus Mozart (Tom Hulce) is a remarkably talented young Viennese composer who unwittingly finds a fierce rival in the disciplined and determined Antonio Salieri (F. Murray Abraham). Resenting Mozart for both his hedonistic lifestyle and his undeniable talent, the highly religious Salieri is gradually consumed by his jealousy and becomes obsessed with Mozart's downfall, leading to a devious scheme that has dire consequences for both men.

Ever since they were kids, Sincere (Nas) and Buns (DMX) have lived life close to the edge, doing whatever it takes to survive. As adults, they build up their kingdom of crime on drug dealing and robbery. But Sincere grows weary of the criminal lifestyle and joins a black Muslim religious group. Buns, on the other hand, sinks deeper into criminality and faces serious prison time. The cops offer him a deal, however -- assassinate the head of the Muslim group, and he will go free.

Dockworker Terry Malloy (Marlon Brando) had been an up-and-coming boxer until powerful local mob boss Johnny Friendly (Lee J. Cobb) persuaded him to throw a fight. When a longshoreman is murdered before he can testify about Friendly's control of the Hoboken waterfront, Terry teams up with the dead man's sister Edie (Eva Marie Saint) and the streetwise priest Father Barry (Karl Malden) to testify himself, against the advice of Friendly's lawyer, Terry's older brother Charley (Rod Steiger).

First time father Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child. David Lynch arrived on the scene in 1977, almost like a mystical UFO gracing the landscape of LA with its enigmatic radiance. His inaugural work, "Eraserhead" (1977), stood out as a cinematic anomaly, painting a surreal narrative of a young man navigating a dystopian, industrialized America, grappling not only with his tumultuous home life but also contending with an irate girlfriend and a mutant child.

A Victorian surgeon rescues a heavily disfigured man being mistreated by his "owner" as a side-show freak. Behind his monstrous façade, there is revealed a person of great intelligence and sensitivity. Based on the true story of Joseph Merrick (called John Merrick in the film), a severely deformed man in 19th century London.

From this inventory of imagery, Lynch fashions two separate but intersecting stories, one about a jazz musician (Bill Pullman), tortured by the notion that his wife is having an affair, who suddenly finds himself accused of her murder. The other is a young mechanic (Balthazar Getty) drawn into a web of deceit by a temptress who is cheating on her gangster boyfriend. These two tales are linked by the fact that the women in both are played by the same actress (Patricia Arquette).

College student Jeffrey Beaumont (Kyle MacLachlan) returns home after his father has a stroke. When he discovers a severed ear in an abandoned field, Beaumont teams up with detective's daughter Sandy Williams (Laura Dern) to solve the mystery. They believe beautiful lounge singer Dorothy Vallens (Isabella Rossellini) may be connected with the case, and Beaumont finds himself becoming drawn into her dark, twisted world, where he encounters sexually depraved psychopath Frank Booth (Dennis Hopper)

A dark-haired woman (Laura Elena Harring) is left amnesiac after a car crash. She wanders the streets of Los Angeles in a daze before taking refuge in an apartment. There she is discovered by Betty (Naomi Watts), a wholesome Midwestern blonde who has come to the City of Angels seeking fame as an actress. Together, the two attempt to solve the mystery of Rita's true identity. The story is set in a dream-like Los Angeles, spoilt neither by traffic jams nor smog.

Warner Bros. Pictures present an ‘unrestored’ 70mm print of the director’s groundbreaking science fiction epic!

"For the first time since the original release, this 70mm print was struck from new printing elements made from the original camera negative. This is a true photochemical film recreation. There are no digital tricks, remastered effects, or revisionist edits. This is the unrestored film - that recreates the cinematic event that audiences experienced fifty years ago." - Christopher Nolan

Stanley Kubrick’s dazzling, Academy Award®-winning* achievement is a compelling drama of man vs. machine, a stunning meld of music and motion. Kubrick (who co-wrote the screenplay with Arthur C. Clarke) first visits our prehistoric ape-ancestry past, then leaps millennia (via one of the most mind-blowing jump cuts ever) into colonized space, and ultimately whisks astronaut Bowman (Keir Dullea) into uncharted space, perhaps even into immortality. “Open the pod bay doors, HAL.” Let an awesome journey unlike any other begin.

Please Note: Our 70mm screenings of '2001: A Space Odyssey' follow a partictular presentation procedure;

- Overture (3mins / Music)

- 1st half of feature (86mins)

- * Intermission* (usually 10 for quieter shows, can be 20mins for busier ones)

- Entracte (2mins / Music)

- 2nd half of feature (54mins)

- Exit (5mins / Music)

- Total time; approx 170mins (though this is dependent on Intermission length)

In deep space, the crew of the commercial starship Nostromo is awakened from their cryo-sleep capsules halfway through their journey home to investigate a distress call from an alien vessel. The terror begins when the crew encounters a nest of eggs inside the alien ship. An organism from inside an egg leaps out and attaches itself to one of the crew, causing him to fall into a coma.

An unforgettable mixture of bubblegum teen melodrama and grisly phantasmagoria, Obayashi’s deranged fairy tale House is one of Japanese cinema’s wildest supernatural ventures and a truly startling debut feature.

Distressed by her widowed father’s plans to remarry, Angel sets off with six of her schoolgirl friends in tow for a summer getaway in her aunt’s isolated mansion. But all is not well – in this house of dormant secrets, long-held emotional traumas have terrifyingly physical embodiments and the girls will have to use all their individual talents if any are to survive.

A rollercoaster ride without brakes, House is by turns sinister, hilarious and curiously touching, with ceaseless cinematic invention and a satirical, full-blooded approach to the horror genre.

When a beautiful stranger leads computer hacker Neo to a forbidding underworld, he discovers the shocking truth--the life he knows is the elaborate deception of an evil cyber-intelligence.

