Celebrate this beloved coming-of-age story from the legendary Studio Ghibli, creators of Spirited Away, and Academy Award®-winning director Hayao Miyazaki, about a resourceful young witch who uses her broom to create a delivery service, only to lose her gift of flight in a moment of self-doubt. It is a tradition for all young witches to leave their families on the night of a full moon and fly off into the wide world to learn their craft. When that night comes for Kiki, she embarks on her new journey with her sarcastic black cat, Jiji, landing the next morning in a seaside town, where her unique skills make her an instant sensation.

In an unnamed country at an unspecified time, there is a fiercely protected post-apocalyptic wasteland known as The Zone. An illegal guide (Aleksandr Kajdanovsky), whose mutant child suggests unspeakable horrors within The Zone, leads a writer (Anatoliy Solonitsyn) and a scientist (Nikolay Grinko) into the heart of the devastation in search of a mythical place known only as The Room. Anyone who enters The Room will supposedly have any of his earthly desires immediately fulfilled.

While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

Godzilla is the roaring granddaddy of all monster movies. It’s also a remarkably humane and melancholy drama, made in Japan at a time when the country was reeling from nuclear attack and H-bomb testing in the Pacific. Its rampaging radioactive beast, the poignant embodiment of an entire population’s fears, became a beloved international icon of destruction, spawning almost thirty sequels.

Every day, Cop 223 (Takeshi Kaneshiro) buys a can of pineapple with an expiration date of May 1, symbolizing the day he'll get over his lost love. He's also got his eye on a mysterious woman in a blond wig (Brigitte Lin), oblivious of the fact she's a drug dealer. Cop 663 (Tony Leung Chiu Wai) is distraught with heartbreak over a breakup. But when his ex drops a spare set of his keys at a local cafe, a waitress (Faye Wong) lets herself into his apartment and spruces up his life.

In an Italian seaside town, young Titta gets into trouble with his friends and watches various local eccentrics as they engage in often absurd behavior. Frequently clashing with his stern father and defended by his doting mother, Titta witnesses the actions of a wide range of characters, from his extended family to Fascist loyalists to sensual women, with certain moments shifting into fantastical scenarios.

Hirayama is content with his life as a toilet cleaner in Tokyo. Outside of his structured routine, he cherishes music on cassette tapes, books, and taking photos of trees. Through unexpected encounters, he reflects on finding beauty in the world.

Hatred breeds hatred...

24 hours in the lives of three young men in the French suburbs the day after a violent riot.

When a machine that allows therapists to enter their patients' dreams is stolen, all hell breaks loose. Only a young female therapist, Paprika, can stop it.

In 1962 Hong Kong, neighbors Su Li-zhen (Mrs. Chan) and Chow Mo-wan (Mr. Chow) discover their spouses are having an affair. As they spend time together, they develop feelings for each other, but their relationship remains chaste and unspoken, reflecting societal constraints and their own moral compass.

Two teenagers share a profound, magical connection upon discovering they are swapping bodies. Things manage to become even more complicated when the boy and girl decide to meet in person.

In 1986, Park (Song Kang-ho) and Cho (Kim Roi-ha) are two simple-minded detectives assigned to a double murder investigation in a South Korean province. But when the murderer strikes several more times with the same pattern, the detectives realize that they are chasing the country's first documented serial killer. Relying on only their basic skills and tools, Park and Jo attempt to piece together the clues and solve the case in this thriller based on true events.

Thought to be the first depiction of the post-WWII yakuza, Drunken Angel is Akira Kurosawa’s first critical success and first directorial collaboration with Kurosawa regulars Toshirō Mifune and Takashi Shimura. Set in a snapshot of poverty-stricken post-war Tokyo, an uneasy bond is forged when alcoholic doctor Sanada (Shimura) diagnoses low-level yakuza Matsunaga (Mifune) with tuberculosis, nursing his health whilst reflecting on his own internal demons. Their relationship is thrown into turmoil when Matsunaga’s oath-sworn brother returns from prison, turning both men down a path of self-destruction and adversity. 

