A detective starts spiraling out of control when a wave of gruesome murders with seemingly similar bizarre circumstances are sweeping Tokyo.
"THE COLOUR OF ILLUSION IS PERFECT BLUE"
A young Japanese singer is encouraged by her agent to quit singing and pursue an acting career, beginning with a role in a murder mystery TV show.
When a demon takes possession of her, high-school hottie Jennifer (Megan Fox) turns a hungry eye on guys who never stood a chance with her before. While evil Jennifer satisfies her appetite for human flesh with the school's male population, her nerdy friend, Needy (Amanda Seyfried), learns what's happening and vows to put an end to the carnage.
First time father Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child. David Lynch arrived on the scene in 1977, almost like a mystical UFO gracing the landscape of LA with its enigmatic radiance. His inaugural work, "Eraserhead" (1977), stood out as a cinematic anomaly, painting a surreal narrative of a young man navigating a dystopian, industrialized America, grappling not only with his tumultuous home life but also contending with an irate girlfriend and a mutant child.
F. W. Murnau’s 1926 reimagining of the Faustian legend narratively draws upon the dramas of Goethe and Marlowe while blazing with a singular visual power. Epic in scale and breathtakingly fantastical, Faust is propelled by tragic urgency and romance. An ode to the triumphant power of love, this film explores themes that permeate and unite Murnau’s oeuvre. My viola soundtrack combines the expressionistic gestures of central European music from the 1920s with references to the treasure trove of Faust-inspired compositions.
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Max Plays Murnau – UK Tour 2025
Join Hugo Max as he accompanies a daring triptych of films by F. W. Murnau (1888-1931) this spring with live soundtracks on solo viola.
Following the success of his 2024 UK Tour, Max improvises scores to Murnau’s classic Nosferatu (1922), chamber drama The Last Laugh (1924) and epic Faust (1926) at cinemas across the UK. His vivid performances breathe new life into Murnau’s expressionistic imagery.
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A film from the holdings of the Friedrich-Wilhelm-Murnau-Stiftung (www.murnau-stiftung.de) in Wiesbaden.
A dark-haired woman (Laura Elena Harring) is left amnesiac after a car crash. She wanders the streets of Los Angeles in a daze before taking refuge in an apartment. There she is discovered by Betty (Naomi Watts), a wholesome Midwestern blonde who has come to the City of Angels seeking fame as an actress. Together, the two attempt to solve the mystery of Rita's true identity. The story is set in a dream-like Los Angeles, spoilt neither by traffic jams nor smog.
Jodie Foster stars as Clarice Starling, a top student at the FBI's training academy. Jack Crawford (Scott Glenn) wants Clarice to interview Dr. Hannibal Lecter (Anthony Hopkins), a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling, as an attractive young woman, may be just the bait to draw him out.
A puritan police sergeant arrives in a Scottish island village in search of a missing girl, who the pagan locals claim never existed.
In remote Antarctica, a group of American research scientists are disturbed at their base camp by a helicopter shooting at a sled dog. When they take in the dog, it brutally attacks both human beings and canines in the camp and they discover that the beast can assume the shape of its victims. A resourceful helicopter pilot (Kurt Russell) and the camp doctor (Richard Dysart) lead the camp crew in a desperate, gory battle against the vicious creature before it picks them all off, one by one.
Poking around in a church cellar, a priest (Donald Pleasence) finds an otherworldly vial filled with slime. Frightened, he brings his discovery to a circle of top scholars and scientists, who eventually learn that the strange liquid is the essence of Satan. The slime then begins to seep out, turning some of the academics into zombified killers. As the possessed battle the survivors, student Kelly (Susan Blanchard) is infected by a large quantity of the liquid and becomes Satan personified.
When horror novelist Sutter Cane (Jürgen Prochnow) goes missing, insurance investigator John Trent (Sam Neill) scrutinizes the claim made by his publisher, Jackson Harglow (Charlton Heston), and endeavors to retrieve a yet-to-be-released manuscript and ascertain the writer's whereabouts. Accompanied by the novelist's editor, Linda Styles (Julie Carmen), and disturbed by nightmares from reading Cane's other novels, Trent makes an eerie nighttime trek to a supernatural town in New Hampshire.
Phoenix secretary Marion Crane (Janet Leigh), on the lam after stealing $40,000 from her employer in order to run away with her boyfriend, Sam Loomis (John Gavin), is overcome by exhaustion during a heavy rainstorm. Traveling on the back roads to avoid the police, she stops for the night at the ramshackle Bates Motel and meets the polite but highly strung proprietor Norman Bates (Anthony Perkins), a young man with an interest in taxidermy and a difficult relationship with his mother.