Foreign Legion officer Galoup recalls his once glorious life, training troops in the Gulf of Djibouti. His existence there was happy, strict and regimented, until the arrival of a promising young recruit, Sentain, plants the seeds of jealousy in Galoup's mind.

On a dark, wet night a historic and regal Chinese cinema sees its final film. Together with a small handful of souls they bid "Goodbye, Dragon Inn".

This classic suspense film finds New York City ad executive Roger O. Thornhill (Cary Grant) pursued by ruthless spy Phillip Vandamm (James Mason) after Thornhill is mistaken for a government agent. Hunted relentlessly by Vandamm's associates, the harried Thornhill ends up on a cross-country journey, meeting the beautiful and mysterious Eve Kendall (Eva Marie Saint) along the way. Soon Vandamm's henchmen close in on Thornhill, resulting in a number of iconic action sequences.

In a Manhattan cafe, word processor Paul Hackett (Griffin Dunne) meets and talks literature with Marcy (Rosanna Arquette). Later that night, Paul takes a cab to Marcy's downtown apartment. His $20 bill flying out the window during the ride portends the unexpected night he has. He cannot pay for the ride and finds himself in a series of awkward, surreal and life-threatening situations with a colorful cast of characters. He spends the rest of the night trying to return uptown.

In this acclaimed Robert Altman drama, the lives of numerous people in the Tennessee capital intersect in unpredictable ways. Delbert Reese (Ned Beatty) is a lawyer and political organizer who is having difficulties in his marriage to Linnea (Lily Tomlin), a gospel vocalist. Other performers heavily featured in this renowned ensemble production include country singers Barbara Jean (Ronee Blakley) and Connie White (Karen Black), who are rivals in the city's thriving music scene.

The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.

A few decades after the destruction of the Inca Empire, a Spanish expedition led by the infamous Aguirre leaves the mountains of Peru and goes down the Amazon River in search of the lost city of El Dorado. When great difficulties arise, Aguirre's men start to wonder whether their quest will lead them to prosperity or certain death.

A winner of awards across the world including Best Foreign Language Film Oscar, 5 BAFTA Awards including Best Actor, Original Screenplay and Score, the Grand Prize of the Jury at the Cannes Film Festival and many more.

Giuseppe Tornatore's loving homage to the cinema tells the story of Salvatore, a successful film director, returning home for the funeral of Alfredo, his old friend who was the projectionist at the local cinema throughout his childhood. Soon memories of his first love affair with the beautiful Elena and all the highs and lows that shaped his life come flooding back, as Salvatore reconnects with the community he left 30 years earlier.

At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank. When it turns out that the government has been using the bank as a hiding place for illegally detained political prisoners -- who are freed by the blast -- Miranda becomes a revolutionary hero against his will.

Sergei Parajanov's celebrated masterpiece paints an astonishing portrait of the 18th century Armenian poet Sayat Nova, the 'King of Song'. Parajanov's aim was not a conventional biography but a cinematic expression of his work, resulting in an extraordinary visual poem. Key moments in his subject's life are illustrated through a series of exquisitely orchestrated tableaux filled with rich colour and stunning iconography, each scene a celluloid painting alive with stylised movement.

Tom Ripley, who deals in forged art, suggests a picture framer he knows would make a good hit man.

Two jobless Americans convince a prospector to travel to the mountains of Mexico with them in search of gold. But the hostile wilderness, local bandits, and greed all get in the way of their journey.

Frank Serpico (Al Pacino) is an idealistic New York City cop who refuses to take bribes, unlike the rest of the force. His actions get Frank shunned by the other officers, and often placed in dangerous situations by his partners. When his superiors ignore Frank's accusations of corruption, he decides to go public with the allegations. Although this causes the Knapp Commission to investigate his claims, Frank has also placed a target on himself. The film is based on a true story.

In Steven Spielberg's legendary feature debut, an insane trucker pursues an innocent motorist along a barren stretch of desert highway. Built on action and suspense, this effort of pure cinema manages to be compelling with very little dialogue. "Duel" ranks among Spielberg's best in terms of unadulterated thrills. The filmmaking techniques utilized by Spielberg are still imitated today.

During the Napoleonic Wars, a brash British captain pushes his ship and crew to their limits in pursuit of a formidable French war vessel around South America.

The tale of an eccentric band of culinary ronin who guide the widow of a noodle-shop owner on her quest for the perfect recipe, this rapturous “ramen western” by Japanese director Juzo Itami is an entertaining, genre-bending adventure underpinned by a deft satire of the way social conventions distort the most natural of human urges—our appetites. Interspersing the efforts of Tampopo (Nobuko Miyamoto) and friends to make her café a success with the erotic exploits of a gastronome gangster and glimpses of food culture both high and low, the sweet, sexy, and surreal Tampopo is a lavishly inclusive paean to the sensual joys of nourishment, and one of the most mouthwatering examples of food on film ever made.

This widely acclaimed film from Soviet director Elem Klimov is a stunning, senses-shattering plunge into the dehumanizing horrors of war. As Nazi forces encroach on his small village in present-day Belarus, teenage Flyora (Aleksei Kravchenko, in one of the screen’s most searing depictions of anguish since Renée Falconetti’s Joan of Arc) eagerly joins the Soviet resistance. Rather than the adventure and glory he envisioned, what he finds is a waking nightmare of unimaginable carnage and cruelty—rendered with a feverish, otherworldly intensity by Klimov’s subjective camerawork and expressionistic sound design. Nearly suppressed by Soviet censors who took eight years to approve its script, Come and See is perhaps the most visceral, impossible-to-forget antiwar film ever made.