Drunken Angel is featured as part of Gangsters Have Feelings Too, a season exploring the sensitive gangster film. The season is presented with the National Film and Television School’s Film Studies, Programming and Curation MA.

Using a nonlinear structure interlaced with dreams and flashbacks, director Andrei Tarkovsky creates a stream-of-consciousness meditation on war, memory and time that draws heavily on events from his own life.

Edward Yang's second feature is a mournful anatomy of a city caught between the past and the present. Made in collaboration with Yang's fellow New Taiwan Cinema master Hou Hsiao-hsien, TAIPEI STORY chronicles the growing estrangement between a washed-up baseball player (Hou, in a rare on-screen performance) working in his family's textile business and his girlfriend (Tsai Chin), who clings to the upward mobility of her career in property development. As the couple's dreams of marriage and emigration begin to unravel, Yang's gaze illuminates the precariousness of domestic life and the desperation of Taiwan's globalised modernity.

In this musical melodrama set against the backdrop of a workers' strike in Nantes, Dominique Sanda plays a young woman who wishes to leave her brutish husband (Michel Piccoli) for an earthy steelworker (Richard Berry), though he is involved with another. Unbeknownst to the girl, the object of her affection boards with her no-nonsense baroness mother (Danielle Darrieux). A late-career triumph from Jacques Demy, Une chambre en ville received nine César Award nominations and features a rich, operatic score by Michel Colombier.

Andrei Tarkovsky’s unforgettably haunting film, his first to be made outside Russia, explores the melancholy of the expatriate through the film’s protagonist, Gorchakov, a Russian poet researching in Italy.

Arriving at a Tuscan village spa with Eugenia, his beautiful Italian interpreter, Gorchakov is visited by memories of Russia and of his wife and children, and he encounters the local mystic who sets him a challenging task.

‘Nostalgia’ is filled with a series of mysterious and extraordinary images, all of which coalesce into a miraculous whole in the film’s final shot. As in all Tarkovsky’s films, nature, the elements of fire and water, music, painting and poetry all play a major role.

★★★★ “Hauntingly beautiful” - David Parkinson, Empire

A bedridden patient in a hospital on the outskirts of 1920s Los Angeles befriends a fellow patient, and shares a fantastic tale of heroes, myths, and villains on a desert island with the little girl.

After professional hitman Jef Costello is seen by witnesses his efforts to provide himself an alibi drive him further into a corner.

A winner of awards across the world including Best Foreign Language Film Oscar, 5 BAFTA Awards including Best Actor, Original Screenplay and Score, the Grand Prize of the Jury at the Cannes Film Festival and many more.

Giuseppe Tornatore's loving homage to the cinema tells the story of Salvatore, a successful film director, returning home for the funeral of Alfredo, his old friend who was the projectionist at the local cinema throughout his childhood. Soon memories of his first love affair with the beautiful Elena and all the highs and lows that shaped his life come flooding back, as Salvatore reconnects with the community he left 30 years earlier.

Yuddy, a Hong Kong playboy known for breaking girls' hearts, tries to find solace and the truth after discovering the woman who raised him isn't his mother.

In an underwater city, a young girl takes care of a large egg she holds carefully in her arms. A boy with a gun arrives in search of a bird he saw in his dream. At first, it seems as if feelings of sympathy are developing between the two.

Forty years after the film’s original release, Anime Limited is proud to present an all-new 4K restoration of the film, supervised by director Mamoru Oshii, in cinemas nationwide for the very first time.

The film is a creative collaboration between acclaimed director Mamoru Oshii (Ghost in the Shell), who wrote and directed the feature, and revered artist Yoshitaka Amano (Final Fantasy, Vampire Hunter D). The film beautifully intertwines Oshii’s thematic reflections on philosophy and theology with Amano’s distinctive ink painting style, culminating in an arrestingly beautiful hand-drawn allegorical fantasy.

