As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend (Deborah Harry) auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.

The scintillating feature debut of Mary Harron (American Psycho) and one of the most controversial independent films of the 1990s, I Shot Andy Warhol stars an electric Lili Taylor as Valerie Solanas, a militant feminist whose attempted murder of Andy Warhol brought instant fame to her radically anti-male SCUM Manifesto. Dropping out of grad school in the midsixties, the brilliant yet volatile Solanas survived in New York City as a destitute artist, sex worker, and panhandler, soon striking up a friendship with Warhol superstar Candy Darling that brought her briefly into the orbit of the world’s premier pop artist.

With vivid, hallucinatory attention to historical detail, Harron captures the explosive cross-pollination of New York’s political and artistic countercultures as well as the creativity, snobbery, and decadence at the heart of the legendary Factory. Anchored by pitch-perfect performances—and featuring a blistering score by John Cale as well as covers of sixties hits by some of the nineties’ most iconic bands (R.E.M., Wilco)—I Shot Andy Warhol is an incisive portrait of a rebel without an outlet and the soon-to-be-lost generation she came to define.

Don't miss a special preview screening of Jane Schoenbrun's TEENAGE SEX AND DEATH AT CAMP MIASMA at The Prince Charles Cinema on Thursday 13th August. Warm up for this preview screening with a special CAMP MIASMA INSPIRED MYSTERY MOVIE MARATHON curated by Jane Schoenbrun on Saturday 25th July!

Hacks breakout star Hannah Einbinder and, in a playful bit of meta-casting, Gillian Anderson (The X Files, Sex Education) headline this heady, gory slasher homage from writer-director Jane Schoenbrun. Like Schoenbrun’s previous films I Saw the TV Glow and We’re All Going to the World’s Fair, it uses a horror genre lens to explore a rich array of themes and ideas – queer identity and sexuality, memory and nostalgia, the nature of female desire, the state of the entertainment industry – with humour, vulnerability and affection.

After years of slapdash sequels, the Camp Miasma slasher franchise is handed over to an enthusiastic, cerebral young director (Einbinder) – who credits the first film with her own queer awakening – to resurrect. But fantasy and reality collide when she visits the original film’s star (Anderson), now a mysterious recluse living on its old set, and the two women fall into a blood-soaked world of fear, desire and delirium

A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.