It's 1944 and the Allies have invaded Nazi-held Europe. In Spain, a troop of soldiers are sent to a remote forest to flush out the rebels. They are led by Capitan Vidal, a murdering sadist, and with him are his new wife Carmen and her daughter from a previous marriage, 11-year-old Ofelia. Ofelia witnesses her stepfather's sadistic brutality and is drawn into Pan's Labyrinth, a magical world of mythical beings.

Sebastian (Ryan Gosling) and Mia (Emma Stone) are drawn together by their common desire to do what they love. But as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.

A former San Francisco police detective juggles wrestling with his personal demons and becoming obsessed with the hauntingly beautiful woman he has been hired to trail, who may be deeply disturbed.

In an unnamed country at an unspecified time, there is a fiercely protected post-apocalyptic wasteland known as The Zone. An illegal guide (Aleksandr Kajdanovsky), whose mutant child suggests unspeakable horrors within The Zone, leads a writer (Anatoliy Solonitsyn) and a scientist (Nikolay Grinko) into the heart of the devastation in search of a mythical place known only as The Room. Anyone who enters The Room will supposedly have any of his earthly desires immediately fulfilled.

Badlands announced the arrival of a major talent: Terrence Malick. His impressionistic take on the notorious Charles Starkweather killing spree of the late 1950s uses a serial-killer narrative as a springboard for an oblique teenage romance, lovingly and idiosyncratically enacted by Martin Sheen and Sissy Spacek. The film introduced many of the elements that would earn Malick his passionate following: the enigmatic approach to narrative and character, the unusual use of voice-over, the juxtaposition of human violence with natural beauty, the poetic investigation of American dreams and nightmares. This debut has spawned countless imitations, but none have equaled its strange sublimity.

Ready to serve and protect like never before, the future of law enforcement blasts his way back into cinemas from 20 May in a definitive 4K restoration – uncut and approved by Paul Verhoeven. This reissue of MGM's RoboCop (Director's Cut) will be supported by marketing materials including a poster (above), trailer (below), plus a publicity campaign.

An era-defining cult phenomenon, the visionary Dutch director's blistering sci-fi satire on the politics of corruption has never looked better and demands to be seen on the big screen. Cinemas... you have 20 seconds to comply!

This 4K restoration of the film is from the original camera negative by MGM, approved by director Paul Verhoeven.

An aging silent film queen refuses to accept that her stardom has ended. She hires a young screenwriter to help set up her movie comeback. The screenwriter believes he can manipulate her, but he soon finds out he is wrong. The screenwriters ambivalence about their relationship and her unwillingness to let go leads to a situation of violence, madness, and death.

A fictionalized account in four chapters of the life of celebrated Japanese writer Yukio Mishima.

Tom Ripley (Alain Delon) travels to Italy to visit his playboy friend Phillippe Greenleaf (Maurice Ronet) and Phillippe's new fiancée, Marge Duval (Marie Laforêt). What Phillippe doesn't know is that his father has paid Tom to convince his son to abandon Europe and return to his family responsibilities in San Francisco. But when Phillippe's family cuts off their funding of Tom's extravagant lifestyle during his covert mission, he discovers another way to maintain his newfound standard of living.

Petty thug Michel (Jean-Paul Belmondo) considers himself a suave bad guy in the manner of Humphrey Bogart, but panics and impulsively kills a policeman while driving a stolen car. On the lam, he turns to his aspiring journalist girlfriend, Patricia (Jean Seberg), hiding out in her Paris apartment while he tries to pull together enough money to get the pair to Italy. But when Patricia learns that her boyfriend is being investigated for murder, she begins to question her loyalties.

An American drug dealer living in Tokyo is betrayed by his best friend and killed in a drug deal. His soul, observing the repercussions of his death, seeks resurrection.

Raised in a strict Catholic family, Theresa (Diane Keaton) teaches deaf children during the day and cruises singles bars and discos at night. Theresa favors rough sex with random suitors, ignoring the advances of well-meaning but nerdy social worker James (William Atherton). Instead, Theresa pursues the likes of Tony (Richard Gere), whose threatening knife and swagger excite her. Theresa indulges in increasingly dangerous encounters, putting her life at risk.

This influential German science-fiction film presents a highly stylized futuristic city where a beautiful and cultured utopia exists above a bleak underworld populated by mistreated workers. When the privileged youth Freder (Gustav Fröhlich) discovers the grim scene under the city, he becomes intent on helping the workers. He befriends the rebellious teacher Maria (Brigitte Helm), but this puts him at odds with his authoritative father, leading to greater conflict.

When he is not planning for his upcoming stage musical or working on his Hollywood film, choreographer/director Joe Gideon (Roy Scheider) is popping pills and sleeping with a seemingly endless line of women. The physical and mental stress begins to take a toll on the ragged perfectionist. Soon, he must decide whether or not his non-stop work schedule and hedonistic lifestyle are worth risking his life. The film is a semi-autobiographical tale written and directed by the legendary Bob Fosse.

In remote Antarctica, a group of American research scientists are disturbed at their base camp by a helicopter shooting at a sled dog. When they take in the dog, it brutally attacks both human beings and canines in the camp and they discover that the beast can assume the shape of its victims. A resourceful helicopter pilot (Kurt Russell) and the camp doctor (Richard Dysart) lead the camp crew in a desperate, gory battle against the vicious creature before it picks them all off, one by one.

Five students with seemingly nothing in common are faced with spending a Saturday detention together in their high school library. At 7am, they have nothing to say to each other, but they soon begin to open up and find some unlikely friends.

To the outside world they were simply the Jock, the Brain, the Criminal, the Princess and the Kook, but to each other they would always be The Breakfast Club.

In this highly philosophical film by acclaimed director Terrence Malick, young Jack is one of three brothers growing up as part of the O'Brien family in small-town Texas. Jack has a contentious relationship with his father (Brad Pitt), but gets along well with his beautiful mother (Jessica Chastain). As an adult, Jack (Sean Penn) struggles with his past and tries to make sense of his childhood, while also grappling with bigger existential issues.

