Satsuki and Mei's mother has taken ill. In order to be closer to her while she recovers in a rural convalescent hospital, their father moves the two sisters from their home in a city to the countryside. The house they move into is a ramshackle old place in the shadow of an ancient camphor tree, and Satsuki and Mei embark on adventures with the wondrous forest spirits who live nearby.

Presented in Both Subtitled and Dubbed Performances; see SUB or DUB tags next to film time for performance info.

English Dub Voice Cast: Dakota Fanning, Elle Fanning, Tim Daley, Pat Caroll, Lea Salonga, Frank Welker and Paul Butcher

Japanese Language Voice Cast: Noriko Hidaka, Chika Sakamoto, Shigesato Itoi, Sumi Shimamoto, Tanie Kitabayashi, Hitoshi Takagi

Sergei Parajanov's celebrated masterpiece paints an astonishing portrait of the 18th century Armenian poet Sayat Nova, the 'King of Song'. Parajanov's aim was not a conventional biography but a cinematic expression of his work, resulting in an extraordinary visual poem. Key moments in his subject's life are illustrated through a series of exquisitely orchestrated tableaux filled with rich colour and stunning iconography, each scene a celluloid painting alive with stylised movement.

This performance will feature a live score performed by Hugo Max.

"My viola soundtrack for Battleship Potemkin unfolds with a similar propulsive dread as captured by Francis Bacon in his paintings of the screaming nurse from the infamous Odessa steps sequence. This is Eisenstein's masterwork with a visceral intensity, the daring set-pieces accompanied by angular, percussive melodies." - Hugo Max

Please view this YouTube video for a sample of Hugo's work.


Photo Credit - Richard Ecclestone

When they are fed rancid meat, the sailors on the Potemkin revolt against their harsh conditions. Led by Vakulinchuk (Aleksandr Antonov), the sailors kill the officers of the ship to gain their freedom. Vakulinchuk is also killed, and the people of Odessa honor him as a symbol of revolution. Tsarist soldiers arrive and massacre the civilians to quell the uprising. A squadron of ships is sent to overthrow the Potemkin, but the ships side with the revolt and refuse to attack.

A cornerstone of the French New Wave, the first feature from Alain Resnais is one of the most influential films of all time. A French actress (Emmanuelle Riva) and a Japanese architect (Eiji Okada) engage in a brief, intense affair in postwar Hiroshima, their consuming mutual fascination impelling them to exorcise their own scarred memories of love and suffering. With an innovative flashback structure and an Academy Award–nominated screenplay by novelist Marguerite Duras, Hiroshima mon amour is a moody masterwork that delicately weaves past and present, personal pain and public anguish.

In 1964 the biggest band on the planet made their big screen debut with A Hard Day s Night, a groundbreaking film that presented a typical day in the life of The Fab Four as they tried to outrun screaming fans, find Paul's mischievous grandfather, deal with a stressed TV producer and make it to the show on time. Directed with unrelenting verve by Richard Lester, whose innovative techniques paved the way for generations of music videos, the film's frenetic mix of comic escapades, legendary one-liners and pop perfection captured a moment in time that defined a generation. The most iconic band in music history had arrived.

Teen friends Tummler (Nick Sutton) and Solomon (Jacob Reynolds) navigate the ruins of a tiny, tornado-ravaged town in Ohio that is populated by the deformed, disturbed and perverted. When not gunning down stray cats for a few bucks, the boys pass their time getting stoned on household inhalants. Elsewhere, the mute Bunny Boy (Jacob Sewell) dons rabbit ears and is bullied by kids half his age, and sisters Dot (Chloe Sevigny) and Helen (Carisa Glucksman) dodge a pedophile.

When a machine that allows therapists to enter their patients' dreams is stolen, all hell breaks loose. Only a young female therapist, Paprika, can stop it.

This Disney animated feature follows the adventures of the young lion Simba (Jonathan Taylor Thomas), the heir of his father, Mufasa (James Earl Jones). Simba's wicked uncle, Scar (Jeremy Irons), plots to usurp Mufasa's throne by luring father and son into a stampede of wildebeests. But Simba escapes, and only Mufasa is killed. Simba returns as an adult (Matthew Broderick) to take back his homeland from Scar with the help of his friends Timon (Nathan Lane) and Pumbaa (Ernie Sabella).

"THE COLOUR OF ILLUSION IS PERFECT BLUE"

A young Japanese singer is encouraged by her agent to quit singing and pursue an acting career, beginning with a role in a murder mystery TV show.

Newly restored in 4K to coincide with its 40th anniversary, the 1984 film was directed by renowned filmmaker Jonathan Demme and is considered by critics as the greatest concert film of all time. Stop Making Sense stars core band members David Byrne, Tina Weymouth, Chris Frantz, and Jerry Harrison along with Bernie Worrell, Alex Weir, Steve Scales, Lynn Mabry and Edna Holt. The live performance was shot over the course of three nights at Hollywood's Pantages Theater in December of 1983 and features Talking Heads' most memorable songs.