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
Things go badly for a hack director and film crew shooting a low budget zombie film in an abandoned WWII Japanese facility when they are attacked by real zombies.
Ashley "Ash" Williams (Bruce Campbell), his girlfriend and three pals hike into the woods to a cabin for a fun night away. There they find an old book, the Necronomicon, whose text reawakens the dead when it's read aloud. The friends inadvertently release a flood of evil and must fight for their lives or become one of the evil dead. Ash watches his friends become possessed, and must make a difficult decision before daybreak to save his own life in this, the first of Sam Raimi's trilogy.
Inconsolable since the death of his wife, Karsh, a prominent businessman, invents a revolutionary and controversial technology that enables the living to monitor their dear departed in their shrouds. One night, multiple graves, including that of Karsh’s wife, are desecrated, and he sets out to track down the perpetrators.
BLEAK WEEK : CINEMA OF DESPAIR is co-presented by the American Cinematheque.
In Joseph Sims-Dennett’s unexpected tale of terror, Grace, a young woman, reluctantly returns to her crumbling hometown, only to discover her brother has mysteriously gone missing. Consumed by guilt, she embarks on a harrowing journey to find him, which leads her deep into the dark wilderness surrounding the town.
Eerie and unsettling from the outset, THE BANISHED is as much an exploration of decaying towns on the fringes of civilization as it is of the dark forces that haunt them. Atmospheric and terrifying, this film ties primal fear to the familiar, uncovering a new strain of horror - one that leaves the cinema and lives with you even when the lights come back own. This is atmospheric, eerie, unnerving horror bolstered by stunning performances that truly deserves to be seen on the big screen.
Also in true Duke fashion playing before the main feature will be a mystery reel of 35mm trailers - what’s on them? Join us as we all find out!
Ash Williams (Bruce Campbell) returns to battle horrifying demons at a secluded cabin in the woods. After discovering an audiotape left by a college professor that contains voices reading from the Book of the Dead, Ash's girlfriend Linda (Denise Bixler) becomes possessed by evil spirits that are awakened by the voices on the tape. Ash soon discovers there is no escaping the woods.
On Sunday 6th October, the short film THE HECKLER (2024) will be presented prior to EVIL DEAD II.
THE HECKLER
Director: Scott Castles & Chevy Mclaren
Starring: Ginnia Cheng, Edward Mannion, Ricardo Freitas, and Chevy Mclaren
UK / 2024 / Comedy/Horror
A failing Stand-up comedian is accosted by a demon Heckler.
One of the most profitable horror movies ever made, this tale of an exorcism is based loosely on actual events. When young Regan (Linda Blair) starts acting odd -- levitating, speaking in tongues -- her worried mother (Ellen Burstyn) seeks medical help, only to hit a dead end. A local priest (Jason Miller), however, thinks the girl may be seized by the devil. The priest makes a request to perform an exorcism, and the church sends in an expert (Max von Sydow) to help with the difficult job.
Ash is transported back to medieval days, where he is captured by the dreaded Lord Arthur. Aided by the deadly chainsaw that has become his only friend, Ash is sent on a perilous mission to recover the Book of the Dead, a powerful tome that gives its owner the power to summon an army of ghouls.
At a party, someone goes insane and murders three women. Falsely accused of the brutal killings, Jerry is on the run. More bizarre homicides continue with alarming frequency all over town. Trying to clear his name, Jerry discovers the shocking truth...people are losing their hair and turning into violent psychopaths and the connection may be some LSD all the murderers took a decade before.
A "metal fetishist" (Shin'ya Tsukamoto), driven mad by the maggots wriggling in the wound he's made to embed metal into his flesh, runs out into the night and is accidentally run down by a Japanese businessman (Tomorowo Taguchi) and his girlfriend (Kei Fujiwara). The pair dispose of the corpse in hopes of quietly moving on with their lives. However, the businessman soon finds that he is now plagued by a vicious curse that transforms his flesh into iron.
When Sally (Marilyn Burns) hears that her grandfather's grave may have been vandalized, she and her paraplegic brother, Franklin (Paul A. Partain), set out with their friends to investigate. After a detour to their family's old farmhouse, they discover a group of crazed, murderous outcasts living next door. As the group is attacked one by one by the chainsaw-wielding Leatherface (Gunnar Hansen), who wears a mask of human skin, the survivors must do everything they can to escape.
As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend (Deborah Harry) auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.