Freddie Quell (Joaquin Phoenix) is a troubled, boozy drifter struggling with the trauma of World War II and whatever inner demons ruled his life before that. On a fateful night in 1950, Freddie boards a passing boat and meets Lancaster Dodd (Philip Seymour Hoffman), the charismatic leader of a religious movement called the Cause. Freddie tries hard to adhere to Dodd's weird teachings and forms a close bond with his mentor, even as other members of Dodd's inner circle see him as a threat.

A detective starts spiraling out of control when a wave of gruesome murders with seemingly similar bizarre circumstances are sweeping Tokyo.

A cynical TV weatherman finds himself reliving the same day over and over again when he goes on location to the small town of Punxsutawney to film a report about their annual Groundhog Day. His predicament drives him to distraction, until he sees a way of turning the situation to his advantage.

Lola (Franka Potente) answers a red phone the same color as her punk rock hair. It’s her boyfriend Manni (Moritz Bleibtru), a small time courier for a big time gangster. He is at a pay phone with a big problem. His boss is coming to pick up 100,000 Deutsche Marks in twenty minutes, and Manni doesn’t have it. Due to an unfortunate series of events, he left it in a bag on a train. While the homeless man who grabbed the money is about to have a really good day, Lola is determined to figure a way out of this for Manni, so it’s not his last.

With Manni’s life on the line, Lola takes off running through the streets of Berlin to reach him and somehow pick up 100,000 marks along the way, making split-second decisions and encountering acquaintances, family, and strangers. She runs down sidewalks, into offices, through traffic and back again. As the clock ticks down, the tiniest choices become life altering (or life-ending) decisions, and the fine line between fate and fortune begins to blur.

Told in three variations with three endings, Run Lola Run is a fast-paced, kinetic exploration of destiny, set to a pumping dance music soundtrack and interspersed with animated interludes, flashbacks, and flashforwards that remind us of life's limitless possibilities.

Funeral Parade is proud to present Caravaggio, Derek Jarman’s highly stylised biography of one of Renaissance art’s most enduring figures. 

The year is 1610 and renaissance painter Michelangelo Merisi da Caravaggio (Nigel Terry) is wanted for murder. Having been on the run for four years, he finds himself on his deathbed, where he tended to by his young apprentice, John Jerusaleme (Spencer Leigh). As he slips away into death, Caravaggio recalls his life: his rise to prominence with the help of the Vatican; his unorthodox use of sex workers and homeless people as models for religious paintings; and his tempestuous love affairs with Ranuccio (Sean Bean) and Lena (Tilda Swinton). A biopic that’s unconventional as it is stunningly beautiful, Jarman’s Caravaggio remains a powerful portrait of the interplay between art and life from one of queer cinema’s most essential filmmakers.

Troubled Italian filmmaker Guido Anselmi (Marcello Mastroianni) struggles with creative stasis as he attempts to get a new movie off the ground. Overwhelmed by his work and personal life, the director retreats into his thoughts, which often focus on his loves, both past and present, and frequently wander into fantastical territory. As he tries to sort out his many entanglements, romantic and otherwise, Anselmi finds his production becoming more and more autobiographical.

While recording sound effects for a slasher flick, Jack Terri (John Travolta) stumbles upon a real-life horror: a car careening off a bridge and into a river. Jack jumps into the water and fishes out Sally (Nancy Allen) from the car, but the other passenger is already dead -- a governor intending to run for president. As Jack does some investigating of his tapes, and starts a perilous romance with Sally, he enters a tangled web of conspiracy that might leave him dead.

When disillusioned Swedish knight Antonius Block (Max von Sydow) returns home from the Crusades to find his country in the grips of the Black Death, he challenges Death (Bengt Ekerot) to a chess match for his life. Tormented by the belief that God does not exist, Block sets off on a journey, meeting up with traveling players Jof (Nils Poppe) and his wife, Mia (Bibi Andersson), and becoming determined to evade Death long enough to commit one redemptive act while he still lives.

When his longtime partner on the force is killed, reckless U.S. Secret Service agent Richard Chance (William L. Petersen) vows revenge, setting out to nab dangerous counterfeit artist Eric Masters (Willem Dafoe). Along with his new, straitlaced partner, John Vukovich (John Pankow), Chance sets up a scheme to entrap Masters, resulting in the accidental death of an undercover officer. As Chance's desire for justice becomes an obsession, Vukovich questions the lawless methods he employs.

After a painful breakup, Clementine (Kate Winslet) undergoes a procedure to erase memories of her former boyfriend Joel (Jim Carrey) from her mind. When Joel discovers that Clementine is going to extremes to forget their relationship, he undergoes the same procedure and slowly begins to forget the woman that he loved. Directed by former music video director Michel Gondry, the visually arresting film explores the intricacy of relationships and the pain of loss.

An American barroom pianist and his prostitute girlfriend go on a trip through the Mexican underworld to collect the bounty on the head of a dead gigolo.

In this Japanese animation, cyborg federal agent Maj. Motoko Kusanagi (Mimi Woods) trails "The Puppet Master" (Abe Lasser), who illegally hacks into the computerized minds of cyborg-human hybrids. Her pursuit of a man who can modify the identity of strangers leaves Motoko pondering her own makeup and what life might be like if she had more human traits. With her partner (Richard George), she corners the hacker, but her curiosity about her identity sends the case in an unforeseen direction.

Douglas Quaid (Arnold Schwarzenegger) is a bored construction worker in the year 2084 who dreams of visiting the colonized Mars. He visits "Rekall," a company that plants false memories into people's brains, in order to experience the thrill of Mars without having to travel there. But something goes wrong during the procedure; Quaid discovers that his entire life is actually a false memory and that the people who implanted it in his head now want him dead.

