* ON SALE 24th MAR *

New York detective John McClane is back and kicking bad-guy butt in the third installment of this action-packed series, which finds him teaming with civilian Zeus Carver to prevent the loss of innocent lives. McClane thought he'd seen it all, until a genius named Simon engages McClane, his new "partner" -- and his beloved city -- in a deadly game that demands their concentration.

Set in the year 20XX, ALL YOU NEED IS KILL follows the story of Rita, a resourceful but isolated young woman volunteering to help rebuild Japan after the mysterious appearance of a massive alien flower known as “ Darol. ” When Darol unexpectedly erupts in a deadly event, unleashing monstrous creatures that decimate the population, Rita is caught in the destruction — and killed. But then she wakes up again. And again. Caught in an endless time loop, Rita must navigate the trauma and repetition of death until she crosses paths with Keiji, a shy young man trapped in the same cycle. Together, they fight to break free from the loop and find meaning in the chaos around them.

Part three of a trilogy. After the Japanese defeat to the Russians in the last episode, Kaji, the Japanese soldier and humanistic protagonist, leads the last remaining men through Manchuria. Intent on returning to his dear wife and his old life, Kaji faces great odds in a variety of different harrowing circumstances as he and his fellow men sneak behind enemy lines.

In the small South American town of Porvenir, four men on the run from the law are offered $10,000 and legal citizenship if they will transport a shipment of dangerously unstable nitroglycerin to an oil well 200 miles away. Led by Jackie Scanlon (Roy Scheider), the men set off on a hazardous journey, during which they must contend with dangerously rocky roads, unstable bridges, and attacks from local guerillas. The four fight for their lives as they struggle to complete their dangerous quest.
 

Experience the UK Premiere of William Friedkin’s white-knuckle thriller SORCERER from a new 4K Restoration! Often hailed as Friedkin’s boldest and most underrated film, don’t miss this explosive classic from a new restoration created from a scan of the 35mm original negative, and using a 1998 35mm print and 2013 video master – both approved by William Friedkin – for colour referencing, on our biggest screen!