The story of a teenage boy named Yu, who falls for Yoko, a girl he runs into while working as an "up-skirt" photographer in an offshoot of the porn industry. His attempts to woo her are complicated by a spot of cross-dressing – which convinces Yoko that she is lesbian – dalliances with kung-fu and crime, and a constant struggle with the guilt that's a legacy of his Catholic upbringing.

Contains very strong bloody violence and sex references
 

A detective starts spiraling out of control when a wave of gruesome murders with seemingly similar bizarre circumstances are sweeping Tokyo.

Hirayama is content with his life as a toilet cleaner in Tokyo. Outside of his structured routine, he cherishes music on cassette tapes, books, and taking photos of trees. Through unexpected encounters, he reflects on finding beauty in the world.

Set in a POW camp in Japanese-occupied Java circa 1942, the film explores the relationship between British prisoners and their captors. Lt. Col. John Lawrence (Tom Conti), the lone Japanese speaker among the interned British, tries to negotiate an uneasy equilibrium within the camp, which is overseen by the vicious Capt. Yanoi (Ryuichi Sakamoto). An ardent follower of the Bushido moral code, his eye is unexpectedly caught by the arrival Maj. Jack “Strafer” Celliers (David Bowie), an insolent and rabble-rousing new prisoner. Could Yanoi’s fascination with Celliers change everything? Merry Christmas, Mr. Lawrence has endured as a deeply moving anti-war statement, as well as a thoughtful exploration of national and sexual identity.

Set in feudal Japan, this film presents an intriguing tale of violent crime in the woods, told from the perspective of four different characters -- a bandit, a woman, her husband and a woodcutter. Only two things about the incident seem to be clear -- the woman was raped and her husband is now dead. However, the other elements radically differ as the four participants and/or witnesses relate their own stories (with the dead man, eerily enough, speaking through a medium). As each account is revealed, what seemed black-and-white turns to various hues of gray, leading to surprising -- and confounding -- revelations.

Harry Kilmer returns to Japan in order to save his friend's daughter. Things take a turn when he learns that she has been kidnapped by the Yakuza, the notorious Japanese mafia.

A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin's resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's “Macbeth” in feudal Japan is one of his most acclaimed films.

Filmmaker Katsuhito Ishii takes a break from the post-Tarantino excess of such highly-stylized outings as Shark Skin Man and Peach Hip Girl for this low-key look at an eccentric family residing in a quiet countryside town just north of Tokyo.

The Haruno family is a five-piece clan living the simple life in Japan. The summer sun shining gently down, this quiet quintet is transformed into a six-piece when urban-dwelling uncle Ayano (Tadanobu Asano), a successful music producer, arrives to visit his family and confront his feelings for the ex-girlfriend who married another man after Ayano moved to the city.

As the lazy days pass by, each member of the family is followed in a series of episodic vignettes.

Godzilla is the roaring granddaddy of all monster movies. It’s also a remarkably humane and melancholy drama, made in Japan at a time when the country was reeling from nuclear attack and H-bomb testing in the Pacific. Its rampaging radioactive beast, the poignant embodiment of an entire population’s fears, became a beloved international icon of destruction, spawning almost thirty sequels.