Deckard (Harrison Ford) is forced by the police Boss (M. Emmet Walsh) to continue his old job as Replicant Hunter. His assignment: eliminate four escaped Replicants from the colonies who have returned to Earth. Before starting the job, Deckard goes to the Tyrell Corporation and he meets Rachel (Sean Young), a Replicant girl he falls in love with.

Although susceptible to violent outbursts, bathroom supply business owner Barry Egan (Adam Sandler) is a timid and shy man by disposition, leading a lonely, uneventful life -- partly due to the constant berating he suffers from his seven sisters. However, several events transpire that shake up Egan's mundane existence, one of which is falling in love with one sister's co-worker, Lena Leonard (Emily Watson). But the romance is threatened when Egan falls victim to an extortionist.

Drawing its title from the Hopi word meaning "life out of balance," this renowned documentary reveals how humanity has grown apart from nature. Featuring extensive footage of natural landscapes and elemental forces, the film gives way to many scenes of modern civilization and technology. Given its lack of narration and dialogue, the production makes its points solely through imagery and music, with many scenes either slowed down or sped up for dramatic effect.

In the late 1960s and 1970s, fear grips the city of San Francisco as a serial killer called Zodiac stalks its residents. Investigators (Mark Ruffalo, Anthony Edwards) and reporters (Jake Gyllenhaal, Robert Downey Jr.) become obsessed with learning the killer's identity and bringing him to justice. Meanwhile, Zodiac claims victim after victim and taunts the authorities with cryptic messages, cyphers and menacing phone calls.

In Federico Fellini's lauded Italian film, restless reporter Marcello Rubini (Marcello Mastroianni) drifts through life in Rome. While Marcello contends with the overdose taken by his girlfriend, Emma (Yvonne Furneaux), he also pursues heiress Maddalena (Anouk Aimée) and movie star Sylvia (Anita Ekberg), embracing a carefree approach to living. Despite his hedonistic attitude, Marcello does have moments of quiet reflection, resulting in an intriguing cinematic character study.

A lonely, aging movie star named Bob Harris (Bill Murray) and a conflicted newlywed, Charlotte (Scarlett Johansson), meet in Tokyo. Bob is there to film a Japanese whiskey commercial; Charlotte is accompanying her celebrity-photographer husband. Strangers in a foreign land, the two find escape, distraction and understanding amidst the bright Tokyo lights after a chance meeting in the quiet lull of the hotel bar. They form a bond that is as unlikely as it is heartfelt and meaningful.

After getting a green card in exchange for assassinating a Cuban government official, Tony Montana (Al Pacino) stakes a claim on the drug trade in Miami. Viciously murdering anyone who stands in his way, Tony eventually becomes the biggest drug lord in the state, controlling nearly all the cocaine that comes through Miami. But increased pressure from the police, wars with Colombian drug cartels and his own drug-fueled paranoia serve to fuel the flames of his eventual downfall.

After witnessing a Mafia murder, slick saxophone player Joe (Tony Curtis) and his long-suffering buddy, Jerry (Jack Lemmon), improvise a quick plan to escape from Chicago with their lives. Disguising themselves as women, they join an all-female jazz band and hop a train bound for sunny Florida. While Joe pretends to be a millionaire to win the band's sexy singer, Sugar (Marilyn Monroe), Jerry finds himself pursued by a real millionaire (Joe E. Brown) as things heat up and the mobsters close in.

While on a business trip in Los Angeles, Edward Lewis, a millionaire entrepreneur who makes a living buying and breaking up companies, picks up a prostitute, Vivian, while asking for directions; after, Edward hires Vivian to stay with him for the weekend to accompany him to a few social events, and the two get closer only to discover there are significant hurdles to overcome as they try to bridge the gap between their very different worlds.

An assassin goes through obstacles as he attempts to escape his violent lifestyle despite the opposition of his partner, who is secretly attracted to him.

In an England of the future, Alex (Malcolm McDowell) and his "Droogs" spend their nights getting high at the Korova Milkbar before embarking on "a little of the old ultraviolence," while jauntily warbling "Singin' in the Rain." After he's jailed for bludgeoning the Cat Lady to death, Alex submits to behavior modification technique to earn his freedom; he's conditioned to abhor violence. Returned to the world defenseless, Alex becomes the victim of his prior victims.

An antisocial young man, obsessed with death, finds himself drawn to a free-spirited and much, much older woman. With this idiosyncratic and dreamy American fable, director Hal Ashby fashioned what would become a cult classic of its era.

Kat Stratford is beautiful, smart and quite abrasive to most of her fellow teens, meaning that she doesn't attract many boys. Unfortunately for her younger sister, Bianca, house rules say that she can't date until Kat has a boyfriend, so strings are pulled to set the dour damsel up for a romance. Soon Kat crosses paths with handsome new arrival Patrick Verona. Kat may let her guard down enough to fall for the effortlessly charming Patrick.

A disheveled man who wanders out of the desert, Travis Henderson (Harry Dean Stanton) seems to have no idea who he is. When a stranger manages to contact his brother, Walt (Dean Stockwell), Travis is awkwardly reunited with his sibling. Travis has been missing for years, and his presence unsettles Walt and his family, which also includes Travis's own son, Hunter (Hunter Carson). Soon Travis must confront his wife, Jane (Nastassja Kinski), and try to put his life back together.

Rob Gordon (John Cusack) is the owner of a failing record store in Chicago, where he sells music the old-fashioned way -- on vinyl. Although they have an encyclopedic knowledge of pop music and are consumed by the music scene, it's of no help to Rob, whose needle skips the love groove when his long-time girlfriend, Laura (Iben Hjejle), walks out on him. As he examines his failed attempts at romance and happiness, the process finds him being dragged, kicking and screaming, into adulthood.