A mysteriously linked pair of young women find their daily lives pre-empted by a strange boudoir melodrama that plays itself out in a hallucinatory parallel reality. An undisputed classic of the French New Wave, Jacques Rivette's Celine and Julie Go Boating is a delightful movie about the spiritual journey of a pair of young women, told with a playful approach to the cinematic form. A masterpiece of cinematic creativity, Rivette, the same mind behind 1969's L'amour fou, effortlessly draws the viewer into the whimsical world of the titular protagonists.

Hollywood has had its fair share of power couples; husband and wife duos that have each enjoyed illustrious careers in the film industry. In France, one of the most noteworthy marital unions occurred when Jacques Demy and Agnès Varda tied the knot in 1962. Distinguished filmmakers in their own right, the couple enjoyed nearly 30 years together until Demy died in 1990. Following his death, Varda constructed a documentary paying tribute to the work of her husband and highlighting his place in the history of film.

Keong comes from Hong Kong to visit New York for his uncle's wedding. His uncle runs a market in the Bronx, and Keong offers to help out while Uncle is on his honeymoon. During his stay in the Bronx, Keong befriends a neighbour kid and beats up some neighbourhood thugs who cause problems at the market. One of those petty thugs in the local gang stumbles into a criminal situation way over his head.

Iconic and game-changing, AKIRA is the definitive anime masterpiece! Katsuhiro Otomo's landmark cyberpunk classic obliterated the boundaries of Japanese animation and forced the world to look into the future. AKIRA's arrival shattered traditional thinking, creating space for future generations of ground-breaking movies.

July, 1988 - World War III breaks loose. Then, in 2019, in megalopolis Tokyo...As the leader of a group of young robust delinquents, Kaneda spent his nights tearing through the urban wastes, racing his motorbike against rival groups. One night while riding with his gang, his friend Tetsuo suddenly encounters a strange boy - the product of human experimentation and is injured in the ensuing crash. Shortly thereafter, a military squadron appears on the scene to take the boy and Tetsuo away to an army research facility. Determined to free Tetsuo from capture, Kaneda sneaks into the army research lab. However, a regimen of extreme experimental procedures has awakened a new power in his friend, and now he is consumed by madness..

23-year-old Amélie is lonely. After an isolating childhood, she moves to Paris and becomes a waitress at the Café des Deux Moulins, a bar restaurant filled with a colourful cast of diners and employees. One night, Amélie happens across a box of treasures hidden in her apartment, left by a little boy in the Fifties, that changes the course of her life. Henceforth, she dedicates herself to giving back to her community, tracking down the owner of these keepsakes, consoling a widowed neighbour and befriending a reclusive artist. When completing these good deeds, she crosses paths with Nino, a photobooth collagist who shares her oddball sensibilities. She quickly falls in love with him.  

Sergei Parajanov's celebrated masterpiece paints an astonishing portrait of the 18th century Armenian poet Sayat Nova, the 'King of Song'. Parajanov's aim was not a conventional biography but a cinematic expression of his work, resulting in an extraordinary visual poem. Key moments in his subject's life are illustrated through a series of exquisitely orchestrated tableaux filled with rich colour and stunning iconography, each scene a celluloid painting alive with stylised movement.

Andrei Tarkovsky’s visionary final film unfolds in the hours before a nuclear holocaust. Erland Josephson, in an award-winning role, plays retired actor Alexander who is celebrating his birthday with family and friends when a crackly TV announcement warns of an imminent nuclear catastrophe.

Alexander makes a promise to God that he will sacrifice all he holds dear, if the disaster can be averted. The next day dawns and, as if in a dream, everything is restored to normality. But Alexander must keep his vow.

Among many other awards, The Sacrifice won the Cannes Grand Prix in 1986, the same year that Tarkovsky died of cancer in Paris at the age of 54.

Documentary filmmaker Mark Lewis joins us for a Double Feature of CANE TOADS: AN UNNATURAL HISTORY and ANIMALICIOUS, followed by a Live Q&A.

