Hatred breeds hatred...

24 hours in the lives of three young men in the French suburbs the day after a violent riot.

Please Note: The 35mm print servicing these shows is a print that was struck in the 1990s that has been expertly repaired, cleaned and restored for the 40th Anniversary run, courtesy of Studiocanal. 

At the age of seventy, after years of consolidating his empire, the Great Lord Hidetora Ichimonji (Tatsuya Nakadai) decides to abdicate and divide his domain amongst his three sons. Taro (Akira Terao), the eldest, will rule. Jiro (Jinpachi Nezu), his second son, and Saburo (Daisuke Ryu) will take command of the Second and Third Castles but are expected to obey and support their elder brother. Saburo defies the pledge of obedience and is banished.

A couple take a trip to Argentina but both men find their lives drifting apart in opposite directions.

Dae-Su is an obnoxious drunk bailed from the police station yet again by a friend. However, he's abducted from the street and wakes up in a cell, where he remains for the next 15 years, drugged unconscious when human contact is unavoidable, otherwise with only the television as company. And then, suddenly released, he is invited to track down his jailor with a denouement that is simply stunning.

Toshiro Mifune is unforgettable as Kingo Gondo, a wealthy industrialist whose family becomes the target of a cold-blooded kidnapper in High and Low (Tengoku to jigoku), the highly influential domestic drama and police procedural from director Akira Kurosawa. Adapting Ed McBain's detective novel King's Ransom, Kurosawa moves effortlessly from compelling race-against-time thriller to exacting social commentary, creating a diabolical treatise on contemporary Japanese society.

Things go badly for a hack director and film crew shooting a low budget zombie film in an abandoned WWII Japanese facility when they are attacked by real zombies.

A low-level triad "big brother" has a hot-tempered "little brother" who can't keep out of trouble, and consequently is in constant need of being bailed out by his protector. The "big brother" is super cool, but lacks the ambition to rise in the ranks of the triad societies - and once he meets his cousin from Kowloon and falls in love with her, he even thinks about leaving "the life"

Both the final film of this period in which Akira Kurosawa would directly wrestle with the demons of the Second World War and his most literal representation of living in an atomic age, the galvanizing I Live in Fear presents Toshiro Mifune as an elderly, stubborn businessman so fearful of a nuclear attack that he resolves to move his reluctant family to South America. With this mournful film, the director depicts a society emerging from the shadows but still terrorized by memories of the past and anxieties for the future.

A winner of awards across the world including Best Foreign Language Film Oscar, 5 BAFTA Awards including Best Actor, Original Screenplay and Score, the Grand Prize of the Jury at the Cannes Film Festival and many more.

Giuseppe Tornatore's loving homage to the cinema tells the story of Salvatore, a successful film director, returning home for the funeral of Alfredo, his old friend who was the projectionist at the local cinema throughout his childhood. Soon memories of his first love affair with the beautiful Elena and all the highs and lows that shaped his life come flooding back, as Salvatore reconnects with the community he left 30 years earlier.

Delphine (Marie Rivière) is a beautiful young Parisian who is still smarting from a recent break-up. When a friend nixes their travel plans shortly before the trip, Delphine is left to decide how to spend her holiday. Soon she is dealing with various uncomfortable situations, including a beach getaway where she is the only single person. After attempting a trip to the overcrowded Alps, Delphine entertains more vacation options, but will the restless soul ever find what she's looking for?

Every day, Cop 223 (Takeshi Kaneshiro) buys a can of pineapple with an expiration date of May 1, symbolizing the day he'll get over his lost love. He's also got his eye on a mysterious woman in a blond wig (Brigitte Lin), oblivious of the fact she's a drug dealer. Cop 663 (Tony Leung Chiu Wai) is distraught with heartbreak over a breakup. But when his ex drops a spare set of his keys at a local cafe, a waitress (Faye Wong) lets herself into his apartment and spruces up his life.