The cornerstone of director Richard Linklater's career long exploration of cinematic time, this celebrated three-part romance captures a relationship as it begins, begins again, deepens, and strains over the course of almost two decades.

Chronicling the love of Celine (Julie Delpy) and Jesse (Ethan Hawke), from their first meeting as idealistic twentysomethings to the disillusionment they face together in middle age, The Before Trilogy also serves as a document of a boundary-pushing and extraordinarily intimate collaboration between director and actors, as Delpy and Hawke imbue their characters with a sense of lived-in experience, and age on-screen along with them.

Attuned to the sweeping grandeur of time's passage as well as the evanescence of individual moments, the Before films chart the progress of romantic destiny as it navigates the vicissitudes of ordinary life.

FORMATS : Sunrise & Sunset = 35mm, Midnight = DCP.

In this adaptation of Jane Austen's beloved novel, Elizabeth Bennet (Keira Knightley) lives with her mother, father and sisters in the English countryside. As the eldest, she faces mounting pressure from her parents to marry. When the outspoken Elizabeth is introduced to the handsome and upper-class Mr. Darcy (Matthew Macfadyen), sparks fly. Although there is obvious chemistry between the two, Darcy's overly reserved nature threatens the fledgling relationship.

In 1977, college graduates Harry Burns (Billy Crystal) and Sally Albright (Meg Ryan) share a contentious car ride from Chicago to New York, during which they argue about whether men and women can ever truly be strictly platonic friends. Ten years later, Harry and Sally meet again at a bookstore, and in the company of their respective best friends, Jess (Bruno Kirby) and Marie (Carrie Fisher), attempt to stay friends without sex becoming an issue between them.

Renowned dressmaker Reynolds Woodcock and his sister Cyril are at the center of British fashion in 1950s London -- dressing royalty, movie stars, heiresses, socialites and debutantes. Women come and go in Woodcock's life, providing the confirmed bachelor with inspiration and companionship. His carefully tailored existence soon gets disrupted by Alma, a young and strong-willed woman who becomes his muse and lover.

An angelically beautiful Catherine Deneuve was launched to stardom by this dazzling musical heart-tugger from Jacques Demy. She plays an umbrella-shop owner’s delicate daughter, glowing with first love for a handsome garage mechanic, played by Nino Castelnuovo. When the boy is shipped off to fight in Algeria, the two lovers must grow up quickly. Exquisitely designed in a kaleidoscope of colors, and told entirely through the lilting songs of the great composer Michel Legrand, The Umbrellas of Cherbourg is one of the most revered and unorthodox movie musicals of all time.

At the start of the New Year, 32-year-old Bridget (Renée Zellweger) decides it's time to take control of her life -- and start keeping a diary. Now, the most provocative, erotic and hysterical book on her bedside table is the one she's writing. With a taste for adventure, and an opinion on every subject - from exercise to men to food to sex and everything in between - she's turning the page on a whole new life.

In this jazzy gangster film, reformed killer Tetsu's attempt to go straight is thwarted when his former cohorts call him back to Tokyo to help battle a rival gang. Director Seijun Suzuki's onslaught of stylized violence and trippy colors is equal parts Russ Meyer, Samuel Fuller, and Nagisa Oshima—an anything-goes, in-your-face rampage. Tokyo Drifter is a delirious highlight of the brilliantly excessive Japanese cinema of the sixties.

In the folksy town of Deerfield, Wash., FBI Agent Desmond (Chris Isaak) inexplicably disappears while hunting for the man who murdered a teen girl. The killer is never apprehended, and, after experiencing dark visions and supernatural encounters, Agent Dale Cooper (Kyle MacLachlan) chillingly predicts that the culprit will claim another life. Meanwhile, in the similarly cozy town of Twin Peaks, hedonistic beauty Lara Palmer (Sheryl Lee) hangs with lowlifes and seems destined for a grisly fate.

Set in 1941, an intellectual New York playwright Barton Fink (John Turturro) accepts an offer to write movie scripts in L.A. He finds himself with writer's block when required to do a B-movie script. His neighbour (John Goodman) tries to help, but he continues to struggle as a bizarre sequence of events distracts him.

Certain that the anonymous threats he's been receiving are the work of David Kahane (Vincent D'Onofrio), producer Griffin Mill (Tim Robbins) tries to fix things over cocktails. Instead, Griffin ends up murdering the screenwriter and courting the dead man's girlfriend (Greta Scacchi). As police investigate, Griffin concentrates on a prestigious film that might reinvigorate his career. But he soon learns that David's demise hasn't been forgotten by everyone in Hollywood.

Actor Rick Dalton gained fame and fortune by starring in a 1950s television Western, but is now struggling to find meaningful work in a Hollywood that he doesn't recognize anymore. He spends most of his time drinking and palling around with Cliff Booth, his easygoing best friend and longtime stunt double. Rick also happens to live next door to Roman Polanski and Sharon Tate -- the filmmaker and budding actress whose futures will forever be altered by members of the Manson Family.

Infamous and unpredictable, Jesse James (Brad Pitt), nicknamed the fastest gun in the west, plans his next big heist while he launches pre-emptive strikes against those looking to collect the reward the law has placed on his head. Jesse's newest recruits, Robert (Casey Affleck) and Charley Ford (Sam Rockwell), grow increasingly jealous of the outlaw. When they sense an opportunity to kill Jesse, they gun him down, but their actions backfire when Jesse's fame is elevated to near mythical status.

Godzilla is the roaring granddaddy of all monster movies. It’s also a remarkably humane and melancholy drama, made in Japan at a time when the country was reeling from nuclear attack and H-bomb testing in the Pacific. Its rampaging radioactive beast, the poignant embodiment of an entire population’s fears, became a beloved international icon of destruction, spawning almost thirty sequels.