CANE TOADS: AN UNNATURAL HISTORY (1988): Mark Lewis takes the nature documentary into new realms of the humorous, surreal, and downright bizarre with this stranger-than-fiction tale of the ultimate environmental self-own. The cane toad—Bufo marinus, a species native to Central America—was imported by the sack-load to Australia in 1935 in an attempt to rid the country of the greyback beetle, which was rapidly destroying the sugarcane crop. The toads adapted beautifully to their new surroundings. Problem was, the beetle could fly and they couldn’t. What the cane toad is unusually proficient at, however, is making more cane toads—thousands upon thousands more. CANE TOADS: AN UNNATURAL HISTORY tells the wild story of this amphibious assault—warts and all.

ANIMALICIOUS (1999): A film about fate, coexistence, vanity, justice, karma, and forgiveness, ANIMALICIOUS collects six stories of people and the animals that shot them, fell on them, and generally brought mayhem of one sort or another to their lives. Filmed in Kentucky, Missouri, and England, ANIMALICIOUS features a bomb-diving duck, a squirrel that thinks it’s landed on Normandy Beach, a hawk that could easily work for a hair-growth pharmaceutical company, a parakeet, a turkey, a hungry snake, and one tiny dog. With his typically wry humor, director Mark Lewis uncovers the comic and quizzical relationships that exist between people and creatures great and small.

A father and his son arrive at a rave deep in the mountains of southern Morocco, searching for Mar, their missing daughter and sister. Surrounded by electronic music and a raw, unfamiliar sense of freedom, they follow a group of ravers heading to one last party in the desert. As they venture deeper into the burning wilderness, the journey forces them to confront their own limits.

An assassin goes through obstacles as he attempts to escape his violent lifestyle despite the opposition of his partner, who is secretly attracted to him.

For kids around the world, music is often the only salvation when the pain and anxiety of teenage life becomes too much to bear. Yuichi (Hayato Ichihara) is in the 8th grade and he worships Lily Chou-Chou, a Bjork-like chanteuse whose epic music is lush and transcendent. Yuichi only lives for Lily Chou-Chou's big Tokyo concert, where the lies and violence can be washed away by the presence of his goddess and her powerful music. But fate has yet another obstacle in store for Lily's devoted fan.

Introduction by film writer Sophie Monks Kaufman

In Rainer Werner Fassbinder’s French New Wave inspired directorial debut, he stars as Franz, a small-time pimp who finds himself in an offbeat love triangle between prostitute Joanna and handsome gangster Bruno, played by frequent Fassbinder collaborators Hanna Schygulle and Ulli Lommel. When Bruno fails to recruit Franz into his crime syndicate, the three strike up an unlikely allegiance, muddying romantic boundaries as they drift through the streets of Munich, plotting varying degrees of criminal activities. Detached, cool, and branded dilettantism at its Berlinale premiere, Love is Colder Than Death is a nihilistic and impulsive portrait of the relationship between three unanchored criminals. 

Love is Colder Than Death is featured as part of Gangsters Have Feelings Too, a season exploring the sensitive gangster film. The season is presented with the National Film and Television School’s Film Studies, Programming and Curation MA.

Filmmaker Genya Tachibana begins work on a documentary about famed Japanese actress Chiyoko Fujiwara. Now well into old age, Chiyoko has become reclusive and shy about any publicity, but she eventually warms up to Tachibana and starts to relate her life story. As the decades pass, Chiyoko is transformed from a teen with big dreams into a full-blown celebrity, while her cinematic characters span various eras, from ancient Japan to the distant future.

The extraordinary, internationally embraced Yi Yi (A One and a Two . . .), directed by the late Taiwanese master Edward Yang, follows a middle-class family in Taipei over the course of one year, beginning with a wedding and ending with a funeral. Whether chronicling middle-age father NJ’s tentative flirtations with an old flame or precocious young son Yang-Yang’s attempts at capturing reality with his beloved camera, the filmmaker deftly imbues every gorgeous frame with a compassionate clarity. Warm, sprawling, and dazzling, this intimate epic is one of the undisputed masterworks of the new century.

4K digital restoration carried out by Pony Canyon Inc., with analog and digital processes provided by Imagica Entertainment Media Services, Inc.

