When bratty 8-year-old Kevin McCallister (Macaulay Culkin) acts out the night before a family trip to Paris, his mother (Catherine O'Hara) makes him sleep in the attic. After the McCallisters mistakenly leave for the airport without Kevin, he awakens to an empty house and assumes his wish to have no family has come true. But his excitement sours when he realizes that two con men (Joe Pesci, Daniel Stern) plan to rob the McCallister residence, and that he alone must protect the family home.

'Tis the season for love, laughter, and one of the most cherished stories of all time! Join Kermit the Frog, Miss Piggy, and all the hilarious Muppets in this merry, magical version of Charles Dickens' classic tale. Academy Award® winner Michael Caine (Best Supporting Actor) gives a performance that's anything but "bah, humbug!" as greedy, penny-pinching Ebenezer Scrooge. One fateful Christmas Eve, Scrooge is visited by the Ghosts of Christmas Past, Present, and Future. Together with kind, humble Bob Cratchit (Kermit the Frog) and his family, the Spirits open Scrooge's eyes -- and his heart -- to the true meaning of Christmas. Filled with original music and dazzling special effects, THE MUPPET CHRISTMAS CAROL will become a holiday tradition your family will treasure all the days of the year.

Featuring the film’s famous long-lost song ‘When Love is Gone’!

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As always you can expect SING ALONG performances of this new version of THE MUPPET CHRISTMAS CAROL this Christmas - and now we don't need to pretend that we weren't going to just play the lost scene regardless! Performances will feature a Hosted Pre-Show with our very own Father Christmas, where you will be prepped on what to do throughout the film. Costumes aren't mandatory, but 'Tis the season, and we love seeing you dressed up in your favourite Christmas Jumpers! All this, and a few more surprises up our sleeves, makes this one of the must-see events this Christmas!

If you're wanting to Sing Along with The Muppet Christmas Carol, simply book for the performances marked SING ALONG [it's next to the start time]. All other screenings will be regular performances, and nothing will be written next to the start time. 

Screenings from both 35mm and Digital. 35mm performances will be noted next to the time. If there is no note next to the time, the performance is Digital.

Beset with personal and professional problems, George Bailey finds his previously happy life falling apart around him on Christmas Eve. Seeing no way out, George considers suicide from the edge of a bridge ­ but Clarence, his guardian angel, intervenes and shows George what his beloved hometown of Bedford Falls would be like without him. 
 

ALL NIGHTER : FAQs, HOUSE RULES & TIPS

Please Note: We will have a late licence on the night, and the bar will close at 2am.

We know, Christmas isn't for everyone. If you are one of those dark souls who likes something a little different during the most wonderful time of the year, join us for A NOT-SO-CHRISTMAS MYSTERY CHRISTMAS MOVIE MARATHON. Featuring 5 random Alt-Christmas flicks in one night, it will be sure to please! No Clues! No Hints! No Refunds!

Tickets are only £20 Non-Members / £17.50 Members!

That's an incredible deal for 5 films; so why not take a chance and let a little mystery into your life!?!

A NOT-SO-CHRISTMAS MYSTERY CHRISTMAS MOVIE MARATHON line-up
• MYSTERY MOVIE 1
• MYSTERY MOVIE 2
• MYSTERY MOVIE 3
• MYSTERY MOVIE 4
• MYSTERY MOVIE 5

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NO ADMISSIONS TO THE CINEMA AFTER MIDNIGHT

NO ALCOHOL PURCHASED FROM OUTSIDE IS PERMITTED IN THE BUILDING!

AGE RESTRICTIONS: This event is strictly 18+

All Nighter Rules & FAQ re: Etiquette, Food, Alcohol etc

Please Note: We will have a late licence on the night, and the bar will close at 2am.

THE ALL-NIGHTER IS DUE TO END APPROX 09:00am.

AS TEARS GO BY (1988): A low-level triad "big brother" has a hot-tempered "little brother" who can't keep out of trouble, and consequently is in constant need of being bailed out by his protector. The "big brother" is super cool, but lacks the ambition to rise in the ranks of the triad societies - and once he meets his cousin frm Kowloon and falls in love with her, he even thinks about leaving "the life"

CHUNGKING EXPRESS (1994): The whiplash, double-pronged "Chungking Express" is one of the defining works of nineties cinema and the film that made Hong Kong filmmaker Wong Kar Wai an instant icon. Two heartsick Hong Kong cops (Takeshi Kaneshiro and Tony Leung), both jilted by ex-lovers, cross paths at the Midnight Express take-out restaurant stand, where the ethereal pixie waitress Faye (Faye Wong) works. Anything goes in Wong’s gloriously shot and utterly unexpected charmer, which cemented the sex appeal of its gorgeous stars and forever turned canned pineapple and the Mamas and the Papas’ “California Dreamin’” into tokens of romantic longing.

FALLEN ANGELS (1997): Lost souls reach out for human connection amidst the glimmering night world of Hong Kong in Wong Kar Wai’s hallucinatory, neon-soaked nocturne. Originally conceived as a segment of Chungking Express only to spin off on its own woozy axis, this hyper-cool head rush plays like the dark, moody flip side to Wong’s breakout feature as it charts the subtly interlacing fates of a handful of urban loners, including a coolly detached hitman (Leon Lai) looking to go straight, his business partner (Michelle Reis) who secretly yearns for him, and a mute delinquent (Takeshi Kaneshiro) who wreaks mischief by night. Swinging between hardboiled noir and slapstick lunacy with giddy abandon, Fallen Angels is both a dizzying, dazzling city symphony and a poignant meditation on love, loss, and longing in a metropolis that never sleeps.

DAYS OF BEING WILD (1990): Wong Kar Wai’s breakthrough sophomore feature represents the first full flowering of his swooning signature style. The first film in a loosely connected, ongoing cycle that includes In the Mood for Love and 2046, this ravishing existential reverie is a dreamlike drift through the Hong Kong of the 1960s in which a band of wayward twenty-somethings—including a disaffected playboy (Leslie Cheung) searching for his birth mother, a lovelorn woman (Maggie Cheung) hopelessly enamored with him, and a policeman (Andy Lau) caught in the middle of their turbulent relationship—pull together and push apart in a cycle of frustrated desire. The director’s inaugural collaboration with both cinematographer Christopher Doyle, who lends the film its gorgeously gauzy, hallucinatory texture, and actor Tony Leung, who appears briefly in a tantalizing teaser for a never-realized sequel, Days of Being Wild is an exhilarating first expression of Wong’s trademark themes of time, longing, dislocation, and the restless search for human connection.

IN THE MOOD FOR LOVE (2000): Hong Kong, 1962: Chow Mo-wan (Tony Leung Chiu-wai) and Su Li-zhen (Maggie Cheung Man-yuk) move into neighboring apartments on the same day. Their encounters are formal and polite—until a discovery about their spouses creates an intimate bond between them. At once delicately mannered and visually extravagant, Wong Kar Wai’s In the Mood for Love is a masterful evocation of romantic longing and fleeting moments. With its aching musical soundtrack and exquisitely abstract cinematography by Christopher Doyle and Mark Lee Ping-bin, this film has been a major stylistic influence on the past decade of cinema, and is a milestone in Wong’s redoubtable career.

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NO ALCOHOL PURCHASED FROM OUTSIDE IS PERMITTED IN THE BUILDING!

AGE RESTRICTIONS : This event is strictly 18+