Please Note : It is only the SATURDAY EVENING RESIDENCY (tagged 'A24 Merch' on the website) shows which will feature the pop-up merch stand, all other performances are simply regular screenings of the film. 

Hatred breeds hatred...

24 hours in the lives of three young men in the French suburbs the day after a violent riot.

A sequel to "Before Sunrise," this film starts nine years later as Jesse (Ethan Hawke) travels across Europe giving readings from a book he wrote about the night he spent in Vienna with Celine (Julie Delpy). After his reading in Paris, Celine finds him, and they spend part of the day together before Jesse has to again leave for a flight. They are both in relationships now, and Jesse has a son, but as their strong feelings for each other start to return, both confess a longing for more.

Filmmaker Genya Tachibana begins work on a documentary about famed Japanese actress Chiyoko Fujiwara. Now well into old age, Chiyoko has become reclusive and shy about any publicity, but she eventually warms up to Tachibana and starts to relate her life story. As the decades pass, Chiyoko is transformed from a teen with big dreams into a full-blown celebrity, while her cinematic characters span various eras, from ancient Japan to the distant future.

Set in feudal Japan, this film presents an intriguing tale of violent crime in the woods, told from the perspective of four different characters -- a bandit, a woman, her husband and a woodcutter. Only two things about the incident seem to be clear -- the woman was raped and her husband is now dead. However, the other elements radically differ as the four participants and/or witnesses relate their own stories (with the dead man, eerily enough, speaking through a medium). As each account is revealed, what seemed black-and-white turns to various hues of gray, leading to surprising -- and confounding -- revelations.

Although susceptible to violent outbursts, bathroom supply business owner Barry Egan (Adam Sandler) is a timid and shy man by disposition, leading a lonely, uneventful life -- partly due to the constant berating he suffers from his seven sisters. However, several events transpire that shake up Egan's mundane existence, one of which is falling in love with one sister's co-worker, Lena Leonard (Emily Watson). But the romance is threatened when Egan falls victim to an extortionist.

Rachel doesn't realize she has grown up in captivity working for an advertising agency where her job is to assess Mommy 6.0, her favorite pop star in the whole entire world.

An angelically beautiful Catherine Deneuve was launched to stardom by this dazzling musical heart-tugger from Jacques Demy. She plays an umbrella-shop owner’s delicate daughter, glowing with first love for a handsome garage mechanic, played by Nino Castelnuovo. When the boy is shipped off to fight in Algeria, the two lovers must grow up quickly. Exquisitely designed in a kaleidoscope of colors, and told entirely through the lilting songs of the great composer Michel Legrand, The Umbrellas of Cherbourg is one of the most revered and unorthodox movie musicals of all time.

After growing up in the gang lifestyle of the Los Angeles projects, 18-year-old Caine Lawson (Tyrin Turner) wants a way out. Everyone around him, including his unpredictable friend O-Dog (Larenz Tate), is trapped in their lives of crime and violence. With the help of his caring teacher (Charles Dutton) and supportive girlfriend (Jada Pinkett), Caine plans to leave the city for good. But in a series of tragic events, Caine realizes that escape will not be easy.

After learning that a stranger has been accidentally killed near their rural homes, four Oregon boys decide to go see the body. On the way, Gordie Lachance (Wil Wheaton), Vern Tessio (Jerry O'Connell), Chris Chambers (River Phoenix) and Teddy Duchamp (Corey Feldman) encounter a mean junk man and a marsh full of leeches, as they also learn more about one another and their very different home lives. Just a lark at first, the boys' adventure evolves into a defining event in their lives.

Robert Bresson plumbs great reservoirs of feeling with Mouchette, one of the most searing portraits of human desperation ever put on film. With a dying mother, an absent, alcoholic father, and a baby brother in need of care, the teenage Mouchette seeks solace and respite from her circumstances in the nature of the French countryside and daily routine. Bresson deploys his trademark minimalist style to heartbreaking effect in this essential work of French filmmaking, a hugely empathetic drama that elevates its trapped protagonist into one of the cinema's most memorable tragic figures.

Featuring Post-Film Q&A with John Minton (Director), Marc Bessant (lead actor) and Geoff Barrow (Producer)

Late summer 1993. After stealing a stash of money and drugs, aging raver David crashes his car deep in the woods - trapped in the wreckage, injured and helpless, he hangs suspended between life and death. When a mysterious poacher discovers him, no rescue comes, only a watchful, unsettling presence that seems intent on letting nature finish the job. As the hours stretch and the elements close in, a tense and claustrophobic battle of wills, and wits, unfolds - where survival hinges on outlasting both the wilderness and the predator at its edge.​

"This Is Spinal Tap" shines a light on the self-contained universe of a metal band struggling to get back on the charts, including everything from its complicated history of ups and downs, gold albums, name changes and undersold concert dates, along with the full host of requisite groupies, promoters, hangers-on and historians, sessions, release events and those special behind-the-scenes moments that keep it all real.