The tale of an eccentric band of culinary ronin who guide the widow of a noodle-shop owner on her quest for the perfect recipe, this rapturous “ramen western” by Japanese director Juzo Itami is an entertaining, genre-bending adventure underpinned by a deft satire of the way social conventions distort the most natural of human urges—our appetites. Interspersing the efforts of Tampopo (Nobuko Miyamoto) and friends to make her café a success with the erotic exploits of a gastronome gangster and glimpses of food culture both high and low, the sweet, sexy, and surreal Tampopo is a lavishly inclusive paean to the sensual joys of nourishment, and one of the most mouthwatering examples of food on film ever made.

"THE COLOUR OF ILLUSION IS PERFECT BLUE"

A young Japanese singer is encouraged by her agent to quit singing and pursue an acting career, beginning with a role in a murder mystery TV show.

After finishing up the school term in a remote outback town, teacher John Grant (Gary Bond) looks forward to spending his holiday with his girlfriend in Sydney. But John gets waylaid in a mining town where a gambling spree leaves him completely broke. He quickly falls in with the hard-drinking locals, who constantly ply him with alcohol and force him to participate in a gruesome kangaroo hunt. Disgusted, John tries to hitchhike out of town and, when that fails, begins to contemplate suicide.

Scientist Shane Brown (Vincent Gallo) neglects his new bride (Tricia Vessey), instead spending their honeymoon searching for an old colleague who disappeared after a research paper he had written was discredited by the medical community. It turns out that Dr. Semeneau is living in obscurity in order to protect his wife (Béatrice Dalle), whom he keeps prisoner in a room with boards nailed across the doorway. The narrative unfolds the dark secret that drives each party.

A woman's lover and her ex-boyfriend take justice into their own hands after she becomes the victim of a rapist. Because some acts can't be undone. Because man is an animal. Because the desire for vengeance is a natural impulse. Because most crimes remain unpunished.

After an abandoned boat sails into New York harbor with a zombie aboard, a reporter teams up with the daughter of the boat's missing captain to investigate the island where he was last seen conducting research—the site of an alleged zombie outbreak.

Legendary comedian and TV host turned director Takeshi Kitano writes, directs, and stars in his first and only American co-production. Disgraced yakuza Yamamoto (Kitano) seeks refuge in Los Angeles, reconnecting with his younger half-brother Ken (Claude Maki) after his clan suffered defeat at the hands of a rival gang back in Tokyo. Cool and detached, Brother marries Japanese and American disillusionment in Kitano’s signature violent minimalist style through the growing bonds between Yamamoto and the multinational gang that he cultivates in L.A. 

Brother is featured as part of Gangsters Have Feelings Too, a season exploring the sensitive gangster film. The season is presented with the National Film and Television School’s Film Studies, Programming and Curation MA.

Still censored in its own country, In the Realm of the Senses (Ai no corrida), by Japanese director Nagisa Oshima, remains one of the most controversial films of all time. A graphic portrayal of insatiable sexual desire, Oshima’s film, set in 1936 and based on a true incident, depicts a man and a woman (Tatsuya Fuji and Eiko Matsuda) consumed by a transcendent, destructive love while living in an era of ever-escalating imperialism and governmental control. Less a work of pornography than of politics, In the Realm of the Senses is a brave, taboo-breaking milestone.

Content Warning: This film contains scenes of graphic sex and violence. Further information about content and age-appropriateness for specific films can be found on Common Sense Media, IMDb and DoesTheDogDie.com, as well as through general internet searches.

While a married couple (Willem Dafoe, Charlotte Gainsbourg) is having sex, their infant son in a nearby room falls out a window to his death. She becomes distraught and is hospitalized, but her husband, who is a psychiatrist, attempts to treat her. Deciding that she needs to face her fears, he takes her to a cabin in the woods where she spent a previous summer with the boy. Once they are there, she becomes more unhinged and starts perpetrating sexual violence on her husband and herself.