Newly restored in 4K to coincide with its 40th anniversary, the 1984 film was directed by renowned filmmaker Jonathan Demme and is considered by critics as the greatest concert film of all time. Stop Making Sense stars core band members David Byrne, Tina Weymouth, Chris Frantz, and Jerry Harrison along with Bernie Worrell, Alex Weir, Steve Scales, Lynn Mabry and Edna Holt. The live performance was shot over the course of three nights at Hollywood's Pantages Theater in December of 1983 and features Talking Heads' most memorable songs.

Please Note : It is only the SATURDAY EVENING RESIDENCY (tagged 'A24 Merch' on the website) shows which will feature the pop-up merch stand, all other performances are simply regular screenings of the film. 

As a young and naive recruit in Vietnam, Chris Taylor faces a moral crisis when confronted with the horrors of war and the duality of man.

On the planet Ygam, the Draags, extremely technologically and spiritually advanced blue humanoids, consider the tiny Oms, human beings descendants of Terra's inhabitants, as ignorant animals. Those who live in slavery are treated as simple pets and used to entertain Draag children; those who live hidden in the hostile wilderness of the planet are periodically hunted and ruthlessly slaughtered as if they were vermin.

Adapted from Sunil Gangopadhyay's celebrated 1968 novel, Days and Nights in the Forest is one of director Satyajit Ray's greatest achievements, a modern search for connection that conjures the timeless resonance of a folktale. Desperate to flee Calcutta's rat race, four friends—Ashim (Soumitra Chatterjee), Sanjoy (Subhendu Chatterjee), Hari (Samit Bhanja), and Shekhar (Rabi Ghosh)—drive to Palamu, one of India's rural “tribal lands,” where they bribe a watchman into letting them stay at a sylvan guesthouse. Despite vowing to get away from it all, the crew soon mixes with the locals, including a woodland family: the soulful yet mischievous Aparna (Sharmila Tagore) takes to the overconfident Ashim, while her widowed sister-in-law Jaya (Kaberi Bose) grows closer to the bookish Sanjoy. At the same time, Hari, fresh off a break-up, woos a Santal girl named Duli (Simi Garewal); and Shekhar, despite his own penchant for gambling, tries to rein in his companions' boozy hedonism. Filled with some of Ray's most indelible characterizations and lavish images (shot by longtime cinematographer Soumendu Roy), Days and Nights in the Forest touches on masculine vulnerabilities and Indian class divisions with the graceful complexity of a master at his peak.

An entomologist misses the last bus home and spends the night sharing a young widow’s desert shack, only to find the next morning that he’s unable to leave. He soon becomes psychologically and erotically entangled in her strange existence, which includes a daily ritual of shovelling away endlessly drifting sand. 

Winner of a Special Jury Prize at Cannes in 1964 and nominated for two Academy Awards for Best Foreign Film and Best Director, the film combines an extremely erotic drama with a terrifically gripping thriller. Adapted from Kobe Abe’s novel by acclaimed director Hiroshi Teshigahara, the film also features startling high-contrast black and white photography from Hiroshi Segawa and a superb minimalist score by Toru Takemitsu.

A neon-drenched trip through nocturnal Taipei, Millennium Mambo stars Shu Qi as Vicky, a bar hostess losing interest in her dull, garrulous boyfriend, and attracted to the mysterious, sensual gangster Jack. Built as a flashback from the future, she finds herself afloat amidst a world of ecstatic nights out and an undertow of nagging emptiness, torn between the two men.

Like Edward Yang (represented elsewhere at Cinema Rediscovered with his A Confucion Confusion), director Hou Hsiao-Hsien emerged as one the major figures of the Taiwanese New Wave, and even collaborated with Yang as a screenwriter on Taipei Story (1985).

Misunderstood at the time by critics and audiences as a misstep in Hou’s otherwise excellent track record, it’s now reclaimed as a vital cog in his filmography. Hou’s meditative style is front-and-centre in Millennium Mambo, aided by the presence of the sublime cinematographer Mark Lee Ping-bing, who at the time had just finished work on In the Mood for Love (2001).

After finishing up the school term in a remote outback town, teacher John Grant (Gary Bond) looks forward to spending his holiday with his girlfriend in Sydney. But John gets waylaid in a mining town where a gambling spree leaves him completely broke. He quickly falls in with the hard-drinking locals, who constantly ply him with alcohol and force him to participate in a gruesome kangaroo hunt. Disgusted, John tries to hitchhike out of town and, when that fails, begins to contemplate suicide.

In Steven Spielberg's massive blockbuster, paleontologists Alan Grant (Sam Neill) and Ellie Sattler (Laura Dern) and mathematician Ian Malcolm (Jeff Goldblum) are among a select group chosen to tour an island theme park populated by dinosaurs created from prehistoric DNA. While the park's mastermind, billionaire John Hammond (Richard Attenborough), assures everyone that the facility is safe, they find out otherwise when various ferocious predators break free and go on the hunt.

An amiable rooster called Alan-a-Dale (Roger Miller) tells stories and sings songs of the heroic Robin Hood (Brian Bedford) and his trusty sidekick, Little John (Phil Harris), in this animated animal-themed adaptation of the legendary story. When evil Prince John (Peter Ustinov) deputizes the Sheriff of Nottingham (Pat Buttram) to collect unreasonable taxes from the animals of Sherwood Forest, Robin, Little John and the other merry men wage a lighthearted battle against their evil foes.

After realizing that all world is spoiled, Marie and Marie are committed to be spoiled themselves. They rip off older men, feast in lavish meals and do all kinds of mischief. But what is all this leading to?

We are pleased to welcome BAFTA Winning writer Krysty Wilson-Cairns (1917, Last Night in Soho, The Good Nurse) to the Prince Charles Cinema stage to introduce the film, in a 25th Anniversary screening in 4K!