First time father Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child. David Lynch arrived on the scene in 1977, almost like a mystical UFO gracing the landscape of LA with its enigmatic radiance. His inaugural work, "Eraserhead" (1977), stood out as a cinematic anomaly, painting a surreal narrative of a young man navigating a dystopian, industrialized America, grappling not only with his tumultuous home life but also contending with an irate girlfriend and a mutant child.

Famed stage actress Elisabeth Vogler (Liv Ullmann) suffers a moment of blankness during a performance and the next day lapses into total silence. Advised by her doctor to take time off to recover from what appears to be an emotional breakdown, Elisabeth goes to a beach house on the Baltic Sea with only Anna (Bibi Andersson), a nurse, as company. Over the next several weeks, as Anna struggles to reach her mute patient, the two women find themselves experiencing a strange emotional convergence.

There's trouble brewing in Bikini Bottom. Someone has stolen King Neptune's crown, and it looks like Mr. Krab, SpongeBob's boss, is the culprit. Though he's just been passed over for the promotion of his dreams, SpongeBob stands by his boss, and along with his best pal Patrick, sets out on a treacherous mission to Shell City to reclaim the crown and save Mr. Krab's life.

Ricky Coogan is a self-absorbed former child star roped into promoting a toxic chemical. Along with his best friend and a radical activist, he's ensnared by an eccentric weirdo scientist at a mutant freak farm, where they're horrifically transformed and added to a sideshow of grotesque misfits.

Joe (Anthony LaPaglia) runs Empire Records, an independent Delaware store that employs a tight-knit group of music-savvy youths. Hearing that the shop may be sold to a big chain, slacker employee Lucas (Rory Cochrane) bets a chunk of the store's money, hoping to get a big return. When this plan fails, Empire Records falls into serious trouble, and the various other clerks, including lovely Corey (Liv Tyler) and gloomy Deb (Robin Tunney), must deal with the problem, among many other issues.

Actor, podcaster and former rapper Scroobius Pip presents four short films (a mixture of dramas and comedy’s) he has had some involvement in, and chats to those involved before rounding the evening off with an audience Q&A.

Short Films featured in the programme:
- Dead Man Walks (dir. Scroobius Pip)
- Stutterbug (dir. Matthew Tallon)
- More than it Hurts you (dir. Syvret Rose)
- The Breakdown of a Toxic Relationship as told by Fluffmeister, a Poodle of Questionable Heritage  (dir. Peter Fellows)

In this Japanese animation, cyborg federal agent Maj. Motoko Kusanagi (Mimi Woods) trails "The Puppet Master" (Abe Lasser), who illegally hacks into the computerized minds of cyborg-human hybrids. Her pursuit of a man who can modify the identity of strangers leaves Motoko pondering her own makeup and what life might be like if she had more human traits. With her partner (Richard George), she corners the hacker, but her curiosity about her identity sends the case in an unforeseen direction.

*ON SALE 30th MAR *

Wallace and Gromit open a bakery, accidentally getting tied up with a murder mystery in the process. But when Wallace falls in love, Gromit is left to solve the case by himself.

Uncomplainingly jobless in late-50s Paris, Michel starts stealing from strangers, for reasons unclear even to himself. He spouts vague theories about exceptional individuals being above the law – but is he lost in another world, as Jeanne, a young woman he halfheartedly befriends, tells him?

Intentionally not a thriller but certainly not without suspense, Robert Bresson’s film is profoundly ambivalent about Michel’s ethics, sexuality (he seems aroused by his thefts), his capacity for compassion and his courtship of suspicion in others. His isolation, however, is undeniable. A riveting morality tale reminiscent of both Hitchcock and Dostoevsky, it’s imbued with the director’s distinctive rigour.

Reality and fantasy begin to blur when a teenager, alone in her attic bedroom, immerses herself in a role-playing horror game online.

Wendy (Michelle Williams), a near-penniless drifter, is traveling to Alaska in search of work, and her only companion is her dog, Lucy. Already perilously close to losing everything, Wendy hits a bigger bump in the road when her old car breaks down, and she is arrested for shoplifting dog food. When she posts bail and returns to retrieve Lucy, she finds that the dog is gone, prompting a frantic search for her pet.

On the planet Ygam, the Draags, extremely technologically and spiritually advanced blue humanoids, consider the tiny Oms, human beings descendants of Terra's inhabitants, as ignorant animals. Those who live in slavery are treated as simple pets and used to entertain Draag children; those who live hidden in the hostile wilderness of the planet are periodically hunted and ruthlessly slaughtered as if they were vermin.

A young black lesbian filmmaker probes into the life of The Watermelon Woman, a 1930s black actress who played 'mammy' archetypes.

In 1977, college graduates Harry Burns (Billy Crystal) and Sally Albright (Meg Ryan) share a contentious car ride from Chicago to New York, during which they argue about whether men and women can ever truly be strictly platonic friends. Ten years later, Harry and Sally meet again at a bookstore, and in the company of their respective best friends, Jess (Bruno Kirby) and Marie (Carrie Fisher), attempt to stay friends without sex becoming an issue between them.