Newly restored in 4K, DOGTOOTH follows a controlling, manipulative father who locks his three adult children in a state of perpetual childhood by keeping them prisoner within the sprawling family compound.

On the planet Ygam, the Draags, extremely technologically and spiritually advanced blue humanoids, consider the tiny Oms, human beings descendants of Terra's inhabitants, as ignorant animals. Those who live in slavery are treated as simple pets and used to entertain Draag children; those who live hidden in the hostile wilderness of the planet are periodically hunted and ruthlessly slaughtered as if they were vermin.

Winner of the Palme d’Or at the 1997 Cannes Film Festival, Iranian auteur Abbas Kiarostami’s _Taste of Cherry_ is an emotionally complex meditation on life and death. Middle-aged Mr. Badii (Homayoun Ershadi) drives through the hilly outskirts of Tehran—searching for someone to rescue or bury him.

Four corrupted fascist libertines round up 9 teenage boys and girls and subject them to 120 days of sadistic physical, mental and sexual torture.

Discover the brilliance of this heartwarming coming-of-age classic from the legendary Studio Ghibli, creators of My Neighbour Totoro and the Academy Award®-winning Spirited Away.

A chance encounter with a mysterious cat sends Shizuku, a girl with her head in the clouds, on a quest for her true talent. Together with Seiji, a boy determined to follow his dreams, and enchanted by The Baron, an antique cat figurine who guides her to listen to the whispers of her heart, Shizuku embarks on a life-changing adventure that takes her beyond the boundaries of her imagination. Based on a screenplay and storyboards from Hayao Miyazaki, WHISPER OF THE HEART is a precious gem in the Studio Ghibli catalogue, directed by veteran animator Yoshifumi Kondo.

Dae-Su is an obnoxious drunk bailed from the police station yet again by a friend. However, he's abducted from the street and wakes up in a cell, where he remains for the next 15 years, drugged unconscious when human contact is unavoidable, otherwise with only the television as company. And then, suddenly released, he is invited to track down his jailor with a denouement that is simply stunning.

This widely acclaimed film from Soviet director Elem Klimov is a stunning, senses-shattering plunge into the dehumanizing horrors of war. As Nazi forces encroach on his small village in present-day Belarus, teenage Flyora (Aleksei Kravchenko, in one of the screen’s most searing depictions of anguish since Renée Falconetti’s Joan of Arc) eagerly joins the Soviet resistance. Rather than the adventure and glory he envisioned, what he finds is a waking nightmare of unimaginable carnage and cruelty—rendered with a feverish, otherworldly intensity by Klimov’s subjective camerawork and expressionistic sound design. Nearly suppressed by Soviet censors who took eight years to approve its script, Come and See is perhaps the most visceral, impossible-to-forget antiwar film ever made.

In a corrupt, greed-fueled world, a powerful alchemist leads a messianic character and seven materialistic figures to the Holy Mountain, where they hope to achieve enlightenment.

Directed by visionary science-fiction animator René Laloux (Fantastic Planet) and designed by the legendary Jean Giraud (a.k.a. Mœbius) The Time Masters is a visually fantastic foray into existentialist space adventure. After his parents are killed on the dangerous planet Perdide, young Piel (voiced by Frédéric Legros) survives by maintaining radio contact with Jaffar (Jean Valmont), a pilot transporting the exiled Prince Matton (Yves-Marie Maurin) and Princess Belle (Monique Thierry) from their former kingdom. Jaffar seeks the help of Silbad (Michel Elias), a cheerful old-timer who knows how to circumvent Perdide’s hazards, including brain-devouring insects and watery graves. Along the way, Jaffar and company encounter a pair of impish homunculi stowaways, identity-less angels controlled by an amorphous hive mind, and the Masters of Time, mysterious beings who can bend reality and perhaps reveal to the heroes their secret origins and destinies.

Restored in 4K in 2023 at the initiative of CITE FILMS in collaboration with the Fondazione Cineteca di Bologna and with the support of the CNC

EVANGELION: DEATH (TRUE)²: A recap of the first 24 episodes of Neon Genesis Evangelion. Fifteen years after the Second Impact, apathetic teen Shinji joins his father's group NERV to fight the Angels. But the truth may destroy them all.