The captivating crime-fighting trio who are masters of disguise, espionage and martial arts are back! When a devious mastermind embroils them in a plot to destroy individual privacy, the Angels, aided by their loyal sidekick Bosley, set out to bring down the bad guys. But when a terrible secret is revealed, it makes the Angels targets for assassination.

Easily excitable Neal Page (Steve Martin) is somewhat of a control freak. Trying to get home to Chicago to spend Thanksgiving with his wife (Laila Robins) and kids, his flight is rerouted to a distant city in Kansas because of a freak snowstorm, and his sanity begins to fray. Worse yet, he is forced to bunk up with talkative Del Griffith (John Candy), whom he finds extremely annoying. Together they must overcome the insanity of holiday travel to reach their intended destination.

A daredevil driver is determined to compete in Redline, the most popular race in the galaxy. The race only occurs every five years, but in order to participate he must overcome the mafia, the government and even love.

This performance will feature a live score performed by Hugo Max.

Please view this YouTube video for a sample of Hugo's work.


Photo Credit - Richard Ecclestone

When they are fed rancid meat, the sailors on the Potemkin revolt against their harsh conditions. Led by Vakulinchuk (Aleksandr Antonov), the sailors kill the officers of the ship to gain their freedom. Vakulinchuk is also killed, and the people of Odessa honor him as a symbol of revolution. Tsarist soldiers arrive and massacre the civilians to quell the uprising. A squadron of ships is sent to overthrow the Potemkin, but the ships side with the revolt and refuse to attack.

An evil feudal lord rapes a village girl on her wedding night and proceeds to ruin her and her husband's lives. After she's eventually banished from her village, the girl makes a pact with the devil to gain magical ability and take revenge.

In this Zemeckis-directed adaptation of the Carl Sagan novel, Dr. Ellie Arroway (Jodie Foster) races to interpret a possible message originating from the Vega star system. Once first contact with an extraterrestrial intelligence is proven, Arroway contends with restrictive National Security Advisor Kitz (James Woods) and religious fanatics bent on containing the implications of such an event. An incredible message is found hidden in the signal, but will Arroway be the one to answer its call?

Jeanne Dielman (Delphine Seyrig), the widowed mother of a teenage son, Sylvain (Jan Decorte), ekes out a drab, repetitive existence in her tiny Brussels apartment. Jeanne's days are divided between humdrum domestic chores -- shopping, cooking, housework -- and her job as an occasional prostitute, which keeps her financially afloat. She seems perfectly resigned to her situation until a series of slight interruptions in her routine leads to unexpected and dramatic changes.

In 1964 the biggest band on the planet made their big screen debut with A Hard Day s Night, a groundbreaking film that presented a typical day in the life of The Fab Four as they tried to outrun screaming fans, find Paul's mischievous grandfather, deal with a stressed TV producer and make it to the show on time. Directed with unrelenting verve by Richard Lester, whose innovative techniques paved the way for generations of music videos, the film's frenetic mix of comic escapades, legendary one-liners and pop perfection captured a moment in time that defined a generation. The most iconic band in music history had arrived.

When Liz Blake (Nancy Allen), a prostitute, sees a mysterious woman brutally slay homemaker Kate Miller (Angie Dickinson), she finds herself trapped in a dangerous situation. While the police think Liz is the murderer, the real killer wants to silence the crime's only witness. Only Kate's inventor son, Peter (Keith Gordon), believes Liz. Peter and Liz team up to find the real culprit, who has an unexpected means of hiding her identity and an even more surprising motivation to kill.

FBI Special Agent Dale Cooper (Kyle MacLachlan) comes to the small Washington town of Twin Peaks to investigate the murder of Laura Palmer (Sheryl Lee). Cooper is convinced of a link between Palmer's murder and that of Theresa Banks, who died a year earlier. While Laura's father (Ray Wise) and mother (Grace Zabriskie) mourn, Cooper begins his investigation with the help of Sheriff Harry S. Truman (Michael Ontkean), coming up against the town's many secrets and quirky residents in the process.

The ambassador of the Latin American republic of Miranda (Fernando Rey), M. Thevenot (Paul Frankeur), his wife Simone (Delphine Seyrig) and her sister Florence (Bulle Ogier) arrive for a dinner party at the house of Alice Sénéchal (Stéphane Audran) and her husband Henri (Jean-Pierre Cassel), only to learn that they were mistaken about the date. In director Luis Buñuel's surreal fantasy, the six bourgeois friends repeatedly gather for a dinner that never quite arrives.

Disguised as a human, a cyborg assassin known as a Terminator (Arnold Schwarzenegger) travels from 2029 to 1984 to kill Sarah Connor (Linda Hamilton). Sent to protect Sarah is Kyle Reese (Michael Biehn), who divulges the coming of Skynet, an artificial intelligence system that will spark a nuclear holocaust. Sarah is targeted because Skynet knows that her unborn son will lead the fight against them. With the virtually unstoppable Terminator in hot pursuit, she and Kyle attempt to escape.

40th Anniversary restoration from a 4K film scan of the 35mm negative and a new Dolby Atmos mix with final sound and picture approved by director James Cameron. Presented by Park Circus with thanks to MGM. Post House: Park Road Post, Colourist: Tashi Trieu, Sound Mixer for Atmos: Mike Hedges

A seedy hotel in Memphis, Tennessee, provides the backdrop for three separate tales, featuring everything from a kitsch-obsessed Japanese couple, to a trio of amateur robbers (Joe Strummer, Rick Aviles, Steve Buscemi) who discover the true nature of their relationship during a botched heist. Linking the stories together is the hotel's eccentric and creepy night clerk (Screamin' Jay Hawkins) as well as the spirit of Elvis Presley.