A disheveled man who wanders out of the desert, Travis Henderson (Harry Dean Stanton) seems to have no idea who he is. When a stranger manages to contact his brother, Walt (Dean Stockwell), Travis is awkwardly reunited with his sibling. Travis has been missing for years, and his presence unsettles Walt and his family, which also includes Travis's own son, Hunter (Hunter Carson). Soon Travis must confront his wife, Jane (Nastassja Kinski), and try to put his life back together.

Sent to an exotic island by his government, a spy (Lee) competes in a deadly tournament by day and infiltrates a ruthless crime lord's illegal drug operation by night. With plot twists, exquisite cinematography and bone-crushing fight scenes choreographed by Lee himself, ENTER THE DRAGON remains cinema's most influential martial arts action film.

Veronica and Boris are blissfully in love, until the eruption of World War II tears them apart. Boris is sent to the front lines…and then communication stops. Meanwhile, Veronica tries to ward off spiritual numbness while Boris's draft-dodging cousin makes increasingly forceful overtures. Winner of the Palme d'Or at the 1958 Cannes Film Festival, The Cranes Are Flying is a superbly crafted drama, bolstered by stunning cinematography and impassioned performances.

Set in feudal Japan, this film presents an intriguing tale of violent crime in the woods, told from the perspective of four different characters -- a bandit, a woman, her husband and a woodcutter. Only two things about the incident seem to be clear -- the woman was raped and her husband is now dead. However, the other elements radically differ as the four participants and/or witnesses relate their own stories (with the dead man, eerily enough, speaking through a medium). As each account is revealed, what seemed black-and-white turns to various hues of gray, leading to surprising -- and confounding -- revelations.

An assassin goes through obstacles as he attempts to escape his violent lifestyle despite the opposition of his partner, who is secretly attracted to him.

Yuddy, a Hong Kong playboy known for breaking girls' hearts, tries to find solace and the truth after discovering the woman who raised him isn't his mother.

The lives of various young French people intersect in a recently constructed suburb near Paris. Blanche (Emmanuelle Chaulet), an uptight office worker, falls for the handsome Alexandre (Francois-Eric Gendron), whom she meets through her vibrant new friend, Lea (Sophie Renoir). Unfortunately for Blanche, Alexandre is dating the artistic Adrienne (Anne-Laure Meury), while Lea is seeing Fabien (Eric Viellard). Before long, though, these relationships shift, leading to new romantic pairings.

Clumsy Monsieur Hulot (Jacques Tati) finds himself perplexed by the intimidating complexity of a gadget-filled Paris. He attempts to meet with a business contact but soon becomes lost. His roundabout journey parallels that of an American tourist (Barbara Dennek), and as they weave through the inventive urban environment, they intermittently meet, developing an interest in one another. They eventually get together at a chaotic restaurant, along with several other quirky characters.

In 1986, Park (Song Kang-ho) and Cho (Kim Roi-ha) are two simple-minded detectives assigned to a double murder investigation in a South Korean province. But when the murderer strikes several more times with the same pattern, the detectives realize that they are chasing the country's first documented serial killer. Relying on only their basic skills and tools, Park and Jo attempt to piece together the clues and solve the case in this thriller based on true events.

In an unnamed country at an unspecified time, there is a fiercely protected post-apocalyptic wasteland known as The Zone. An illegal guide (Aleksandr Kajdanovsky), whose mutant child suggests unspeakable horrors within The Zone, leads a writer (Anatoliy Solonitsyn) and a scientist (Nikolay Grinko) into the heart of the devastation in search of a mythical place known only as The Room. Anyone who enters The Room will supposedly have any of his earthly desires immediately fulfilled.

Famed stage actress Elisabeth Vogler (Liv Ullmann) suffers a moment of blankness during a performance and the next day lapses into total silence. Advised by her doctor to take time off to recover from what appears to be an emotional breakdown, Elisabeth goes to a beach house on the Baltic Sea with only Anna (Bibi Andersson), a nurse, as company. Over the next several weeks, as Anna struggles to reach her mute patient, the two women find themselves experiencing a strange emotional convergence.