THE END OF EVANGELION: Concurrent theatrical ending of the TV series Neon Genesis Evangelion (1995). Seele orders an all-out attack on NERV, aiming to destroy the Evas before Gendo can trigger Third Impact and Instrumentality under his control.

With an arresting mix of eroticism and horror, Oshima plunges the viewer into a nightmarish tale of guilt and retribution in Empire of Passion (Ai no borei). Set in a Japanese village at the end of the nineteenth century, the film details the emotional and physical downfall of a married woman and her younger lover following their decision to murder her husband and dump his body in a well. Empire of Passion was Oshima's only true kaidan (Japanese ghost story), and the film, a savage, unrelenting experience, earned him the best director award at the Cannes Film Festival.

The story of a teenage boy named Yu, who falls for Yoko, a girl he runs into while working as an "up-skirt" photographer in an offshoot of the porn industry. His attempts to woo her are complicated by a spot of cross-dressing – which convinces Yoko that she is lesbian – dalliances with kung-fu and crime, and a constant struggle with the guilt that's a legacy of his Catholic upbringing.

Contains very strong bloody violence and sex references
 

After realizing that all world is spoiled, Marie and Marie are committed to be spoiled themselves. They rip off older men, feast in lavish meals and do all kinds of mischief. But what is all this leading to?

An entire civilisation must confront its destiny in alternative-animation pioneer René Laloux's final feature, a cult classic of mind-bending science fiction. In a distant world, a merciless army of automata attacks Gandahar, turning its peace-loving people to stone. Hoping to discover the source of these Men of Metal, a council of matriarchs enlists the brave yet inexperienced warrior Sylvain (Pierre-Marie Escourro), who, while journeying through his planet's outer regions, teams up with the Deformed, a race cast out from Gandahar after failed science experiments rendered them mutants. Soon, Sylvain learns that a gargantuan brain called Metamorphis (Georges Wilson) is responsible for his utopian society's strife and—together with the beautiful Airelle (Catherine Chevallier)—travels through time to defeat him, in the process risking their lives and Gandahar's very existence. Featuring stunningly surreal creatures and wondrously bizarre environments designed by renowned comic-book artist Caza, Gandahar is a visceral, visionary head-trip in which animation opens a gateway to the furthest reaches of the imagination.

From the creators of Spirited Away and Ponyo, and Academy Award®-nominated director Hiromasa Yonebayashi, comes a gorgeous and adventure-filled adaptation of The Borrowers, one of the most beloved children’s books of all time.
 
In a secret world hidden beneath the floorboards, tiny people called Borrowers live out of sight of humans. But when brave Arrietty is out gathering supplies, she is discovered by Shawn, a human boy, and they begin to form a friendship that blossoms into a heartwarming adventure.

A detective starts spiraling out of control when a wave of gruesome murders with seemingly similar bizarre circumstances are sweeping Tokyo.

Mr. Watanabe suddenly finds that he has terminal cancer. He vows to make his final days meaningful. His attempts to communicate his anguish to his son and daughter-in-law lead only to heartbreak. Finally, inspired by an unselfish co-worker, he turns his efforts to bringing happiness to others by building a playground in a dreary slum neighborhood. When the park is finally completed, he is able to face death with peaceful acceptance.

Clumsy Monsieur Hulot (Jacques Tati) finds himself perplexed by the intimidating complexity of a gadget-filled Paris. He attempts to meet with a business contact but soon becomes lost. His roundabout journey parallels that of an American tourist (Barbara Dennek), and as they weave through the inventive urban environment, they intermittently meet, developing an interest in one another. They eventually get together at a chaotic restaurant, along with several other quirky characters.

