Harry Caul (Gene Hackman), a detached and paranoid surveillance expert who finds himself becoming a victim of the same modern technology he uses to destroy others. It begins with a seemingly routine job trailing an unfaithful wife and her lover. But when Harry visits the husband’s office to deliver the incriminating tapes he’s made of the couple, his client’s assistant tries to intercept him. Harry refuses to hand over the recordings and suddenly discovers that he may have captured a conversation about something that’s a lot more important than adulterous goings on.

The crowning triumph of a career cut tragically short, the final film from Larisa Shepitko won the Golden Bear at the 1977 Berlin Film Festival and went on to be hailed as one of the finest works of late Soviet cinema. In the darkest days of World War II, two partisans set out for supplies to sustain their beleaguered outfit, braving the blizzard-swept landscape of Nazi-occupied Belorussia. When they fall into the hands of German forces and come face-to-face with death, each must choose between martyrdom and betrayal, in a spiritual ordeal that lifts the film's earthy drama to the plane of religious allegory. With stark, visceral cinematography that pits blinding white snow against pitch-black despair, THE ASCENT finds poetry and transcendence in the harrowing trials of war.

A psychologist is sent to a station orbiting a distant planet in order to discover what has caused the crew to go insane.

A cop who loses his partner in a shoot-out with gun smugglers goes on a mission to catch them. In order to get closer to the leaders of the ring he joins forces with an undercover cop who's working as a gangster hitman. They use all means of excessive force to find them.

Please Note: We plan to have the 35mm print of Hard Boiled on site in the New Year to check on its quality, and if we find it is unsuitable for screening, we will switch to the new 4K restoration courtesy of Arrow Films!

When a reporter is assigned to decipher newspaper magnate Charles Foster Kane's (Orson Welles) dying words, his investigation gradually reveals the fascinating portrait of a complex man who rose from obscurity to staggering heights. Though Kane's friend and colleague Jedediah Leland (Joseph Cotten), and his mistress, Susan Alexander (Dorothy Comingore), shed fragments of light on Kane's life, the reporter fears he may never penetrate the mystery of the elusive man's final word, "Rosebud."

* ON SALE 25th MAY *

Although Jo Jo Dancer has achieved success as a stand-up comedian, he hasn't found happiness. After receiving severe burns in a narcotics-related incident, Jo Jo remains in a coma, and, while in this state, he looks back on his life. Drifting off into memories of his troubled childhood, Jo Jo revisits his youth, recalling his eventual rise to fame and the decadence that followed. As he considers his existence, he must decide if he wants to go on living or not.

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin's resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

Johnny (David Thewlis) is a frenetic and destructive outsider who tears through the lives of others like an emotional tornado. On the run from Manchester, he seeks sanctuary with his ex-girlfriend Louise (Lesley Sharp) in London, where he immediately targets her vulnerable housemate Sophie (Katrin Cartlidge) with his unique blend of predatory charm. From there he embarks on a nocturnal odyssey across the city, dragging other disaffected souls into his orbit as he spirals towards his own personal apocalypse.

Mike Leigh’s Cannes-winning film is a masterful, controversial, and totally unforgettable exploration of society in free-fall at the tail end of Thatcher’s Britain.