While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

A young executive hunts down his father's killer in director Akira Kurosawa's scathing The Bad Sleep Well. Continuing his legendary collaboration with actor Toshiro Mifune, Kurosawa combines elements of Hamlet and American film noir to chilling effect in exposing the corrupt boardrooms of postwar corporate Japan.

With the release in 1955 of Satyajit Ray’s debut, Pather Panchali, an eloquent and important new cinematic voice made itself heard all over the world. A depiction of rural Bengali life in a style inspired by Italian neorealism, this naturalistic but poetic evocation of a number of years in the life of a family introduces us to both little Apu and, just as essentially, the women who will help shape him: his independent older sister, Durga; his harried mother, Sarbajaya, who, with her husband away, must hold the family together; and his kindly and mischievous elderly “auntie,” Indir—vivid, multifaceted characters all. With resplendent photography informed by its young protagonist’s perpetual sense of discovery, Pather Panchali, which won an award for Best Human Document at the Cannes Film Festival, is an immersive cinematic experience and a film of elemental power.

Two young girls meet, Reinette from the countryside and Mirabelle from Paris, and decide to take a flat together in Paris where they attend University. Four successive stories about their daily lives illustrate the very different views, characters and relation to the world of these two friends.

The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, a doctor, and their daughter, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko the widow of their younger son who was killed in the war, to keep her in-laws company.

The story of a mistreated donkey and the people around him. A study on saintliness and a sister piece to Bresson's Mouchette.

Satsuki and Mei's mother has taken ill. In order to be closer to her while she recovers in a rural convalescent hospital, their father moves the two sisters from their home in a city to the countryside. The house they move into is a ramshackle old place in the shadow of an ancient camphor tree, and Satsuki and Mei embark on adventures with the wondrous forest spirits who live nearby.

Presented in Both Subtitled and Dubbed Performances; see SUB or DUB tags next to film time for performance info.

English Dub Voice Cast: Dakota Fanning, Elle Fanning, Tim Daley, Pat Caroll, Lea Salonga, Frank Welker and Paul Butcher

Japanese Language Voice Cast: Noriko Hidaka, Chika Sakamoto, Shigesato Itoi, Sumi Shimamoto, Tanie Kitabayashi, Hitoshi Takagi

Jour de Fête tells the story of an inept and easily-distracted French mailman who frequently interrupts his duties to converse with the local inhabitants, as well as inspect the traveling fair that has come to his small community. Influenced by too much wine and a newsreel account of rapid transportation methods used by the United States postal system, he goes to hilarious lengths to speed the delivery of mail while aboard his bicycle.

The socialist mayor of a small village in France dreams of building an arts center but he runs up against some opposition.

A student is devastated when he finds that his girlfriend is cheating on him. In order to find out why she did it, he decides to spy on her and her airline pilot lover. Then he sees the pilot with a blonde woman and he begins to follow them…

It's 1944 and the Allies have invaded Nazi-held Europe. In Spain, a troop of soldiers are sent to a remote forest to flush out the rebels. They are led by Capitan Vidal, a murdering sadist, and with him are his new wife Carmen and her daughter from a previous marriage, 11-year-old Ofelia. Ofelia witnesses her stepfather's sadistic brutality and is drawn into Pan's Labyrinth, a magical world of mythical beings.

Satyajit Ray had not planned to make a sequel to Pather Panchali, but after the film’s international success, he decided to continue Apu’s narrative. Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu.

A "metal fetishist" (Shin'ya Tsukamoto), driven mad by the maggots wriggling in the wound he's made to embed metal into his flesh, runs out into the night and is accidentally run down by a Japanese businessman (Tomorowo Taguchi) and his girlfriend (Kei Fujiwara). The pair dispose of the corpse in hopes of quietly moving on with their lives. However, the businessman soon finds that he is now plagued by a vicious curse that transforms his flesh into iron.