Art versus commerce, friendship versus status, independence versus conformity—values clash and collide in Edward Yang's study of an increasingly Westernized country heading into the twenty-first century without moral guideposts. Moving from breakout hit A Brighter Summer Day's investigation of the past to a critical survey of the present, A Confucian Confusion charts the tangled web of emotional and professional manipulations among a group of young urbanites. At its center is Molly (Ni Shu-chun), director of a floundering public-relations firm. Alienated by the childish fiancé (Bosen Wang) who bankrolls her enterprise—and frustrated by the demands of an assistant, Qiqi (Chen Shiang-chyi), and her own fiancé, Ming (Wang Wei-ming)—Molly lashes out at everyone in her path and threatens to dismantle the company altogether. Meanwhile (amid several other subplots), Molly's talk-show-host sister (Chen Li-mei) attempts to dissuade her separated husband from continuing to write a dark novel about the return of Confucius to a jaded modern society. Injecting comedic elements into his patented brand of earnest soul-searching, Yang finds humor as well as pathos in the desperate behavior of a lost and lonely generation.

On the verge of turning thirty, Julie is faced with a series of choices that force her to pursue new perspectives on her life in contemporary Oslo. Over the course of four years, she navigates love affairs and existential uncertainty as she starts deciding who she wants to become.

Wong Kar Wai’s loose sequel to In the Mood for Love combines that film’s languorous air of romantic longing with a dizzying time-hopping structure and avant-sci-fi twist. Tony Leung Chiu Wai reprises his role as writer Chow Mo-Wan, whose numerous failed relationships with women who drift in and out of his life (and the one who goes in and out of room 2046, down the hall from his apartment) inspire the delirious futuristic love story he pens. 2046’s dazzling fantasy sequences give Wong and two of his key collaborators—cinematographer Christopher Doyle and editor/costume designer/production designer William Chang Suk Ping—license to let their imaginations run wild, propelling the sumptuous visuals and operatic emotions skyward toward the sublime.

An angelically beautiful Catherine Deneuve was launched to stardom by this dazzling musical heart-tugger from Jacques Demy. She plays an umbrella-shop owner’s delicate daughter, glowing with first love for a handsome garage mechanic, played by Nino Castelnuovo. When the boy is shipped off to fight in Algeria, the two lovers must grow up quickly. Exquisitely designed in a kaleidoscope of colors, and told entirely through the lilting songs of the great composer Michel Legrand, The Umbrellas of Cherbourg is one of the most revered and unorthodox movie musicals of all time.

Felicie and Charles have a whirlwind holiday romance. Due to a mix-up on addresses they lose contact, and five years later at Christmas-time Felicie is living with her mother in a cold Paris with a daughter as a reminder of that long-ago summer. For male companionship she oscillates between hairdresser Maxence and the intellectual Loic, but seems unable to commit to either as the memory of Charles and what might have been hangs over everything.

Two angels, Damiel (Bruno Ganz) and Cassiel (Otto Sander), glide through the streets of Berlin, observing the bustling population, providing invisible rays of hope to the distressed but never interacting with them. When Damiel falls in love with lonely trapeze artist Marion (Solveig Dommartin), the angel longs to experience life in the physical world, and finds--with some words of wisdom from actor Peter Falk (playing himself) -- that it might be possible for him to take human form.

In this Japanese animation, cyborg federal agent Maj. Motoko Kusanagi (Mimi Woods) trails "The Puppet Master" (Abe Lasser), who illegally hacks into the computerized minds of cyborg-human hybrids. Her pursuit of a man who can modify the identity of strangers leaves Motoko pondering her own makeup and what life might be like if she had more human traits. With her partner (Richard George), she corners the hacker, but her curiosity about her identity sends the case in an unforeseen direction.

Set in feudal Japan, this film presents an intriguing tale of violent crime in the woods, told from the perspective of four different characters -- a bandit, a woman, her husband and a woodcutter. Only two things about the incident seem to be clear -- the woman was raped and her husband is now dead. However, the other elements radically differ as the four participants and/or witnesses relate their own stories (with the dead man, eerily enough, speaking through a medium). As each account is revealed, what seemed black-and-white turns to various hues of gray, leading to surprising -- and confounding -- revelations.