Makoto is a typical teenage girl who spends most of her days slacking off with friends. One day while rushing to meet her aunt, she nearly gets hit by a train, but at the last second, finds herself jumping backwards in time to before the accident. She immediately makes use of her newfound ability to re-do every minor inconvenience– from poor exam results to awkward confessions of love. However, when faced with the consequences of tampering with time, Makoto must do everything she can to avoid a dire future that can’t be reversed.

The Girl Who Leapt Through Time is a beloved early film from Mamoru Hosoda, the Academy Award-nominated director behind BELLE, Wolf Children, Summer Wars, and more. Hosoda weaves together the timeless, breathtaking visuals he is known for with a tender-hearted story of a girl navigating first love, time travel, and the perilous choices that come with both.

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin's resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

A detective starts spiraling out of control when a wave of gruesome murders with seemingly similar bizarre circumstances are sweeping Tokyo.

When the ever-hapless Monsieur Hulot (Jacques Tati) decides to vacation at a beautiful seaside resort, rest and relaxation don't last long, given the gangly gent's penchant for ridiculous antics. While simply out to enjoy himself, the well-meaning Hulot inevitably stumbles into numerous misadventures, including an utterly disastrous attempt at playing tennis, as he encounters fellow French vacationers from various social classes, as well as foreign tourists.

The chaotic worlds of the Japanese Mafia (Yakuza) and an alcoholic doctor collide in this film noir classic from Akira Kurosawa. Gangster Toshiro Mifune visits doctor Takashi Shimura, after an unfortunate incident with a bullet. The doctor, who despises the Yakuza, discovers the young man is suffering from tuberculosis, a disease symbolic of what is happening to the doctor and the community he serves. Facing his own anger and fear, the doctor aligns himself with the gangster's world.

Fifteen-year-old Pauline (Amanda Langlet) journeys to the Normandy coast for a summer vacation with her adult cousin Marion (Arielle Dombasle). Marion is waiting out her divorce and, along the shore, runs into her old flame Pierre (Pascal Greggory). Although he's anxious to rekindle their former romance, Marion wants nothing to do with him, and she sets him up with Pauline. The romantic web gets more tangled yet when Marion starts a liaison with Henri (Féodor Atkine), a middle-aged playboy.

On the verge of turning thirty, Julie is faced with a series of choices that force her to pursue new perspectives on her life in contemporary Oslo. Over the course of four years, she navigates love affairs and existential uncertainty as she starts deciding who she wants to become.

Andrei Tarkovsky’s extraordinarily accomplished debut feature ‘Ivan’s Childhood’ is a powerful and moving tale of a 12-year-old boy who vows to avenge his family’s death at the hands of the Nazis.

Striking up a friendship with three sympathetic Soviet officers, young Ivan becomes a spy on the eastern front.

The film was awarded the Golden Lion at Venice Film Festival in 1962 and brought the Russian director international acclaim. A haunting and poetic depiction of a childhood ravaged by war.

★★★★★ “It is one of the great coups de cinéma. Unmissable” - Peter Bradshaw, The Guardian

In this animated feature by noted Japanese director Hayao Miyazaki, 10-year-old Chihiro (Rumi Hiiragi) and her parents (Takashi Naitô, Yasuko Sawaguchi) stumble upon a seemingly abandoned amusement park. After her mother and father are turned into giant pigs, Chihiro meets the mysterious Haku (Miyu Irino), who explains that the park is a resort for supernatural beings who need a break from their time spent in the earthly realm, and that she must work there to free herself and her parents.

Tracing the life of a renowned icon painter, the second feature by Andrei Tarkovsky vividly conjures the murky world of medieval Russia. This dreamlike and remarkably tactile film follows Andrei Rublev as he passes through a series of poetically linked scenes—snow falls inside an unfinished church, naked pagans stream through a thicket during a torchlit ritual, a boy oversees the clearing away of muddy earth for the forging of a gigantic bell—gradually emerging as a man struggling mightily to preserve his creative and religious integrity. Appearing here in the director's preferred 183-minute cut as well as the version that was originally suppressed by Soviet authorities, the masterwork Andrei Rublev is one of Tarkovsky's most revered films, an arresting meditation on art, faith, and endurance.

By the time Apur Sansar was released, Satyajit Ray had directed not only the first two Apu films but also the masterpiece The Music Room, and was well on his way to becoming a legend. This extraordinary final chapter brings our protagonist’s journey full circle. Apu is now in his early twenties, out of college, and hoping to live as a writer. Alongside his professional ambitions, the film charts his romantic awakening, which occurs as the result of a most unlikely turn of events, and his eventual, fraught fatherhood. Featuring soon-to-be Ray regulars Soumitra Chatterjee and Sharmila Tagore in star-making performances, and demonstrating Ray’s ever more impressive skills as a crafter of pure cinematic imagery, Apur Sansar is a moving conclusion to this monumental trilogy.

Kenji is a shy part-time moderator for OZ, the virtual reality world that powers everyday life, until pretty and popular Natsuki recruits him to be her fake boyfriend. While posing as an affluent suitor to Natsuki's family, a rogue A.I. program steals his online identity, and Kenji is accused of hacking OZ and causing real world catastrophes. As the destruction in OZ throws Natsuki's family into disarray, Kenji must unite his newfound connections to overcome an impending cyber apocalypse.

Against a backdrop of stunning countryside vistas and virtual spaces bursting with color, SUMMER WARS is a timeless epic that explores life in the digital age from Academy Award-nominated director Mamoru Hosoda (BELLE).

Monsieur Hulot visits the technology-driven world of his sister, brother-in-law, and nephew, but he can't quite fit into the surroundings. 1959 Oscar winner for Best Foreign Language Film.

After Louise (Pascale Ogier) completes her art school studies, she begins to work as an interior designer in Paris, but her burgeoning career soon takes a back seat to her personal life. Although Louise lives with her lover Remi (Tcheky Karyo), an architect, his desire to settle down and experience marital bliss conflicts with her late-night lifestyle. Also complicating matters is Octave (Fabrice Luchini), a charming, married writer who is smitten with Louise.

A psychologist is sent to a station orbiting a distant planet in order to discover what has caused the crew to go insane.

College student Hana falls in love with a “wolf man” and together they have two half-human, half-wolf children, Ame and Yuki. The young family’s happy but humble life comes to an abrupt end when the father is tragically killed during a hunt. After struggling to raise her children in the busy city, Hana boldly decides to move to a dilapidated house in the countryside, in hopes that her children may one day decide their own path to happiness – whether “human” or “wolf.”

This heart-wrenching modern fairy tale is a staggering work of beauty and emotion from Academy Award®-nominated director Mamoru Hosoda. Rich with gorgeous animation and set to a poignant musical score, Wolf Children is a sweeping tale about self-discovery and the bonds of family.

This imaginative Japanese production presents a series of short films by lauded director Akira Kurosawa. In one chapter, a young boy spies on foxes that are holding a wedding ceremony; the following installment features another youth, who witnesses a magical moment in an orchard. In the segment "Crows," an aspiring artist enters the world of a painting and encounters Vincent van Gogh (Martin Scorsese). Many of the films in this inventive movie are tied together by an environmental theme.

Mr. Hulot (Jacques Tati) is the head designer of the Altra Automotive Co. His latest invention is a newfangled camper car loaded with outrageous extra features. Along with the company's manager (Honoré Bostel) and publicity model (Maria Kimberly), Hulot sets out from Paris with the intention of debuting the car at the annual auto show in Amsterdam. The going isn't easy, however, and the group encounters an increasingly bizarre series of hurdles and setbacks en route.
 

Using a nonlinear structure interlaced with dreams and flashbacks, director Andrei Tarkovsky creates a stream-of-consciousness meditation on war, memory and time that draws heavily on events from his own life.